This comprehensive bibliography lists over 2,500 business histories written in the UK this century. It includes books of more than 50 pages in length which have been written before December 1992 and which have been either formally published or privately printed. For ease of reference, the histories have been catalogued in subject headings with individual companies, firms and organizations listed in the index.

More than forty years after his death, Humphrey Bogart remains a symbol of the Golden Age of Hollywood and a popular culture icon. His legacy has impacted American popular culture beyond the scope of American film history. His image graces buttons, greeting cards, and postal cards and he has been the subject of plays, films, novels, and poems. This work presents a precise biography of Bogart and examines his place in American popular culture. Scholarly and substantive articles written about Bogart's life, films, and career are analyzed and summarized. Essays and new and previously published interviews present insightful ideas by and about Bogart. Film and popular culture scholars and Humphrey Bogart enthusiasts alike will appreciate the extensive and thorough listing of articles and books about Bogart and his career. As a guide to further research, the author has provided a filmography, discography, and videography and has documented theater listings, radio and television appearances, and a directory of Bogart websites. This extensive review of Bogart and his career helps to define his success within an American cultural context.

Between 1936 and 1955, Hollywood significantly changed its portrayal of Hispanics in motion pictures. This change resulted from the demands of the Production Code Administration, which required film makers to eliminate the more offensive stereotypical Hispanic images. This filmography chronicles all of the Hispanic-related films released during this period. The volume includes entries for nearly four thousand films. The entries are arranged in chapters, with each chapter devoted to a single year. Within the chapters, the entries are listed alphabetically by film title. Each entry includes production information, an annotation detailing the film's Hispanic significance, and references to additional materials. The volume concludes with an alphabetical index of film titles, an index of actors and actresses, an index of place names, a general subject index, and an index of songs. Film historians and scholars of Hispanic culture will find this work to be an indispensable reference tool.

The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The volume is divided into two large sections. Part I, which covers Tomes I-V, is dedicated to individual bibliographies organized according to specific language. This includes extensive bibliographies of works on Kierkegaard in some 41 different languages. Part II, which covers Tomes VI-VII, is dedicated to shorter, individual bibliographies organized according to specific figures who are in some way relevant for Kierkegaard. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.

This comprehensive, annotated bibliography of works by and about Caribbean women novelists from 1950 to the present covers novelists from all Caribbean islands and Surinam writing in English, Spanish, French, Dutch, and their dialects. Entries on some 150 individual writers are organized alphabetically and comprise a biographical sketch, data on novels with plot synopses, a listing of other known publications in all genres, as well as annotated criticism and reviews. Included are translations, interviews, recorded materials, and broadcast literature. Sources range from publications of major presses and journals in various countries and languages to dissertations and items from local newspapers and small presses. Preceding the author entries is a Bibliography of General Works covering criticism; bibliographies, both regional and for individual countries; and bio-bibliographical reference books. Alternative means of access are provided by a List of Authors by Country and indexes of novels, critics, and themes and key words. A guide to resources on literature of the Netherlands Antilles is included as an appendix. Caribbean literature--and Caribbean women writers in particular--is one of the fastest growing fields of literary study. Additionally, the Caribbean presents an ideal laboratory for other areas of intense research: comparative literatures and post-colonial studies. This bibliography serves these interests, placing special emphasis on common themes and techniques that transcend national boundaries and linguistic differences.

Geographers is an annual collection of studies on individuals who have made major contributions to the development of geography and geographical thought. Subjects are drawn from all periods and from all parts of the world, and include famous names as well as those less well known, including explorers, independent thinkers and scholars. Each paper describes the geographer's education, life and work and discusses their influence and spread of academic ideas. Each study includes a select bibliography and a brief chronology. The work includes a general index, and a cumulative index of geographers listed in volumes published to date. Published under the auspices of the International Geographical Union.

Griffel has prepared a valuable guide to German opera that can be used profitably by both scholars and amateur devotees of opera. The main body of the dictionary provides a discussion of about 380 operas composed to a German text. The alphabetically organized entries include information on German premieres, as well as first performances in Britain and the US, brief plot summaries, listings of major roles, and occasional historical and analytical remarks. . . . "Operas in German" will, no doubt, serve as one of the major reference sources for any type of research on German opera. Highly recommended. "Choice"

Although a sizable number of opera dictionaries and encyclopedias are available, those devoted to operas in a single language are extremely rare. The present dictionary addresses itself wholly to operas written to a German text. The main body of this dictionary comprises entries on the operas themselves, permitting thorough treatment of some 350 operas. This section is augmented by an appendix of some 800 additional opera titles and annotated listings of composers and librettists. Almost all of the composers represented here were born in German-speaking countries. Among the notable exceptions is the Italian-born Ferruccio Busoni, whose operas were all written to German texts and received premieres in German-speaking cities. Composers such as Kurt Weill who wrote operas in more than one language are represented by their German works only.

The operas are listed alphabetically, excluding the article, which is placed at the end of the title. Each entry includes the title, with the English translation and alternate titles in parentheses; descriptive terms as needed; the number of acts; the composer's name; the librettist's name, the original language, and the original source of the text; the date, place, and cast of the first performance; similar information for the first United States and United Kingdom performances, if applicable; a brief plot summary; the main characters with vocal ranges; citations of especially important or noteworthy numbers; additional information such as comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-German ones and/or operas involving the same story or characters. The entry also has a bibliography, a discography, and, in the few instances where they are available, information on video recordings. In addition to the aforementioned appendix, this dictionary contains an alphabetical listing of composers with their places and years of birth and death and an index of their operas included in this volume. The third appendix lists librettists and provides information similar to that in the composer appendix. The fourth and fifth appendices provide characters and performers, respectively, included in the main entries. The volume is completed by a bibliography. This first dictionary devoted exclusively to operas in German belongs in the reference section of music libraries and will also be of interest to scholars and aficionados of opera.

Ethnic minority groups in the United States suffer and die from disease at rates much higher than the general population. Such groups include African-Americans, Alaska Natives, Native Americans, Hispanics, and Pacific Asian Americans. To understand the nature of the deplorable rates, the health history of the ethnic groups must be understood. This book describes the contents of libraries nationwide which house health and medically related materials on ethnic minority populations. The book covers information about catalogs, books, articles, biographies, and autobiographies, primary source materials, cassette tapes of speeches, video tapes and films, and medical artifacts.

The repositories covered are in various stages of cataloguing these materials but indicate an interest in having researchers use the collections. This book is the most comprehensive guide to ethnic medical health materials, their location, state of completion, and the contents of collections.

Actress Anne Baxter made her Broadway debut at age thirteen and won an Academy Award for Best Supporting Actress in films at age twenty-three. In a long and successful career on stage, screen, radio, and television, she played her most memorable roles as Sophie MacDonald in The Razor's Edge (1946) and as Eve Harrington in All about Eve (1950), two enduring film classics. Baxter also led a diverse personal life, including an arduous and lonely stint as a pioneer wife in the Australian outback, which was related in her bestselling memoir, Intermission: A True Story (1976). This bio-bibliography describes her life and career in a biography and chronology, and details her achievements in the different production media, with full credits, synopses, and review sources provided for the films and plays. An extensive bibliography notes focused and passing treatment of Baxter in a wide variety of books and periodicals.

This work is a selectively annotated bibliography of research from areas of group therapy, group psychotherapy, group counseling, and psychodrama. The authors present a balanced sampling of empirical research with a wide range of research methods, analytic methods, and instruments so as to facilitate cross-fertilization of research efforts. The 1793 items, including 44 books, are presented within five age-group sections: children, adolescents, college students, adults, and the elderly.

An annotated filmography of more than 3,000 entries each focusing on the film's Hispanic content, connection, or characters. Four separate indexes, more than 6,000 cross references, and as many film reviews make this work an invaluable reference tool for students, scholars, and individuals interested in studying silver screen stereotyping. This work completes Richard's three-volume documentation of how the domestic and international film industry contributed to stereotyping America's Hispanic community by detailing the contemporary return of the despicable Hispanic character. Employing the broadest conceptual framework to include any individual of Spanish ancestry, this volume outlines how the film industry has homogenized the Latin, the Chicano, Puerto Rican, Cuban, and anyone from Mexico, Central/South America or the Caribbean nations into a despicable Spic (an ethnic enemy) whose negative traits/character have been conditioned by his national origins. The return of the negative image is due to a variety of reasons, and one thing is for certain--it has been profitable for filmmakers. There is no other such reference work presently in print that represents the definitive collection of films with Hispanic themes and connections in any language.

The subject of divided critical opinion because of the experimental nature of his writings and his use of radical subject matter, Jerzy Kosinski, author of such novels as The Painted Bird and Being There, nevertheless ranks among the most celebrated of contemporary American authors. By the time of his death in May 1991, 70 million copies of his novels were in circulation. He received various academic posts, awards, and fellowships during his lifetime--these and the immense popularity of his writings confirm Kosinski as a major figure in modern American literature. The range of critical response is in evidence in this carefully annotated bibliography. It comprises listings of both primary and secondary sources on Kosinski through 1990. The primary sources provide editions of his novels, recordings, nonfiction books, miscellaneous writings, and interviews. Secondary sources include reference materials, books and monographs, biographical sources, dissertations, and criticism and reviews specific to particular works. Access is facilitated by author and subject indexes. The work will be of special value to those interested in Holocaust and expatriate fiction as well as to students of twentieth-century American and American-Jewish literature in general.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

This annotated bibliography of more than 500 recommended books meets the needs of teachers and librarians for reading materials for young adults for whom English is a second language. Laura McCaffery, who has many years of experience with collection development of ESL materials for young adults, has selected the best books on a variety of topics to meet curriculum and personal interest needs of young adults. Most of the books selected were published between 1992 and 1998. The bibliography is organized by topic: adventure, mystery, and suspense; biographies; career, workplace, life skills, and parenting; folktales, myths, poetry, and classics; ethnic diversity; history and geography; nature and science; and sports. Indexes by author, subject, title, and ethnic group make searching easy.

Mainstreamed ESL students can use these books to better understand and make use of regular textbooks. Special ESL classes can use the recommended books as part of regular instruction. Most of the books recommended are for the intermediate or advanced beginner reading level in English, but some very easy books are also included. Most of the books are suitable for all learners from grades five through adult. Each entry contains a complete bibliographical citation, Fry Reading Level, Interest Level, Library of Congress subjects for cataloging, and a 50 to 200 word annotation describing the book and how it can be used by the librarian or teacher who is working with patrons or students. A list of distributors of print and nonprint ESL materials completes the work.

The average listener may be unaware of the many links between rock music and the classics. One might remember a few examples, such as Walter Murphy's chart-topping "A Fifth of Beethoven" or Eric Carmen's "All by Myself," but pass them off as interesting anomalies. However, the influence of the classics on rock music is pervasive and grows from a long line of precedents. This supplement to Janell R. Duxbury's original 1985 discography, Rockin' the Classics and Classicizin' the Rock, brings the earlier work up-to-date with hundreds of new entries documenting recently released or newly discovered examples of the interconnection between these musical genres. Duxbury details more than 300 new examples of recorded rock instrumentals and songs that borrow musical themes from the classics. Variations range from contemporary renditions of complete classical works to brief classical quotes or phrases subtly incorporated into rock compositions. Duxbury also gives additional examples of recorded orchestral versions of songs originally composed and/or written by rock artists. In these examples, the musical style varies from strict classical interpretations to pop-style orchestral renditions. The supplement then expands Duxbury's original compilation of sound recordings and live performances of rock groups performing with established orchestras and choruses, selected samples of recorded rock music that simulates baroque or classical sound/structure, examples of the manifest influence of rock on classical music, and instances of rock artists and classical artists switching roles. Lastly, this discography updates the 1985 version with new information, expanded details, and minor corrections to theearlier work. An extended list of selected nonrock background examples is included in several new appendixes. The Introduction and Preface is also updated. A general index includes the names of classical composers, rock artists and groups, orchestras, choruses, orchestra conductors, sound recording producers, and song or instrumental titles. With its incomparable scope and content, this supplement, together with Duxbury's previous discography, will be appreciated by students, researchers, record collectors, trivia buffs, music industry employees, and fans of rock music and the classics.

This revised and updated edition of a Ted Hughes annotated, descriptive bibliography includes a new section recording over 1000 of his manuscripts.

Since its early American inception in the mid 19th century, the Ph.D. has been the hallmark of American higher education. It has become the capstone for a multitude of disciplines and professional education, overshadowing other degree programs. Yet it has not been above controversy. Recent discussions of its purpose vis-a-vis teaching and professional endeavors have continued a long tradition of examining graduate education. This selective, annotated bibliography offers an entree to the Ph.D. phenomenon. Of interest to administrators, educators, and scholars, the volume covers the history, research, and evolution of the Ph.D. An introductory essay offers an historical overview and sets the degree within the context of contemporary research. The following chapters provide annotated entries on publications covering issues surrounding the Ph.D. Organized into four sections, the entries cover the controversies, critical studies, and purpose of the Ph.D. degree for science and technology, the social sciences, and the humanities disciplines. The entries introduce such topics as acculturation, completion rates, funding, requirements, and structure of the Ph.D.

This first comprehensive guide to English-language criminal justice materials on Israel covers over 820 sources written between 1948 and 1993. The books, book chapters, articles, and annual and other professional reports have been written by both Israeli and non-Israeli authors. The topic was defined broadly to serve students, teachers, researchers, and professionals in different disciplines and to review the important literature on a score of topics, such as addiction, corrections and probation, correctional treatment, crime and society, homicide, juvenile delinquency, organized crime, law enforcement, rape and violence, suicide, terrorism, and white collar crime. Keywords with each entry and a detailed author, journal, and subject index make the research easily accessible. This first comprehensive guide to English-language criminal justice materials on Israel covers over 820 sources written between 1948 and 1993. The books, book chapters, articles, and annual and other professional reports have been written by both Israeli and non-Israeli authors. The bibliography also points to important works on criminal justice generally by Israeli authors. The topic was defined broadly to serve students, teachers, researchers, and professionals in different disciplines, and a typology was created for this purpose. The bibliography is organized into 21 topical chapters on a score of topics: addiction, corrections and probation, correctional treatment, crime and society, crime by and among the aged, criminal justice, criminology and deviant behavior, fear of crime, homicide-aggression-violence, juvenile delinquency and juvenile justice, law, law enforcement, organized crime, political deviance and violence, rape and violence, social stress, suicide, terrorism, traffic offenses, victimology, and white collar crime. Keywords with each entry and a detailed author, journal, and subject index make the research easily accessible.

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This annotated bibliography is the first to cover the early phases of the Korean War, for the period from June 25 to September 22, 1950, in a comprehensive manner. This guide provides a brief history of the critial period around the Pusan perimeter, identifies important archival sources, and then describes 401 studies in English--both offical and unofficial reports, documents, surveys, monographs, and periodical articles. The bibliography is organized both by different genres of work and topically. An appendix points to the United Nations country's forces that served in the war. Indexes by author, subject, and periodical make this short guide easy for researchers in all fields of study.

In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.