Detailed information on almost all ethnic and vernacular
recordings from many countries on 78rpm is provided in this seminal
work. The current state of discographical research in this wide and
varied field is such that a research tool of this nature is badly
needed. Jesse Walter Fewkes and Mary Hemenway recorded Native
American music as early as 1890; Bela Bartok recorded rural music
in the Balkans; Erich von Hornbostel, the grand old man of
ethnomusicology in Europe, recorded in Southeast Asia. More than
just a discography, this work demonstrates that cultures around the
world and over time have more similarities than differences. A
necessity for scholars, students, archivists, and individual record
collectors and dealers.
The goals of this volume are many and varied: to promote thought
and discussion toward a concise definition of recorded ethnic
music; to assist specialists working on individual discographical
projects; to introduce users to the interconnectedness of cultures
through regional music; to gather heretofore disparate pieces of
information under one cover in a way that for the first time allows
specialists to accurately identify all manner of recordings in many
languages. The four sections of the volume work together for easy
usage through cross referencing. The philosophy behind the volume
was expressed by Rodney Gallop when he remarked that music, for
him, was often the key to the understanding of other cultures.
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