Consumer magazines have a long history in the United Kingdom and Ireland beginning in the seventeenth century, and a number of them that date from the eighteenth and nineteenth centuries are still flourishing. This reference volume offers a representative sample of the current British magazine market, providing detailed profiles of fifty magazines, written mainly by scholars from England, Scotland, Wales, and Ireland, and supplementary data on many others. The separately profiled magazines range from the venerable The Scots Magazine (1739), Spectator (1828), Punch (1841), and The Illustrated London News (1842) to relative newcomers of the 1980s such as Country Living (1985), Prima (1986), Q (1986), and House Beautiful (1989). Included are major circulation leaders like Radio Times, Smash Hits, and Woman's Own, prestigious and influential journals like The Economist and New Scientist, regional magazines like Cumbria and The Dalesman, general interest magazines, and a wide variety of magazines in targeted subject or readership categories, like cars, homes, nature, and sports. Each essay consists of a narrative history from the magazine's founding to the present, concluding with information sources and data on periodicity, publishers, locations of the magazines in the United States, editors, title changes, and circulation. Appendixes list the fifty magazines by date of founding and in subject categories; succinct data on 330 additional British consumer magazines appears in a directory. The volume opens with a concise history of British periodicals. Intended specifically for reference use on British journals, this volume will also be useful for research in journalism history and British cultural history.

Mozart wrote some of the greatest serenades for wind ensemble. He was not alone in writing works for wind sextet, octet, or larger ensembles-Over 12,000 works for wind harmony by over 2,200 composers are extant. Describing this new genre, Wind Harmony, which is far larger and more influential than ever recognized, this sourcebook includes biographical details, discusses many of the works, and presents country surveys. There is also a survey of the way wind instruments developed at the critical time, and of performance practices. Companion volumes, the ^IWind Ensemble Catalog^R and the ^IWind Ensemble Thematic Catalog 1700-1900^R, are cross-referenced. Mozart wrote some of the greatest serenades for wind ensemble. He was not alone in writing works for wind sextet, octet, or larger ensembles-over 12,000 works for wind harmony by over 2,200 composers are extant. Describing this new genre, Wind Harmony, which is far larger and more influential than ever recognized, this sourcebook includes biographical details, discusses many of the works, and presents country surveys. There is also a survey of the way wind instruments developed at the critical time, and of performance practices. Companion volumes, the ^IWind Ensemble Catalog^R and the ^IWind Ensemble Thematic Catalog 1700-1900^R, are cross-referenced. The authors identify what must be the major part of surviving wind harmony music. There is far more material than previously recognized, and its character is far more varied than is usually thought. In this work, the music is placed in context: why it was written, where it was played, and how it influenced other genres. The authors have collected new material, corrected previous mistakes, and filled in missing material. Public and private libraries have been scoured and monasteries searched throughout greater Europe. The sourcebook will be helpful for scholars and students, librarians, players, and music sellers.

Henri Sauguet's music remains little known outside his native France and portions of Belgium. Even there a younger generation of listeners and practitioners only vaguely associate his name with the ballet Les Forains, the popular song Le Chemin des forains, and a handful of other minor masterworks. Yet, during his lifetime, impresarios, poets, stage directors, choreographers, and film directors eagerly sought his collaboration on important projects. Henri Sauguet: A Bio-Bibliography is the first English-language book to treat Sauguet not only as a composer, but as a music critic and observer of the French music scene for more than sixty years. No other single source highlights the multi-faceted talents of a man who may be called the grand old man of French music. The volume is organized into five parts, beginning with a brief biography of Sauguet's life. This is followed by the most complete list of works and performances compiled to date. This section is subdivided by genre--operas, ballets, instrumental music, vocal music, electronic music, music for the cinema, stage, and broadcast; each item within a genre chronologically follows the name of that kind of work. Performances appear chronologically with premieres listed first, and a sampling of prose writings and speeches by Sauguet is included. Music and drama reviews are presented separately in chronological order under the name of the journal in which they appeared. The complete discography is organized alphanumerically, an arrangement dictated by record manufacturers' labels and numbers. The bibliography of writings about the composer is organized alphabetically by author with anonymous works inserted alphabetically by title. Two appendixes follow the work proper: organizing the music alphabetically by title, and chronologically to give a clearer picture of the progression and disposition of works during the composer's career. An index of the people, organizations, and events cited throughout completes the volume. Music libraries will want to add this reference work to their collections. Other libraries and scholars with an interest in theatre, media, and French cultural history will also want to acquire this volume.

Futurism in Eastern and Central Europe In the pasttwenty years, there has been a remarkable upsurge of interest in Futurism in most countries formerly situated east of the Iron Curtain. Although Russian Futurism was always well-known, the multifaceted extensions of Futurism in other Eastern countries were not much reported on in Italy and nearly forgotten after 1945. However, since 1989, a wealth of original material has been rediscovered, both in the literary and the artistic field. In this volume, sixteen experts present a wide spectrum of new findings on artists who operated within the shifting coordinates of the international avant-garde and contributed to the often osmotic relations between Futurism, Dada and Constructivism. The essays include a discussion of the multi-national character of Futurism in Central and Eastern Europe and the colonialist absorption of avant-garde practices in the Soviet Union; the Berlin directorate of the Futurist movement and its modes of operation in the international avant-garde scene of the 1920s; the infiltration of Futurism in the typographical practices of Czechoslovakia, Hungary and Poland; the hitherto almost unexamined contacts between Latvian artists and Futurism; Polish Responses to Italian Futurism; the similarities and differences between Zenitism and Futurism; the artistic ambitions of the Ukrainian Pan-Futurists in the 1920s; the Futurist experience in Transcaucasian Georgia; the reception of Futurist ideas in the Activist circles of Hungary; the public presence of a mute Futurism in the Czech avant-garde; Marinetti s visits to Bucharest and Budapest in the 1930s; the hybrid identity of the Bulgarian artist Diulgheroff and his career as an architect and designer in Turin; the role of Italian Futurism in the Slovenian interwar avant-garde; the aesthetic affinities and political divergences between Italian and Romanian Futurism."

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While European scholarship in the Classics has a long and established tradition, very little has been written on the history of classical scholarship in North America. By providing profiles of some 600 North American Classicists, this reference book presents a starting point for defining the history of Classical scholarship in Canada and the United States. Included are those Classicists who made significant contributions to the field and those who are representative figures. The people profiled were either born in the United States or Canada, or were born in other countries but had careers in North America. They were either founding fathers of the profession, scholars known more for their specialized contributions, or members of smaller or remote institutions who achieved at least regional distinction for their work. The first part of each entry provides basic biographical and professional information. A narrative summary of the person's career follows, and each profile closes with a short bibliography. The entries are arranged in alphabetical order and were written by expert contributors.

This bibliography of bibliographies lists 1,412 books, chapters in book, parts of dissertations, and articles, compiled from 1900 to 1985, which deal with places and subjects of fiction. . . .Hartman and Drost have discovered an impressive number of bibliographies, and the book will be most useful to individuals embarking on research projects dealing with particular topics in fiction, especially graduate students beginning thesis research. Choice Presenting topics and themes in fiction is a challenge because of the subjective nature of literary criticism. This fully documented bibliography is an impressive compilation of sources that is annotated and more detailed than other bibliographies of this nature. The reader will find over 1400 citations to bibliographies of persons, places, and themes in fiction, gathered from books, parts of books, dissertations, pamphlets, and periodicals. Specific titles of novels and short stories are not cited. Listed alphabetically by author, citations are limited to works of English-language adult fiction. A detailed subject index which provides access to literary themes, occupations, people, and places, and a joint author index aids in cross-referencing. Researchers, English teachers, and students of literature will find Themes and Settings in Fiction an indispensable resource.

This reference handbook surveys research on the central issue associated with the teaching of unprepared writers. Though basic writing has only been recognized as a distinct area of teaching and research since 1975, the existing bibliographic texts already seem limited due to their age or lack of annotation. This volume provides current and extensive bibliographic essays and will help to define this new field of study for teachers and researchers.

Following an introduction that summarizes the origins and significant texts in basic writing, the book is divided into three sections, Social Science Perspectives, Linguistic Perspectives, and Pedagogical Perspectives. The first section, which contains three essays, views the field through the lens of social, psychological, and political issues. The second section, also containing three essays, examines contributions made from studies of grammar, dialects, and second-language acquisition. The third section, in its four essays, focuses on the design, development, administration, and evaluation of basic writing courses, the use of computers in basic writing classrooms, the role of the writing lab, and the preparation of basic writing teachers. An appendix that reviews current textbooks for basic writing courses is also included, as well as an index. This book will be a valuable resource for teachers of basic writing, in education courses and workshops that train teachers and tutors, and in fields such as linguistics, technical writing, and Teaching English as a Second Language. It will also be an important addition to public and university libraries and many education programs.

This book provides the first fully comprehensive bibliography of English-language literature on what was, arguably, the most important historical event of the 20th century. It brings together for the first time the multitude of monographs, articles, and dissertations on various aspects of the Russian Revolution that have been published from 1905 to mid-1994. While the bibliography conceives the Revolution as the period of transition from tsarist Russia to Soviet Russia, a process that occured between 1905 and 1921, it seeks not only to list works central to that process, but to list all works relevant to that period of Russian history.

The bibliography contains 24 thematic sections covering all subjects from politics and society, to education and the arts. Thus there are categories devoted not only to the tsarist establishment and the Red Army, but to science and technology during the revolutionary years. Most of the thematic sections have subsections which seek to divide the history of the Russian Revolution into its component parts in a manner that will be familiar to specialists and accessible to students. There are indexes of authors and subjects, as well as a detailed list of contents, all designed to facilitate quick and easy use of the bibliography.

The fourth volume in a history of photography, this is a bibliography of books on the subject.

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This annotated bibliography is the first to trace the history of the Writing Across the Curriculum Movement (WAC) and to assess the state of scholarship and pedagogy on the subject today. Professors Anson, Schwiebert, and Williamson carefully describe 1067 important sources taken from bibliographies, books, monographs, journals, textbooks, and other documents. Their research guide reviews the history and implementation of WAC, research and theoretical studies, and the teaching of writing across the curriculum in general and in diverse fields. Author and subject indexes provide easy access to the reference materials for the use of researchers in composition, education, arts and humanities, physical, social and behavioral sciences, and business.

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Following a long and distinguished public career, John Adams had a turbulent presidency. Sandwiched between the presidencies of Washington and Jefferson, Adams received less attention from contemporary writers. Since the 1960s, however, scholars have begun to turn their attention to John Adams. This bibliography provides access to both primary sources and the secondary literature on John Adams. The volume also includes a short chronology of Adams' life and author and subject indexes.

"Francis Poulenc: A Bio-Bibliography" is a thorough presentation of the works of this often performed and critically appreciated 20th-century composer. George R. Keck traces events in Poulenc's life and offers a list of works and performances with the primary focus on those facts and influences which contributed to the development of the composer's distinctive musical style. Included in the text is a substantial discography as well as annotated entries by and about the composer which cover every phase of his career and affirm Poulenc's place in 20th-century music.

The highly selective annotated bibliography comprises the major portion of the text. Since Keck's documentation of the development of Poulenc's style covers only representative works, he includes a list of all of Poulenc's compositions, arranged both alphabetically and chronologically, in the two appendixes. A complete index of names, places, and titles concludes the book.

Ann Sothern was often quoted as saying she had played every venue in show business except fairs. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Schultz has done a magnificent job of documenting Ann Sothern's career. Classic Images Ann Sothern was often quoted as saying she had played every venue in show business except fairs. Ann Sothern: A Bio-Bibliography is proof that her statement was not far from wrong. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Ann Sothern: A Bio-Bibliography is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her career, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. It is the first source to include a complete episode guide for Miss Sothern's television series, Private Secretary, The Ann Sothern Show, The Lucy Show, and My Mother the Car. An appendix lists products which were endorsed by Miss Sothern or which used her likeness in promotion. The book utilizes sixteen photographs, including four from Miss Sothern's personal collection, which she donated to the Ketchum Community Library in Ketchum, Idaho. A great library reference source, this book will be of interest to film scholars and fans of Miss Sothern.

This bibliography brings together the salient works on the process of economic development and economic revitalization in nonmetropolitan areas. The literature cited reviews (1) the forces affecting different economic sectors, such as manufacturing, tourism, and services, and the potential of these sectors to contribute to rural economic development, (2) the forces affecting various types of firms, such as new firms, small firms, and high-tech businesses, and the potential of these types of firms to contribute to rural economic development, (3) contextual factors, such as markets, business climate, and technological change, and (4) economic and development policies and strategies that various levels of government could employ. The book's focus is economic development and revitalization in the world's industrialized countries. Including North American and European literature published in English, the book covers 1975 to 1993 with particular emphasis on the period from 1988 to 1993. This book attempts to meet the needs of (1) students of economic and community development, regional and agricultural economics, community and regional planning, rural sociology, and related disciplines; (2) teachers and researchers; and (3) policy makers and economic development practitioners. It includes professional journals, books, university research reports, extension reports, conference proceedings, and government documents.

This guide summarizes and evaluates the available literature concerning the Dutch artistic movement De Stijl, which was headed by art critic and painter Theo van Doesburg and was comprised of such architects and artists as J.J.P. Oud, Piet Mondrian, Rovbert van 't Hoff and Georges Vantongerloo. The loose-knit group took its name from the avant garde journal they first published in October 1917: "De Stijl" (The Style). Although it was limited to Holland, De Stijl promoted ideas about a universal art, combining tenets of theosophy, an holistic view of the oneness of all things, including arts and culture, and socialism. This bibliography examines publications that deal with the movement and with affiliated groups and individual members.

Art historians and scholars of modern and of Dutch art and architecture will appreciate this comprehensive tool for further research. Within individual sections for the movement and for its members, entries are chronologically arranged with separate categories for books, monographs and catalogs, and periodicals. A final section analyzes and presents the contents of the journal "De Stijl."

This reference provides a detailed overview of the work of Betty Comden and Adolph Green, who for over fifty years have collaborated on skits, musicals, revues, and films. The book begins with a biography and a chronology, which serve as a summary of the major events in their lives and careers. Then there are six sections detailing their work on Broadway. Other sections then document their radio and film work. The sections contain entries for all of the productions with which Comden and Green were involved, and the entries provide full information about the performances, including cast lists, plot summaries, reviews, and commentaries. These sections are followed by an extensive bibliography and an appendix that lists the awards and nominations that Comden and Green and their works have received. A thorough index adds to the usefulness of the book.

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One of the nation's most effective congressional leaders, Sam Rayburn served as Speaker of the House longer than anyone in U.S. history. Although he has been the subject of several biographies and numerous articles, until now no comprehensive analysis of Rayburn has integrated these disparate materials in a single resource. Sam Rayburn: A Bio-Bibliography accomplishes that objective. Designed for scholars interested in the life and historical period of Sam Rayburn, the volume includes a detailed biographical sketch and an extensive annotated bibliography describing the Rayburn resource materials. The bibliographic entries are divided into three parts: works about Rayburn, Rayburn as author, and archival sources. Because Rayburn wrote little, the inclusion of some 80 oral histories by friends and associates of Rayburn is an especially valuable feature for the researcher. Those papers by Rayburn that do exist are included and fully annotated here. The section covering works about Rayburn includes media coverage of the Congressman, interviews with Rayburn's colleagues, and memoirs as well as books and articles about Rayburn. A chronology is included for quick reference to major events in Rayburn's life and a complete index facilitates easy access to the main entries.

The first volume documenting and collecting Orson Scott Card's work for the last 30 years. Every novel, story, poem, every word that has been published--and then some is in this collection. This is a must for any reader, who wants to learn everything about this author's extensive work and career.

Ibn Khallikan's Biographical Dictionary, or Deaths of Eminent Men and History of the Sons of the Epoch, was the noted Arabic scholar Ibn Khallikan's most well-known and respected work. The author worked on the tome from 1256 to 1274, compiling names, genealogies, and histories of prominent or conspicuous men in the Islamic world. The final work was translated into English by William MacGuckin de Slane and is longer than 2,700 pages. It has been quoted by many Arabic rhetoricians and grammarians in other works, as it is considered one of the most important records of Arabic history ever written. Here, separated into four volumes, the Biographical Dictionary is an essential work for any student of Muslim culture and literature. Volume II includes: An Introduction by Mac Guckin de Slane; a detailed index of all biographies; notes from the translator for each biography; and detailed genealogies of hundreds of Muslim figures, including Ibn Babak the Poet, As-Sulaihi, Malik Ibn Dinar, and Ar-Rabai the Grammarian. IBN KHALLIKAN (1211-1282) was a thirteenth century Arabic scholar who studied in Damascus, Mosul and Aleppo, specializing in the fields of language, theology, and law, including jurisprudence. He became a well-respected judge in Cairo, eventually becoming a chief judge in Damascus in 1261. Khallikan wrote several books, but his most well known was Deaths of Eminent Men and History of the Sons of the Epoch, often referred to as the "Biographical Dictionary," which took him almost 20 years to complete. Khallikan retired from his position as judge just before his death in 1282. He was one of the most well-known historians and theologians in Egypt.

This volume is designed as a general reference tool for the study of the history of Massachusetts. The only book of its type, the volume focuses largely on local history, emphasizing the new social history, and containing biographies of leading figures. Since Massachusetts history and U.S. history largely intertwined during the colonial and early national period, the book provides information on trends in early American history, and provides scholars and other interested readers with an up-to-date summary of major works and important interpretations of each period and of relevant themes, such as urban history, women in history, and oral history.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains The Uncommercial Traveller, a collection of short stories first published by Dickens in his own journal, All the Year Round, in the early 1860s. Excellent examples of the author's good humor and propensity for satire, they are also beloved by readers for their autobiographical elements, offering readers a peek at the man behind the stories.