The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http://www.degruyter.com/view/j/futur

Handlist to manuscripts in one of Britain's major medieval repositories. Lambeth Palace Library, which dates from a bequest by Archbishop Bancroft in 1610, is one of England's major repositories of medieval manuscripts. More than half of the ninety-six manuscripts and documents containing items of Middle English prose were already present when the library was temporarily transferred to Cambridge in 1647. In the succeeding centuries further manuscript materials have continually been added, and within the last few years the library has become home to the older part of Sion College Library, an event that has added a further seven manuscripts to the present handlist. The collection at Lambeth is large enough to be fully representative of the corpus of Middle English prose: the Brut, the Wycliffite Bible, and Love's Mirror, for example, are all present, in some cases in multiple copies, as are writings by Hilton and Rolle. There are sermon cycles (including an almost complete set of Wycliffite sermons), medical recipes, historical works, and anthologies of religious treatises. Altogether the current handlist indexes almost 800 separate items, ranging from the veterinary to the liturgical. O.S. PICKERINGis Senior Assistant Librarian and Associate Lecturer in English at the University of Leeds; V.M. O'MARAis Lecturer in English at the University of Hull.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part II of Barnaby Rudge, which was originally serialized in Dickens's own periodical, Master Humphrey's Clock, in 1841. Subtitled "A Tale of the Riots of Eighty," it is the story of the religious Gordon riots of 1780, told through the eyes of the gentle, simpleminded title character. As one of Dickens's lesser-known works, it remains a treat to be rediscovered by modern readers.

This annotated bibliography assists the reader in locating information about the United States Federal Trade Commission. The book is divided into four chapters, each reflecting the major functions and regulatory responsibilities of the FTC.

A major cult leader in the United States from 1940 to 1960, Daddy Grace claimed millions of followers, while critics charged he was a colossal fraud. This book is the first bibliography on Daddy Grace. The volume includes annotated entries on books, theses, dissertations, unpublished manuscripts, and articles providing information on Daddy Grace. Appendices, indicating the nature of his following, include Quotations and Sayings of Daddy Grace, Names and Titles Given to Daddy Grace, Products Named After Daddy Grace, Daddy Grace's Enterprises, Groups and Organizations Named After Daddy Grace, and Addresses of the United House of Prayer For All People. The book concludes with an index. The work will be of interest to those doing research in African-American Studies and Religious Studies.

The 20th century, especially the latter decades, was a time of explosive growth and importance in hymnody, and yet published material about the hymnody of this period has been scattered and difficult to come by. The present volume catalogues and categorizes the available writings to guide students and scholars in their research. Furthermore, this reference does not depend primarily on the view of the author/compiler, but guides users toward a broad spectrum of viewpoints about 20th-century hymnody. Listing the principal writings on the repertory, language, practice, and people of hymnody during the last century, this annotated bibliography offers students and researchers alike a handy reference for a vast and varied field.

Beginning with a unique introduction to and summary of hymnody in the 20th century, Music arranges the entries by topic, dividing each chapter by helpful subject headings. The repertory of the twentieth century, and language issues are discussed. Practical elements of hymnody are covered, while the final chapter lists writings about individual hymn writers and other influential persons in the field. Music provides a brief annotation for each entry and uses numerous cross-references, guiding the reader to relevant material in other sections of the book. A comprehensive index concludes this essential reference.

The Etude magazine was established in 1883 by Theodore Presser with $250 saved from his income as a music teacher. The subsequent history of the magazine and the Theodore Presser Company is one of the great entrepreneurial success stories of American music. The Etude remains one of the longest-lived music magazines in American history and is still a ubiquitous presence in flea markets and online auctions. In the early years, each issue published roughly five or six musical scores, but by the 1930's there were upwards of twenty compositions published each month. The resulting list of repertoire comprises well over 10,000 musical compositions in an eclectic range of styles and difficulty levels. The major composers of Western art music appear side by side with a broad range of popular composers, including a strong representation of American and female composers. This rich resource has never been indexed and has thus been virtually inaccessible to scholars and performers, who now have access to three quarters of a century of music in this valuable repository of scores.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

John Ireland (1879-1962) was one of the leading composers of the English Musical Renaissance at the end of the nineteenth century and beginning of the twentieth century. Born of literary parents in Bowdon, near Manchester, he went to London at the age of fourteen to study at the newly-founded Royal College of Music where he eventually became a pupil of Charles Villiers Stanford. Among his near contemporaries at the College were Ralph Vaughan Williams, Gustav Holst, Thomas Dunhill, William Y. Hurlstone, Henry Walford Davies and Samuel Coleridge-Taylor. Ireland is best known for his songs (such as Sea Fever, The Bells of San Marie and the cycle of Housman settings, The Land of Lost Content), his piano and chamber music, his church music and his relatively small number of choral, orchestral and brass band works. This catalogue of Ireland's compositions, a revised and enlarged edition of the one published in 1993 by the Clarendon Press (Oxford University Press), in association with the John Ireland Trust, lists his compositions from 1895 to 1961. Full details are given of dates of composition; people or bodies responsible for a work's commission; instrumentation; first performance; publications; location of the autograph manuscript; critical comment in the bibliography from the contemporary press and music journals, and recordings on compact disc. Appended is a general bibliography and classified index of main works. A list of personalia supplies details of people connected with Ireland and his music during his lifetime.

"Duxbury attempts to document the connections between the rock and classical music genres by listing recorded examples of rock instrumentals and songs that borrow from the classics, and orchestral versions of songs originally composed and/or recorded by rock musicians. . . . There are appendices of selective' lists: big-band versions of the classics, etc. The general index includes the names of classical composers, rock groups and artists, orchestras, choruses, conductors, producers, and song titles. . . . The selective nature of the work might make it less appropriate for scholars, but it will interest and amuse fans and general readers. Recommended for collections specializing in popular music." Choice

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Eco-Literate Music Pedagogy examines the capacity of musiciking to cultivate ecological literacy, approaching eco-literate music pedagogy through philosophical and autoethnographical lenses. Building on the principle that music contributes uniquely to human ecological thinking, this volume tracks the course of eco-literate music pedagogy while guiding the discussion forward: What does it mean to embrace the impulse to teach music for ecological literacy? What is it like to theorize eco-literate music pedagogy? What is learned through enacting this pedagogy? How do the impulsion, the theorizing, and the enacting relate to one another? Music education for ecological consciousness is experienced in local places, and this study explores the theory underlying eco-literate music pedagogy in juxtaposition with the author's personal experiences. The work arrives at a new philosophy for music education: a spiritual praxis rooted in soil communities, one informed by ecology's intrinsic value for non-human being and musicking. Eco-Literate Music Pedagogy adds to the emerging body of music education literature considering ecological and environmental issues.

High/Low Handbook helps you understand--and satisfy--the needs of disabled (below fourth-grade reading level) or reluctant (lacking in motivation) junior high and senior high readers. This practical resource guides you to a core collection of over 400 recommended books, magazines, software, and other nonprint materials. Incisive essays by practitioners and specialists in the field discuss such literacy efforts as reading with closed-captioned TV, using computers to capture reading attention, and the California Reading Initiative.

This bibliography is the only source for citations to North American scholarship on Eastern and Central Europe, the Balkans, the Baltic States, and the former Soviet Union.

"[The] guide will be useful in large reference collections and in professional collections in school library media centers, medical centers, and youth services organizations." Reference Books Bulletin

Serge Chaloff (1923-1957) is most widely remembered as the flamboyant baritone saxophone star with Woody Herman's 2nd Herd whose problems with drugs extended to erratic personal behavior. Nevertheless, there were many brilliant sessions featuring his work before and after his stint with Herman. This work attempts to bring them the recognition they deserve. Simosko details the life and music of Serge Chaloff in an engaging style, from his childhood in Boston, Massachusetts, through his untimely death in 1957. He also provides a discography of Chaloff's recorded output, much of which has been made available by the 1993 Mosaic Records release of The Complete Serge Chaloff Sessions.

Originally published in 1990, this is a comprehensive and annotated bibliography of the writings on Joseph Conrad and his works. Covering the years from 1895 to 1975 it also includes indexes of authors, secondary works, periodicals and newspapers, foreign languages and primary titles. Part of a series of annotated bibliographies on English Literature in Transition, 1880-1920 this will be a valuable resource for students of literature.

Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston's literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston's work. In addition to publication information, each selection is carefully crafted to capture the author's thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women's literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.

The multidisciplinary nature of the field of aging and the sheer volume of published material make researching and keeping current with new developments in the field quite difficult. This reference book offers comprehensive strategies for accessing information on the psychological, social, biological, and medical aspects of aging. The types of information sources covered include: handbooks, directories, and encyclopedias; indexes and abstracts; agencies and other specialized sources; computerized information retrieval systems; and community resources. "Current Literature on Aging"

The intended audience for this work includes information specialists and professionals concerned with gerontology in all of its apsects--psychological, social, and medical. Persons trained in any of these disciplines will find the book readable. The use of examples from gerontological experience and literature is especially helpful. "Reference Books Bulletin"

The expansion of the world's older population is reflected in a tremendous increase in the literature on aging. Keeping abreast of developments in the field is made difficult not only by the sheer volume of publications but also by the multidisciplinary character of the subject. This new reference is the first to offer comprehensive strategies for retrieving gerontological research information in all the relevant disciplines. It itemizes information resources, including agencies, journals, and secondary sources, and outlines techniques for using library and computerized databases.

Following a brief introduction, the authors set forth step-by-step procedures for accessing gerontological materials and describe the range of available information resources in the social, biological, and medical sciences. Individual chapters are devoted to the use of handbooks, directories, and encyclopedias; indexes and abstracts, journals, and databases. An essential tool for information specialists, this reference will prove useful to students, academics, and professionals in any of the disciplines concerned with psychological, social, biological, or medical aspects of aging.

Lion Feuchtwanger's works appeared under the imprint of over 30 different publishers, not including the book club editions and the publishers of stage manuscripts. "Jud Su ss," one of Feuchtwanger's best-known works, provides a perfect illustration of this complex publication history. This work was published before, during and after Feuchtwanger's exile by Georg M ller, Drei Masken Verlag, Th. Knaur Verlag, Querido (Amsterdam), Forum (Stockholm and Amsterdam), Neuer Verlag (Stockholm), Frankfurte Verlagsanstalt, B rgers Taschenbu cher, Greifenverlag, Rowohlt Taschenbuchverlag, Fischer Taschenbuchverlag, Deutscher Bu cherbund, Bu chergilde Gutenberg and Aufbau-Verlag.

Lion Feuchtwanger: A Bibliographic Handbook is the first comprehensive documentation of Feuchtwanger's writings. Beginning with the earliest publications in 1905, it sets out the entire history of Feuchtwanger publications right up to the present day. The most important source for this bibliogra was the Lion Feuchtwanger Memorial Library in Los Angeles. The point of departure for notes on the German editions was the dissertation by Gertrude Goetz (Univ. of Southern California 1969). Recent research using advanced computer resources such as OCLC and RLIN as well as numerous visits to publishing houses and libraries have made it possible to update and expand on details given in the dissertation.

Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini's music. It provides a comprehensive overview of the recorded history of the composer's works and serves as a useful guide for the transfer of recordings from one format to another.

Originally published in 1984, Virginia Woolf: Guide to Research is a bibliographic guide to the writings and critical reception of the works of Virginia Woolf. The guide is a simply organized guide that makes easily accessible, a diversified body of critical works on Virginia Woolf. The scholarship is organised into key collections, based around Woolf's major works of fiction, and contains studies from a variety of content, including periodicals, articles, book chapters as well as foreign-language books.

First published in 1997, this second edition of this bibliography contains more than half as many entries again as the original selection of 1966. New sections include an annotated list of surviving apparatus and personal effects, an index of letters and printed extracts of letters, and a current plan of Manchester, as well as one of 1793, showing places with Dalton associations. Annotations are relatively more generous and the number of illustrations almost doubled. Manchester Literary and Philosophical Society was central to Daltons life and researches. It inherited almost all his manuscripts and apparatus; much of the collection was destroyed in 1940.