From the earliest of times, coins have been used by states or monarchs to communicate with people; Coins of England is therefore not only a reference book for collectors, but a fascinating snapshot of British history, illuminating its economics, technology, art, politics and religion. As always, the content has been updated and improved throughout by the editors, with numerous new images, revisions of key sections and several thousand price changes reflecting activity in the market over the previous year. This historic reference work for British coins is still the only catalogue to feature every major coin type from Celtic to the Decimal coinage of Queen Elizabeth II, arranged in chronological order and divided into metals under each reign, then into coinages, denominations and varieties. All decimal coinage since 1968 is listed in a second, stand-alone volume. The catalogue includes up-to-date values for every coin, a beginner's guide to coin collecting, numismatic terms explained and historical information about each British coin, from our earliest (Celtic) coins, Roman, Anglo-Saxon and Norman coins, the coins of the Plantagenet Kings, the Houses of Lancaster and York, the Tudors and Stuarts, to the more modern Milled coinage, minted for the first time in 1561 during the reign of Elizabeth I.

This catalogue describes MSS 1-247 and 298 in the Chapter Library of Lincoln Cathedral, plus ten former Lincoln MSS now elsewhere. About half of the MSS were part of the cathedral's medieval Library; nearly all the rest came there before the late seventeenth century. Among the MSS, which date from the eighth to the early sixteenth century, are biblical commentaries and sermons, works of pastoral theology and an important corpus of Middle English texts, including the famous Thornton Romances. A group of MSS written at the Cathedral c.1100 is notable for its distinctive decoration. The Catalogue is preceded by a history of the Cathedral Library, based on the rich documentary evidence, which includes two medieval catalogues. The plates illustrate bindings, ownership marks, important decoration and noteworthy script, including samples from all signed and dated books.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This exhaustive bibliographical reference will be the first stop for anyone looking for Calamity Jane in print, film, or photograph - and wanting to know how reliable those sources may be. Richard W. Etulain, renowned western-U.S. historian and the author of a recent biography of this charismatic figure, enumerates and assesses the most valuable sources on Calamity Jane's life and legend in newspapers, magazines, journals, books, and movies, as well as historical and government archives. Etulain begins with a brief biography of Martha Canary, aka Calamity Jane (1856-1903), then analyzes the origins and growth of her legends. The sources, Etulain shows, reveal three versions of Calamity Jane. In the most popular one, she was a Wild Woman of the Old West who helped push a roaring frontier through its final stages. This is the Calamity Jane who fought Indians, marched with the military, and took on the bad guys. Early in her life she also hoped to embody the pioneer woman, seeking marriage and a stable family and home. A third, later version made of Calamity an angel of mercy who reached out to the poor and nursed smallpox victims no one else would help. The hyperbolic journalism of the Old West, as well as dime novels and the stretchers Calamity herself told in her interviews and autobiography, shaped her legends through much of the twentieth century. Many of the sensational early accounts of Calamity's life, Etulain notes, were based on rumor and hearsay. In illuminating the role of the Deadwood Dick dime novel series and other pulp fiction in shaping what we know - or think we know - of the American West, Etulain underscores one of his fascinating themes: the power of popular culture. The product of twenty years' labor sifting fact from falsehood or distortion, this bibliography and reader's guide includes brief discussions of nearly every item's contents, along with a terse, entertaining evaluation of its reliability.