Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Pre-Raphaelite art
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Contraband Guides - Race, Transatlantic Culture, and the Arts in the Civil War Era (Hardcover)
Loot Price: R2,280
Discovery Miles 22 800
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Contraband Guides - Race, Transatlantic Culture, and the Arts in the Civil War Era (Hardcover)
Expected to ship within 12 - 17 working days
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In his best-selling travel memoir, The Innocents Abroad, Mark Twain
punningly refers to the black man who introduces him to Venetian
Renaissance painting as a “contraband guide,” a term coined to
describe fugitive slaves who assisted Union armies during the Civil
War. By means of this and similar case studies, Paul H. D. Kaplan
documents the ways in which American cultural encounters with
Europe and its venerable artistic traditions influenced
nineteenth-century concepts of race in the United States. Americans
of the Civil War era were struck by the presence of people of color
in European art and society, and American artists and authors, both
black and white, adapted and transformed European visual material
to respond to the particular struggles over the identity of African
Americans. Taking up the work of both well- and lesser-known
artists and writers—such as the travel writings of Mark Twain and
William Dean Howells, the paintings of German American Emanuel
Leutze, the epistolary exchange between John Ruskin and Charles
Eliot Norton, newspaper essays written by Frederick Douglass and
William J. Wilson, and the sculpture of freed slave Eugène
Warburg—Kaplan lays bare how racial attitudes expressed in
mid-nineteenth-century American art were deeply inflected by
European traditions. By highlighting the contributions people of
black African descent made to the fine arts in the United States
during this period, along with the ways in which they were
represented, Contraband Guides provides a fresh perspective on the
theme of race in Civil War–era American art. It will appeal to
art historians, to specialists in African American studies and
American studies, and to general readers interested in American art
and African American history.
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