First published in 1997, this second edition of this bibliography contains more than half as many entries again as the original selection of 1966. New sections include an annotated list of surviving apparatus and personal effects, an index of letters and printed extracts of letters, and a current plan of Manchester, as well as one of 1793, showing places with Dalton associations. Annotations are relatively more generous and the number of illustrations almost doubled. Manchester Literary and Philosophical Society was central to Daltons life and researches. It inherited almost all his manuscripts and apparatus; much of the collection was destroyed in 1940.

"[The] guide will be useful in large reference collections and in professional collections in school library media centers, medical centers, and youth services organizations." Reference Books Bulletin

Serge Chaloff (1923-1957) is most widely remembered as the flamboyant baritone saxophone star with Woody Herman's 2nd Herd whose problems with drugs extended to erratic personal behavior. Nevertheless, there were many brilliant sessions featuring his work before and after his stint with Herman. This work attempts to bring them the recognition they deserve. Simosko details the life and music of Serge Chaloff in an engaging style, from his childhood in Boston, Massachusetts, through his untimely death in 1957. He also provides a discography of Chaloff's recorded output, much of which has been made available by the 1993 Mosaic Records release of The Complete Serge Chaloff Sessions.

Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston's literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston's work. In addition to publication information, each selection is carefully crafted to capture the author's thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women's literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.

Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but ?Inuit art? as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.

Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone-performer, teacher, student, or scholar-wanting to learn about Berg's life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg's musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.

The multidisciplinary nature of the field of aging and the sheer volume of published material make researching and keeping current with new developments in the field quite difficult. This reference book offers comprehensive strategies for accessing information on the psychological, social, biological, and medical aspects of aging. The types of information sources covered include: handbooks, directories, and encyclopedias; indexes and abstracts; agencies and other specialized sources; computerized information retrieval systems; and community resources. "Current Literature on Aging"

The intended audience for this work includes information specialists and professionals concerned with gerontology in all of its apsects--psychological, social, and medical. Persons trained in any of these disciplines will find the book readable. The use of examples from gerontological experience and literature is especially helpful. "Reference Books Bulletin"

The expansion of the world's older population is reflected in a tremendous increase in the literature on aging. Keeping abreast of developments in the field is made difficult not only by the sheer volume of publications but also by the multidisciplinary character of the subject. This new reference is the first to offer comprehensive strategies for retrieving gerontological research information in all the relevant disciplines. It itemizes information resources, including agencies, journals, and secondary sources, and outlines techniques for using library and computerized databases.

Following a brief introduction, the authors set forth step-by-step procedures for accessing gerontological materials and describe the range of available information resources in the social, biological, and medical sciences. Individual chapters are devoted to the use of handbooks, directories, and encyclopedias; indexes and abstracts, journals, and databases. An essential tool for information specialists, this reference will prove useful to students, academics, and professionals in any of the disciplines concerned with psychological, social, biological, or medical aspects of aging.

Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi's music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

This annotated bibliography uncovers the wealth of resources available on the life and music of John Cage, one of the most influential and fascinating composers of the twentieth-century. The guide will focus on documentary studies, archival resources, scholarly research, and autobiographical materials, and place the composer and his work in a larger context of postmodern philosophy, art and theater movements, and contemporary politics. It will support emerging scholarship and inquiry for future research on Cage, with carefully selected sources and useful annotations.

Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini's music. It provides a comprehensive overview of the recorded history of the composer's works and serves as a useful guide for the transfer of recordings from one format to another.

John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.

At last--a resource for librarians who wish to build or develop their nonfiction collection and use it to better serve the needs of adult Christian readers. Covering the three major branches of Christianity (Roman Catholic, Protestant, and Orthodox), the author organizes more than 600 titles into subject categories ranging from biography, the arts, and education, to theology, devotion, and spiritual warfare. Award-winning classics are noted. Introductory narrative frames the literature, and helps librarians better understand Christian literature; and learn how to establish selection criteria for building a Christian nonfiction collection.

"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world. . . . The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies."-Latin American Research Review Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 140 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The subject categories for Number 70 are as follows: Art History Literature Music Philosophy: Latin American Thought

Originally published in 1978 Spirit Possession and Spirit Mediumship in Africa and Afro-America is an incredibly diverse and comprehensive bibliography on published works containing ethnographic data on, and analysis of, spirit possession and spirit mediumship in North and Sub-Saharan Africa and in some Afro-American communities in the Western Hemisphere. The sources on Western Afro-American communities were chosen to shed light on the African continent and the Americas. The bibliography, while not exhaustive, provides extensive research on the area of research in spiritualism in Africa and Afro-America. The bibliography also provides unique sources on spirit cults, ritual or ethnic groups and will be of especial interest to researchers. Although published in the late 70s, this book will still provide an incredibly useful research tool for academics in the area of religion, with a focus on spiritualism and non-western religions.

Originally published in 1983, this title lists and annotates reference sources which will help readers select primary materials useful in studies of the literary portraits of women and their societal roles. The years 1961 to 1981 were set as boundaries for this volume because the author's initial research revealed that a twenty-year span was a manageable unit, because the novels published between those dates yielded abundant materials for such a reference work, and because significant changes in the way portraits of adolescent females were being drawn took place during the period - for example, sex-role stereotyping became a shade less prevalent, young women's sexuality was discussed more forthrightly, and some topics (such as single women's pregnancies and lesbianism) were treated more overtly, sometimes less judgementally.

This comprehensive work reflects the renewed interest and recognition of Charles Ives's music, and it gathers into one volume previously scattered and hard-to-find material by and about the composer. The musical and historical significance of one of America's most famous twentieth-century composers is represented in a substantively annotated, discerning and critical bibliography that includes a foreword by the noted Ives scholar, J. Peter Burkholder. The book begins with an explanation of the scope, organization, and rationale of the material presented and provides an overview and discussion of the current status of Ives scholarship. This is followed by a biographical sketch, a catalog of works and performances, and a complete discography of all recordings in print as of 1985. The bibliography consists of four major sections devoted to collections and catalogs, biographical and aesthetic articles, and reviews and critical evaluations of Ives and his contemporaries; the final section, on Ive's work, is arranged according to the genres of orchestral and band music, chamber music, keyboard music, choral and partsongs, and songs, following John Kirkpatrick's widely used manuscript categorization. The annotations on several hundred books, essays, and reviews offer a historical perspective of the critical reception of Ives's music, tracing its development from obscurity to crusade to fad, to its present secure place in the repertoire. The extensive appendixes and indexes provide, in a conveniently centralized format, lists of materials not found in standard indexes or cited in earlier studies; they make accessible many items that appear in relatively obscure journals or archives. This definitive sourcebook will greatly facilitate further study and inspire new research on one of today's most controversial musical figures. It will be of great interest to musicologists, Ives scholars, and students of twentieth-century American music.

From 1947 through 1963, the merged studios of Universal and International produced mostly highly entertaining westerns that ranged from classics like "Winchester '73" to forgettable films better left unmade. Entries on the 114 Universal-International westerns of the period are collected here. While other films may have contained western elements, only films that truly fit the genre are included. Films are arranged alphabetically by title, and each entry includes release date, alternate title, cast, credits, songs, location of filming, source if the film was an adaptation, running time, plot synopsis, commentary from the author and from the actors and directors, and representative excerpts from contemporary reviews. Also included are tag lines used in the original advertising for each film. An introduction to the book provides details on the Universal-International merger and a history of the studios' productions.

As efforts to promote literacy accelerate in all parts of the world, research on reading has moved in new and innovative directions and taken on an increasingly international dimension. Reflecting these developments, this new bibliography expands current notions of what comparative reading is, or ought to be. It lists and categorizes research efforts made throughout the world, giving special emphasis to the tendency to conceive of the reading process in interdisciplinary terms.

An essential reference work for all oriental rug scholars, collectors, dealers, and Islamic art historians, this is the first comprehensive bibliography written in English on the oriental rug and carpet literature, beginning with the first publication on oriental rugs in 1877 and including all known publications in any language published through 1992. O'Bannon has attempted to identify all single publications, including reprints of articles from journals and periodicals on this topic 2,875 separate entries in all. The bibliography is divided into three major categories: Carpets; Islamic Arts and Textiles; and Maintenance, Care, and Related Books, with general and geographic subdivisions. Related topics include wool, dyeing, looms, technical aspects of weaving, and the history of oriental carpets. Numbered for easy reference, entries are listed alphabetically by author and include standard bibliographic information and brief annotations. Titles of non-English language publications are transliterated into English. There are several cross references to geographic areas, tribal weavings, exhibitions, basic reference works, and private and public collections of oriental rugs.

Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.

Musicians, conductors, students, and researchers can now have a list of conductor-related holdings and where to find them right at their fingertips. The Directory of Conductors' Archives in American Institutions lists the components and the locations of papers owned and collected by conductors in the United States. Papers found from many places across America are brought together and listed in this single volume. Collections from historical societies, orchestra archives, American libraries, and private collections are all included to help the researcher or music lover locate materials that are difficult to find in standard sources. Author Henry Bloch has carefully compiled the entries in the book, listing all aspects of the collections, including full scores and parts; correspondence, scrapbooks, and business papers; still and moving visual images; and sound recordings. Separated in to two parts, Part I lists conductors alphabetically, citing all the details of their collections, while Part II is organized alphabetically by state and institution. Some entries include a notes section, which lists additional materials or an archive's accessibility to researchers. All pertinent location and contact information, including curators, is also included. Cultural institutions and individuals alike will greatly benefit from this invaluable reference tool.

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 - a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture - shedding light on Shakespeare's views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author's perspective, supplying a careful and thorough account of the main points of an article.

Originally published in 1984, Literature and Law in the Middle Ages is a comprehensive bibliography on the subject of literature and law in the Middle Ages. The collection was composed with the notion that early society regarded literature, law and religion from the same single point of view. It discusses how for many medieval poets, their art existed primarily to enforce obedience to God and king and suggests that society viewed law as a chief instrument of the divine will in human affairs. The book's comprehensive introduction argues that eventually, these areas of diverged and became separate; this bibliography covers the broad period of the Middle Ages from the 5th to the 15th century and examines this period of transition during which, the process was not yet complete. This bibliography will be vital resource for those studying medieval studies, both in literature and history.

Among the significant trends in human services during the 1980s has been the emergence of emphasis on social networks and social supports in research, prevention, and treatment efforts. Today's human service professionals and planners routinely incorporate information about social networks and social supports into assessments and interventions for a wide range of individual and community problems. Social Support Networks is the most comprehensive, up-to-date bibliography yet published on the theory, research, and practical application of social support networks. Containing approximately 2,700 references, it offers detailed listings for journal articles, books, book chapters, and published reports which appeared from 1983 to 1987. In recent years, social support networks have become a focus for research and scholarship in anthropology, epidemiology, nursing, psychiatry, psychology, public health, social work, and sociology. The literature represented in this bibliography includes a focus on theory, research, practice, and policy drawn from these as well as other disciplines. As such, the volume lends itself to the transfer of ideas and practice across various branches of the social support intervention field, particularly addressing the requirements of practitioners who may feel they have become limited in their response to social problems by relying on their agencies' traditional ways of meeting client needs. The bibliography is divided into five major headings: Overview and Theory, Research-Physical Health, Research-Mental Health, Intervention, and Professional Roles and Policy, and all entries are consecutively numbered to aid cross-referencing by the Author and Subject Indexes. To further facilitate cross-referencing, many Subject Index terms also have sub-indices. This important reference tool will be welcomed by service providers and planners in gerontology, nursing, psychiatry, psychology, public health, social work, sociology, anthropology, and urban affairs.