Avant-garde poet and popular culture icon, Allen Ginsberg has been one of the world's most important writers for over 40 years. This comprehensive bibliography, covering the years 1941 to 1994, was prepared with the cooperation of the poet himself. All books, periodicals, photographs, recordings, films, and miscellaneous appearances are listed here. Entries are grouped in chapters according to type of work, and each entry provides full descriptive bibliographic information.

Allen Ginsberg is perhaps the most famous poet of our time, as well as one of our most prolific writers. His subjects range from Buddhist studies to drug research to gay rights to political issues of every description from Vietnam to censorship. Ginsberg gave the author access to personal files and, as a result, every appearance of Ginsberg's writings in the English language is noted. This bibliography is a comprehensive, descriptive record of all of Ginsberg's works.

The volume contains descriptive annotations of every book, pamphlet, and broadside by Ginsberg. It also contains complete descriptions of every contribution by Ginsberg to the works of others. In addition, all periodical contributions, recordings, films, and miscellaneous publications are listed. Due to Ginsberg's recent acceptance as a photographer of note, a special section identifies all of his published photographs. Entries are arranged in chapters according to the type of work, to facilitate ease of use. As a result, this book presents a history of Ginsberg's works and traces the evolution of his writings over a period of publications and revisions.

The first edition of Daniel Defoe's classic Robinson Crusoe was published in 1719. Since then hundreds of editions have been issued. The objective of Lovett's bibliographical checklist is to list, in chronological order, as many of the English-language editions, including The Farther Adventures of Robinson Crusoe and Serious Reflections of Robinson Crusoe, as could be located to prepare accurate citations. Information is provided on complete and unabridged editions as well as reworded, abridged, and/or children's editions. Each entry provides information on the title permutation, pagination, illustrations, and other information of concern. Access to the materials themselves is augmented by a complete index to publishers of the many editions and revisions of Robinson Crusoe. Researchers and scholars of English eighteenth century literature and serious book collectors will find this volume a vital resource.

The scarcity of statistical data for earlier historical periods and the relative inaccessibility of widely scattered source materials have created difficulties for scholars attempting to focus on the patterns of American crime. This new bibliography will make their task easier. The first work of its kind to deal with crime in the deep South, it lists and describes published and unpublished materials on eight southern states from 1700 to 1930, the year the U.S. government began to collect and compile crime statistics. Within each geographical section, resources are organized according to type. Monographs, journal articles, dissertations, theses and manuscript collections are included. Listings are given for newspaper articles covering specific crimes, criminals, and types of criminal activity not treated in the monographic and journal literature. Entries for crime-related fiction, film, and drama are presented in separate sections. Complete author, name, and subject indexes are supplied. Systematically consolidating and organizing the available information on southern crime, this bibliography will provide valuable assistance to scholars in the field and help to identify promising avenues for future research.

Providing a general overview of comic music, this reference outlines the history of important comic musical genres, considers interconnections among seemingly disparate humorous repertory, and includes an extensive bibliography and discography. The narrative challenges the notion that serious works are more important than comic works. Many supposed tragic works include comic elements and abstract genres, such as the symphony or string quartet. The narrative discusses almost 1,000 works, each cross referenced to publication information. The bibliography includes over 800 books, dissertations, reference sources, and articles. By tracing the development of major comic genres, this unique guide to comic music also examines how absurdity influenced the avante-garde developments of the 20th century.

This study of comic music will appeal to musicologists, musicians, and music students. The relationships drawn between familiar and obscure works allow for a fuller understanding of the aesthetics of comic expression. Cross-referenced throughout, this resource is a much needed and useful guide to further research.

Throughout history, people have been intrigued with spirits, angels, or devas as sources of wisdom and guidance. They are not only interesting as those who possess an insight into events and circumstances, but also as proof of life after death. In this clear and useful reference guide, Bjorling presents a listing of the literature on the various ways in which people of different cultures have consulted spirits--through shamans and oracles, magic, mediums, Voodoo, and psychics. Each chapter contains a general introduction to the respective topic as well as a listing of pertinent books, articles, and dissertations. His survey also includes early spirit contacts in Africa, Latin America, and Asia.

Pardeck provides mental health professionals with readily available information on self-help books that can be effectively used with various clinical problems. The materials presented can also be used by those not necessarily trained in clinical intervention; this group would include parents, teachers, and librarians. The approach offered--bibliotherapy--is an emerging clinical technique. There are over 400 self-help books presented and annotated that focus on chemical dependency, coping with change, family violence and dysfunctional families, parenting, personal growth, serious illness, social relationships, and divorce and blended families.

New concepts, new ideas, and new objects diffuse through a society in a fairly predictable, multi-stage process over an indeterminate period of time. In recent years many social scientists representing various disciplines have accepted the methods and findings of diffusion research and it has attained legitimacy and prominence. To make these findings more easily accessible, Musmann and Kennedy have compiled a useful and timely bibliography which contains over 2,300 entries, most of which were published after 1970. Relevant articles and monographs in English were located by the compilers through systematic searches of online data bases and printed indexes. A few foreign language citations are also included here. The interdisciplinary nature of the diffusion model has allowed social scientists to document and illustrate social transformations in diverse fields. Recently, the processes of technology transfer and technological change have come under scrutiny by social scientists. Historically, technological innovations have played a major role in the development of advanced industrialized nations. Therefore, their diffusion, even in one society, often involves significant social changes to both habitat and economy, and should be a well-watched barometer. Following an illuminating introduction, thirteen separate chapters provide full bibliographical citations for studies in various disciplines including: anthropology, business and economics, geography, history, psychology, and technology, among others. Another chapter is devoted to bibliography and research methods, and author and subject indexes complete the volume. The most comprehensive document of its kind in print, Diffusion of Innovations should find a place in most libraries, especially those collecting materials in communications, education, sociology, and the health sciences.

This discography provides, for perhaps the first time, a complete numerical catalogue of Italian gramophone recordings made by the Gramophone Company Ltd. Kelly has effectively used the archives and registers of EMI Limited (The Gramophone Company) to offer a richly detailed picture of recording activity during the years 1898 to 1929. The Gramophone Company was established in London in 1898 and by 1899 six branches had been set up in Europe, among them Milan, Italy. In each branch, matrixes were numbered serially and coded to indicate recorder, making it possible to identify not only the first Gramophone record to be made in Italy--Bice Adami singing Voi lo sapete with piano accompaniment--but to follow the course of the company's activities. The main catalogue is divided into three sections: recordings issued on the Gramophone label; recordings issued on the Zonophone label, including the Trento-Trieste Supplement; and recordings issued on the Gramophone Green label. Most entries include the following information: the original catalogue number; the matrix (serial) number of the recording in its correct form; the date of recording; the name of the artist(s) involved in making the recording, including the accompaniast where known; the title of the piece; and alternate issue numbers. Kelly's introduction gives an overview of the company's history and cataloging practices. Kelly not only examines the history of the Italian Gramophone Company, but added to the discographical record of the Victor Talking Machine Company, of which Gramophone was the European, Asian, and African partner. His discography will be welcomed by anyone interested in the international history of recorded music.Record collectors will also find it a valuable resource.

This work traces the origins and evolution of the concept of humor in psychology from ancient to modern times with an emphasis on an experimental/empirical approach to the understanding of humor and sense of humor. In addition to more than 3,000 important citations and references pertaining to the history, theories, and definitions of the concept of humor, this reference guide contains more than 380 recent (post-1970) annotated entries on the psychology of humor in its bibliographic section.

The book describes various psychological, nonpsychological, and philosophical theories and definitions of humor, and focuses on the methodological concerns of psychologists regarding the scientific investigation of humor. The bibliography is organized under 10 categories, including Bibliographies and Literature Reviews of Humor, Cognition and Humor, Methodology and Measurement of Humor, and Social Aspects of Humor.

Peer review is the sometimes controversial practice of subjecting an academic manuscript or project to critique by scholars in the same area of expertise. It is employed widely by journal editors and, to a lesser extent, by book editors, and it is a major factor in the determination of foundation grants. Doubts have been raised about the efficacy and ethics of peer review, but the process has never been systematically studied. Speck has collected and carefully analyzed and annotated 780 sources published from 1960 to the present which would provide the basis for such research. A detailed classified subject index pinpoints specific issues in the author-editor-referee relationship.

The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.

A practical guide for guitarists searching for new repertoire that includes women composers, this unique work lists musical works by instrumentation followed by biographies of each composer. The format first leads users to available pieces in possible ensembles and then to the biographical section, which introduces them to the composers, many of whom have been completely unknown in the guitar world. Appendixes list addresses for composers and publishers. Indexes cross reference composers with their works. Instrumentation entries include titles, composer names, publisher names, specific instruments, and length and description of the piece for indication of style. In the biographical entries, sources are given to guide the reader to more complete information about the composer. These features, combined with valuable appendixes, indexes, and cross-referencing capabilities from section to section, make this work easy to use.

The amount of material published in business and technical communications is still growing despite the number of textbooks, guides, and other resources that have already appeared. Universities continue to stress communication skills in business and engineering, partly in response to concerns expressed by executives and managers. What students and practitioners require for skill improvement are clear guidelines, well-structured outlines, and pertinent examples. This work locates these essential materials and the research tools needed to unlock them. This handbook couples research sources, an annotated bibliography of how-to information, and detailed indexes to identify the most relevant items in aiding business and technical communication. Organized in two sections, the first consists of a research handbook, consisting of tools (i.e., dictionaries), resources (i.e., databases), and information providers (i.e., associations). Part two is a topical bibliography of books on general, written, and oral skills in business and technical communications. The printed works featured in the book emphasize approaches, formats, checklists, guidelines, models, and other helpful aids.

This first comprehensive research guide and annotated bibliography of Paul Gauguin includes information on more than 1500 books and articles on the artist as well as a comprehensive chronology and list of exhibitions. The secondary bibliography is arranged by topics and includes citations on the artist's life and career, his relationships with contemporary artists in France, including Vincent van Gogh, his life and work in Panama, Martinique, Tahiti, and the Marquesas Islands, his oeuvre in general and in various media, self-portraits, iconography, and more. The French artist Paul Gauguin continues to be a larger-than-life figure whose mystique exerts its spell on popular, critical, and scholarly minds. Consequently, the available literature on the artist is copious and marked by diversity of opinion on every aspect of his life and work. From the first book-length biography of Gauguin written by Louis Brouillon in 1906, interest in Gauguin has continued unabated and, since 1959, critical interest in the artist's drawings, prints, sculptures, and art works in other media has dramatically increased. Russell T. Clement has compiled the first comprehensive research guide and annotated bibliography on Gauguin. This volume encompasses primary materials by Gauguin including those published during the artist's lifetime and those published posthumously; contemporary accounts and criticism of Gauguin's life and work published through 1906; descriptions of the artist's oeuvre; a lengthy secondary bibliography; and a section that catalogs exhibitions of Gauguin's work between 1884 and 1989. While concentrating on printed materials, this guide also includes selected manuscripts--in all, more than 1500 books and articles are cited. For entries where titles give incomplete or unclear information about works and their content, the author provides brief annotations. Following a biographical sketch and chronology, the primary bibliography lists articles, essays, letters, manuscripts, and sketch books of Gauguin and then accounts and critiques of Gauguin's life and work published through 1906. The main part of the bibliography and research guide, the secondary bibliography, lists monographs, catalogues, dissertations, theses, periodical literature, films, sound recordings and musical scores, and selected newspaper articles. Substantial book reviews and exhibition reviews are also included. Arranged by topic, the secondary bibliography also includes citations on Gauguin's relationships with contemporary artists in France, his work in Panama and Martinique, his work and life in Tahiti and the Marquesas Islands, and his oeuvre in general. Not just a list of sources but a complete research guide, this volume deserves a place in every research library collection.

This volume is the first reference study devoted to early American musicologists. It brings together a vast variety of logically arranged information, including biographical resumes of each subject, complete chronological listings of their writings, and published and unpublished sources for study of each scholar's intellectual production. Steinzor's introduction provides a fascinating overview of the historical evolution of musicological writing in this country and offers some valuable suggestions for further research. This definitive work will be of interest to musicologists, historians, teachers of music history, and anyone engaged in the study of music.

This bibliography identifies basic research materials for the study of the establishment of musicology in this country. It contains bio-bibliographies for 35 American musicologists, including 19 native-born Americans and 16 European scholars, selected by virtue of their central roles in the development of musicological research, pedagogy, and publication, and by their formal association with the earliest practitioners of the discipline. Although many of their careers have continued well past the period ending in 1945, their writings from about 1890 to the end of World War II represent the critical, formative period of American musicology.

Lippy makes a case for the importance of exploring popular religion if one is to understand the dynamics of modern religious life. The first annotated bibliography on the subject, this work features over 550 entries topically arranged. Lippy provides a critical assessment of the state of the study of popular religion, including an examination of theoretical materials that wrestle with trying to define precisely what popular religion is. This book is of interest to scholars, students, and anyone concerned with understanding today's religion. The bulk of the work consists of critical annotations of books, articles, and dissertations that deal with various aspects of popular religion in the United States from 1870 to the present. The topics covered include background studies, biographical works, titles dealing with fundamentalism and evangelicalism, expressions of popular religion in the arts, the use of mass media, and personal spirituality. The work is of great importance as long as Americans engage in the human quest to make sense out of their own experience and look beyond themselves to a supernatural realm that will assist them in ordering their lives.

Since the late 1970s, events in Central America have brought increased scholarly interest in the six isthmus nations--Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, and Panama. Conceived in response to that scholarly interest, this volume provides a guide to collections of archival and manuscript materials in this country. Although most research in this country has focused on the sources available at the United States National Archives, there is a vast amount of underutilized research materials in smaller collections throughout this country. This work provides access to these lesser known collections as well as to the larger collections holding vast quantities of material. The book will be a valuable tool to researchers seeking primary material on Central America. In addition to historical documents regarding politics, society, economics, and foreign affairs, this volume also surveys materials regarding ecology and indigenous people. Although Catholicism remains the religion of the region, the guide also includes protestant and other missionary work. Map collections, oral histories, photographs, and other visual materials are also covered. The book is arranged alphabetically by state, with the repositories appearing under each state heading. Each entry includes a brief description of the collection's holdings.

"Opera Mediagraphy" lists operas released as motion pictures, both as theatrical feature films on 35mm film and educational films on 16mm film and videorecordings, including the VHS videotape format and optical video laser disc, though restricted to those that have been released in the United States in the American television standard video called NTSC (National Television Standards Committee). In addition to all possible information available concerning each opera, citations to reviews are included from over twenty-two sources ranging from opera journals to video review periodicals to general publications. Each review is given a rating based on the mediagrapher's reading and interpretation of the reviewer's intent. This scholarly listing will be of interest to academic and public libraries as well as to individual opera fans.

While much critical attention has been given to adult literature, African literature for children and young adults remains a neglected area. As the United States becomes an increasingly pluralistic society, it becomes all the more important for children and young adults to be exposed to books set in Africa. This bibliography includes entries for nearly 700 books written in English by both African and Western authors and published between 1873 and 1994. An additional 120 books are either discussed or mentioned in the annotations.

The entries are organized in six chapters. The first chapter includes general works, while the others are devoted to particular geographic regions. Within each chapter, entries are further grouped according to genres, such as traditional literature, biography, poetry, drama, fiction, autobiography, and informational books. Entries are then listed alphabetically. Each entry includes an annotation that provides a plot/content summary, thematic analysis, literary evaluation, and sensitivity to multicultural and international issues; an indication of the recommended grade level for the book is included. The books are carefully selected to give fair representation to the various regions and countries of Africa, literary genres, prominent authors and books, and literary phases; the author has tried to include all available books published in the 1980s and 1990s. The introductory essay provides an in-depth analysis of the social, political, cultural, and literary contexts of the three phases of African children's literature: colonial, postcolonial Western, and postcolonial African. This bibliography is intended for scholars, teachers, librarians, parents, students, and general readers.

This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience the Holocaust and how ordinary people coped and created art and meaning from the ashes of their lives.

The entry on each writer, artist, and musician features a biographical sketch and list of his or her works, with full bibliographic data. Entries on literature and videos are annotated and include recommendations for age-appropriateness. The work is divided into five parts: writers of memoirs, diaries and fiction; poets; artists; composers and musicians; and videos that feature testimony by survivors. Each part features an introductory overview of the artists and art created in that genre out of Holocaust experience. Title, artist/writer, and nationality indexes will help the reader select materials, and an index organized by age-appropriate levels will help teachers and librarians to select literature and videos for students.

Unintentional injuries, including car crashes, drowning, burns, poisoning, and suffocation, are a leading cause of death to young children. Child abuse, infectious diseases, and food poisoning also affect children under five. This bibliography provides information useful to those who care for young children, who are doing research on how to prevent injuries, or who supervise or train people who care for children either in child care or home settings. The volume is organized by types of injuries, and each section includes references providing information about prevalence, risk factors, specific hazards, and prevention techniques for the the injury area. Unintentional injuries, including car crashes, drowning, burns, poisoning, and suffocation, are a leading cause of death to young children. Child abuse, infectious diseases, and food poisoning also affect children under five. This bibliography provides information useful to those who care for young children, who are doing research on how to prevent injuries, or who supervise or train people who care for children either in child care or home settings. The volume is organized by types of injuries, and each section includes references providing information about prevalence, risk factors, specific hazards, and prevention techniques for the injury area. The opening chapter of the book includes references that address injury prevention in general or more than one injury class as well as curriculum guides and other training materials addressing more than one injury class. The remaining chapters address individual injury classes. Each chapter opens with a summary of findings related to the injury prevention topic.

Covering a broad spectrum of primary and secondary reference resources about mystery and detective fiction, this annotated bibliography focuses on all print and key electronic sources in the field that are produced in English. Organized thematically, it reviews encyclopedias, dictionaries, handbooks, annotated guides, bibliographies, bio-bibliographies, vade mecums, compendiums, indexes, and so on. Many Web sites are also described. Lengthy, informed reviews often provide evaluative information and compare books to similar or related titles. Essential to researchers, this is a valuable guide for any collection that holds a substantial number of mystery and detective titles, including college, university, public, and some high school libraries.

This revised edition of the standard catalogue of the music and writings of Ralph Vaughan Williams includes all known published and unpublished works, with full details of instrumentation, revisions, and first performances. There is much new information on the location of manuscripts and sketches, and there are many corrections to the information and dates given in the existing text. The volume includes a bibliography of the literary works of Vaughan Williams compiled by Peter Starbuck, and an appendix of folk songs collected by the composer. The indexes have been completely updated.

An essential reference book to the most important and relevant publications on the control of information in the United States, it includes books and articles on every aspect of this highly topical subject--from philosophical theory to the freedom of the press. It is the first bibliography to deal exclusively with this area and will be of interest to all those concerned with research in journalism, law, communications, and general American history.

This book is the first full-length bibliography of Anthony Eden, who was British Foreign Secretary in the 1930s and negotiated with dictators Hitler, Mussolini, and Stalin. He resigned in 1938, gaining a worldwide reputation as an opponent of appeasement, and later played a key role in the British wartime Cabinet under Churchill and as Foreign Secretary in the Conservative government of 1951-1955. His brief period as Prime Minister, 1955-1957, ended soon after his controversial handling of the Suez Crisis in 1956. This comprehensive bibliography cites a wide range of sources, including contemporary periodicals, and is carefully annotated. This work brings attention to conflicting interpretations of events and differing assessments of Eden. Important aspects of Eden's career are covered including the precise reasons for his resignation in 1938, his relationship with Churchill, his disagreements with both Roosevelt and Dulles, and his chairmanship of the 1954 Geneva Conference on Indochina. The volume includes a separate section on the Suez Crisis, including the diverse views of all the participants and comments on Eden's role. In addition, the work provides a detailed chronology and an informative summary biography.