Quincy Jones: A Research and Information Guide is an annotated bibliography and discography on one of the most prolific composers, arrangers, and conductors in American music. This reference work will appeal to wide range of musicologists, ethnomusicologists and cultural studies scholars.

American Indian Sovereignty and Law: An Annotated Bibliography covers a wide variety of topics and includes sources dealing with federal Indian policy, federal and tribal courts, criminal justice, tribal governance, religious freedoms, economic development, and numerous sub-topics related to tribal and individual rights. While primarily focused on the years 1900 to the present, many sources are included that focus on the 19th century or earlier. The annotations included in this reference will help researchers know enough about the arguments and contents of each source to determine its usefulness. Whenever a clear central argument is made in an article or book, it is stated in the entry, unless that argument is made implicit by the title of that entry. Each annotation also provides factual information about the primary topic under discussion. In some cases, annotations list topics that compose a significant portion of an author's discussion but are not obvious from the title of the entry. American Indian Sovereignty and Law will be extremely useful in both studying Native American topics and researching current legal and political actions affecting tribal sovereignty.

This annotated bibliography uncovers the wealth of resources available to prospective researchers and supports emerging scholarship and inquiry into the life and music of this Czech composer. It includes all secondary sources on Martinu and his music, as well as chronology of his life and a complete list of works.

The geographic scope of this work is all of Europe, European Russia, Great Britain, Ireland, Iceland, the Mediterranean Islands such as Sicily and Corsica, the Caucasus area north of Turkey, including territory now in the new republics of Armenia, Georgia and Azerbaijan, and the Balkans and Greece. There are entries for shorts, animation, silents, television series, films (both theatrical and made-for-television releases), miniseries, epics, war films, dramas, literary adaptations, comedies, horrors, mysteries, musical comedies, and operettas. Complete entries provide such particulars as the title, date, alternate title(s), black & white or colour, nationality, director, production company, length, producer, screenplay writer, literary source, cinematographer, score composer, actors (in order of importance) with character names and a brief synopsis or description, commentary, and references to the Variety review and one other filmographic source. Most of the titles were produced in Europe or Hollywood, but a few were made in such countries as Japan, Canada, Australia, Mexico, and Argentina. Productions based on Shakespeare's plays themselves are omitted; those based on his life are included. Opera and ballet films are omitted but musical comedy and operetta films are included, as are silent films based on operas. Fairy tales are out but folkloric works are in. Documentaries are not included. Subject (places, periods, events, and historical figures) and name indexes allow for easy reference.

Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources.

Filling a distinct gap in the reference literature of archaeology, this bibliography provides an introduction to the vast and varied literature produced by the practice of archaeology in the Indian subcontinent and Sri Lanka since the early 19th Century. The annotated entries are arranged geographically by contemporary political subdivisions, with now-vanished native states and jurisdictions from the days of the British Raj cross-referenced to the modern subdivision. Within each section, entries are arranged chronologically, permitting the user to trace the inception and development of archaeological field survey and investigation regionally.

Summarizing the contents of each title, the annotations place the titles within the broader context of South Asian archaeological scholarship. An appendix lists the major Pakistani, Sri Lankan, and Indian legislation regulating the conservation and preservation of archaeological sites and artifacts and the antiquities trade. The bibliography places emphasis on works in English or other Western languages that are located easily outside of South Asia.

In compiling this bibliography, the main purpose was to assemble references to published material of a sociolinguistic nature concerning the Irish language. The intent was not to cover publications treating language per se, but rather to consider those dealing with language in its social context. Represented here are articles, chapters, books and pamphlets bearing upon social, historical, psychological and educational aspects of Irish - including the decline of the language, the restoration effort, the relationship of language to nationality and religion, and studies of important figures in the language movement.

For the first time, students and scholars can quickly and easily trace topics from the complete Congress and the Nation series dating back to 1945. For collections with the series in the stacks, this is an invaluable tool for librarians and researchers to find and use the volume they need..

"Saxophone Recital Music" is a discography designed for those interested in recordings of saxophone recital and concert music. It is a unique reference source for saxophone performers, teachers, and students. Since the 1970s, a veritable explosion of saxophone recital music has taken place. "Saxophone Recital Music" includes the vast majority of recordings on 33 1/3 rpm records, cassette tapes, and compact discs through early 1993. Information was obtained from album covers and listings available through recording catalogs, library holdings, collectors, and record stores.

Ottorino Respighi stands alongside Giacomo Puccini and Antonio Vivaldi as one of the best known and most performed Italian composers. Yet, compared to that of other composers of Respighi's stature, relatively little has been written about the man and his music. This work provides documentation and annotation of all of this great composer's articles, books, theses, and dissertations with references to Respighi and his music published during the last century throughout the world. Barrow provides a comprehensive general index as well as both a discography and an index of Respighi's compositions. Despite the popularity of his two most famous works Fontane di Roma (Fountains of Rome) and Pini di Roma (Pines of Rome) Respighi has been largely ignored and even criticized by scholars and critics. Only recently has there been an increase in attention from these writers in the music of this important composer, but mostly in his native Italy. This reference volume offers authoritative direction for librarians, students, musicologists, and conductors seeking details of the composer's life and work.

The end of the 1980s and the beginning of the 1990s have been a time of great change for academic libraries and librarians. Rapid developments in technology have revolutionized the libraries' means and mission, while declining budgets have adversely impacted the ability of librarians to carry out their roles. The literature of academic librarianship today reflects these changes and points to the direction in which academic libraries are headed.

This book is a comprehensive guide to book chapters and articles written on academic librarianship between 1990 and 1993. Entries for nearly 1,700 works are grouped in six topical chapters for ease of use. Each entry includes an informative annotation that summarizes the key points made by the authors, the major findings of research projects, and the names and locations of libraries with innovative programs. Extensive author, article, book/journal title, and subject indexes conclude the work. The volume is a useful tool for locating specific information on various topics, and it is a forecast of the future of academic libraries.

A prolific American master whose work is rooted in the tonal tradition of nineteenth-century Romanticism, Robert Ward has had a long, varied, and successful musical career. Ward is noted for his keyboard and chamber music, songs and choral works, orchestral compositions, and operas, especially his musical rendering of The Crucible, which has become an established feature of the contemporary operatic repertoire. In this latest volume in the Bio-Bibliographies in Music series, Kenneth Kreitner presents a comprehensive bibliographic guide that includes the composer's complete works, recordings of his music, and relevant critical literature. In the introductory biographical section, Kreitner discusses Ward's life and career and examines the influence that have shaped his musical style. The complete list of works is arranged chronologically and supplies basic bibliographic data such as information on premieres and other selected performances. A discography offers data on commercially-produced recordings and an annotated bibliography lists writings by and about Ward and his music. The different sections are fully cross-referenced, and several indexes are provided. An important tool for scholars engaged in research on contemporary classical music, this volume will also be of interest to reference librarians and performing organizations.

The Catalogue of the Ethiopic Manuscript Imaging Project (EMIP), volume 7, provides a full catalog for the collection of fifty-four manuscripts in the Meseret Sebhat Le-Ab collection at Mekane Yesus Seminary in Addis Ababa, Ethiopia. These include one late fifteenth- or early sixteenth-century manuscript of Jubilees and the Minor Prophets. Each catalog entry provides a full physical description, a listing of contents (with incipits), illuminations, varia (known works added later), notes on codicology and scribal practice, as well as a full quire map. Opening articles provide an introduction to the collection, a biography of Alaqa Meseret's life and work, an introduction to the Ethiopian musical tradition of Saint Yared, and a study on the textual character of the manuscript of Jubilees. Four indices (works, names, miniatures, and scribal practice) provide quick access for the researcher.

In this second supplement to their Bibliography on Holocaust Literature, the authors have compiled 4000 new entries to keep pace with the outpouring of literature on the subject. Readers' attention is directed to new materials and to items newly available, including books, pamphlets and journal articles, many of which are catalogued for the first time. There is a new section on Soviet anti-Semitism and expanded coverage of neo-Nazism/neo-fascism.

More than 50 years of scholarly attention to the intersection of language and education have resulted in a rich body of literature on the role of vernacular language varieties in the classroom. This field of work can be bewildering in its size and variety, drawing as it does on the diverse methods, theories, and research paradigms of fields such as sociolinguistics, applied linguistics, psychology, and education. Compiling most of the publications from the past half century that deal with this critical topic, this volume includes more than 1600 references (books, articles in journals or books, and web-accessible dissertations and other works) on education in relation to African American Vernacular English AAVE], English-based pidgins and creoles, Latina/o English, Native American English, and other English vernaculars such as Appalachian English in the United States and Aboriginal English in Australia), with accompanying abstracts for approximately a third of them. This comprehensive bibliography provides a tool useful for those interested in the complex issue of how knowledge about language variation can be used to more effectively teach students who speak a nonstandard or stigmatized language variety.

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With rapidly expanding information sources available in libraries and on the internet, researchers delving into business history need to know what is useful and what is not. Together with the first two volumes of the Handbook of American Business History, this third volume book provides a guide to business history and to the overwhelming amount of information on the subject. In twenty-one entries on specific industries, contributors offer concise histories of infrastructure, including electricity, gas, and communications, as well as service industries, such as banking, medical insurance, mortuary, advertising, and education. Bibliographic essays, supplemented with bibliographic lists, point to the most important sources on each industry.

Written during the most rapidly changing decade in American business history, the Handbook is a consolidated business history of the United States. Volume III addresses basic industries such as mining, electricity, and natural gas trade; services such as financial, health, educational, and social-business organizations; and public administration. The histories of the industries begin with the industries' rise to importance in the United States and continue to the present. The bibliographic essays discuss the leading sources since Robert Lovett's "American Economic and Business History Information Sources" (1971) and Henrietta Larson's "Guide to Business History" (1948). This volume and the two companion volumes provide a useful resource for the researcher, teacher, and student.

Dial Records catered to jazz musicians and record collectors. Charlie Parker was one of the major jazz artists to record with Dial. His Dial sessions occurred at the personal depths and artistic peaks of his career during which he introduced a number of such jazz staples as Ornithology and Scrapple from the Apple. His ten sessions associated with Dial are presented in detail and include the repertory, original issues and reissues, titles and notated transcriptions, and analyses of performances. Commentary explains many of the titles to Parker's pieces and collates the various recordings in which he performed his Dial repertory outside the confines of the Dial studios; these celebrated performances helped to shape modern jazz. In addition to the catalogue of Parker's Dial recordings, jazz historians and scholars alike will appreciate the historical narrative detailing the evolution of Dial Records, its owner Ross Russell, and its business relations with Charlie Parker. This examination of the 1940's jazz record business sheds light on the dissemination of jazz via records. Five appendices complete this well organized and thorough study of Charlie Parker and his legendary Dial recordings.

From medieval chorales, to light operetta, to electronically generated 'musique concrete', this title offers meticulous coverage of musical composition and criticism, past and present.

"Information Sources in Music" is an easy-to-use, evaluative guide to the wide range of published sources of information available. Arranged by subject, each entry includes a brief description of the source, frequency of publication, and price and serial information where appropriate. As a time-saving resource this title will enable researchers to go straight to the information they need, indicating the range of sources available and offering a means of assessing which are the most useful. Includes Index.

"The IBOHS" lists the latest and most important historical science monographs and newspaper articles to be published each year, covering prehistory through early history to recent history. It is currently the only ongoing bibliography of its type to cover such a wide spectrum in terms of subject, period and geographical area. The publications are initially divided up according to age, region and historic discipline, and subsequently according to author name or characteristic main title word.

Corpus Christi College was founded at a time when universities were putting considerable effort into providing better facilities for the study of Greek and Hebrew. Bishop Richard Fox, the founder of Corpus Christi, and John Claymond, the college's first President, therefore ensured that the library should be adequately stocked with Greek printed books and manuscripts. In a famous letter to Claimond in June 1519, Erasmus predicted a great future for the College and alluded to its well-stocked library. Claymond gave the library more than half the present collection of Greek manuscripts, besides seven in Hebrew. His Greek books came largely from the collection of William Grocyn, who had gone to Florence in 1488 to study with Angelo Poliziano and Demetrius Chalcondyles, and doubtless acquired some of his manuscripts there. Remarkably, at the end of the fifteenth century there was a local source of supply for some Greek texts, in the person of Ioannes Serbopoulos, a refugee from Constantinople who had taken up residence near Reading, who supplied Grocyn with MSS 23 and 106 in 1499 and 1495 respectively. It is worth noting in passing that when Grocyn arrived in Florence the printing of Greek texts had barely begun, but by the time the College was founded the demand for manuscript copies of the principal texts used by students and scholars was much reduced, thanks largely to the editions issued by Aldus Manutius After the substantial initial acquisitions of manuscripts the College was not fortunate enough to attract significant additions to its collection, and there is no sign that it contemplated an active policy of enlarging this element of the library's holdings. But it is worth noting that the one manuscript in the collection which is of truly outstanding importance, the ninth-century copy of Aristotle's zoological works (MS 108), was given by one of the Fellows in 1623.

Although he is most remembered for his vast collection of science fiction memorabilia; his influential magazine, Famous Monsters of Filmland; and his frequent sci-fi convention appearances, Forrest J Ackerman (1916-2008) also left a sizeable body of work in print. An introductory biographical section traces Ackerman's early enthusiasm for pulp magazines and film productions of a fantastic nature, his rise to prominence in ""fandom,"" his acquisition of memorabilia, his work as a literary agent, the founding of his landmark magazine in 1958, and his friendship with a number of performers and personnel from genre films. The extensive bibliography includes listings of books, published letters, articles, fiction, verse, speeches, screenplays, comics, discography, liner notes, and periodicals edited and published by Ackerman. A thorough filmography, a selected listing of nationally televised appearances, and rare photographs of Ackerman throughout his lifetime complete this definitive catalog of one of science fiction's most interesting personalities.

A complete musical biography and an exhaustive bibliography with a catalog of David Diamond's works and premiere performances through 1986.

The library at Hereford Cathedral is famous as one of the few surviving chained libraries'; but the contents of the books secured to the seventeenth century presses are less well known. There are 227 western manuscripts, of which about half have been at the cathedral since before the Reformation. They range in date from the eighth to the fifteenth century, and include finely-illustrated patristic books of the twelfth century, a large collection of Oxford University legal textbooks, and books of civil and canon law from the end of the thirteenth century. Over half the volumes survive in largely intact medieval bindings. The catalogue, begun by the late Sir Roger Mynors and completed by Professor Thomson, reflects the particular strengths of the collection. The many glossed books are described using a particularly effective system devised by Sir Roger Mynors. An introductory essay by Michael Gullick describes the medieval bindings, and the plates cover not only illumination and bindings, but medieval pressmarks and ownership inscriptions, as well as examples of scripts.

A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.