This collection of original essays brings international and
multidisciplinary perspectives to the problem of how to understand
and practice editorial mediation: How does editing alter what it
seeks to represent? How does it condition the relationship between
texts and readers? The different concerns shared by "editors" of a
variety of genres, literary and otherwise, emerge here as
constructive new approaches to the theory and practice of editing
are explored. The essays make a concerted attempt to assess the
implications of postmodern thought on one of the oldest and most
fundamental cultural activities, editing
The section on theory covers such important subjects as editorial
responsibility, the "death of the author," and the nature of the
authorial voice. The practice section covers actual editing
situations in various literary areas and in musicology, recorded
music, and the preservation of oral literature. The
multidisciplinary volume will find its readers among students of
textual criticism, literature, music, and folklore as well as any
readers of postmodern criticism.
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