This volume contains the contents of George Kiraz's catalogue of over 1300 people and places related to the Syriac tradition, expanded to include Latin names and citations as well as references to the Gorgias Encyclopedic Dictionary of the Syriac Heritage.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The first volume covers all books from 1475 1500, and books produced from 1501 to 1640 by the most important printers in London.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The second volume completes the coverage of London printers and lists books printed in other English cities, most notably Oxford, Cambridge and Norwich.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The third volume lists the early modern books held in the University Library printed in Scotland, Ireland, France, the Low Countries, and Germany.

An erudite and popular librarian, Charles Edward Sayle (1864-1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.

Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.

James Orchard Halliwell-Phillipps (1820 1889) was an enthusiastic collector of books on Shakespeare (including nearly all the pre-1660 editions) and a respected and prolific scholar of Elizabethan literature. His extensive collection is now housed at Edinburgh University Library. This volume contains a selection of his early writings and includes: 'A catalogue of the early editions of Shakespeare's plays and of the commentaries and other publications illustrative of his works' (1841); 'An account of the only known manuscript of Shakespeare's plays, comprising some important variations and corrections in the Merry Wives of Windsor' (1843); 'An introduction to Shakespeare's Midsummer Night's Dream' (1841); 'On the character of Sir John Falstaff, as originally exhibited by Shakespeare in the two parts of King Henry IV' (1841); 'Curiosities of Modern Shakespearian Criticism' (1853); 'Observations on some of the manuscript emendations of the text of Shakespeare and are they copyright?' (1853).

Published in 1962, this account of the University Archives at Cambridge will be of particular importance to those interested in the history of the University. The first part describes the growth of the archives from their beginnings in the thirteenth century and the changes of fortune they have undergone during that time. Part two provides a survey of the archives, placing the main groups in the context of the University. The authors show how the more important classes of archives developed and the places they occupied in the workings of the administration. There are three appendices: a brief summary of the classes mentioned and the dates they cover; a list of muniments of title to landed property; and a bibliography listing published works which have contained or incorporated records from the Archive. There are sixteen illustrations from the Archives themselves.

M. R. James (1862 1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. James' catalogues of the manuscript holdings of eight Cambridge colleges (Clare, Trinity Hall, Magdalene, King's, Queens', St Catharine's, Christ's and Sidney Sussex) are bound together in this volume, which will be welcomed by librarians and researchers alike.

This selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.

Fanny Hensel: A Research and Information Guide provides scholars in Hensel studies with a resource to navigate the research surrounding the composer's over 450 musical works. As part of the larger blossoming of women's music history, new research in the 1980s and 1990s promoted an awareness of Hensel's output, in particular in the genres of the lied and the solo piano work. This research guide includes an introductory chapter, a summary paragraph at the beginning of each chapter, and annotations for more than 500 entries, focusing on scholarly works as well as selected articles from trade publications, catalogs, and Internet resources.

The Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native American poems, works by W. H. Auden, Elizabeth Barrett Browning, Emily Dickinson, e. e. cummings, John Donne, Gerald Manley Hopkins, William Shakespeare, and Wallace Stevens, as well as poems from medieval France and religious texts. Because of the popularity of Talma's choral works and the fact that her works for voice and piano were performed often, this sourcebook will be useful to singers at all stages of their careers, as well as scholars of twentieth-century music as a whole. The diversity of compositional approaches Talma used provides a snapshot of American trends in composition during the twentieth century; during the course of her career, Talma moved from neo-classicism to serialism and finally to non-strict serial-derived atonality in her works. Inclusion of performance and reception histories of the songs helps trace changing public taste in American art song and the repertoire of performers, particularly those interested in contemporary music.

Ralph Vaughan Williams: A Research and Information Guide presents the most extensive annotated bibliography of its subject yet produced. It offers comprehensive coverage of the English composer's prose works and accounts for over 1,000 secondary sources from all critical and scholarly eras. A single-numbering format and substantial indexes facilitate efficient searches of what is the most complete bibliography of Ralph Vaughan Williams since Neil Butterworth's guide to research was published by Garland in 1990.

Smoking and tobacco have received much attention in the literature throughout this century, particularly in the last 30 years. The causal role of smoking in a large number of fatal diseases has been established. Concern about the ill effects of smoking has led to anti-smoking campaigns revolving around primary prevention and smoking cessation. This book focuses on the literature directed to those who cannot or will not quit smoking and offers an informed risk reduction approach aimed directly at the chronic smoker. A large number of smoking interventions are represented as well as the characteristics of smokers and the outcome of the respective interventions. The importance of continued research on controlled or reduced smoking as opposed to that of smoking cessation is outlined and methodological flaws are offered to alert future researchers. This literature will be an invaluable resource to health professionals, therapists, and others involved in the issue of health and the hazards of continued smoking.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains The Uncommercial Traveller, a collection of short stories first published by Dickens in his own journal, All the Year Round, in the early 1860s. Excellent examples of the author's good humor and propensity for satire, they are also beloved by readers for their autobiographical elements, offering readers a peek at the man behind the stories.

The perfect gift for music fans and anyone who loves artists like Elvis Presley, Randy Newman, Sly Stone, Robert Johnson, and Harmonica Frank. In 1975, Greil Marcus's Mystery Train changed the way readers thought about rock 'n' roll and continues to be sought out today by music fans and anyone interested in pop culture. Looking at recordings by six key artists-Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley-Marcus offers a complex and unprecedented analysis of the relationship between rock 'n' roll and American culture. In this latest edition, Marcus provides an extensively updated and rewritten Note and Discographies section, exploring the recordings' evolution and continuing impact.

Originally published in 1983, this title lists and annotates reference sources which will help readers select primary materials useful in studies of the literary portraits of women and their societal roles. The years 1961 to 1981 were set as boundaries for this volume because the author's initial research revealed that a twenty-year span was a manageable unit, because the novels published between those dates yielded abundant materials for such a reference work, and because significant changes in the way portraits of adolescent females were being drawn took place during the period - for example, sex-role stereotyping became a shade less prevalent, young women's sexuality was discussed more forthrightly, and some topics (such as single women's pregnancies and lesbianism) were treated more overtly, sometimes less judgementally.

Benson's bibliography is a valuable contribution to the study of the dying child and the sensitive issues that the family, medical staff, school personnel, and others must face when confronted with this challenge. Comprehensive annotations, some as lengthy as a full page of text, give the essence of the article and its intended use. . . . The appendixes are a wealth of practical information, with lists of children's books and AV material, support organizations, wish-granting organizations, and hospices. No other comparable bibliography exists on the subject. This excellent sourcebook is highly recommended. Choice This annotated bibliography provides access to the literature for researchers, clinicians, students, parents, and others who care for terminally ill children and their families. It concentrates on the period 1960 through 1987, but also includes a small number of citations from earlier years. The bibliography covers more than 180 popular and professional journals in medicine, health, education, psychology, and social work. It also cites books and parts of books, conference reports, government documents, pamphlets, and doctoral dissertations.

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.

This is the first of a planned three-volume bibliography that aims to 'bring together all the English language publications written about women in Africa during the United Nations Decade for Women.' It includes books, monographs, government reports, articles from journals and collections of essays, conference papers, and US dissertations. The entries are organized in 32 subject sections ranging from agriculture to women and their children. . . . This bibliography is useful in providing a variety of references on African Women in one source and especially in including reports of international organizations. Choice The roles and needs of African women have been largely neglected in Third World policy-making by governments and international organizations despite the existence of recent research providing the basis and justification for new policies. This work, the first volume of a three-part bibliography, makes that research available to researchers and policy-makers. Focusing on works with a broad application, it provides comprehensive listings of resources relating to the situation of women in Africa. The bibliography is divided into 32 subject categories covering topics ranging from marriage and family issues to work, legal rights, politics, the arts, and urban life. Devoted to original English-language research works, it includes journal articles, book chapters, theses and dissertation, conference papers, and individual books on women in Africa and the Third World. Useful supplementary listings are supplied in appendices. A significant contribution to African studies and the social sciences, African Women will help focus attention on the considerable body of research findings on this topic. Appropriate for reference collection in African studies, Third World studies, anthropology, sociology, political economy, and a variety of other fields.

This anthology focuses on the writing process itself and on fundamentals of compositional theory. Essays explore the psychology of composition, research on writing anxiety, the relationship of literary theory to composition, and reading theory as it relates to the composing process. The historical development of research methodologies in the field is examined, with particular emphasis on evaluation methods and construction of effective writing sequences and assignments. With recent educational trends toward basic writing, even teachers of the most advanced composition classes will welcome the contributions on sentence structure, spelling, punctuation, paragraphs, and volcabulary development. The essays that place composition within larger intellectual traditions will be particularly valuable to scholars currently extending their research into other disciplines. Two appendixes on text books and evaluation are designed to help composition educators and scholars select useful, innovative texts and handbooks.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Sketches by Boz, a collection of interconnected short stories first published between 1836 and 1839, with illustrations by famous British caricaturist George Cruikshank. It features some of Dickens's earliest work, and was so popular that the author himself was cheerfully known as "Boz" to his readers for the rest of his working life.

John Caius (1510-1573), second founder of Gonville and Caius College, Cambridge, was an English scholar with an international reputation in his lifetime as a naturalist, historian and medical writer. His Autobibliography is a major contribution to the history of English culture in the middle years of the sixteenth century and has been translated into English for the first time in this book. Beginning with an in-depth introduction to John Caius' life and works, An Autobibliography by John Caius provides a wealth of information to support and accompany the translation of this significant text. In his Autobibliography, Caius lists the books that he wrote but also details the circumstances of their writing. He describes his travels in Italy in search of manuscripts of the ancient Greek doctor Galen of Pergamum as well as giving an insight into his personal life, including his vigorously conservative views, whether on medicine, spelling and pronunciation, or on Cambridge University. His religious views, which led to the ransacking of his rooms by a Cambridge mob, are explored in detail in Appendix II of this book. In Appendix I, recent discoveries of books owned and annotated by Caius are used to supplement what he says about his activities, as well as to trace at least one of his lost works in Italy and Denmark. The resulting picture throws light on European medicine in the sixteenth century, as well as on the humanistic culture that linked learned men and women across Renaissance Europe.

This last volume of Kierkegaard Research: Sources, Reception and Resources is a cumulative index to all the volumes of the series. The series was originally designed in a systematic fashion in order to make it as easily usable and accessible as possible. The individual parts of the series and the individual volumes have been organized to make it generally fairly simple to locate the main articles relevant for one's research interests. However, the placement of some individual articles might not always be completely self-evident. Moreover, the sheer mass of material and information provided by the series makes a cumulative index a necessary accompanying resource. Further, given the scope of the series, it was inevitable that some names or topics are mentioned more than once in the series in different places beyond the main article ostensibly dedicated to them. The purpose of these indices is thus to help the readers to find an easy and direct way to the topics of their interest in the rich universe of Kierkegaard research. The material of the indices is divided into three tomes: Tome I is the Index of Names from A to K, Tome II covers the Index of Names from L to Z, while Tome III consists of the Index of Subjects and includes a complete overview of all the volumes, tomes and articles of the series.

The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The volume is divided into two large sections. Part I, which covers Tomes I-V, is dedicated to individual bibliographies organized according to specific language. This includes extensive bibliographies of works on Kierkegaard in some 41 different languages. Part II, which covers Tomes VI-VII, is dedicated to shorter, individual bibliographies organized according to specific figures who are in some way relevant for Kierkegaard. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.