Virtual texts have emerged within the realm of the Internet as the predominant means of global communication. As both technological and cultural artifacts, they embody and challenge cultural assumptions and invite new ways of conceptualizing knowledge, community, identity, and meaning. But despite the pervasiveness of the Internet in nearly all aspects of contemporary life, no single resource has cataloged the ways in which numerous disciplines have investigated and critiqued virtual texts. This bibliography includes more than 1500 annotated entries for books, articles, dissertations, and electronic resources on virtual texts published between 1988 and 1999.

Because of the multiple contexts in which virtual texts are studied, the bibliography addresses virtual communication across a broad range of disciplines and philosophies. It encompasses studies of the historical development of virtual texts; investigations of the many interdisciplinary applications of virtual texts and discussions of such legal issues as privacy and intellectual property. Entries are arranged alphabetically within topical chapters, and extensive indexes facilitate easy access.

The aim of each volume of this series Guides to Information Sources is to reduce the time which needs to be spent on patient searching and to recommend the best starting point and sources most likely to yield the desired information. The criteria for selection provide a way into a subject to those new to the field and assists in identifying major new or possibly unexplored sources to those who already have some acquaintance with it. The series attempts to achieve evaluation through a careful selection of sources and through the comments provided on those sources.

Modern American demographic history emerged as a clearly defined discipline in the 1960s when historians began to realize the full value of demographic information to their studies of both population and more indirectly related subjects. In recent years a large body of literature has been produced, but there is a significant amount of material, which originated before demographic history became popular, that is still useful to scholars today. In addition, the range of related topics has broadened considerably, making the information more difficult to locate. This bibliography is the first comprehensive guide to the entire field of Amerian demographic history. It contains over 3,800 citations of published materials on all aspects of the subject, including marriage and fertility, family and societal values, and the interactions of population with economics, politics, and society. Each section is introduced with a substantial bibliographic essay highlighting the chief works, the contours of the field, and the directions it appears to be taking. The first of two volumes, this scholarly work offers reader access through an elaborate table of contents that points up subject arrangement; an author index, a place name index, and an index of groups of people according to ethnic and national division, ages, religions, occupations, and gender. The extensive preface provides a discerning overview of the history of demographic research, and the literature covered spans the period from the colonial times to 1983. The companion volume will present the available sources from 1984 to the present. This exhaustive survey will be an important addition to academic and research libraries and a valuable resource for scholars, students, and genealogists.

Graphic design is broadly interpreted in this annotated topical bibliography, covering both scholarly and applied literature focusing on graphics printed commercially for mass consumption in the United States from colonial times to the present. Materials extend from historical studies of design to textbooks and manuals of professional practice to theoretical works relating to design drawn from disciplines such as psychology and communication theory. The 1100 entries include reference sources, books, periodical articles, catalogs, films, and electronic data. Among the topics covered are general reference, design theory and history, education and career guides, professional practice, production and layout, typography, calligraphy, color reproduction, caricature, and photo illustrations as well as applications in advertising, publication design, corporate identity programs, information graphics, package design, posters and signs. Literature on computer technology as used in desktop publishing and computer graphics is also included. Appendixes provide annotated listings of almost 200 relevant annuals and serials as well as a directory of associations and organizations in the field. Access to titles, authors, and a finer breakdown of subjects is facilitated by thorough indexing. This work should be a valuable resource for professional designers, scholars and students of design, and librarians interested in collection development.

A period of tumultuous political and religious strife, the English Civil War has inspired writers for the past four centuries. Their works vary widely in quality from the hurriedly written political verse of the 17th century and the superficial or sentimental novels of the 19th and 20th centuries to the brilliantly conceived novels of Daniel Defoe, Nigel Tranter, and Iain Pears. All provide a perspective on a turbulent era. A useful tool for historians and researchers, this bibliography provides access to verse, novels, short stories, and plays about the Civil War era written between 1625 and 1999.

The book opens with an introductory survey of the political and religious conflicts that led to the war and the execution of Charles I and that continued through the Interregnum, Cromwell's Protectorate, and the Restoration of Charles II. It then provides a discussion of some of the fiction written about the events and personalities of the period. With over 900 annotated entries, the bibliography itself includes virtually all of the fiction written about the period.

What makes a research project feminist? Connie Miller has complied an annotated bibliography of English-language works that help to answer that question. Each of the titles brought together in this volume addresses some aspect of feminist research. The bibliography includes both general works and those devoted to specific disciplines, and the entries include journal articles, books, book chapters, conference papers, and reports. The book begins with a general section followed by chapters on specific disciplines. Each chapter begins with an introduction discussing general trends. Anthropology, sociology, psychology, economics, political science, and history each merit a separate chapter. A chapter on geography includes architecture and urban planning as well, and a chapter on science covers the hard sciences. A Communications chapter includes mass media and communications, linguistics and speech, film studies, and art criticism. Omitted is the vast body of literature on feminist literary criticism, philosophy, education, nursing, and medicine. The book concludes with both subject and author indexes. The volume will be of interest to feminist scholars from all disciplines as well as to those involved in Women's Studies programs.

The One Night Stand Series broadcasts from 1943 to 1965 made the United States Armed Forces Radio Service the biggest music producer the world has ever known. Played over both military and civilian radio stations in many countries, most Armed Forces Radio Service rebroadcasts were sheer entertainment but they kept memories of home alive for American Service men and women around the globe. The 30-minute One Night Stand transcriptions included live broadcasts or remotes from all the popular ballrooms and hotels in the United States. Every type of band such as Hawaiian, Latin, novelty, sweet, dance, swing, jazz, large, small, black, and white was represented. Found here is the Regular Series up to 1001--to round off a mastering week. The Fill Series and the Popular Music Replacement Series, also found here, ran concurrently with the main series. A small number of transcriptions missing from the official libraries have not been included but otherwise compilers Harry Mackenzie and Lothar Polomski have gathered together every available shred of information for this exhaustive volume. Besides a history of the Armed Forces Radio Service and the Regular, Fill, and Popular series, the book contains a list of unidentified programs, five separate appendixes, and two indexes. The book begins with an extensively researched history of the Special Service Division of the Armed Forces that oversaw the production of the transcribed broadcasts and facilitated their distribution globally. Included here is a detailed discussion of the methods and materials of transcription and reproduction as well as a history of the American Forces Network: its spread and current status. Then follow the discographies for the Regular Series, Fill Series, Popular Music Replacement Series, and Unidentified Programmes. Five appendixes contain information such as location addresses, a directory of bandleaders, themes, and commercial issues by country of origin. There are also two separate band indexes. This is a singular reference for anyone seeking information about the music of the World War II and post-war eras.

The history of the second wave of feminism in the United States demonstrates the potential for both serious social change and seemingly intractable divisions among women. Race, ethnicity, social class, sexual orientation, and religion have all been dividing influences among women, shaping their various perspectives on and relations to the women's movement. Yet collectively, women's efforts--identified as second wave feminism--are seen as having made a difference. This book highlights the lives and work of fifty second wave feminists, women who have served as catalysts in the developing feminist movement. A diverse group--playwrights and politicians, grassroots organizers and scientists, poets and theologians--they provide the reader with compelling stories of individual women's lives, collective feminist struggles, and the possibilities of feminist social change. Each woman's story provides inspiration to those interested in the power of one, and collectively, the stories show the range of motivations, activities, and accomplishments of feminist thinkers and activists today. Each entry contains three parts: a biographical portrait of the individual, including information about education, family life, and early activism; an analytical discussion, highlighting the person's accomplishments and her relationship to U.S. feminism; and a bibliographical section containing a selective list of the subject's publications and writings about her and her work.

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

With nearly 15,000 entries, this bibliography serves to bring control to the literature of American-style professional football and, in a selective fashion, to Canadian and Australian professional football. Organized by major categories, each section and many of the subsections begin with brief introductions and conclude with notes designed to guide the user to related references in other parts of the volume. A combined author/subject index keyed to page numbers provides additional access to the thousands of individuals covered, the teams themselves, as well as other related topics. No other bibliography brings this detail to the subject of professional football, and, as such, is indispensible to all libraries and individuals with a serious interest in the sport.

Spontaneous abortion, a pattern of defects labeled fetal alcohol syndrome, and more subtle behavioral disturbances that occur in the absence of observable physical anomalies are some of the damaging effects of alcohol, now recognized as one of the leading known causes of birth defects in the western world. So grave are the apparent consequences of drinking alcohol during pregnancy that a new U.S. law requires warning labels to appear on all alcoholic beverages. This label represents the culmination of numerous clinical and experimental studies conducted over the last 15 years. Prompted by an abundance of new information in the area of fetal alcohol exposure, this second bibliography on the subject to be published by Greenwood Press supplements Abel's first volume that contained 3,000 citations and included literature on the subject published between 1973 (the year in which fetal alcohol syndrome was first reported) and 1984. The present volume, covering the years 1983 to 1988 inclusive contains 1,818 entries and adds some important new references for the years 1983 and 1984. In number, breadth, and completeness, the citations contained here go beyond current data bases. Entries are arranged alphabetically by author and in the case of multiple citations by author, the citations are listed chronologically for that author. Where an author has had 2 or more publications in a year, the citations for that year are listed alphabetically by title. Citations are also listed according to the number of authors in a manner that provides easy access to the information. Each item has been numbered consecutively and is referred to by number in the Subject Index which has been compiled not only on the basis of title, but also based on the information contained in the reference. Abel's introduction serves as a concise, fact-filled overview of this important and timely subject. Students and scholars in the medical field, as well as alcohol counselors and others dealing with pregnancy or the affected children will find this resource invaluable.

Arkansas has frequently been omitted from surveys of the South and from national history. One reason has been the limited archival resources; another, the absence of a university press. Recently, however, archives have proliferated, and a solid mass of scholarship has come from the University of Arkansas Press and the Arkansas Historical Society. This bibliography shows that there is no shortage of research materials on Arkansas. The only full bibliography on Arkansas, it provides an essential guide for historians and librarians wishing to bring Arkansas into the mainstream of America history.

The volume provides a guide to the growing literature on Arkansas rich prehistory and to the pre-American colonial period, which lasted some 250 years. Two chapters focus on the statehood period. The volume then includes a series of topical chapters covering such subjects as minorities, business and economics, education, social history, and cultural and intellectual areas. There are also separate chapters on local and county history, general histories, archives and museums, and historic sites. The volume opens with a short chronology and provides subject and author indexes.

One of the best known consensus or synthesis historians, Daniel J. Boorstin crosses disciplinary boundaries by writing about universities and students, lawyers and historians, history of science and everyday phenomena, material and popular culture, libraries and literacy, film and theater, statistics and words, airwaves and highways, and generally speaking, the past, present, and world to come. This bibliography brings together works by and about Boorstin, showing the volume, range, and importance of his contribution to the study of American history.

With more than 1,300 entries, the bibliography records a history of Daniel Boorstin in print and non-print from 1930 to 1999. It covers a multitude of types of entries, including monographs, book reviews by and about Boorstin, newspaper and scholarly articles, manuscript and archival material, videocassettes, sound reels, Websites, and CD-ROMs. Entries are selectively annotated, in many instances using direct quotes from Boorstin, to give the reader a snapshot understanding of the works cited. This book will be the definitive Boorstin bibliography.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part I of Bleak House, Dickens's ninth novel, which was originally serialized in standalone installments between 1852 and 1853. The story of Esther Summerson, an illegitimate child of the aristocracy, and her search for her parentage and her place in the world, it is one of Dickens's finest works, featuring biting commentary on Victorian attitudes toward women as well as toward the English legal system.

This superb bibliography unlocks a wealth of early commentary and more recent scholarship relatively inaccessible to English-speaking readers. The generous annotations convey the spirit and essential points of hundreds of books and articles on Twain, making this an important acquisition for every college and university reference collection. Thomas A. Tenney, Editor, Mark Twain Journal Mark Twain, one of the most widely published American authors, has enjoyed immense popularity both in the United States and abroad. A fascinating aspect of this popularity is his wide acclaim in German-speaking countries, which stems not only from his literary accomplishments, but also his numerous visits to Europe and his extended stays in Vienna and Berlin. This book is a comprehensive and extensively annotated bibliography which chronologically surveys Mark Twain's German critical reception from 1875 through 1986. Within each year, items are listed alphabetically by author, and each item is assigned an entry number. English-language annotations accompany each bibliographic citation to assist the reader in ascertaining the flavor and scope of the cited material. Included are monographs, critical texts, reviews, reprints, newspaper articles, dissertations, excerpts from standard literary histories, and introductions and afterwords to editions of his works published in the Federal Republic of Germany, as well as the German Democratic Republic, Austria, and Switzerland. Entries are cross listed, and the volume includes a comprehensive 52-page index. This bibliography provides unique insight into Mark Twain from an often overlooked perspective; it will be of interest to students, scholars, and critics of this great American author, humorist and social critic.

This comprehensive volume lists and describes all known eighteen century British and Irish promptbooks. Each entry includes the location of the copy, shelf mark, production for which the prompt-book was prepared (theatre, date, prompter's name, if known), the types of notes the copy contains (description of setting, entrance notes, costume notes, ground plans, warnings, cues, stage movement, line interpretation), and citations of any books or articles that have dealt with the copy. The illustrations of sample pages from some of the promptbooks listed will provide the reader with a fuller and more accurate understanding of eighteenth century theatre architecture and staging practices.

"Having spent a considerable portion of my working life dealing with psychoanalytic literature, I started reading biographies and autobiographies of major figures in this sphere when I retired. It must be said that psychoanalysts autobiographies are pretty thin on the ground. The names which stood out most were Wilfred Bion, Donald Winnicott and Melanie Klein. It is well known that Bion wrote several volumes which may be broadly defined as autobiography, whereas we have to rely on Robert Rodman s and Brett Kahr s biographies in order to learn of Winnicott s life. There are, of course, many articles scattered through the literature of personal memories of him by Harry Guntrip, Margaret Little, Renata Gaddini, Masud Khan, etc. There are at least two biographies of Klein and many instances of reference to her life in articles and parts of books. These will be the subject of a further book to be researched.On trying to find what material actually existed, it struck me that there were vast amounts of material relevant to the lives, work and ideas of both men in the form of reviews, articles and books. There did not, however appear to be compilations of such work other than limited lists appearing on various web pages via the Internet.With considerable renewed interest in Bion s contribution to various disciplines beyond the psychoanalytic and psychotherapeutic, I hope that this work will be of use to practitioners, researchers and students. The list of secondary sources is by no means exhaustive and it is unlikely that it ever will be due to the constantly growing interest in Bion s ideas and contributions to various fields." -- Harry Karnac from the Introduction"

Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.

Kate Chopin has emerged as one of the most significant American writers of the nineteenth century. Though her works typically reflect the language and customs of the Louisiana of her memories, they also make universal comments about women, men, and human relationships. Best known as the author of "The Awakening" (1899), she also wrote nearly a hundred short stories, essays, poems, reviews, and a play. While the contemporary response to her works was sometimes negative, much recent critical debate concerns her lasting place in the American literary canon, with some scholars placing "The Awakening" on the same level as Melville's "Moby-Dick."

The last thirty years have witnessed heightened interest in Chopin's works. This bibliography provides a comprehensive survey of critical work on Chopin published between 1976 and 1998, with some coverage of 1999. Included are annotated entries for books, articles, dissertations, biographical studies, and bibliographical works. Extensive indexes offer easy access to the entries. In addition, the volume includes a biographical sketch, a review of trends in Chopin scholarship, and a textual history.

The elegant Matisse retrospective at New York's Museum of Modern Art in the fall of 1992 was the first king-sized retrospective of Matisse's work anywhere in the world for more than twenty years. Appropriately labelled "the most beautiful show in the world," this giant new look at Matisse and his pursuit of pleasure was a consummate success. Henri Matisse: A Bio-Bibliography provides the scholar, student, artist, and layperson with an extended primary and secondary bibliography with which to study and enjoy this great artist. These works cover his life, career, oeuvre, and influence on other artists. Though many of the entries are annotated, this is not meant to be a critical guide; rather, it is a way to get to know a great artist through the literature surrounding him and his art.

This self-taught Dutch architect was among the most widely copied architects of the 1930s and 1940s. His international influence is all the more amazing when one considers that most of his architecture was built in the provincial town of Hilversum. Travel, word-of-mouth, and literature spread the news of his humane, modern approach to building design. The more than 1,200 bibliographic entries in this work are presented alphabetically by decades and further by genres. Each is summarized, described, and evaluated in the context of a critical overview of Dudok's career. Architectural scholars and students will profit from this comprehensive guide to the international literature on one of the most emulated champions of modern architecture. For too long, much was made in the English-language architectural literature of Germany's pioneer role in developing Modernism. That contribution was undeniably valuable, but the Dutch were unfairly overlooked; however, Dudok's work was not. Hilversum became a magnet for young foreign architects in the 1930s. He cast his spell upon much of continental Europe, the United States and Britain, and throughout the 1940s his style was so widely mimicked that a new adjective was coined: dudoky. This volume will reintroduce the importance of Dudok's work to today's scholars and students.