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Books > Reference & Interdisciplinary > Encyclopaedias & reference works > Reference works > Bibliographies, catalogues, discographies
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This catalogue completes the bibliographic survey of French harpsichord music begun in Bruce Gustafson's French Harpsichord Music of the Seventeenth Century: A Thematic Catalogue of Sources with Commentary (Ann Arbor, 1979). It has entries for all of the printed music known to have existed, over 230 volumes, and 150 manuscripts. It offers precise transcriptions of the title pages, full contents, dating, locations, editions, facsimiles, evaluations in the contemporary press, identifications of dedicatees, and stylistic comments. The eighteenth-century French harpsichord repertory is shown to extend from 1699 to about 1780, from Louis Marchand's Pieces de clavecin to the four Symphonies concertantes by Jean-Francois Tapray that juxtapose the harpsichord and piano as solo instruments. All original keyboard music is included. Since the introduction of the piano into France occurred during the twenty years preceding 1780, this Catalogue includes some music that may have been intended for that instrument rather than for the harpsichord. This period of transition is discussed in full in the Introduction.
"This sturdy book is easy to read, easy to use, and eminently practical. . . . [It] will be useful in both libraries and homes." Booklist
..."it is a genuine pleasure to state that here for once is a
volume that is truly a consummation of a lifetime's work and that
really will be the definitive book in its field for many years to
come....the publishers have made the presentation as good in its
way as the contents: which is high praise indeed."Ian Harris--"The
British Journal for the History of Philosophy Cette monumentale bibliographie, commencee en 1975, ne peut que
forcer l'admiration. Offrant pour la premiere fois une description
detaillee et systematique de toutes les editions et traductions des
oeuvres de Locke entre 1654 et 1800, elle sera desormais
incontournable pour tout travail serieux sur l'histoire de la
pensee du philosophe anglais.
A popular genre from colonial times to 1900, the conduct book provides the youthful reader with authoritative guidance about right moral, religious, and gender role behavior. With the aim of teaching the young what they need to know--and believe--about society's expectations for the ideal young man and woman, the genre codified true American manhood and womanhood. Until now, conduct books have been mixed in and cataloged with books on manners, etiquette, education, religion, or success. This guide provides an analytic and historical overview of the conduct book as a genre and its cultural work in America. With an annotated bibliography of over 500 books, it is the first work to provide scholars interested in studying the cultural stance, intent, and importance of conduct-of-life texts with easy access to conduct books. The book provides an extensive overview of the conduct book, with separate chapters on the development of conduct books for children, men, and women. The fully annotated bibliography, which lists the conduct books by their intended audience, includes 196 conduct books for children, 142 texts for young men, 188 titles for young women, and 57 texts for adults of either sex. In addition, the work includes a short selected bibliography of secondary sources and an index. This guide opens the genre for further study.
This reference guide to the life and work of the prolific British composer, Cyril Scott, includes a brief biography and detailed bibliography and discography sections. Sometimes referred to as the British Debussy, Scott was one of the first English composers to incorporate a noticeable modern style. He composed in virtually every genre and for every instrument and ensemble. His works, as detailed in the discography, include three operas, two symphonies, five concertos, chamber music, piano music, and over 100 songs. The bibliography section includes writings both by and about Scott. This comprehensive reference will appeal to music scholars and to those with an interest in Cyril Scott's music. As a useful research tool, each section of the volume is cross-referenced. Two appendices list Scott's compositions, one alphabetically by genre and the other chronologically.
Anne Tyler is one of America's most significant contemporary writers. This book is a solid introduction to her life and work. It includes the first biography of Tyler, along with a record of her writings and the response to her work. It incorporates source materials from the Anne Tyler Papers at Duke University and letters from Tyler to the author. The volume lists all of Tyler's novels, short stories, articles, and book reviews and provides an annotated bibliography of critical studies. The first half of the book is a biography of Tyler. The author describes her childhood in a North Carolina commune, her high school years in Raleigh, her college years at Duke, and her earliest writing efforts. The biography charts the development of her life and career through her marriage, motherhood, early novels and stories, her life in Baltimore and career as a book reviewer, her rise to fame, and the themes of her major works. The bibliography that follows lists her novels, short stories, nonfiction articles and essays, poetry, children's books, book reviews, and the manuscripts in her papers at Duke University, along with an annotated secondary bibliography.
The theological literature of the past 70 years reflects a steady interest in the theology of P.T. Forsyth (1848-1921), a Scottish Congregational theologian best known for anticipating the work of Karl Barth. This reference work provides an authoritative list of publications by and about Forsyth from 1886 to 1992. All but one of Forsyth's books lack indices, and this volume provides indices to the modern British editions of Forsyth's 22 major works. The bibliography is divided into two parts: works by Forsyth and works about him. Each part is sub-divided into sections by type of work, such as anthologies and collections, books, and book chapters. The indexes include a cumulative Scripture index, a cumulative index of names and cited works, and individual Scripture and name indexes for each of Forsyth's books. These separate book indexes also provide the table of contents for each work. The volume concludes with a title index of Forsyth's writings and a name index to the Forsyth bibliography.
This reference represents the most complete and detailed examination of Blackwood to date. Preceding the bibliography is a foreword by Ramsey Campbell, an introduction, a user's guide, and a short but detailed biography revealing much new material about Blackwood's life, and a chronology of dates. The bibliography is divided into four parts: works by Blackwood, adaptations of his work by others, works about Blackwood, and source indices. The listing of Blackwood's works begins with books, and then goes on to short and serial fiction, nonfiction (essays and sketches, and book reviews), poetry and songs, plays and dramas, radio manuscripts, and untraced items.
In the last several decades, interest in this leader of the English romantic movement has increased dramatically. More and more scholars are publishing books and articles about Coleridge; more and more students are writing their theses and dissertations on his works. Even psychologists and theologians are turning to the poet and essayist and finding especially valuable his pre-Freudian interpretations of dreams, guilt, and the sub-conscious mind. This volume provides all students of Coleridge with an up-to-date aid in their research.
Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. The close and mutually beneficial relationship that has existed between dance and music from the early days of this century and the collaboration of Fokine or Nijinsky and Stravinsky to the later years and the partnership of Cunningham and Cage has yielded a formidably large repertoire of music-much of it, like its partner-art, in the vanguard of modern creativity. Dance commissions have brought into existence music that would otherwise not have been created; dance performance has in many cases afforded an audience for music that would otherwise have gone unheard. Dance has shown itself, especially in the United States, to be a nurturing theatre for modern music, while music has in turn proved to be extraordinary stimulus to the dance. This bibliography provides for the first time data about compositions, composers, and choreographers, including information about first performances, publishers, and location of scores. Composers and choreographers, students and historians, professional musicians and dancers, and aficionados of music and art will find this reference work extremely useful. The bibliography is arranged alphabetically by composer; indexes by composition and by choreographer provide ready access to each work. Lists of composer-choreographer and choreographer-composer partnerships are included.
For the American living 200 years ago, life was very different from today. One of the best ways to learn what life was like in early America is to examine the many almanacs published during that time. These books include a broad range of information that was of central importance to daily life in late 18th-century America, such as cures for common diseases, recipes for food, instructions for preparing many of the items that modern Americans would expect to buy at a store, agricultural advice, tables for computing interest and currency depreciation, church and court schedules, and lists of all kinds. In addition to such practical information, these almanacs often published poetry, essays, maxims, illustrations, and advertisements. This reference book indexes hundreds of almanacs published between 1776 and 1800 and thus makes it easy for researchers to learn about daily life in early America. The volume begins with a short introduction that discusses some of the fascinating information contained in American almanacs of the late 18th century. It then presents a bibliography of almanacs published between 1776 and 1800, and each citation includes a corresponding number. The sections that follow are each devoted to a particular year. Within each section are headings for various topics, such as receipts, information, lists and registers, poems, essays, maxims, and miscellaneous material. Each heading then lists various topics, with each topic followed by the entry numbers of the almanacs cited in the bibliography. By browsing through the volume, the reader can get a general sense of the topics of importance to Americans of the late 18th century. For more detailed information, the reader may then consult one or more of the bibliographies published during that period.
Perhaps the most influential figure in 20th century British, imperial, and world history, Winston S. Churchill has been the subject of numerous studies, biographies, and controversies, but not of a recent comprehensive bibliography. The most extensive and up-to-date bibliographic work on Churchill, this book provides a full historiographical survey and over 3,000 annotated entries on all of the important writings by and about Churchill. Reflecting Churchill's versatility, dynamism, and influence, the book emphasizes his background and context, covering, for instance, works on fifteen major controversies associated with Churchill, some thirty biographies ranging from those that glorify to solid, scholarly studies, to extreme revisionist attacks. The final historiographical chapter points to subjects that would benefit from further research. Divided into two parts, the book opens with a historiographical narrative, covering historical and biographical events associated with the life and times of Winston Churchill. In addition to chapters on archival material, reference works, and studies on a wide range of topics pertaining to Churchill's life and multi-faceted career, part I includes a section on Churchill and the Internet. The second half of the book includes 3099 annotated entries on all works cited in part I. The two parts are fully cross-referenced, and the book also includes a short chronology and full indexes. The book will provide a valuable resource for students, scholars, and other researchers interested in Churchill and his era.
This bibliography is a comprehensive listing of published works by John Locke, including all known editions and translations of his works, abridgments and selections in anthologies and several works which he edited or translated, from the first editions to the present. It covers not only the works published during Locke's lifetime, but also those printed from the voluminous manuscripts he left behind at his death in 1704. In addition, Locke's works are set in their original controversial context: entries are provided for the works Locke wrote about and for the attacks and defenses his writings provoked during and immediately following his lifetime. An appendix contains a list of works incorrectly attributed to Locke. Three indexes complete the bibliography: an index to the names of the editors, the translators, and authors of works cited in the annotations; an index to the titles of anonymous works; and a language index that lists all the works that have been translated into each language.
This discography documents all recordings made by this pioneering and influential record label which was active in many areas - popular, jazz, blues, country, and ethnic music during a formative and dynamic period in America's cultural history just before and during the 1920s on into the early 1930s. All known 78rpm record releases in the United States, Britain, Canada, Australia, and Japan are detailed. Also included is an essay on the history of the various corporate entities that produced the OKeh label during its initial period of operation with special emphasis on the activities of the record company in making many field recordings in locations throughout the United States and Hawaii. Laird and Rust's book is primarily comprised of an extensive bibliography and a comprehensive artist index. This publication is the definitive volume on a legendary and influential record company which played a vital part in recording many great artists including some who are still recognized as some of the finest exponents of their particular musical styles.
This volume offers to scholars of 18th-century social, economic, and cultural history an annotated listing of more than a thousand titles written at the time on agricultural theory, experimentation, and practice. Arranged into 26 topical sections, the titles pertain to subjects ranging from accounts and wages to cattle, chemistry, gardening, horticulture, grains, grasses, manures, fertilizers, plants, population, land surveys, trees, and wool. Along with basic bibliographical information, many entries provide biographical information on the author and background information on the title. An introductory essay provides an overview of the literature about agriculture and of agriculture, showing one more way in which writers portrayed British and American life from the restoration of Charles II to the death of George III. By providing access to a wealth of primary material, the book will enable scholars to pursue a neglected area of research. Within topical sections, entries, including both serials and books, are arranged alphabetically by author or title. Cross-references and subject and author indexes provide access to titles that fall into more than one subject area. The bibliographical information given includes reprint editions and, when available, the original sales prices, in shillings, thereby enabling scholars to determine the distribution and popularity of a title.
Designed as a ready-reference and biographical source for educators and young readers, this book offers a more current and affordable alternative to multivolume publications. Fascinating profiles of 100 of the most beloved and celebrated picture book authors and illustrators are accompanied by photos, reading lists, and lists of related information sources (such as Web pages). Contemporary authors and illustrators whose works are still in print provide the focus. A great collection development tool and a resource for author studies units, this book will also be in demand by students for reports.
Chronicling Shirley Temple Black's various careers, this work spans the years from her childhood at the studio and at home through her waning success during adolescence, to her diplomatic and political pursuits. An anomaly among child stars, Shirley Temple Black's successful adaptation to life outside the traditional Hollywood social life is explored against the backdrop of the child-star phenomenon in American entertainment. Facts about her childhood, her parental influences, and her political beliefs present Shirley Temple Black as a unique individual rather than as a child star icon. Scholars researching American popular culture will find information on child stars in general through this exploration of Shirley Temple Black's significance within that role. Current attitudes toward racial stereotyping in early films are examined. Research sources for radio broadcasts during the late 1930s and early 1940s are also valuable. The changing American political climate can be viewed through the filter of the economic depression, during which the public embraced Shirley Temple's sense of hope and optimism, and through her, revealed political activism.
This directory is designed to aid prospective authors seeking publication opportunities in economic journals. In addition to providing manuscript submission information for over two hundred academic and professional economic journals accepting manuscripts in English, it includes specific information on reviewing practices and clearly identifies refereed and nonrefereed journals. Entries for each journal, listed alphabetically by title, include brief bibliographical information about the age and affiliation of the journal, frequency of publication, circulation and audience. A concise statement of the journal's editorial policy is included, and as a further aid to journal selection, the percentage of unsolicited manuscripts published in an average issue is included.
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Thirty years of collecting and 15 years of research have resulted in this discography that features all known recordings, transcriptions, and films made by Cole until 1950, when his jazz style faded away, and a selection of his later jazz-related trio sides. It includes for the first time Cole's unknown 16 transcriptions of his Wild Root broadcasts. This volume documents the development of a gifted pianist into a ballad-singing star and leader of the most famous jazz trio of the 1940s. All routes and recording activities by Cole and his fellow musicians from 1936 to the 1950s are chronicled here. Nat King Cole is widely known as a singer of unforgettable fame, but that he was a true King of Jazz Piano in its heyday and the inventor of today's piano trios is almost forgotten. This discography gives all details of the King Cole Trio's activities, listing recording sessions, available broadcasts on discs, film soundtracks, and guest appearances by the trio or by Cole alone, on such shows as Jubilee, Command Performance, Supper Club, Mail Call, and Kraft Music Hall. A special listing is included of those occasions when Cole participated as unknown or unnamed pianist on radio transcriptions for singers like Anita Boyer, Anita O'Day, The Dreamers, The Barrie Sisters, Bonnie Lake, Rose Murphy, Maxine Johnson, and Juanelda Carter. In addition, the book includes the Cole Trio's engagement routes with exact dates if known, names of promoters, and much more. The biographical portion is a fascinating period piece of Jazz-age memorabilia.
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