This title was first published in 2002. Sir Peter Maxwell Davies is one of Britain's most distinguished composers. This source book documents as much of the material on his music as is available to 2001. As Richard McGregor points out in his foreword to the volume, Stewart Craggs has made valuable advances in sorting out the origins of many unknown works and gleaning details of many private compositions. The book also supplies details of those unknown works which haven't appeared in any previous catalogues, including broadcasts of early works from the BBC Archives. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference source for all those interested in Peter Maxwell Davies and his music.

This annotated bibliography assists the reader in locating information about the United States Federal Trade Commission. The book is divided into four chapters, each reflecting the major functions and regulatory responsibilities of the FTC.

A true labor of love and appreciation for Sarah Vaughan's vast contributions to American popular music, this comprehensive discography documents some 750 songs recorded by Vaughan in 221 recording sessions between 1944 and 1989, some of them multiple times. The artist, when presented with an early draft of this volume a few years before her death, called it a "piece of gold" and commented that there were songs she'd forgotten and would record again. Information on orchestra leaders, arrangers, musicians, matrix numbers, and record company catalog numbers is given, and separate sections organize the material by record company issues and index song titles (with composers), musicians, and orchestras. This work will be of interest to scholars and researchers of popular music, to record collectors, and to everyone who loves the music of Sarah Vaughan.

The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http://www.degruyter.com/view/j/futur

Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.

Over the past decades wartime Poland has received considerable attention from Anglo-American historians, with hundreds of works being published on Poland's role in World War II. Yet this copious material has lacked comprehensive bibliographic coverage. This book fills that gap, providing a quick source of information for researchers looking for English-language sources. Addressing diverse aspects of Poland's role in the war, the book contains sources on causes of the war, its course, and military, diplomatic, and legal concerns. Emphasizing the social impact of the war, the book discusses the occupation, the Holocaust, the consequences of the war and the Polish question. Included are works that set the issues in a broader international context and that present all sides of the argument.

The first bibliography of its kind, this work includes over 350 significant English-language monographs, books, book chapters, and government documents published from 1940 to 1996. The book is a practical reference guide for researchers interested in the European aspects of World War II.

Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition.

Traditionally, the "history" of Micronesia has been dominated by outside European interpretations and standards. More recently, both European and indigenous historians have begun to examine historical interpretations from the perspectives, values, and actions of Micronesians themselves, thereby rendering contextually richer and more realistic interpretations of the past. A core title for individuals interested in Pacific history and historiography, this bibliography provides a critical summary and analysis of the scholarship on Micronesian history, as it has been constructed through both standardized European approaches and the more recent integration of indigenous viewpoints. Beginning with introductions which review the issues of Micronesian historiography and Pacific historiography in general, this book challenges current thinking and perceptions of bibliography as it relates to the Pacific. As suggested by the plural "histories" in the title, the approaches to Pacific history are multifaceted. Focusing on scholarly works that are intentionally historical in nature, the authors provide readers with an opportunity to explore the specifics of Micronesian histories as they have evolved through four separate European periods of governance.

First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

While it can be traced to the 1700s, the term thanatology has gained traction in recent decades to refer to the study of death. Because of the breadth of the published material and the challenges of discovery in large bibliographic databases and catalogs, finding and identifying monographic material on death, dying, grief, and bereavement can be extremely challenging. Although there have been several bibliographical resources published on thanatology, those titles were incomplete, limited in scope, or leaned heavily toward one area of the field. In Death and Dying: An Annotated Bibliography of the Thanatological Literature, John F. Szabo provides more than 2,200 citations of monographs on the science and study of death and dying. Among the areas this volume addresses are the psychological, philosophical, and attitudinal aspects; coping and dealing with the burdens of caregiving and working in the helping professions; instructional and educational topics for practitioners, primarily health care providers; cultural differences in bereavement rituals; and grief, mourning, and loss. In addition, notable titles on or relating to death and dying in popular culture, death themes in literature, methods of death, or specific ethical, policy, or public issues are also included when they contribute important information to subject areas on which the book focuses. This book will be helpful to students, researchers, academics, caregivers, health care professionals, psychologists, social workers, and anyone with an interest in death, dying, bereavement, or the care of the terminally ill.

Collected and edited from the Earliest Quartos with Life, Bibliography, Essays, Notes, and Index by R. Warwick Bond.

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Originally published in 1984, Literature and Law in the Middle Ages is a comprehensive bibliography on the subject of literature and law in the Middle Ages. The collection was composed with the notion that early society regarded literature, law and religion from the same single point of view. It discusses how for many medieval poets, their art existed primarily to enforce obedience to God and king and suggests that society viewed law as a chief instrument of the divine will in human affairs. The book's comprehensive introduction argues that eventually, these areas of diverged and became separate; this bibliography covers the broad period of the Middle Ages from the 5th to the 15th century and examines this period of transition during which, the process was not yet complete. This bibliography will be vital resource for those studying medieval studies, both in literature and history.

This book presents more than 1,000 entries organized in twenty-six major categories in the fields of conflict and peace studies. It focuses on global systems and covers the structures and processes of conflict and peacemaking as they apply at every level from interpersonal to international.

Jazz trombonist Jack Teagarden once referred to Ruby Braff as the "Ivy League's Louis Armstrong." That legacy of great trumpet performance and recording is brought to readers in Thomas Hustad's Born to Play: The Ruby Braff Discography and Directory of Performances. Braff's uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. For a reminder of that we need but play any of the more than 150 released recordings on which he appears. These records span a total of 54 years, from 1949 to 2002, a feat almost unmatched in jazz recording. This was five years longer than even Louis Armstrong. Although prepared in discographical style, capturing information about both commercial recordings and previously undocumented performances, Born to Play serves as a biography of the artist, detailing the path he paved as a performer and featuring personal recollections of his musical career with commentary from other figures. Images over the course of his half century of playing fill out this comprehensive survey of Braff's performing and recording career. This bio-discography of the man who jazz drumming legend Buddy Rich declared "one of my favorite trumpeters" and singing giant Tony Bennett described as "my great friend who now holds the reigning position of the best cornet player in the world" is sure to be of interest to jazz fans and scholars alike.

James Controvich's magisterial updated Bibliography is the first truly comprehensive listing of all Army unit histories that will not be superseded for years to come. Collectors, genealogists, librarians, museum curators, and amateur and professional military historians have all come to rely on Controvich to provide the necessary starting place for their research.

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In 1974 Frederick W. WinterbothaM's book "The Ultra Secret" disclosed the Allied success in breaking the German high command ciphers in World War II, and a new form of history began--the study of intelligence and its impact on military operations and international politics. This guide documents and annotates over 800 sources that have appeared in the past 20 years. It examines and evaluates primary and secondary sources dealing with the role of ULTRA and MAGIC in the Pearl Harbor attack, the battles of the Atlantic, Coral Sea, and Midway, and the campaigns in the Mediterranean, Northwest Europe, the Middle East, and the Pacific, as well as in the realm of espionage and special operations. It also covers sources on the Sigint and cryptanalytic programs of the Axis and neutral powers.

The book examines and annotates primary and secondary sources on the role of ULTRA and MAGIC in the Pearl Harbor attack, the battles of the Atlantic, Coral Sea, and Midway, and the campaigns in the Mediterranean, Northwest Europe, the Middle East, and the Pacific, as well as in the realm of espionage and special operations. It also provides details on sources concerned with Sigint and cryptanalytic programs of the Axis and neutral powers.

Eco-Literate Music Pedagogy examines the capacity of musiciking to cultivate ecological literacy, approaching eco-literate music pedagogy through philosophical and autoethnographical lenses. Building on the principle that music contributes uniquely to human ecological thinking, this volume tracks the course of eco-literate music pedagogy while guiding the discussion forward: What does it mean to embrace the impulse to teach music for ecological literacy? What is it like to theorize eco-literate music pedagogy? What is learned through enacting this pedagogy? How do the impulsion, the theorizing, and the enacting relate to one another? Music education for ecological consciousness is experienced in local places, and this study explores the theory underlying eco-literate music pedagogy in juxtaposition with the author's personal experiences. The work arrives at a new philosophy for music education: a spiritual praxis rooted in soil communities, one informed by ecology's intrinsic value for non-human being and musicking. Eco-Literate Music Pedagogy adds to the emerging body of music education literature considering ecological and environmental issues.

All human beings encounter loss and death, as well as the grief associated with these experiences. It is therefore important for children and adolescents to understand that such events are inevitable and to learn how to accept loss and cope with their emotions. In order to help children through their pain, parents and caregivers need access to the proper resources that will help them discuss these topics, and educational professionals need reliable resources for creating courses of study on these subjects. In Death, Loss, and Grief in Literature for Youth, Alice Crosetto and Rajinder Garcha identify hundreds of resources that will help educators, professionals, parents, siblings, guardians, and students learn about coping with the loss of a loved one and the grief process. These resources include books, Internet sites, and media titles aimed at students and those helping them through the grieving process. Chapters in this volume include fiction and non-fiction titles about the loss of a family member, a friend, and a pet, as well as general reference resources, curricular resources, and websites. Annotations provide complete bibliographical descriptions of the entries, and each entry is identified with the grade levels for which it is best suited. Reviews from recognized publications are also included wherever possible. Anyone interested in locating helpful resources regarding death and grieving will find much of value in this essential tool.

The] essays are generally very well done, providing excellent and succinct overviews of such areas as Westerns, detective novels, comic books, and writing for children and young adults. "Library Journal"

On the whole the essays are informative and analytical. The bibliographies range from two pages for the children's series, Big Little Books, ' to 11 pages for Detective and Mystery Novels' and contain material published as early as 1856 as well as material published in 1987, so coverage for the purposes of scholarly research is broad. "Reference Books Bulletin"

This collection of bibliographic essays is designed to serve as a reference to the existing commentary and scholarship on the main forms of past and present popular literature. It consists of essays on many of the popular genres including detective and mystery novels, Westerns, science fiction, romance and gothic novels, comic books, and writing for children and young adults. Each essay surveys the historic development of the genre and presents a critical guide to the reference works on the subject. Also included are a discussion of research centers and collections of primary and secondary materials, an evaluative overview of criticism on the subject, and a checklist of works cited and journals in the field.

This is the first volume to provide bibliographic access to information about the major forms of popular literature in the United States. Increasing reader demand for these popular genres and the growing trend whereby writers of serious fiction are 'crossing over' into science fiction, murder mysteries, and other popular forms are making it increasingly difficult to distinguish between serious and popular literature. Accordingly, the growing appeal of popular fiction is best understood when placed within the larger context of American literature and culture.

Fidler and James have edited a guide that characterizes and evaluates, in depth, the leading journals throughout the musical professions. The listings number some 170 titles, selected for their historical as well as contemporary significance. . . . [T]his guide makes a significant contribution to the literature and is recommended for all academic libraries. Choice International Music Journals is an international and cross-disciplinary guide to periodical literature in music. It deals not only with scholarly journals, but with those journals important to the music profession, from flautists and theorists, to musicologists and educators. Thus, in addition to journals representing the traditional fields of music scholarship (musicology, ethnomusicology, theory, therapy, and education), those publications important to various areas of music performance, composition, popular music, discography, and librarianship are included. Within this broad scope, approximately 200 of the most important titles are treated extensively. Each entry addresses five general aspects of the journal: historical background (founding and intent, editors, publishers, frequency, title, and title changes); physical description (format, illustrations); contents (subject area(s), scope, features, special issues); critical assessment (intended audience, level and quality, editorial policy, impact, innovations, outstanding issues, and articles); and bibliography (external indexes, reviews of or articles on the journal). In addition to the major entries, the book also features an introductory essay on and bibliography of the history of music periodicals; an appendix of significant journals inaugurated since 1980; a chronology; biographical notes on the contributors; and an extensive index by title, title variants, editors, general topic, geographical region, and publisher. This will be an essential tool for everyone interested in any aspect of music.

The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http://www.degruyter.com/view/j/futur

A major cult leader in the United States from 1940 to 1960, Daddy Grace claimed millions of followers, while critics charged he was a colossal fraud. This book is the first bibliography on Daddy Grace. The volume includes annotated entries on books, theses, dissertations, unpublished manuscripts, and articles providing information on Daddy Grace. Appendices, indicating the nature of his following, include Quotations and Sayings of Daddy Grace, Names and Titles Given to Daddy Grace, Products Named After Daddy Grace, Daddy Grace's Enterprises, Groups and Organizations Named After Daddy Grace, and Addresses of the United House of Prayer For All People. The book concludes with an index. The work will be of interest to those doing research in African-American Studies and Religious Studies.