Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.

Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.

Originally published in 1984, Literature and Law in the Middle Ages is a comprehensive bibliography on the subject of literature and law in the Middle Ages. The collection was composed with the notion that early society regarded literature, law and religion from the same single point of view. It discusses how for many medieval poets, their art existed primarily to enforce obedience to God and king and suggests that society viewed law as a chief instrument of the divine will in human affairs. The book's comprehensive introduction argues that eventually, these areas of diverged and became separate; this bibliography covers the broad period of the Middle Ages from the 5th to the 15th century and examines this period of transition during which, the process was not yet complete. This bibliography will be vital resource for those studying medieval studies, both in literature and history.

Originally published in 1978 Spirit Possession and Spirit Mediumship in Africa and Afro-America is an incredibly diverse and comprehensive bibliography on published works containing ethnographic data on, and analysis of, spirit possession and spirit mediumship in North and Sub-Saharan Africa and in some Afro-American communities in the Western Hemisphere. The sources on Western Afro-American communities were chosen to shed light on the African continent and the Americas. The bibliography, while not exhaustive, provides extensive research on the area of research in spiritualism in Africa and Afro-America. The bibliography also provides unique sources on spirit cults, ritual or ethnic groups and will be of especial interest to researchers. Although published in the late 70s, this book will still provide an incredibly useful research tool for academics in the area of religion, with a focus on spiritualism and non-western religions.

Post World War II America saw a return to prosperity and the rise of a significant youth-culture. Television began to replace movies as the chief source of entertainment for the general public, and adolescents and single young adults began to constitute the largest portion of the audience for movies. With his youthful appearance, Montgomery Clift held special appeal to this new market, and he became one of the foremost American actors of his time. This book details his many performances. The introductory biography offers a succinct summary of Clift's life and the forces that shaped his work. The chapters that follow contain annotated entries for all of his work in plays, films, radio, and television. Entries present plot summaries, cast and credit information, critical analyses, and excerpts from reviews. The book gives equal attention to his lesser-known films and stage career, as to his most memorable performances. An extensive annotated bibliography cites and evaluates books, articles, and miscellaneous sources of information about Clift and includes fictional works in which he appears as a character.

Morton Feldman (1926-1987) is today widely regarded as one of America's foremost experimental composers. His unique body of compositions, as well as his numerous writings and interviews, provide a vast amount of source material for scholarly research. Yet, few have seriously examined his work. This collection of essays will help rectify this situation.

This book begins with a brief work by John Cage written in honor of Morton Feldman. It is followed by a series of essays that challenge some views of Feldman's music and clarify many others. The collection concludes with a selection of essays written by the composer himself; these essays reveal as much about Feldman's own work and attitudes as they do about the work and thought of the many composers and artists about whom he wrote. The volume concludes with a list of Feldman's compositions, a bibliography, and a discography. This study, the first of a series of Profiles of American Composers, will be invaluable to musicologists and all involved with the music of the 20th century.

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 - a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture - shedding light on Shakespeare's views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author's perspective, supplying a careful and thorough account of the main points of an article.

Because science has assumed an ever larger role in culture, scientists have become public figures, role models, and even heroes. Accordingly, scientific biography has grown steadily in popularity. Biographies of Scientists provides more than 500 sources of information on scientists for young and adult general readers and for scholars. These sources explain scientists' accomplishments in the context of the personal and career developments that made those accomplishments possible. Among the sources are encyclopedias, periodicals, and individual biographies and autobiographies of researchers in astronomy and cosmology, chemistry, earth sciences, life sciences, mathematics, medical sciences, and physics. An introduction traces the general history and themes of scientific biography, and each entry in the bibliography includes an annotation that discusses and evaluates the biographical source and indicates the most suitable readership for it. The bibliography concludes with indexes of authors, scientists who are the subjects of biographies, and scientific topics.

This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.

This is the most comprehensive bibliography of the Spanish Armada of 1588 in recent years and the only up-to-date reference which provides a critical assessment of important source materials and an annotated bibliography of all genres of literature in Western languages. Eugene Rasor describes 1114 titles and is the first to assess the vast collection of writings that have accompanied the recent 400th anniversary of the Armada campaign. Cross-references from the narrative to bibliographical entries and a full index make the guide easy for researchers at all levels to use in their study of naval and European history. This authoritative reference covers one of the most important campaigns in naval history. The first part of the book consists of a narrative assessing the literature on the Spanish Armada in terms of background, history, leaders, preparations and tactics, and the consequences of the conflict. Source materials include all published books, monographs, official histories, government publications, dissertations, bibliographies, pertinent journals and periodicals and related articles, collections of archival and research sources and their locations, other significant holdings, published and broadcasted interviews, fiction, drama, and art. English, Spanish, French, Dutch and other Western languages are covered in a comprehensive manner, and both English and Spanish perspectives are presented carefully. The book also offers a short chronology. The index cites authors and subjects both.

First published in 1997, this second edition of this bibliography contains more than half as many entries again as the original selection of 1966. New sections include an annotated list of surviving apparatus and personal effects, an index of letters and printed extracts of letters, and a current plan of Manchester, as well as one of 1793, showing places with Dalton associations. Annotations are relatively more generous and the number of illustrations almost doubled. Manchester Literary and Philosophical Society was central to Daltons life and researches. It inherited almost all his manuscripts and apparatus; much of the collection was destroyed in 1940.

Critical Appraisal of Medical Literature provides a step-by-step approach to help the reader reach a good level of proficiency in systematic critical appraisal of medical information. To this end, the book covers all the elements that are necessary to develop these skills and is a comprehensive guide to the subject. The book is written in three parts. The first part focuses on the logical justification and the validity of medical information. Its chapters present basic working definitions and discussions on relevant basic topics of statistics and epidemiology. The second part focuses on the complementary aspects of critique, common study designs and articles whose main topics are treatment, diagnosis, prognosis, aetiology, reviews, medical guidelines, audit, and qualitative research. The third part presents some statistical techniques that are commonly used in published articles. Critical Appraisal of Medical Literature is intended for those interested in developing critical appraisal skills such as psychiatric trainees preparing for the Critical Review Paper of the MRCPsych Examination in the UK, other practitioners as part of their preparation for examinations, and medical professionals and students as part of their introduction to aspects of systematic critical appraisal of medical information.

Comprehensive chronological survey and analysis of every recording on which Louis Armstrong played during the period 1923 to 1928. Armstrong's immense impact on the evolution of jazz is found primarily in these early recordings, and Brooks's close examination of this period is important, as much of this influence becomes obscured by later recordings. Glossary, bibliography, and title index.

In the 19th and 20th centuries, dozens of anarchist publications appeared throughout the United States despite limited financial resources, a pestering and censorial postal department, and persistent harassment, arrest, and imprisonment by the State. Such works energetically advocated a stateless society built upon individual liberty and voluntary cooperation. In Anarchist Periodicals in English Published in the United States (1833-1955): An Annotated Guide, Ernesto A. Longa provides a glimpse into the doctrines of these publications. This volume highlights the articles, reports, manifestos, and creative works of anarchists and left libertarians who were dedicated to propagandizing against authoritarianism, sham democracy, wage and sex slavery, and race prejudice. In the survey are nearly 100 newspapers produced throughout North America. For each entry, the following information is provided: title, issues examined, subtitle, editor, publication information, including location and frequency of publication, contributors, features and subjects, preceding and succeeding titles and an OCLC number to facilitate the identification of owning libraries via a WorldCat search. Excerpts from a selection of articles are provided to convey both the ideological orientation and rhetorical style of each paper's editors and contributors. Finally, special attention is given to highlighting the scope of anarchist involvement in combating obscenity and labor laws that abridged the right to freely circulate reform papers through the mails, speak on street corners, and assemble in union halls.

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"Everything But Bach, Beethoven and Brahms," comprises this multicultural repertoire guide for pianists, composers, music teachers and students, world music enthusiasts and scholars. It identifies pieces in the contemporary solo piano literature which show world music influences not traditionally associated with the standard repertoire of Western European art music. The resulting annotated bibliography therefore includes pieces which use or attempt to emulate non-Western scales, modes, folk tunes, rhythmic, percussive or harmonic devices and timbres. Axford highlights the music cultures of the Middle East and North Africa, Sub-Saharan Africa, India, the Far East, Indonesia, Oceania, ethnic North America, Latin America and Spain, and Eastern Europe, Russia, and Scandinavia. Separate bibliographies for each world music region show examples of contemporary solo piano pieces that demonstrate some of the traditional musical influences associated with the region.

The scientific and technical periodicals of the 17th and 18th centuries are a primary source for the study of one of the most interesting periods in our intellectual history. The author has collected and collated titles and information regarding them from a large number of sources to construct an alphabetical list of 1,851 periodicals, including those issued by the scientific and learned societies of this period in all the countries of Europe and America, from 1665, when Philosophical Transactions made its first appearance, to the end of the eighteenth century.

Asian Americans have made significant contributions to American society. This reference work celebrates the contributions of 166 distinguished Asian Americans. Most people profiled are not featured in any other biographical collection of noted Asian Americans. The Chinese Americans, Japanese Americans, Filipino Americans, Korean Americans, South Asian Americans (from India and Pakistan), and Southeast Asian Americans (from Cambodia, Laos, and Vietnam) profiled in this work represent more than 75 fields of endeavor. From historical figures to figure skater Michelle Kwan, this work features both prominent and less familiar individuals who have made significant contributions in their fields. A number of the contemporary subjects have given exclusive interviews for this work.

All biographies have been written by experts in their ethnic fields. Those profiled range widely from distinguished scientists and Nobel Prize winners to sports stars, from actors to activists, from politicians to business leaders, from artists to literary luminaries. All are role models for young men and women, and many have overcome difficult odds to succeed. These colorfully written, substantive biographies detail their subjects' goals, struggles, and commitments to success and to their ethnic communities. More than 40 portraits accompany the biographies and each biography concludes with a list of suggested reading for further research. Appendices organizing the biographies by ethnic group and profession make searching easy. This is the most current biographical dictionary on Asian Americans and is ideal for student research.

Originally published in 1991. A multidisciplinary guide in the form of a bibliography of selected time-related books and articles divided into 25 existing academic disciplines and about 100 subdisciplines which have a wide application to time studies.

Peaceful peoples are societies that have developed harmonious social structures which allow them to get along with each other, and with outsiders, without violence. Most of these peoples foster a spirit of cooperation rather than competition, promote sharing rather than glorifying greed, and live in harmony with the earth as well as with other people. Perhaps most importantly, they believe that peacefulness is the defining characteristic of their humanity. Some of the peoples included in the book are from the Western tradition such as the Amish, Hutterites, Mennonites, Quakers, and Tristan Islanders; from South America, the Piaroa; from Africa, the Fipa; from South Asia, the Paliyan, Malapandaram, and Nayaka; from Southeast Asia, the Semai, Chewong, and Buid; and from Micronesia, the Ifaluk. This selected bibliography includes annotated references to books, articles, and other English-language publications that provide significant information about a peaceful society. The author has combed the literature of fields such as anthropology, psychology, sociology, history, and religious studies for appropriate works, with a cutoff date of 1992. Scholars and peace activists who are interested in societies that foster peacefulness have difficulty finding references to the literature. Numerous indexes and abstracts do not include subject headings such as "peaceful peoples." Furthermore, indexing services often do not cover chapters in edited volumes, an important part of this literature. The book includes a very detailed name and subject index that provides access to the intriguing social psychological, and cultural similarities-and difference-existing among the peoples.

Originally published in 1978 and as a second edition in 1984. The greatly enlarged second edition of the bibliography contains sections on curriculum history, curriculum management, 'official' publications, and journals. It also added expanded sections on the sociology of the curriculum and on curriculum evaluation, assessment, and accountability, reflecting the continuing development of curriculum studies in the United Kingdom, the interest shown in the curriculum by scholars in other areas of educational enquiry, and the rapid changes in the socio-cultural context in which the curriculum is discussed, designed and transacted.

This annotated bibliography uncovers the wealth of resources available to prospective researchers and supports emerging scholarship and inquiry into the life and music of this Czech composer. It includes all secondary sources on Martinu and his music, as well as chronology of his life and a complete list of works.

This comprehensive annotated bibliography is the first to cover Jewish alcoholism and drug addiction in detail, with 583 citations to scholarly and popular books, articles, and reports. A research consultant dealing with substance abuse, Steven Berg describes general, empirical, and theoretical studies, first-person accounts, and case studies. He compares Jewish alcoholism and addiction to other religious and ethnic group behavior. His chapters are organized also to give information about various Jewish minority alcoholism and addiction, recovery programs and the role of the rabbi in them, alcoholism in Israel, and literary portrayals of Jewish alcoholics and addicts. Author, title, and subject indexes make this guide easily accessible to researchers dealing with health and medical issues, ethnic studies, and the psychology of substance abuse.

Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror's invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry's main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry's place in medieval art, the embroidery's depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.