An essential resource for collection development specialists in small and medium-sized libraries, this guide identifies the highest quality, most affordable, and most appropriate new reference materials in any field. Culling the top reviews from the latest edition of American Reference Books Annual (ARBA), all of the titles in Recommended Reference Books for Small and Medium-Sized Libraries and Media Centers are well reviewed and have price points that will appeal to libraries with tight budgets. This invaluable guidebook gives collection development librarians working in small to medium-sized libraries the best information for choosing new titles for their libraries from the thousands of new reference products (both print and online) that became available in 2015. As with previous editions, readers are assured fair and accurate assessments because all of the reviews are written by experts in the library field and present both positive and negative aspects of the product. Each critical review is coded to clearly indicate which type of library the publication is appropriate for—C for college, P for public, and/or S for school.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Dickens's famous 1843 novel A Christmas Carol plus his lesser-known tales of the winter holiday: The Chimes (1844), The Cricket on the Hearth (1845), The Battle of Life (1846), and The Haunted Man and the Ghost's Bargain (1848).

This is a study of the rise and activity of the London publishing house which started in 1829 as Bentley and Colburn and was finally absorbed by Macmillan in 1898. Professor Gettmann has worked from the surviving papers of the firm and it is probable that he has here given more detail about the aims, methods and successes of an English publisher of the time than can be found anywhere else. Since there is constant reference from the activities of Bentley to that of his contemporaries, it is also a microcosm of English authorship and publishing from the time of Scott to that of Meredith: one of the great period of English publishing enterprise. It discusses movements of taste and cycles of popular reading and illustrates the relationship between publisher and author. It also deals with authors' contracts and rewards and in short, deals with every aspect of English publishing in an important period.

Violet Balestreri Archer is a leading force in contemporary music of North America. One of Canada's most prolific composers, she is also an outspoken advocate of contemporary music. Her career as an educator is exceptional, and she has been untiring in her efforts to persuade composers to write educational pieces for youth and publishers to publish them. Her own music has been performed throughout the world and at international festivals and music congresses. This bio-bibliography is the first book-length study of Archer. It is comprised of four main parts: a short biography; a complete list of more than 290 compositions, organized by genre, with information on premieres and selected performances; a discography; and a bibliography of writings by and about the composer. All sections are fully cross-referenced and indexed, and appendixes organize the works alphabetically by title and chronologically.

Originally published in 1958, and based on The Sandars Lectures for 1957, this volume provides a historical study of the library belonging to eighteenth-century man of letters Horace Walpole (1717-1797). The book is divided into three chapters: the first focuses on the library itself; the second on Walpole's reading; the third on the dispersal of the library following Walpole's death. This is a highly informative text, containing numerous illustrative examples, that will be of value to anyone with an interest in bibliography and eighteenth-century British history.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The first volume covers all books from 1475 1500, and books produced from 1501 to 1640 by the most important printers in London.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The second volume completes the coverage of London printers and lists books printed in other English cities, most notably Oxford, Cambridge and Norwich.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The third volume lists the early modern books held in the University Library printed in Scotland, Ireland, France, the Low Countries, and Germany.

An erudite and popular librarian, Charles Edward Sayle (1864-1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.

If there's a cultural artefact capable of withstanding the vagaries and fickleness of the digital age as well as the printed book, it's the vinyl record . . . In Listening to the Wind, Ian Preece sets out on an international road trip to capture the essence of life for independent record labels operating in the twenty-first century. Despite it all - from algorithms and streaming to the death of the high street and the gutting of the music press - releasing a record to serve its 'own beautiful purpose', as 4AD's Ivo Watts Russell once said, is a flame that still burns through these pages. With countless labels, albums and artists to be discovered, this book is for those who share that inextinguishable love for music. **Features extensive, original interviews with the likes of Analog Africa, Light in the Attic, Thrill Jockey, International Anthem, Dust-to-Digital, Pressure Sounds, Heavenly, Touch, Mississippi, Sublime Frequencies and more!**

James Orchard Halliwell-Phillipps (1820 1889) was an enthusiastic collector of books on Shakespeare (including nearly all the pre-1660 editions) and a respected and prolific scholar of Elizabethan literature. His extensive collection is now housed at Edinburgh University Library. This volume contains a selection of his early writings and includes: 'A catalogue of the early editions of Shakespeare's plays and of the commentaries and other publications illustrative of his works' (1841); 'An account of the only known manuscript of Shakespeare's plays, comprising some important variations and corrections in the Merry Wives of Windsor' (1843); 'An introduction to Shakespeare's Midsummer Night's Dream' (1841); 'On the character of Sir John Falstaff, as originally exhibited by Shakespeare in the two parts of King Henry IV' (1841); 'Curiosities of Modern Shakespearian Criticism' (1853); 'Observations on some of the manuscript emendations of the text of Shakespeare and are they copyright?' (1853).

Published in 1962, this account of the University Archives at Cambridge will be of particular importance to those interested in the history of the University. The first part describes the growth of the archives from their beginnings in the thirteenth century and the changes of fortune they have undergone during that time. Part two provides a survey of the archives, placing the main groups in the context of the University. The authors show how the more important classes of archives developed and the places they occupied in the workings of the administration. There are three appendices: a brief summary of the classes mentioned and the dates they cover; a list of muniments of title to landed property; and a bibliography listing published works which have contained or incorporated records from the Archive. There are sixteen illustrations from the Archives themselves.

M. R. James (1862 1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. James' catalogues of the manuscript holdings of eight Cambridge colleges (Clare, Trinity Hall, Magdalene, King's, Queens', St Catharine's, Christ's and Sidney Sussex) are bound together in this volume, which will be welcomed by librarians and researchers alike.

Benson's bibliography is a valuable contribution to the study of the dying child and the sensitive issues that the family, medical staff, school personnel, and others must face when confronted with this challenge. Comprehensive annotations, some as lengthy as a full page of text, give the essence of the article and its intended use. . . . The appendixes are a wealth of practical information, with lists of children's books and AV material, support organizations, wish-granting organizations, and hospices. No other comparable bibliography exists on the subject. This excellent sourcebook is highly recommended. Choice This annotated bibliography provides access to the literature for researchers, clinicians, students, parents, and others who care for terminally ill children and their families. It concentrates on the period 1960 through 1987, but also includes a small number of citations from earlier years. The bibliography covers more than 180 popular and professional journals in medicine, health, education, psychology, and social work. It also cites books and parts of books, conference reports, government documents, pamphlets, and doctoral dissertations.

Cambridge University Library is one of Britain's major repositories of medieval manuscripts. Its two-letter collection (Dd-Oo) includes just over 1,000 medieval western manuscripts, and amongst these may be found examples of every type of Middle English prose composition. Religious works predominate: there are several copies of the Wycliffite Bible, various sermon cycles, and works by Love, Hilton and Rolle; there is also a vast number of unattributed religious works. Secular texts are represented by the works of Chaucer, Mandeville's Travels, and no fewer than eight copies of the Brut. The collection is also extremely rich in Middle English prose writing in the fields of science and information, preserving medical, gynaecological, veterinary, culinary, alchemical, mathematical, heraldic and linguistic texts. Altogether the current handlist covers 207 manuscripts, and indexes more than 1250 separate items. MARGARET CONNOLLY teaches in the School of English at the University of St Andrews.

African International Relations is a thoroughly revised and updated bibliography that contains annotated entries for international books and journal articles in the field of African international relations.

In 1983, Ronald Reagan signed into law a federal holiday to honor Martin Luther King, Jr. Three years later, the holiday was first formally observed by the federal government. In response to the growing number of musical celebrations surrounding the holiday, Anthony McDonald published in 1996 the first edition of The Catalog of Music Written in Honor of Martin Luther King, Jr. Now, more than a decade since its second edition in 1999, McDonald presents his definitive third edition of the catalog. McDonald organizes information on music suitable for concert performances by symphony orchestras, school music departments, church choirs, or solo performers, including works that celebrate not only Martin Luther King Day, but Black History Month as well. His selections comprise musical work written to honor King, as well as other Americans engaged in the struggle for equality and freedom such as Abraham Lincoln, Malcolm X, Harriet Tubman, Frederick Douglass, and John F. Kennedy. McDonald also incorporates works that more broadly address African American history and culture, such as William Grant Still s Afro-American Symphony. This third edition contains a considerable number of revisions, updates, and new work and includes entirely new sections devoted to jazz and blues songs, sample programs of Martin Luther King, Jr. Day concerts, and a discography, along with appendixes of works listed by orchestration, subject, and a list of publishers and sources. A Catalog of Music Written in Honor of Martin Luther King Jr. is the ideal tool for symphony orchestras, choruses, music departments, and other performing groups and organizations seeking to present concerts that celebrate Martin Luther King Jr., his legacy, and African American history more broadly.

This is the first of a planned three-volume bibliography that aims to 'bring together all the English language publications written about women in Africa during the United Nations Decade for Women.' It includes books, monographs, government reports, articles from journals and collections of essays, conference papers, and US dissertations. The entries are organized in 32 subject sections ranging from agriculture to women and their children. . . . This bibliography is useful in providing a variety of references on African Women in one source and especially in including reports of international organizations. Choice The roles and needs of African women have been largely neglected in Third World policy-making by governments and international organizations despite the existence of recent research providing the basis and justification for new policies. This work, the first volume of a three-part bibliography, makes that research available to researchers and policy-makers. Focusing on works with a broad application, it provides comprehensive listings of resources relating to the situation of women in Africa. The bibliography is divided into 32 subject categories covering topics ranging from marriage and family issues to work, legal rights, politics, the arts, and urban life. Devoted to original English-language research works, it includes journal articles, book chapters, theses and dissertation, conference papers, and individual books on women in Africa and the Third World. Useful supplementary listings are supplied in appendices. A significant contribution to African studies and the social sciences, African Women will help focus attention on the considerable body of research findings on this topic. Appropriate for reference collection in African studies, Third World studies, anthropology, sociology, political economy, and a variety of other fields.

This catalog is divided into four major sections: singles, extended-play albums, long-play albums, and compact discs. An appendix lists the liner notes Cash has written for his own releases, as well as those of a number of prominent performers over the years. It also lists music videos Cash has appeared in. An accompanying index is a composite of the four sections and the appendix, listing albums and compact disc titles as well as the song titles included in those releases.

Johnny Cash's popularity seems to have reached new heights during 1994, making this Catalog, along with the two earlier discographies, invaluable to fans, who will appreciate the comprehensive coverage. That coverage includes over 1,000 song titles on 228 different record labels, 431 singles, 108 extended-play albums, 1,408 long-play albums, and 254 compact discs from the United States, Canada, and 26 foreign countries.

This anthology focuses on the writing process itself and on fundamentals of compositional theory. Essays explore the psychology of composition, research on writing anxiety, the relationship of literary theory to composition, and reading theory as it relates to the composing process. The historical development of research methodologies in the field is examined, with particular emphasis on evaluation methods and construction of effective writing sequences and assignments. With recent educational trends toward basic writing, even teachers of the most advanced composition classes will welcome the contributions on sentence structure, spelling, punctuation, paragraphs, and volcabulary development. The essays that place composition within larger intellectual traditions will be particularly valuable to scholars currently extending their research into other disciplines. Two appendixes on text books and evaluation are designed to help composition educators and scholars select useful, innovative texts and handbooks.

This annotated survey identifies and evaluates the published literature of chamber and concertante music originally conceived for wind instruments. Entries, arranged by instrument, are organized chronologically by genre to highlight the historical development of the works. Genres include single melody instrument with accompaniment, homogeneous groups, larger groupings with and without accompaniment, with and without other non-wind instruments, concertante works, and vocal music with wind instruments. Titles contain catalogue detail and current publisher's edition number.

Musicians, music scholars, and educators will appreciate the addresses of music publishers and the extensive bibliography that serves as a guide for further research. In addition to a general index, information is easily cross-referenced through a composer index and an instrumentation index.

This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465-1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente's works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist's works are introduced.

Journalist, poet, prose and fiction writer, and well-known wit, the inimitable Dorothy Parker (1893-1967) had something to say about virtually all her contemporaries among the literati, and they returned the favor in full measure. This well articulated primary and secondary bibliography covers the complete canon and its critical reaction, with illuminating annotations complemented by a biographical sketch. Included also are three personal views of Parker-- by Joseph Bryan, III, Richard Lauterbach, and Wyatt Cooper. The accumulated evidence suggests that Parker should be considered a major figure in American letters not just "America's wittiest woman" who happened to write.

In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available-including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films-this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices-a bibliography of sources and a list of Lambda Literary Awards-and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.