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Books > Reference & Interdisciplinary > Encyclopaedias & reference works > Reference works > Bibliographies, catalogues, discographies
The library at Hereford Cathedral is famous as one of the few surviving chained libraries'; but the contents of the books secured to the seventeenth century presses are less well known. There are 227 western manuscripts, of which about half have been at the cathedral since before the Reformation. They range in date from the eighth to the fifteenth century, and include finely-illustrated patristic books of the twelfth century, a large collection of Oxford University legal textbooks, and books of civil and canon law from the end of the thirteenth century. Over half the volumes survive in largely intact medieval bindings. The catalogue, begun by the late Sir Roger Mynors and completed by Professor Thomson, reflects the particular strengths of the collection. The many glossed books are described using a particularly effective system devised by Sir Roger Mynors. An introductory essay by Michael Gullick describes the medieval bindings, and the plates cover not only illumination and bindings, but medieval pressmarks and ownership inscriptions, as well as examples of scripts.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
William Alwyn: A Research and Information Guide is a catalogue, discography and annotated bibliography of the nearly 500 works of this twentieth-century British composer. It will be invaluable to twentieth-century British composer researchers and aficionados, music history courses, and film music courses.
This new publication, a sister volume to the highly-acclaimed Routledge Guide to British Political Archives, provides a wide-ranging survey of the non-governmental archive sources for historians of post-war Europe. It provides, within a single volume, a rich treasure trove of resources drawn from the archives of the member states of the European Union and beyond. These major archive resources range from the International Institute of Social History in Amsterdam to the Modern Records Centre at Warwick University, from the European University Institute at Florence to the Archive of Social Democracy near Bonn, from the Feltrinelli Institute in Milan to the Monnet Foundation in Lausanne. The volume also concentrates on providing resources for areas of Europe's modern political past now increasingly attracting serious historical research. They include the initial post-war reconstruction era, the rebirth of social democracy in Germany and Italy, the beginning of European integration, relations with Eastern Europe, the Cold War, decolonisation, the fall of Communism, and so forth. A vital part of the story is represented by the papers of the principal architects of European integration, such as Monnet, Spaak, Spinelli, Mansholt, and so forth. However, the remit of this volume extends far beyond statesmen and politicians. It aims to embrace a wider spectrum of European political activism - from libertarians to environmentalists, economists and human rights activists, campaigners for women's rights, peace activists, anti-globalists, trade unionists, leaders of the student movement, anarchists, federalists and anti-federalists, and a plethora of others. The wealth of information provided here will make this new publication the standard point of reference for students and historians.
First published in 1988, this reissue is an important work in the field of national literary exchange. Declared by American Library Association in its Choice publication one of the ten best reference works of 1988, the volume has survived global change - politically, socially, economically, religiously, aesthetically - to promote cultural dialogue between China and the West. Besides the scores of annotated sources, the introductory essays remain as authentic and moving as the day of their appearance. Equally to be observed is accelerating demand, especially in academic institutions, for global cultural exchange through national literatures. How can we of the English-speaking world, for example, adequately understand and converse with our Chinese counterparts without some appreciation of their culture, notably of Confucian and Taoist roles in their history as reflected in their literature? Overall, a pioneering work whose reissue will be welcomed by both scholars and general readers alike.
Since the celebration of his centennial in 1974, Charles Ives has become an iconic figure in the history of music; his name and compositions are widely recognized, and his influence has been felt throughout the world. One of the most striking features of Ives's music is his use of the borrowed melodies that pervade his scores. Ives drew extensively from a large historical repertoire, some of it little known today, including hymns, military and patriotic music, college and popular songs, instrumental music, and "classical" music models. By cataloging these sources and including musical examples of their incorporation into Ives's music, Clayton W. Henderson provides important insights into the composer's body of work.
The aim of each volume of this series Guides to Information Sources is to reduce the time which needs to be spent on patient searching and to recommend the best starting point and sources most likely to yield the desired information. The criteria for selection provide a way into a subject to those new to the field and assists in identifying major new or possibly unexplored sources to those who already have some acquaintance with it. The series attempts to achieve evaluation through a careful selection of sources and through the comments provided on those sources.
An exhaustive reference volume to the thousands of songs, songwriters and performers in 1,460 American and British films (musical and nonmusical) since the advent of the talkie in 1928. Listed alphabetically by film title, each entry provides full production information on the movie, including the country of origin, year of release, running time, director, musical director, musical score, studio, producer, orchestra or bands featured, music backup, vocalist, (dubber who sang on the soundtrack), and performers. Each song title in the main entry is followed by the name of the performer, lyricist, composer, and, when appropriate, arranger.
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Frank Sinatra's 45-year recording career and the songs he recorded: his professional biography as a recording artist; the evolution of his vocal technique and performance style; sources and variety of songs recorded; his 12 most-recorded composers and lyricists (20 others are discussed briefly); his interaction with his six major sources of orchestration; his recording sessions; a review of all albums referenced; and the technical and commercial side of his career. Supporting the research are a master song list (approximately 1,250 recordings), songs by publication date, composer and lyricist indexes, every arrangers work (listing each conductor and orchestra), a detailed list of recording sessions--in order--plus radio, television and film work, and three album lists, showing contents, order of first releases, label sequence and producers.
Nearly two hundred thousand scholarly books and monographs have been published about the French Revolution and the Napoleonic era during the last two hundred years. The approaching bicentennial of these events will undoubtedly result in an extensive reexamination of this period. This work, designed as a companion volume to Owen Connelly's Historical Dictionary of Napoleonic France, 1799-1815 (Greenwood Press, 1985), expands Connelly's work to include most of the generally available books published since 1945. The book is designed to direct researchers to the materials which are best suited for their inquiry and which might otherwise be overlooked. In this way it serves as a useful research tool, providing a summary of all that is currently available.
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Pictorial references are essential to illustrate any discussion of theatrical design. There are resources that locate original scenic designs, but access to original work is often restricted. The easiest way for most people to research stage designs is to consult photographic reproductions, but finding photographs from hundreds--if not thousands--of sources requires much time and effort. This index of 7000 productions by more than 2000 scenic designers focuses on photographs of 20th-century sets, renderings, and models of theatre and opera productions appearing in 114 selected books and journals likely to be held by most research libraries. The selected works include books about theatre history, scenic design and stagecraft, as well as design exhibition catalogs and works on specific designers or types of productions. The listing of these sources provides publication information with each work assigned a bibliographic code. The bulk of the volume is an index of productions with entries arranged alphabetically by play title. Each entry provides subentries for productions with which individual designers were involved, along with citations for the works in which photographs of the production appear. A separate index lists the designers and their productions.
Including books, pamphlets, periodicals, catalogs, trading cards, newspapers, photographs, postcards, scrapbooks, art prints, and advertisements, this subject bibliography of 679 references to croquet is based on the collection of varied material assembled by the late Dr. Rendell Rhoades, Professor of Biology at Ashland University, OH. The resulting collection encompasses the role croquet has played in literature, in biography, in art and music, in manufacturing and advertising, and in the attendant publicity. With an index of joint authors, pseudonyms, illustrators, and other pertinent information; and a chronological list of books on croquet compiled by Dr. R.W. Bray, Member of the British Croquet Association.
This is the fourteenth annual volume of the Index to International Public Opinion. It includes data from public opinion polls from more than 130 countries and geographical regions. All tables contain total sample results, and many also include analysis by various population sub-groups such as age, sex, level of education, etc. The survey questions deal with social, political, and economic issues of both contemporary and historical interest. The data are drawn from surveys that have been conducted by polling organizations of the highest scientific quality. The volume contains data from surveys conducted mainly during the period Spring 1991 through Spring 1992. Also, for trend analysis purposes, included are a number of time series tables covering a decade or longer. Starting with volume fourteen, the annual contains a new section, Changing Opinions: A 50-year Retrospective, which consists of opinion polling data gathered a half century ago in a number of countries; not surprisingly, many of the issues asked about then are still current today. As the richest ongoing reference source for public opinion data, this volume and its predecessor volumes are invaluable for scholars of social, political, and economic issues, for business leaders, journalists, and government officials.
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Felix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bart k 's compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bart k research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bart k literature.
The Twenty-five year period following the Second World War saw an enormous expansion of activity in the writing of the history of modern Britain, and with that expansion a major transformation of the state of knowledge in many parts of the area. First published in 1970, this Revivals reissue, which includes an extensive coverage of books and a reasonable selection of articles, endeavours both to survey the work done and to reduce it to some comprehensible order. It indicates achievements and probable lines of development, and collects the materials that have grown around the main controversies. Omitted are local history (in the main) and the history of empire and commonwealth, except where the latter really arises out of the affairs of the mother country. There are special sections on social history, the history of ideas, Scotland and Ireland.
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
First published in 1952, the International Bibliography of the
Social Sciences (anthropology, economics, political science, and
sociology) is well established as a major bibliographic reference
for students, researchers and librarians in the social sciences
worldwide.
The Supplement continues the tradition of the Catalogue in that it is designed as an aid for the church musician and or pastor seeking to plan unified worship services. It will also be of use to those church musicians who follow the Liturgical Calender and plan music appropriate to the appointed lessons, as well as a source for non-church choir directors who would like to locate choral settings based on a particular passage from Scripture. The Supplement emphasizes music published since 1995, or titles that were overlooked in the previous editions. Entries are arranged from Genesis through Revelation. Each main entry citation provides the biblical reference (book, chapter, and verse), as well as a reference to additional passages from Scripture used in the anthem. The composer, arranger, or editor and the title are listed as they appear on the octavo. Information on voicing, solos, and instrumental accompaniment is noted; the name of the publisher, the most recent date of publication and the octavo number appear at the end of each citation, where information on instrumental parts, other versions of the same title, and collections where the work might appear are also listed. Composer and title indexes round off the work.
The Small Wars of the United States, 1899 2009 is the complete bibliography of works on US military intervention and irregular warfare around the world, as well as efforts to quell insurgencies on behalf of American allies. The text covers conflicts from 1898 to present, with detailed annotations of selected sources. In this second edition, Benjamin R. Beede revises his seminal work, bringing it completely up to date, including entries on the current conflicts in Iraq and Afghanistan. An invaluable research tool, The Small Wars of the United States, 1899 2009 is a critical resource for students and scholars studying US military history.
First published in 1952, the International Bibliography of the Social Sciences (anthropology, economics, political science, and sociology) is well established as a major bibliographic reference for students, researchers & librarians. |
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