A sequel to Tomita's A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume provides the data for the succeeding 40 years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through entries on 187 Italian books (335 editions) printed in England. The Catalogue starts with the books published immediately after the death of Queen Elizabeth I on 24 March 1603, and ends in 1642 with the closing of English theatres. It also contains 45 Elizabethan books (75 editions), which did not feature in the previous volume. Formatted along the lines of Mary Augusta Scott's Elizabethan Translations from the Italian (1916), and adopting Philip Gaskell's scientific method of bibliographical description, this volume provides reliable and comprehensive information about books and their publication, viewed in a general perspective of Anglo-Italian transactions in Jacobean and part of Caroline England.

The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The volume is divided into two large sections. Part I, which covers Tomes I-V, is dedicated to individual bibliographies organized according to specific language. This includes extensive bibliographies of works on Kierkegaard in some 41 different languages. Part II, which covers Tomes VI-VII, is dedicated to shorter, individual bibliographies organized according to specific figures who are in some way relevant for Kierkegaard. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.

In the music of Stuart Saunders Smith (b. 1948), jazz, the avant-garde, and sound-text poetry coalesce. Through the years he has concentrated on certain kinds of composition--open form, radio music, trans-media systems, and sound-text poetry. Although Smith considers himself a jazz composer and drummer, his work has been absorbed into a wider range of contemporary musical efforts, both in the United States and Europe.

This study of Smith contains six critical analyses, an interview, and bibliographic information containing a list of compositions, a discography, Smith's publications, and research currently available on his music. As Milton Babbitt notes, All of his music is to be reckoned with... and, as such, this volume will be of interest to all students and scholars of contemporary composition.

John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.

Original blurb: "The volume of writing on educational topics has increased so prodigiously in recent years that the student is likely to lose himself in a sea of print. This may lead him to opt for the first book that comes to hand, or waste time rifling through half a dozen when a thorough grasp of one key text is all that is needed. Reading lists commonly look impressive, not to say daunting. In fact, the multifarious titles conceal an enormous amount of duplication, an endless raking over of other people's research findings. 'It is a safe bet', writes W. Kenneth Richmond, 'that less than 5 percent of the contents of any new book on education will be in any way original'." This critical bibliography, originally published in 1972, is concerned with the noteworthy books and major official reports that had appeared in the English language during the twenty-five years prior to publication. In his introduction and in the commentaries prefacing each section the author explains the background to the genuinely new departures of the period and describes successive changes in the climate of educational opinion.

This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.

While written works of nineteenth and early twentieth century flute virtuosos remain a foundation of modern flute study, and despite a recent proliferation of historical recordings reissued on CD, much less is known about their recorded legacy. The recordings, now more accessible, allow increased awareness of these musicians, their repertoire, and their performance styles. The availability of these compact discs and their importance shows the need for a thorough discography of the flute. The Flute on Record: The 78 rpm Era serves as a comprehensive and practical guide to the wealth of flute recordings made between 1889 and 1954. The discography lists commercial, private, and unpublished recordings, on cylinders and 78 rpm discs, for over two hundred national and international flutists. Recordings are logged in meticulous detail, including dates and locations, matrix numbers, domestic and foreign catalog numbers, and corresponding long-playing reissues. Solo works, chamber music, and vocal and orchestral works that feature flute passages are addressed in the citations, and in complete appendixes of anonymous recordings. Details about broadcast transcriptions, live performance transcriptions, and films are also included. Notes and bibliographies offer background information on additional recordings and repertory, and provide a link between modern study and historical evidence. With a list of record labels and numerical series, as well as indexes for composers and additional musicians, this important resource is accessible to researchers, collectors, and general users alike. The various components combine to create a fuller understanding of the importance of these classic recordings.

Originally published in 1983, D.H. Lawrence is an annotated bibliographic collection of works by and about D.H. Lawrence. Consisting of three parts, the primary bibliography contains separate bibliographies of Lawrence's major publications, of collection editions of his works, of his letters, and of concordances to his writings. The secondary bibliography contains bibliographies of biographical and critical publications concerning Lawrence, generally or his individual works. Appnedixes and Indexes include an extensive checklist of major foreign-language publications concerning Lawrence and a useful topical and thematic subject index for the guide.

This title was first published in 2002. Sir Peter Maxwell Davies is one of Britain's most distinguished composers. This source book documents as much of the material on his music as is available to 2001. As Richard McGregor points out in his foreword to the volume, Stewart Craggs has made valuable advances in sorting out the origins of many unknown works and gleaning details of many private compositions. The book also supplies details of those unknown works which haven't appeared in any previous catalogues, including broadcasts of early works from the BBC Archives. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference source for all those interested in Peter Maxwell Davies and his music.

The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http://www.degruyter.com/view/j/futur

This annotated bibliography assists the reader in locating information about the United States Federal Trade Commission. The book is divided into four chapters, each reflecting the major functions and regulatory responsibilities of the FTC.

The end of the 1980s and the beginning of the 1990s have been a time of great change for academic libraries and librarians. Rapid developments in technology have revolutionized the libraries' means and mission, while declining budgets have adversely impacted the ability of librarians to carry out their roles. The literature of academic librarianship today reflects these changes and points to the direction in which academic libraries are headed.

This book is a comprehensive guide to book chapters and articles written on academic librarianship between 1990 and 1993. Entries for nearly 1,700 works are grouped in six topical chapters for ease of use. Each entry includes an informative annotation that summarizes the key points made by the authors, the major findings of research projects, and the names and locations of libraries with innovative programs. Extensive author, article, book/journal title, and subject indexes conclude the work. The volume is a useful tool for locating specific information on various topics, and it is a forecast of the future of academic libraries.

Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.

Over the past decades wartime Poland has received considerable attention from Anglo-American historians, with hundreds of works being published on Poland's role in World War II. Yet this copious material has lacked comprehensive bibliographic coverage. This book fills that gap, providing a quick source of information for researchers looking for English-language sources. Addressing diverse aspects of Poland's role in the war, the book contains sources on causes of the war, its course, and military, diplomatic, and legal concerns. Emphasizing the social impact of the war, the book discusses the occupation, the Holocaust, the consequences of the war and the Polish question. Included are works that set the issues in a broader international context and that present all sides of the argument.

The first bibliography of its kind, this work includes over 350 significant English-language monographs, books, book chapters, and government documents published from 1940 to 1996. The book is a practical reference guide for researchers interested in the European aspects of World War II.

Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition.

Traditionally, the "history" of Micronesia has been dominated by outside European interpretations and standards. More recently, both European and indigenous historians have begun to examine historical interpretations from the perspectives, values, and actions of Micronesians themselves, thereby rendering contextually richer and more realistic interpretations of the past. A core title for individuals interested in Pacific history and historiography, this bibliography provides a critical summary and analysis of the scholarship on Micronesian history, as it has been constructed through both standardized European approaches and the more recent integration of indigenous viewpoints. Beginning with introductions which review the issues of Micronesian historiography and Pacific historiography in general, this book challenges current thinking and perceptions of bibliography as it relates to the Pacific. As suggested by the plural "histories" in the title, the approaches to Pacific history are multifaceted. Focusing on scholarly works that are intentionally historical in nature, the authors provide readers with an opportunity to explore the specifics of Micronesian histories as they have evolved through four separate European periods of governance.

While it can be traced to the 1700s, the term thanatology has gained traction in recent decades to refer to the study of death. Because of the breadth of the published material and the challenges of discovery in large bibliographic databases and catalogs, finding and identifying monographic material on death, dying, grief, and bereavement can be extremely challenging. Although there have been several bibliographical resources published on thanatology, those titles were incomplete, limited in scope, or leaned heavily toward one area of the field. In Death and Dying: An Annotated Bibliography of the Thanatological Literature, John F. Szabo provides more than 2,200 citations of monographs on the science and study of death and dying. Among the areas this volume addresses are the psychological, philosophical, and attitudinal aspects; coping and dealing with the burdens of caregiving and working in the helping professions; instructional and educational topics for practitioners, primarily health care providers; cultural differences in bereavement rituals; and grief, mourning, and loss. In addition, notable titles on or relating to death and dying in popular culture, death themes in literature, methods of death, or specific ethical, policy, or public issues are also included when they contribute important information to subject areas on which the book focuses. This book will be helpful to students, researchers, academics, caregivers, health care professionals, psychologists, social workers, and anyone with an interest in death, dying, bereavement, or the care of the terminally ill.

First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

Collected and edited from the Earliest Quartos with Life, Bibliography, Essays, Notes, and Index by R. Warwick Bond.

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Originally published in 1984, Literature and Law in the Middle Ages is a comprehensive bibliography on the subject of literature and law in the Middle Ages. The collection was composed with the notion that early society regarded literature, law and religion from the same single point of view. It discusses how for many medieval poets, their art existed primarily to enforce obedience to God and king and suggests that society viewed law as a chief instrument of the divine will in human affairs. The book's comprehensive introduction argues that eventually, these areas of diverged and became separate; this bibliography covers the broad period of the Middle Ages from the 5th to the 15th century and examines this period of transition during which, the process was not yet complete. This bibliography will be vital resource for those studying medieval studies, both in literature and history.

Jazz trombonist Jack Teagarden once referred to Ruby Braff as the "Ivy League's Louis Armstrong." That legacy of great trumpet performance and recording is brought to readers in Thomas Hustad's Born to Play: The Ruby Braff Discography and Directory of Performances. Braff's uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. For a reminder of that we need but play any of the more than 150 released recordings on which he appears. These records span a total of 54 years, from 1949 to 2002, a feat almost unmatched in jazz recording. This was five years longer than even Louis Armstrong. Although prepared in discographical style, capturing information about both commercial recordings and previously undocumented performances, Born to Play serves as a biography of the artist, detailing the path he paved as a performer and featuring personal recollections of his musical career with commentary from other figures. Images over the course of his half century of playing fill out this comprehensive survey of Braff's performing and recording career. This bio-discography of the man who jazz drumming legend Buddy Rich declared "one of my favorite trumpeters" and singing giant Tony Bennett described as "my great friend who now holds the reigning position of the best cornet player in the world" is sure to be of interest to jazz fans and scholars alike.

James Controvich's magisterial updated Bibliography is the first truly comprehensive listing of all Army unit histories that will not be superseded for years to come. Collectors, genealogists, librarians, museum curators, and amateur and professional military historians have all come to rely on Controvich to provide the necessary starting place for their research.

This book presents more than 1,000 entries organized in twenty-six major categories in the fields of conflict and peace studies. It focuses on global systems and covers the structures and processes of conflict and peacemaking as they apply at every level from interpersonal to international.