Long before Sam Peckinpah finished shooting his 1973 Western,
"Pat Garrett and Billy the Kid, "there was open warfare between him
and the studio. In this scrupulously researched new book Paul
Seydor reconstructs the riveting history of a brilliant director
fighting to preserve an artistic vision while wrestling with his
own self‑destructive demons. Meticulously comparing the film five
extant versions, Seydor documents why none is definitive, including
the "2005 Special Edition, "for which he served as consultant.
Viewing Peckinpah's last Western from a variety of fresh
perspectives, Seydor establishes a nearly direct line from the book
Garrett wrote after he killed Billy the Kid to Peckinpah's film
ninety-one years later and shows how, even with directors as
singular as this one, filmmaking is a collaborative medium. Art,
business, history, genius, and ego all collide in this story of a
great director navigating the treacherous waters of collaboration,
compromise, and commerce to create a flawed but enduringly powerful
masterpiece.
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