Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

Like its companion volume covering the period 1955 to 1959, this index provides listings of poems published in American periodicals that span a broad spectrum of popular interests ranging from current events, literature, and the arts, to religion, homemaking, hobbies, and health. The only available index of poetry published in periodicals, it includes poems drawn from a total of forty-five mass circulation magazines, special interest publications, and scholarly and literary views. Poems are indexed by author, title, first line, and subject. Offering a true cross-section of the poetry of the period, this volume brings together much relatively inaccessible information on particular poets and poems, and it offers readers a wide selection of categores for locating verses on specific subjects.

From Shakespeare's plays and contemporary verse to modern novels, this annotated bibliography covers fiction written about the Wars of the Roses since 1440. Providing a valuable resource for students and teachers of English history, the volume acquaints the reader with fiction that shaped both contemporary and later perceptions. The partisan ballads of the period show the sentiments of all classes and factions. The dramas of Shakespeare shaped the opinions of succeeding generations, with many of the novels written prior to the 20th century showing Shakespeare's influence. Following an introductory essay overviewing the conflict, the volume includes over 550 entries on novels, short stories, verse, and plays.

The volume opens with an introductory essay overviewing the conflict and discussing some of the works. It then provides fully-annotated entries on over 550 novels, short stories, verse, and plays. Most annotations are descriptive, but some point to weaknesses in historical accuracy or literary style.

A guide to the literature and sources of Illinois history. It includes descriptions of both primary and secondary sources. The first part of the book consists of bibliographical essays that focus on particular periods and topics in Illinois history. The second part includes 12 reports on the principal archival and manuscript repositories for documentation in the field of Illinois history. A final chapter surveys Illinois-related collections in the Library of Congress and the National Archives. Reference & Research Book News John Hoffmann's volume is the first comprehensive guide to the literature and sources of Illinois history. It includes full and careful descriptions of both primary and secondary sources. The first part of the book consists of bibliographical essays that focus on particular periods and topics in Illinois history. Eight chapters are devoted to specific areas, from 1673 to the present, while six chapters are thematic in nature, covering, for instance, the religious and educational history of the state, the voluminous literature on Chicago, and the subject of Abraham Lincoln in Illinois. These essays are preceded by introductory remarks on historical surveys, reference books, and periodicals in the field, studies of such topics as the medical and legal history of the state, and publications relating to maps and newspapers of Illinois. This long overdue guide will bring together the vast accumulation of primary and secondary materials that defines Illinois history. The nature and scope of this guide is unmatched by any previous work. The second part includes twelve reports on the principal archival and manuscript repositories for documentation in the field of Illinois history. This section provides detailed information on specific collections within the context of related sources on particular periods and topics. A final chapter surveys Illinois-related collections in the Library of Congress and the National Archives. As part of the series Reference Guides to State History and Research, this book provides a valuable resource for researchers, students, genealogists, and the interested public, and is an appropriate selection for reference collections in American, regional, or Illinois history.

The systematic support for Canadian studies in Canada, the United States, and throughout the world has resulted in a tremendous increase in the volume of literature in this field in recent years. This new bibliography is the only up-to-date reference that reflects both the broad range of topics studied and the wide variety of source materials now available. Providing annotations of major sources, it offers nearly 4,000 numbered entries arranged in 14 topic categories. A detailed keyword index of terms, concepts, and subjects will assist the reader in pinpointing source materials in specific areas. Appropriate for both academic and larger public libraries, this new reference will be an important research tool for students and scholars in political science, Canadian studies, U.S.-Canadian relations, and allied disciplines.

The Complete Country Music Discography, 1922-1942 compiles details of all country music recording sessions through 1942 in a single volume. Based on record-company files and session logs as well as the recording archives of the Country Music Foundation, this discography documents every commercial country music recording, including unreleased sides. Each entry lists the musicians playing at every session, instrumentation, dates and locations, songwriting credits, and recording master numbers and release numbers. An introduction explains how to use the book, research methodology, and editorial policy; summary histories of each key record company are also provided, along with a bibliography. The discography will include alphabetical indexes to all song titles and to musicians listed.

The analytic-theoretical approach to Stravinsky’s music introduced in the opening four chapters of this volume became the standard in theoretical and musicological circles during the past several decades. The features of the approach were adopted and expanded upon by numerous scholars: see Richard Taruskin, Stravinsky and the Russian Period (1996); Jonathan Cross, The Stravinsky Legacy (1998); and Stephen Walsh. Working independently from an historical perspective, Richard Taruskin came to many of the same conclusions regarding Stravinsky’s musical language. Entirely unique is the discussion of the rhythmic emphasis of Stravinsky’s music, the metrical displacement of repeated themes and chords, and the disruptive effect of displacement on the listener. Brought into play is the evolutionary history of meter and its entrainment by the listener; the concept of "sensorimotor synchronization" as advanced by the psychologist Bruno Repp, and that in turn of the "contrametric" nature of Stravinsky’s music as introduced by David Huron. Explored is the relationship between African polyrhythm, as discussed by Kofi Agawu, David Locke, and Steve Reich, to the polyrhythmic stratifications in Stravinsky’s The Rite of Spring. Of major concern are the critical and aesthetic issues arising from the interpretation and performance of Stravinsky’s music. The aesthetic views not only of Stravinsky himself but also of critics such as Theodor Adorno, Richard Taruskin, and Robert Craft are discussed at length. Accompanying the essays are over 100 musical illustrations and analytical designs, set and processed with consummate skill by Andre Mount. The essays are prefaced by a newly composed Introduction and then concluded with a lengthy unpublished chapter on the individual work and its classification; "Reflections on the Post-War years of Babbitt, Schoenberg, and Stravinsky". Interactions between the three composers are discussed, as is the relocation, by the early 1940s, of the Paris-Vienna split between Stravinsky and Schoenberg to Los Angeles, California. Even in the twilight years of their respective careers, Stravinsky and Schoenberg remained at a distance from one another.

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In the late 1960s and early 1970s, Steve Reich was considered a fringe experimentalist. His work consisted largely of repeating, slowly changing patterns unlike either the serialism or the aleatory that predominated at that time. Today, however, Reich is one of the most prominent and celebrated contemporary composers, one about whom the scholarly and popular literature offers an assortment of critical, historical, and analytical perspectives. Author D.J. Hoek's bio-bibliography serves as an essential guide to this literature, comprehensively surveying Reich's life and work.

Included are details of all of Reich's compositions: dates, instrumentation, premiere performances, and publishers; a discography listing all commercial recordings of the composer's oeuvre; and an annotated bibliography of publications in English, French, German, and Italian. The Reich scholar or aficionado could not find a more thorough encapsulation of his brilliant career.

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Though starring in only some twenty films and two engagements on Broadway, Audrey Hepburn earned her reputation through the quality of her work rather than the quantity of her performances. She was never driven by her career, and took years off between movies to spend with her family. As a child growing up in Arnhem when the Nazis invaded Holland, Hepburn witnessed the tragedy of war first-hand, and the impact of her experiences led her to a strong devotion to humanitarian causes. This book chronicles the career of Audrey Hepburn and sheds light on her private and enigmatic life. The brief biography included in the volume overviews her experiences and provides a context for her work as a performer. The entries that follow are devoted to her individual performances and include cast and credit information, plot synopses, excerpts from reviews, and critical commentary on her work. Entries are grouped in chapters devoted to her stage, film, radio, and television appearances, while appendices list her awards. An annotated bibliography lists and describes sources of additional information about this enchanting performer.

Catalogues all 636 works written in Eastern and Western Turkish acquired by the Bodleian Library, and throws light on almost all scholarly aspects of the Turkish world providing indispensable sources for experts in many fields.

The Royal Historical Society's Annual Bibliography of British and Irish History provides a comprehensive and authoritative survey of books and articles published in a single calendar year. It covers all periods of British and Irish history from Roman Britain to the end of the twentieth century, and also includes a section on imperial and commonwealth history. It is the most complete and up-to-date bibliography of its type, and an indispensable tool for historians.

Always in competition with her older, more famous sister, Olivia de Havilland, Joan Fontaine had a varied and successful career of her own. She eventually attained stardom for her work in the film Rebecca, which won the 1940 Academy Award for best picture. The following year, she won the Academy Award for best actress in Suspicion, beating out her sister for the coveted prize. This book tells the story of her fascinating career and provides full information for her many performances. A short biography of Fontaine begins the book and overviews the rivalry between Fontaine and her sister, her disappointing marriages, her illnesses, and her productive and rewarding career as an entertainer. Chapters then provide detailed information for her films, radio and television shows, and stage appearances. Each chapter contains individual entries for her productions, with entries providing cast and credit information, a plot summary, a critical analysis, and excerpts from reviews. An annotated bibliography provides information about books and articles related to every aspect of Joan Fontaine's life and work.

Sergei Rachmaninoff was a renowned composer, pianist, and conductor. Because he was a member of the Russian aristocracy, he fled the country after the tsar's abdication, and eventually relocated in the United States. Many of his compositions are for piano, yet he also composed orchestral and symphony works, three operas, choral and liturgical works, some chamber works, and numerous songs. This guide catalogues his numerous works and performances, provides a detailed bibliography, and includes a discography of recordings released within the last half-century.

Cross-referenced throughout, this volume should appeal to music and Rachmaninoff scholars who are looking for a comprehensive guide to further research.

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This reference provides a complete and concise record of the life and work of Oliver Smith, one of the foremost set designers of modern American theater. Narrative sections of the volume discuss Smith's career and life. Additional chapters document and analyze Smith's scenography from 1941 to the present, with special emphasis on exemplary productions and on his role in the development of American scene design. Chapters on ballet, musicals, plays, operas, and movie musicals contain entries for particular productions. Each entry explores the significance of a particular production. An appendix lists productions in chronological order and provides entry numbers to assist the reader in locating information in the book. An annotated bibliography of works by and about Smith provides additional information, and an index provides a means of accessing topics alphabetically. This bio-bibliography is a complete and concise record of the life and work of Oliver Smith, one of the foremost set designers of modern American theater.

The Chronology is a digest of the printed record of English literature 1474-2000, providing a carefully selected, checklist of significant and representative works including fiction, poetry, drama, literary scholarship, and non-fiction. Each entry includes invaluable subsidiary information, and extensive author and titles indexes provide alternative means of access.

`The Index of Middle English Prose when completed will be a monumental achievement' REVIEW OF ENGLISH STUDIES Two very different collections are surveyed in this volume. The manuscripts of Pembroke College, Cambridge are typical of a medieval foundation. Its core of books is a working library of that period, representing the interests andneeds of its Fellows, very often given or bequeathed by them to the College. The collection was substantially enlarged in 1599 through the gift by William Smart of Ipswich of a large number of manuscripts which until the Reformation had belonged to the Abbey of Bury St Edmunds. By contrast the emphasis of the Fitzwilliam Museum collection is to a great extent art historical. At its heart are the manuscripts bequeathed by Lord Fitzwilliam in 1816. These were supplemented throughout the 19th century by a series of gifts and bequests, culminating in 1904 in the largest bequest to date, from Frank McClean, of some 203 manuscripts. In spite of the different character of the two collections, both contain a range of Middle English prose items, among them Chaucer's Boece, a complete Wycliffite sermon cycle and several Paston letters [all from Pembroke], the Anlaby Cartulary, the "Canutus" pestilence tract, the Brut, Lydgate's Serpent of Division and Nicholas Love's Mirror of the Blessed Life of Jesus Christ (from the Fitzwilliam). KARI ANNE RAND is Professor of Older English Literature at the University of Oslo.

Camille Saint-Saëns 1835-1921: A Thematic Catalogue of his Complete Works defines the achievement of this great French composer. All his musical works are presented: the well-recognized masterpieces, the childhood sketches, the unpublished compositions, and the previously unknown pieces now revealed for the first time. This comprehensive collection fully documents the composer's extraordinary contribution to the musical world. Volume 1 concentrates specifically on his instrumental output, while the two later volumes will cover Dramatic Works and Choral & Vocal Works respectively.

This is the first comprehensive, worldwide bibliography of racism. It contains references on some 135 countries and extends from ancient times to the present. The first part of the work consists of references dealing with single countries. More than 10,000 citations are organized according to country from Afghanistan to Zimbabwe. The second part contains references to areas or regions or to related bibliographies. Some 2,000 non-duplicated citations are provided here. While the vast majority of entries are to English-language materials, a number of German, French, Spanish, and other language items are included as well. The work concludes with an author index and a subject index. Due to the many ways racism manifests itself, this bibliography will be of great value to scholars and students from a variety of disciplines from economics and education to sociology and history.

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This is the first study of the full range of Protestant publications from the Reformation to the start of the Evangelical Revival. Based on a sample of over seven hundred best-selling titles of the period, it demonstrates a rapid diversification of the religious works printed and of the readerships at which they were targeted by canny publishers, and also highlights the growing variety of "Protestantisms" then on offer.