Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror's invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry's main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry's place in medieval art, the embroidery's depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.

This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals.

The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally.

The essays also examine the impact of outside forces including technology, taxation, capitalism and compulsory education whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior an endemic trait that appears to have survived well into the twenty-first century."

The director, producer and screenwriter Joss Whedon is acclaimed as a major creative force in television, movies, comic books, and a host of other media. His output has been so vast and diverse that tracking everything he has created has become an ongoing challenge. This inventory and bibliographic guide provides a complete, accurate, and authoritative survey of Whedon's work. The book covers over 20 Whedon projects, ranging from his earliest script writing work on Roseanne, through his many movie and television undertakings (including Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.), up to his latest ventures into blockbuster superhero movies with Marvel's The Avengers. This is the first book to organize and describe all of Whedon's work. It covers both the original texts of the Whedonverse (TV episodes, DVDs, scripts, music, novels, comic books, games, and more) and the secondary materials created about Whedon's projects, including 2,000 books, essays, articles, documentaries, and dissertations.

Original blurb: "The volume of writing on educational topics has increased so prodigiously in recent years that the student is likely to lose himself in a sea of print. This may lead him to opt for the first book that comes to hand, or waste time rifling through half a dozen when a thorough grasp of one key text is all that is needed. Reading lists commonly look impressive, not to say daunting. In fact, the multifarious titles conceal an enormous amount of duplication, an endless raking over of other people's research findings. 'It is a safe bet', writes W. Kenneth Richmond, 'that less than 5 percent of the contents of any new book on education will be in any way original'." This critical bibliography, originally published in 1972, is concerned with the noteworthy books and major official reports that had appeared in the English language during the twenty-five years prior to publication. In his introduction and in the commentaries prefacing each section the author explains the background to the genuinely new departures of the period and describes successive changes in the climate of educational opinion.

This innovative survey of large choral-orchestral works is a continuation of the author's previous study of twentieth century works with English texts. Green examines nearly one hundred works, from Rachmaninov's Vesna to Penderecki's Song of Songs. For each work, he provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliography of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both the choir and orchestra. When present, solo roles are described. The composers represented in this work include Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Durufe, Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gyorgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a field guide for conductors and others involved in programming concerts for choir and orchestra, this text will prove a useful source of new repertoire ideas and an invaluable aid to rehearsal preparation.

The Unsung Songwriters is dedicated to a period in the history of American music that author Warren Vache calls the "Golden Age of Songwriting," and to the men and women who made it great. Contrary to the widely held opinion that most of our hit and standard songs were composed by a handful of top writers Berlin, Gershwin, Kern, Porter, and Rodgers the fact is that the vast majority of them were written by relatively unknown composers. In this definitive reference work to the "unsung songwriters," you will find Al Neiberg, the author of "It's the Talk of the Town," Maceo Pinkard, the mind behind "Sweet Georgia Brown" and "Sugar," Harry Woods for "Try a Little Tenderness," J. Fred Coots for "You Go to My Head," and many more.

Teachers' attitudes have been a subject of study and interest for many years. Originally published in 1986, this bibliography attempts to review the large field of research between the years 1965 and 1984. To identify all the sources of information, and to list documents that discuss research on teachers' attitudes. It does not include an assessment of the quality of the research reported in the listed documents, however, the value is in its comprehensiveness. Users of the bibliography can locate the listed studies and then evaluate the studies using criteria relevant to their individual purposes.

Originally published in 1984, the field of research on teaching had expanded dramatically in the 15 years covered by this bibliography, 1965 to 1980. The expansion had included studies conducted for many purposes. This bibliography contains relevant citations to the research which has been conducted for the purposes of increasing our understanding of the science, art and craft of teaching. The existence of research publications has been documented with relevant reference information and brief annotations; there has been no attempt to evaluate the quality of the studies. A brief perusal of the bibliography provides an indication of the range of topics addressed by these studies and also of the variety of studies within a single topic.

Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters' theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.

The Broadway Song Companion is the first complete guide and access point to the vast literature of the Broadway musical for the solo performer. Designed with the working actor in mind, the volume lists every song from over 210 Broadway shows, giving the name of the character(s) who sing(s) the song, its exact vocal range, and categorizing each by song style (uptempo, narrative ballad, swing ballad, moderate character piece, etc.). A number of indexes to the volume list titles of songs, first lines, composer's and lyricist's names, and each song by voice type. For instance, a soprano looking for a ballad to sing will find every song in that category in the index. All solos, duets, and trios are indexed in this manner, with quartets and larger ensembles listed by voice type. Furthermore, the instant breakdowns (how many lead characters, who sings what song, and the range requirements of each character) will be a valuable resource to directors and producers.

Originally published in 1984, Virginia Woolf: Guide to Research is a bibliographic guide to the writings and critical reception of the works of Virginia Woolf. The guide is a simply organized guide that makes easily accessible, a diversified body of critical works on Virginia Woolf. The scholarship is organised into key collections, based around Woolf's major works of fiction, and contains studies from a variety of content, including periodicals, articles, book chapters as well as foreign-language books.

This book features extensive lists of printed resources on 35 years of rockabilly performers, ranging from Charlie Feathers, Carl Perkins, Jerry Lee Lewis, and Elvis Presley to Shakin' Stevens, The Cramps, Robert Gordon, and The Stray Cats. The bibliographic survey includes biographies, historical studies, concert and record reviews, discographies, and articles from magazines such as Guitar Player, Goldmine, Now Dig This, Record Collector, and New Kommotion. More than 220 rockabilly singers and instrumentalists are included. With author index and bibliography. Should be of value to audio librarians, popular culture researchers, rock music enthusiasts, record collectors, and teachers of music, sociology, and American studies.

This bibliography, first published in 1979, is a guide to serials and periodicals in Arabic, English, French and other European languages published in the Arab countries or in the Western hemisphere. Arab serials and periodicals are considered primary sources of information on subject matters related to the Arab world. Lack of comprehensive bibliographies of Arab serials in the English language has hindered the work of librarians and Middle East specialists who need to identify a large number of such publications published in and about the Arab world. This bibliography is a research tool designed specifically to fill that gap.

A comprehensive, annotated survey of English-language literature on Stalin.

Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone-performer, teacher, student, or scholar-wanting to learn about Berg's life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg's musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.

Jesus was a Jew. That simple statement carries with it a millennia of cultural bias, persecution, and ignorance. David Ray Bourquin attempts to shed some light on what it meant to be a Jew during the Roman Period with this detailed, annotated bibliography of works in English. Following a brief introduction and guide on how to use the book, Bourquin divides his work into three major sections: A. Primary Sources; B. Books; and C. Periodical and Serial Articles. In each section, materials are arranged by subject, and in each sub-section in alphabetical order by main entry. Entries include complete bibliographical data, plus concise, descriptive, and analytical annotations. A glossary and four detailed indexes, all correlated to entry numbers, complete the volume. Every student of the period will want a copy of this carefully compiled bibliography.

Christian communities in the state Andhra Pradesh of south India and the Telugu Christians in diaspora have passed their stories from one generation to the next by oral traditions as well as in scattered texts. These memories have sustained Telugu Christian communities for over four centuries. Yet there has been no significant attempt made to compile a comprehensive history of the Telugu Christians until James Elisha Taneti's History of the Telugu Christians: A Bibliography. This annotated bibliography lists more than 700 published and unpublished textual sources related to the history of Telugu Christians from south India. Opening a window into the histories of 15 mission societies from the North American region, History of the Telugu Christians lists monographs, journal articles, letters, reports, minutes and the proceedings of missionary conferences, unpublished theses, dissertations, souvenirs, and manuscripts. The documents selected by Taneti were written or printed in the English or Telugu languages by native Christians and western missionaries. Aimed to facilitate research and writing on Telugu Christians, Taneti's insightful historiographical analysis and comprehensive list of bibliographic sources offer seminarians, historians of Christianity, and scholars of India the opportunity to study closely the meeting of East and West and the religious history of India through the founding and evolution of this community.

This critically annotated bibliography includes entries for over 1300 books on ecumenism published between 1950 and 1992. It also describes 85 journals devoted to ecumenism. Unlike most bibliographies, the volume offers a thorough analysis of the strengths and weaknesses of specific publications. It provides a theological and historical record of Orthodox, Catholic, Anglican, and Protestant ecumenical literature, and is a guide to the works of the World Council of Churches, the Second Vatican Council, and modern bilateral dialogues. The reference begins with an introductory essay that describes the various types of ecumenical publications and discusses the historical events that occasioned their production. The bibliography follows, with entries arranged in topical chapters. The first chapter includes entries for older bibliographies, encyclopedias, handbooks, and other reference works. It also overviews journals and research centers devoted to ecumenism. The next chapter contains historical accounts of the ecumenical movement. The following chapter collects accounts given by members of various Christian confessions to explain their own church's understanding of ecumenism. A chapter on bilateral and multilateral consultations follows, and a final chapter addresses specific doctrinal issues. The book concludes with detailed author, title, and subject indexes.

This annotated bibliography uncovers the wealth of resources available on the life and music of John Cage, one of the most influential and fascinating composers of the twentieth-century. The guide will focus on documentary studies, archival resources, scholarly research, and autobiographical materials, and place the composer and his work in a larger context of postmodern philosophy, art and theater movements, and contemporary politics. It will support emerging scholarship and inquiry for future research on Cage, with carefully selected sources and useful annotations.

Providing access to over 6,500 house designs published between 1850 and 1915, this work is indexed by architects' or designers' names as well as by the geographic location of each house when given in the periodical. It also includes a geographic index of architects, an annotated bibliography of the periodicals indexed, and an illustrated section with samples of the designs included in the index.

This chronology outlines British science fiction from 1479-1990, highlighting the important biographical and publishing events in the field of science fiction literature and fandom, as well as in other media. The chronology includes biographical information on more than 700 authors, listings of more than 2,000 works, including anthologies, criticism and essays, publishing and fandom milestones, first publications, and awards. The works are fully cross-referenced and indexed, with introductory definitions of the field and descriptive headnotes for five periods: The Descent of Scientific Romance, 1478-1894; The Wellsian Synthesis, 1895-1936; British Science Fiction, 1937-1961; New Wave S(peculative) F(iction), 1962-1978; and The British Fantastic, 1979-1990. This book is an outgrowth of and is complementary to Ruddick's critical work, Ultimate Island. Together the two works define the scope and the nature of British science fiction--an enormous field that is not, until recently, examined separately from American science fiction in spite of considerable differences.

This bibliography, first published in 1988, is intended to make more readily accessible the wealth of Dickinson criticism and scholarship that appeared from 1969 through 1985. During the 17 years that are covered in this bibliography nearly 800 books, articles and dissertations have appeared. The present work is intended to aid both students and scholars in finding the materials they need in their study of, and research on, Emily Dickinson's poetry and her life.

This selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.

This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.

Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author's in-depth knowledge of Anglo-American folk music's historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.