Record collectors, archivists, and music historians will welcome the second volume of The Encyclopedic Discography of Victor Recordings, bringing the history and comprehensive catalog of the Victor Talking Machine Company through the year 1907, when the Matrix Numbering system, inaugurated in April, 1903 had reached number 4999. This volume gives full details of all Victor recordings made during this period, including the early records of such artists as Caruso, Melba, Schumann-Heink, Farrar, Scotti, Homer, Sembrich, Calve, Gadski, Plancon, and many others. Also includes are all popular records of songs, light opera, music hall personalities, bands such as Sousa's, dance records, etc. This discography, which is based on the original recording ledgers of the company, and augmented by extensive research in rare Victor publications, catalogs, bulletins, and correspondence as well as information from collectors and archivists, represents the only systematic cataloging of these rare recordings attempted to date.

This volume, which grew out of a study conducted by the East-West Center, analyzes the friction in telecommunications trade between the United States and Japan and the consequent imposition of the Super 301 clause on Japan. Giving both the U.S. and Japanese viewpoints, the book discusses trade in telecommunications and the events that led to the Super 301 clause and the Strategic Impediments Initiative. It also provides an in-depth analysis of GATT issues and what may be expected from the current Uruguay Round. Telecommunications deregulation and privatization in both countries are carefully assessed as are the social, policial, and cultural implications of the trade conflict, which led to President Bush's recent visit to Japan. The first book to focus specifically on trade in communications equipment between the United States and Japan, the volume fills a critical gap in the literature.

This volume provides a combined index to the first 20 volumes of Index of Middle English Prose. In the absence of a searchable electronic database version of this series, it will be an essential tool for all researchers in this area. Indexes of incipits and excipits are provided, together with author and title indexes and general subject indexes. The project to publish a complete listing of all known manuscript items containing Middle English prose began in 1978, and the first volume appeared in 1984. The final listing will consist of some fifty volumes; with the publication of the twentieth volume in 2009, the corpus was sufficiently extensive to justify the first comprehensive index to the contents of the existing titles. This, the resulting volume, is a vital research tool for anyone working with Middle English prose texts. It is designed to give immediate access to the indices now found separately in the first twenty descriptive manuscript catalogues and begins with a summary contents list for each of these. In additionto an index of first lines, the volume contains other finding aids in the form of an index of rubrics and titles, and a general index. This will enable scholars to quickly find all surviving manuscript copies of a particular textin the collections catalogued to date, and will form the basis of future index volumes. KARI ANNE RAND is Professor of Older English Language at the University of Oslo.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

The characters in the fiction and drama of W. Somerset Maugham accurately reflect English society from the end of the Victorian age through the early years of World War II. Maugham based his characters on real people whom he observed and analyzed, and his characters transcend the themes and settings of his fictional worlds. This volume lists and descibes each and every character mentioned in Maugham's fiction and drama, including living, dead, human, animal, imaginary, historical, named, and unnamed inhabitants of his works. Through his voluminous writings, W. Somerset Maugham recreated the age in which he lived. The characters in his fiction and drama accurately reflect English society from the end of the Victorian era through the early years of World War II. There exists little doubt that the strength of Maugham's works stems from his rich characterizations. When he peopled his imaginary worlds, he based his characters on real persons whom he observed and analyzed, both from a respectable distance and a not always respectable intimacy; then he recast them upon the page and the stage. This reference sets down in alphabetical order each character included in Maugham's stories, novels, and plays. Included are imaginary, historical, human, animal, named, unnamed, living, and dead characters from all of his works. Each entry indicates the work in which the character appears and provides a description of the character in relation to the work as a whole. As far as possible, the descriptions capture the substance and tone of Maugham's own words. An introductory essay discusses the importance of Maugham's characters to his literary art, while a bibliography lists editions consulted and secondary sources of additional information.

For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. Boenke has spent four years gleaning all possible sources to come up with several hundred listings of composers from three centuries and 40 different countries. When the information is available, she lists publisher and the OCLC system record number after the routinely listed title and instrumentation. In addition to the alphabetical listing are indexes for instrumentation, title, publisher, and composer. A short list of sources is heavy on LC and NUC catalogs as well as the several standard sources on women in music. This volume could serve as an example for instrument-specific music bibliographies. For flutists it is priceless. Choice This book, an alphabetical listing of flute music by women composers, provides ready access to flute music that is published or available in manuscript form. Unlike any previous handbook of the flute repertoire, it is devoted entirely to the works of women, the vast majority of whom are not mentioned in the standard catalogs of flute literature. A carefully compiled study, the volume examines the quantity, variety, and scope of women's work in this genre and includes composers from more than forty countries, spanning three centuries. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute. It also provides biographical information on the composers, publishers, availability of works, and annotations on the works themselves. All compositions are indexed by title and by instrumentation, and publishers and contemporary composers are listed with current addresses, to facilitate the ordering of music. The first published volume of its kind, this unusual work will draw attention to valuable and unknown repertoire in this genre and provide the opportunity for women's works to be heard more often. It will be useful in all university music libraries and conservatories, and it will be a valuable resource for professional flutists, teachers of flute, and researcher in women's studies.

From Shakespeare's plays and contemporary verse to modern novels, this annotated bibliography covers fiction written about the Wars of the Roses since 1440. Providing a valuable resource for students and teachers of English history, the volume acquaints the reader with fiction that shaped both contemporary and later perceptions. The partisan ballads of the period show the sentiments of all classes and factions. The dramas of Shakespeare shaped the opinions of succeeding generations, with many of the novels written prior to the 20th century showing Shakespeare's influence. Following an introductory essay overviewing the conflict, the volume includes over 550 entries on novels, short stories, verse, and plays.

The volume opens with an introductory essay overviewing the conflict and discussing some of the works. It then provides fully-annotated entries on over 550 novels, short stories, verse, and plays. Most annotations are descriptive, but some point to weaknesses in historical accuracy or literary style.

Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, andwithin this classificationalphabetically. The bibliography contains a geographical index and indexes of persons and authors.

This volume offers a representative selection of 335 items from the vast holdings of Chinese manuscripts and rare books held at the Royal Library, Copenhagen, most of these from its Chinese Museum Collection. Manuscripts included in this collection date from the 8th century CE while the books date mainly from the 18th century and later. Details of the many more recent Chinese works held by the Royal Library are not found in this catalogue. However, specimens of such works are described. Designed especially as an essential source of reference for scholars working in all aspects of manuscript and rare book studies, the catalogue includes over 290 full-page illustrations (90 in colour) that help identify most of the books and manuscripts listed.

This book is a tribute to the talent of Clifton A. Edwards, the man who introduced the world to the ukulele, and whose career as a song writer spanned more than 60 years. He skyrocketed to national popularity when he appeared in the George Gershwin musical "Lady be Good," became a well-known vaudeville entertainer and Hollywood star, and was largely responsible for the voice, character, and image of Jiminy Cricket, the famous cricket of the popular Disney color cartoon classic, Pinocchio. Larry F. Kiner has brought together in one volume a discography of the songs recorded by Cliff Edwards, a complete listing of songs written by him, a chronology of stage shows in which he appeared, a filmography, notes on his radio and television careers, and appendixes that provide 78 RPM records by label and catalog number, library transcriptions, and films on video tape.

This book examines the way in which Australian institutions have responded to the influx of migrants of non-Anglo-Saxon origin during the past thirty years. Until the end of the sixties, the typical Australian reaction was that these migrants could be, and were being, assimilated into the mainstream of British-Australian society and culture. At the end of the sixties, both the assimilationist philosophy and the claim of successful and effortless absorption came into question, and migrants of non-English speaking background began to be defined as problems. Now, in a third phase, migrants themselves are rejecting the notion that they are, above all, problems or people with problems. Instead they are asserting their rights and dignity as legitimate minorities in an ethnically plural society. The author goes on to trace in detail the response of the institutions of education, health, and the trade unions to 'the migrant presence'. 'Well written, well presented, well documented and challenging.' - C. A. Price, The National Times 'Well written, sympathetic to the point of anger and should be included in any course on Australian society or public policy...an invaluable contribution.'- James Jupp, Politics Studies in Society is a series edited by Ronald Wild which sets out to cover the major topics in Australasian sociology. The books will not be 'readers' but original works - some will cover new ground and present original research, some will provide an overview and synthesis of source materials and existing research, and all will be important reading for students of sociology.

Sypolt has compiled the first comprehensive national bibliography since 1943 of the Civilian Conservation Corps— of which he himself is a former member. Over 2,000 sources are meticulously cited, making this work an essential one-stop reference guide for those interested in learning more about the institution which has, since its humble 1933 inception, provided jobs for many unemployed youth, planted billions of trees, built many miles of trails, and created numerous pavilions, picnic areas, lakes, and dams across America. Practical sub-divisions within the book aid in making research efficient for the reader, so that he or she may look up sources directly pertaining to his or her interest— whether that be the role of minorities in the Corps or seeing what has been written about CCC Camp Libraries— instead of having to wade through countless irrelevant works. Civilian Conservation Corps spans more than just the traditional sources of information; incorporated into this research guide are all types of literature, training guides, and other media, including: Films; Photographs; Maps; Internet Resources; Oral Histories; Museums. The author's primary purpose in compiling this edition is to direct scholars, researchers, federal and state parks, forests, and preservation personnel and historic preservationists in their research and to point them in the direction of the vast literature pertaining to the topic.

Part of a ten-volume bibliography series on comic art compiled by John A. Lent during the past decade, this volume provides more information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons than any other printed source in the world. Lent, founding editor of International Journal of Comic Art and longtime scholar of cartooning globally, takes great pains to be exhaustive, representative, and accurate in providing 11,367 citations of books, chapters, articles, and "fugitive" materials gleaned from a variety of sources worldwide, including about 400 periodicals and journals. Easy to use, incorporating a well-structured outline that includes categories and sub-categories, Lent spans every conceivable aspect of comic art. Other features include periodical directories for both Canada and the United States with addresses, typical contents, and inaugural dates of 101 comic art-related journals, magazines, and fanzines, and citations to hundreds of cartoonists and animators and their characters and works. Undoubtedly, this volume and the other nine in the Greenwood/Praeger series are unequalled as the definitive comic art bibliographies.

More than 400 books have been published on the American musical icon, Elvis Presley. This critical, annotated guide contains reviews of the varied literature on Elvis, from his career and its social and political aspects to biographies and discographies. The annotated literature not only includes works by family, friends, and musical peers but also references and guides to Elvis collectibles. Each entry details, in addition to pertinent publishing and author information, the specific perspectives and information unique to the literature. The author provides assessments made by Elvis' peers and an introductory essay discusses the surrounding contradictions and the enduring fascination with Elvis.

By covering the vast and different Elvis literature available, this guide will appeal to scholars and fans alike. Organized by type of literature, the guide is easy to reference. Informative addenda include a guide to collecting Elvis books and a chronological listing of Elvis books. In addition to a general index, the guide is indexed by author, by songs, films, and album titles, and by books, magazines, and publications. This compilation offers valuable assistance and critical information to anyone researching some aspect of Elvis and his career.

Compiled in this volume is the most significant accumulation of works on the subject of African American leadership to date. As the field of leadership studies continues to grow, this timely work contributes to an understanding of the activities of those people and organizations that have been leaders of people of African descent and have contributed to the cultural and political affairs of the black community, as well as the representation of the black community in mainstream American life. The annotated entries cover a variety of works on subjects such as dedicated black leadership studies, local descriptions and analyses, biographies, leadership organizations, and audio-visual materials. This reference is an important contribution to the field of leadership studies in general, and African American leadership in particular, and will serve as a valuable research tool for educators and practitioners alike.

The entries are organized into six sections, which offer a broad overview of the various aspects of African American leadership. Part I, Critical Studies and Appraisals, focuses on the history of works dedicated to both national and local leaders and their politically relevant activities. The next section, Local Leadership Studies, is organized around black leaders who served local communities and the various issues they addressed. Part III looks at relevant social movements and ideologies that have highlighted the activities of black leaders. Individual leaders who have made contributions to the political life of the black community are included in Part IV, while leadership organizations are highlighted in Part V. The concluding section of the volume looks at available audio-visual materials. A thorough index rounds out the bibliography.

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South Africa's search for a way through repression, violence, and the various attempts at reform to a nonracial democracy has been a frustrating one for participants and observers alike. The political logjam was broken by President F. W. de Klerk's speech of February 2, 1990 and the response of the ANC. The release of Nelson Mandela, the unbanning of political organizations, and the beginning of the negotiation process were highlights in the period under review. By focusing on the period from 1987 to August 1990, Kalley brings forward her well-received South Africa Under Apartheid. At the same time she provides an opportunity for researchers outside South Africa to gauge viewpoints from the widest spectrum of political persuasions. The bibliography is organized in one alphabetical sequence by author or title. The preponderance of articles cited is in English, and where this is not the case, titles in other languages have been translated. All information on imprint collation and series is provided in English. The bibliography is supplemented by (a) an author index which includes corporate and individual authors, editors, sponsoring bodies, and institutes, and (b) a subject index which links keywords to specific entries. This bibliography will be invaluable to all researchers seeking materials on contemporary South African affairs.

July 1990 marked the 50th anniversary of one of the most critical and decisive struggles in the European theater of World War II. Following the withdrawal of British forces at Dunkirk and the fall of France, the Battle of Britain pitted some 2,800 Luftwaffe aircraft against some 650 serviceable RAF fighter aircraft. For the next four months Britain faced daily attacks against airfields and military installations, ports, and civilian and industrial centers. The failure of the Luftwaffe to overwhelm and destroy the RAF undercut German efforts to mount an invasion of Britain, and by November the airwar shifted to the Blitz phase, the attempt to destroy civilian morale through attacks on urban centers and airfields, which was to last essentially for the rest of the war. Dangerous Sky attempts to bring together all the main sources published through 1989 dealing with the battle. The Guide provides information on how to conduct RAF research, and it organizes materials ranging from official documents through memoirs and biographies to secondary histories under major categories. Within each category, materials are cited in alphabetical order and short descriptive comments are provided. Access to materials is augmented by an author index. This research guide is essential to students, military buffs, and researchers concerned with the British side of this crucial phase of World War II.

This bibliography offers a compilation of more than 2000 critical studies that deal not only with the relatively new concept of intertextuality and its predominantly poststructuralist implications, but also with the time-honored concepts of allusion and quotation, which have seen a remarkable renaissance in the wake of intertextual enthusiasm. The first comprehensive work of its kind, this volume goes beyond earlier references, both in scope and quantity, to document scholarly achievements in intertextual research and to serve as a guide to previously unexplored topics. In following such scholars as Gerard Genette, Julia Kristeva, and Wolf Schmid, who consider allusion and quotation prominent manifestations of intertextuality to be perceived by the reader on the text's surface, Hebel maintains that research in these two concepts can be integrated into the more radical and far-reaching theory of intertextuality, and that the yet unsolved question of where to draw a distinct line between them deserves further analysis. The book is organized in three parts: the extensive introduction surveys the heterogeneous field of intertextual studies, provides a first insight into the history and development of the critical concepts under examination, and points to important theoretical sources and exemplary analyses of individual writers or specific aspects. The work is designed not only to direct newcomers through the intricacies of intertextual criticism, but to supply more advanced scholars with further inspiration. Extensive indexing provides easy access, and the book will prove to be an invaluable resource in university and research libraries, and in language and literature departments in thehumanities.

Emma Lou Diemer--a composer who successfully combines a classicist's interest in form with a fresh, contemporary, harmonic vocabulary--has produced a diverse, sophisticated, and largely unheralded opus, including 350 works composed for orchestra, symphonic band, chamber ensemble, keyboard, chorus, voices, and solo and electronic instruments. This complete guide to her extensive work examines her influences and her unique musical style, reveals her philosophy of composing, and offers the reader access to detailed information about her work. Though her organ psalm settings and hymn preludes are considered standard repertoire, as are a number of her choral compositions, Diemer has not received her due attention or acclaim-an oversight fully corrected by this valuable addition to music scholarship.

Beginning with a brief biography that outlines Diemer's life and art, this thoroughly cross-referenced book goes on to enumerate the composer's many works and performances in a section divided by style and instrument. A complete discography and bibliography round out the volume, along with alphabetical, chronological, and genre-specific indexes.

This twenty-seventh volume of ABHB (Annual bibliography of the history of the printed book and libraries) contains 5076 records, selected from some 1000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab Countries Italy Australia Latin America Austria Latvia Lithuania Belarus Belgium Luxembourg Bulgaria Mexico The Netherlands Canada Croatia Poland Estonia Portugal Finland Rumania France Russia Germany South Africa Great Britain Spain Hungary Sweden Switzerland Iceland Ukraine Ireland Israel USA Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this biblio graphy aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural envi ronment, involved in its production, distribution, conservation, and descrip tion. Of course, the ideal of a complete coverage is nearly impossible to at tain. However, it is the policy of this publication to include missing items as VIII INTRODUCTION much as possible in the forthcoming volumes. The same applies to coun tries newly added to the bibliography."

A renowned and beloved international actress, first successful on the London stage, Jessica Tandy captured Broadway as Blanche DuBois in Tennessee Williams' A Streetcar Named Desire in 1947, making that role forever hers. After a series of major theatrical triumphs and moderate film successes, many with her husband, Hume Cronyn, she won an Oscar for Best Actress at the age of 80 for her performance as Daisy Werthan in Driving Miss Daisy in 1989. This comprehensive reference guide to Tandy's distinguished career features a biographical sketch followed by a chronology of highlights in her life and chapters documenting her careers in theatre, film, television, and on recordings. Her many awards and honors are listed in a separate chapter. An annotated bibliography selects major book, newspaper, and magazine features and interviews; and reviews are also noted with appropriate productions in the previous chapters. Memorable Broadway roles are illustrated with scenes from Streetcar, The Fourposter (with Hume Cronyn, 1951), Five Finger Exercise (1959), A Delicate Balance (with Cronyn, 1966), The Gin Game (1977), Rose (1981), and Foxfire (with Cronyn, 1982).