Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
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Exemplarity and Mediocrity - The Art of the Average from Bourgeois Tragedy to Realism (Hardcover)
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Exemplarity and Mediocrity - The Art of the Average from Bourgeois Tragedy to Realism (Hardcover)
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Following Hegel's analysis of art's increasing difficulty to both
engage and extricate itself from prosaic reality, Paul Fleming
investigates the strategies employed by German literature from 1750
to 1850 for increasingly attuning itself to quotidian life--common
heroes, everyday life, non-extraordinary events--while also
avoiding all notions of mediocrity. He focuses on three sites of
this tension: the average audience (Lessing), the average artist
(Goethe and Schiller), and the everyday, or average life
(Grillparzer and Stifter).
The book's title, "Exemplarity and Mediocrity," describes both a
disjunctive and a conjunctive relation. Read disjunctively, modern
art must display the "exemplary originality" (Kant) that only
genius can provide and is thus fundamentally opposed to mediocrity
as that which does not stand out or lacks distinctiveness; in the
conjunctive sense, modern art turns to non-exceptional life in
order to transform it--without forsaking its commonness--thereby
producing exemplary forms of mediocrity that both represent the
non-exceptional and, insofar as they stand outside the group they
represent, are something other than mediocre.
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