This innovative survey of large choral-orchestral works is a continuation of the author's previous study of twentieth century works with English texts. Green examines nearly one hundred works, from Rachmaninov's Vesna to Penderecki's Song of Songs. For each work, he provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliography of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both the choir and orchestra. When present, solo roles are described. The composers represented in this work include Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Durufe, Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gyorgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a field guide for conductors and others involved in programming concerts for choir and orchestra, this text will prove a useful source of new repertoire ideas and an invaluable aid to rehearsal preparation.

The Unsung Songwriters is dedicated to a period in the history of American music that author Warren Vache calls the "Golden Age of Songwriting," and to the men and women who made it great. Contrary to the widely held opinion that most of our hit and standard songs were composed by a handful of top writers Berlin, Gershwin, Kern, Porter, and Rodgers the fact is that the vast majority of them were written by relatively unknown composers. In this definitive reference work to the "unsung songwriters," you will find Al Neiberg, the author of "It's the Talk of the Town," Maceo Pinkard, the mind behind "Sweet Georgia Brown" and "Sugar," Harry Woods for "Try a Little Tenderness," J. Fred Coots for "You Go to My Head," and many more.

Originally published in 1987 Barnaby Rudge is a comprehensive collection of bibliographical resources surrounding Dickens fifth novel Barnaby Rudge. The book addresses what the author terms, a 'prevalent lack of research' surrounding the novel. The collection lists bibliographic references which not only looks at the novel itself, but also covers older resources that interested Dicken's first critics, such as the originality of the settings and characters. The book's core focus is examining the novel's historical subject matter in the context of the social and political context in which it was written. The book acts as a core resource for research on Barnaby Rudge.

A comprehensive, annotated survey of English-language literature on Stalin.

Teachers' attitudes have been a subject of study and interest for many years. Originally published in 1986, this bibliography attempts to review the large field of research between the years 1965 and 1984. To identify all the sources of information, and to list documents that discuss research on teachers' attitudes. It does not include an assessment of the quality of the research reported in the listed documents, however, the value is in its comprehensiveness. Users of the bibliography can locate the listed studies and then evaluate the studies using criteria relevant to their individual purposes.

Originally published in 1984, the field of research on teaching had expanded dramatically in the 15 years covered by this bibliography, 1965 to 1980. The expansion had included studies conducted for many purposes. This bibliography contains relevant citations to the research which has been conducted for the purposes of increasing our understanding of the science, art and craft of teaching. The existence of research publications has been documented with relevant reference information and brief annotations; there has been no attempt to evaluate the quality of the studies. A brief perusal of the bibliography provides an indication of the range of topics addressed by these studies and also of the variety of studies within a single topic.

Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters' theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.

The Broadway Song Companion is the first complete guide and access point to the vast literature of the Broadway musical for the solo performer. Designed with the working actor in mind, the volume lists every song from over 210 Broadway shows, giving the name of the character(s) who sing(s) the song, its exact vocal range, and categorizing each by song style (uptempo, narrative ballad, swing ballad, moderate character piece, etc.). A number of indexes to the volume list titles of songs, first lines, composer's and lyricist's names, and each song by voice type. For instance, a soprano looking for a ballad to sing will find every song in that category in the index. All solos, duets, and trios are indexed in this manner, with quartets and larger ensembles listed by voice type. Furthermore, the instant breakdowns (how many lead characters, who sings what song, and the range requirements of each character) will be a valuable resource to directors and producers.

Originally published in 1984, Virginia Woolf: Guide to Research is a bibliographic guide to the writings and critical reception of the works of Virginia Woolf. The guide is a simply organized guide that makes easily accessible, a diversified body of critical works on Virginia Woolf. The scholarship is organised into key collections, based around Woolf's major works of fiction, and contains studies from a variety of content, including periodicals, articles, book chapters as well as foreign-language books.

This book features extensive lists of printed resources on 35 years of rockabilly performers, ranging from Charlie Feathers, Carl Perkins, Jerry Lee Lewis, and Elvis Presley to Shakin' Stevens, The Cramps, Robert Gordon, and The Stray Cats. The bibliographic survey includes biographies, historical studies, concert and record reviews, discographies, and articles from magazines such as Guitar Player, Goldmine, Now Dig This, Record Collector, and New Kommotion. More than 220 rockabilly singers and instrumentalists are included. With author index and bibliography. Should be of value to audio librarians, popular culture researchers, rock music enthusiasts, record collectors, and teachers of music, sociology, and American studies.

This bibliography, first published in 1979, is a guide to serials and periodicals in Arabic, English, French and other European languages published in the Arab countries or in the Western hemisphere. Arab serials and periodicals are considered primary sources of information on subject matters related to the Arab world. Lack of comprehensive bibliographies of Arab serials in the English language has hindered the work of librarians and Middle East specialists who need to identify a large number of such publications published in and about the Arab world. This bibliography is a research tool designed specifically to fill that gap.

Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone-performer, teacher, student, or scholar-wanting to learn about Berg's life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg's musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.

Jesus was a Jew. That simple statement carries with it a millennia of cultural bias, persecution, and ignorance. David Ray Bourquin attempts to shed some light on what it meant to be a Jew during the Roman Period with this detailed, annotated bibliography of works in English. Following a brief introduction and guide on how to use the book, Bourquin divides his work into three major sections: A. Primary Sources; B. Books; and C. Periodical and Serial Articles. In each section, materials are arranged by subject, and in each sub-section in alphabetical order by main entry. Entries include complete bibliographical data, plus concise, descriptive, and analytical annotations. A glossary and four detailed indexes, all correlated to entry numbers, complete the volume. Every student of the period will want a copy of this carefully compiled bibliography.

Christian communities in the state Andhra Pradesh of south India and the Telugu Christians in diaspora have passed their stories from one generation to the next by oral traditions as well as in scattered texts. These memories have sustained Telugu Christian communities for over four centuries. Yet there has been no significant attempt made to compile a comprehensive history of the Telugu Christians until James Elisha Taneti's History of the Telugu Christians: A Bibliography. This annotated bibliography lists more than 700 published and unpublished textual sources related to the history of Telugu Christians from south India. Opening a window into the histories of 15 mission societies from the North American region, History of the Telugu Christians lists monographs, journal articles, letters, reports, minutes and the proceedings of missionary conferences, unpublished theses, dissertations, souvenirs, and manuscripts. The documents selected by Taneti were written or printed in the English or Telugu languages by native Christians and western missionaries. Aimed to facilitate research and writing on Telugu Christians, Taneti's insightful historiographical analysis and comprehensive list of bibliographic sources offer seminarians, historians of Christianity, and scholars of India the opportunity to study closely the meeting of East and West and the religious history of India through the founding and evolution of this community.

This critically annotated bibliography includes entries for over 1300 books on ecumenism published between 1950 and 1992. It also describes 85 journals devoted to ecumenism. Unlike most bibliographies, the volume offers a thorough analysis of the strengths and weaknesses of specific publications. It provides a theological and historical record of Orthodox, Catholic, Anglican, and Protestant ecumenical literature, and is a guide to the works of the World Council of Churches, the Second Vatican Council, and modern bilateral dialogues. The reference begins with an introductory essay that describes the various types of ecumenical publications and discusses the historical events that occasioned their production. The bibliography follows, with entries arranged in topical chapters. The first chapter includes entries for older bibliographies, encyclopedias, handbooks, and other reference works. It also overviews journals and research centers devoted to ecumenism. The next chapter contains historical accounts of the ecumenical movement. The following chapter collects accounts given by members of various Christian confessions to explain their own church's understanding of ecumenism. A chapter on bilateral and multilateral consultations follows, and a final chapter addresses specific doctrinal issues. The book concludes with detailed author, title, and subject indexes.

This annotated bibliography uncovers the wealth of resources available on the life and music of John Cage, one of the most influential and fascinating composers of the twentieth-century. The guide will focus on documentary studies, archival resources, scholarly research, and autobiographical materials, and place the composer and his work in a larger context of postmodern philosophy, art and theater movements, and contemporary politics. It will support emerging scholarship and inquiry for future research on Cage, with carefully selected sources and useful annotations.

Providing access to over 6,500 house designs published between 1850 and 1915, this work is indexed by architects' or designers' names as well as by the geographic location of each house when given in the periodical. It also includes a geographic index of architects, an annotated bibliography of the periodicals indexed, and an illustrated section with samples of the designs included in the index.

The book series Beihefte zur Zeitschrift fur romanische Philologie, founded by Gustav Groeber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.

This chronology outlines British science fiction from 1479-1990, highlighting the important biographical and publishing events in the field of science fiction literature and fandom, as well as in other media. The chronology includes biographical information on more than 700 authors, listings of more than 2,000 works, including anthologies, criticism and essays, publishing and fandom milestones, first publications, and awards. The works are fully cross-referenced and indexed, with introductory definitions of the field and descriptive headnotes for five periods: The Descent of Scientific Romance, 1478-1894; The Wellsian Synthesis, 1895-1936; British Science Fiction, 1937-1961; New Wave S(peculative) F(iction), 1962-1978; and The British Fantastic, 1979-1990. This book is an outgrowth of and is complementary to Ruddick's critical work, Ultimate Island. Together the two works define the scope and the nature of British science fiction--an enormous field that is not, until recently, examined separately from American science fiction in spite of considerable differences.

This bibliography, first published in 1988, is intended to make more readily accessible the wealth of Dickinson criticism and scholarship that appeared from 1969 through 1985. During the 17 years that are covered in this bibliography nearly 800 books, articles and dissertations have appeared. The present work is intended to aid both students and scholars in finding the materials they need in their study of, and research on, Emily Dickinson's poetry and her life.

Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers. With multiple indices, this annotated bibliography will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. The second edition has been fully revised and updated.

This project documents the rich source material in European and North American repositories relating to the history of countries formerly under colonial rule. The manuscript and document holdings of public and private archives, libraries, museums and other institutions referred to in the guide cover all aspects of history. The primary emphasis is on political, diplomatic, commercial and military history, but there is good coverage of cultural history - especially in the reports and correspondence of explorers and travellers in missionary archives. Each series, of which this is the third, is arranged by country; sources within national volumes are described by repositories and archival groups.

This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.

Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author's in-depth knowledge of Anglo-American folk music's historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.