This is the first book-length study of the groundbreaking work of
Rey Chow, whose work has transformed the fields of postcolonialism,
cultural studies, film, ethnicity and gender. It describes and
explains the features and the breadth of Chow's interventions and
illustrates Chow's arguments by way of the analysis of a range of
engaging examples drawn from the fields of film, popular music,
identity and popular culture. Chow's work is of interest and
importance to anyone working on questions of international and
transnational film; popular culture; postcolonialism;
poststructuralism; and Chinese, Hong Kong and Asian identity in
different national contexts; as well as sex, gender and ethnic
politics in general. This book elaborates on and illustrates Chow's
fascinating contributions to scholarship and knowledge across many
different fields by arguing that her work can best be understood in
relation to the "projects" of cultural studies and postcolonial
studies. In this way, the work sets out both the enduring
importance of these wider projects and the importance of Rey Chow's
contributions to them.
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