Paul Archambault explores the evolution of Camus' attitude toward
Hellenism and Christianity as seen through his writing. The author
considers problems as disparate as Camus' use and misuse of
Aeschylus and the Presocratics, his ambivalent appraisal of
Socrates, the ""Plotinian"" nature of his aesthetics, his
identification of Christianity with Augustinian theology, and the
Gnostic resonance of his characteristic ideas.
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