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The Politics of Contemporary Art Biennials - Spectacles of Critique, Theory and Art (Hardcover)
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The Politics of Contemporary Art Biennials - Spectacles of Critique, Theory and Art (Hardcover)
Series: Routledge Advances in Art and Visual Studies
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Contemporary art biennials are sites of prestige, innovation and
experimentation, where the category of art is meant to be in
perpetual motion, rearranged and redefined, opening itself to the
world and its contradictions. They are sites of a seemingly
peaceful cohabitation between the elitist and the popular, where
the likes of Jeff Koons encounter the likes of Guy Debord, where
Angela Davis and Frantz Fanon share the same ground with neoliberal
cultural policy makers and creative entrepreneurs. Building on the
legacy of events that conjoin art, critical theory and
counterculture, from Nova Convention to documenta X, the new
biennial blends the modalities of protest with a neoliberal
politics of creativity. This book examines a strained period for
these high art institutions, a period when their politics are
brought into question and often boycotted in the context of
austerity, crisis and the rise of Occupy cultures. Using the 3rd
Athens Biennale and the 7th Berlin Biennale as its main case
studies, it looks at how the in-built tensions between the domains
of art and politics take shape when spectacular displays attempt to
operate as immediate activist sites. Drawing on ethnographic
research and contemporary cultural theory, this book argues that
biennials both denunciate the aesthetic as bourgeois category and
simultaneously replicate and diffuse an exclusive sociability
across social landscapes.
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