During the course of the Civil War, Northern daily newspapers printed over 2,000 separate maps depicting campaigns and military operations. Although they are important primary documents, these maps have been largely overlooked by historians and enthusiasts because of the difficulty in locating them. This cartobibliography is the first finding aid to the war's journalistic cartography. The book lists all known Civil War maps published in eighteen daily newspapers in Baltimore, Boston, Chicago, Cincinnati, Columbus, New York, Philadelphia, and St. Louis. Entries consist of map title, scale, dimensions, author (when known), engraver (when known), and notes on sources of information and geographic coverage. Maps are grouped by newspapers, which are arranged alphabetically, and listed chronologically under each newspaper. A thorough geographic, subject, and personal name index provides access to the entries.

This is the first comprehensive bibliography of temporal scholarship-research on the subject of time and the phenomenon of time itself. As the author notes in his introduction, the nature of research insights on the subject of time is difficult to comprehend within the confines of any specific discipline since relevant materials are scattered throughout the literature in numerous scholarly fields. By bringing together the most significant published works in a wide variety of disciplines, this unique compendium enables scholars and researchers to look beyond their own particular area of expertise when selecting appropriate resource materials. Throughout, the focus is on the time dimension itself as a problematic or researchable phenomenon rather than on narrow topics such as time management, time series analysis, or forecasting.

Organized by discipline, the work begins with an initial chapter that lists general works on the time dimension. Nineteen chapters then list works in particular disciplines ranging from anthropology and culture to biology, economics, futures studies, history, linguistics, management studies, psychology, and more. The final chapter lists miscellaneous entries which could not be categorized into any of the specific disciplinary headings. Within each chapter, entries are arranged alphabetically by author or editor. Nearly all sources are from scholarly journals and books.

This volume provides an annotated list of works related to the interaction of humans and machines in SF, a field which includes science fiction, some fantasy and horror, and related types of speculative works. Though the book focuses on works produced in English between 1895 and 1990, foreign language material and works produced before 1895 and after 1990 are included as well. The reference contains works in a range of media, with entries grouped in chapters on literature, literary criticism, drama and dramatic criticism, graphic and plastic arts, music, and background. Each entry includes an annotation that overviews the significance of the human/machine interface in the work cited. The usefulness of the work is increased by the thorough author, title, and keyword and theme indexes.

The subject of church and state is one intimately associated with the history of Christianity and Western civilization. However, the subject is one that is by no means limited to any one religious tradition, civilization, or period of history. Rather, it is a subject that has historical and universal significance to all cultures and religious traditions throughout the world. It is simply undeniable that religion has been, and remains, a powerful force in the making and shaping of cultures, civilizations, nations, and empires. For this reason, this volume addresses the broader perspectives of religion and the state in the ancient world, as well as in the biblical world of Judaism and Christianity, and in other religious traditions than Christianity. Attention is given to general works on church and state that treat the subject broadly, not limited to any particular nation, religious tradition, or single aspect of church-state relations. Additionally, there is material on major topics integrally related to church and state, such as civil disobedience, civil religion, liberation theology, patriotism, and nationalism. Finally, sources are included on religion in international affairs and interfaith relations, both necessarily linked to the subject of church and state, as well as religion and the economic order; religion and human rights and the effect of religion on war and peace.

This annotated bibliography assists the reader in locating information about the United States Federal Trade Commission. The book is divided into four chapters, each reflecting the major functions and regulatory responsibilities of the FTC.

This book provides a detailed record of the life and career of Lucille Lortel, one of the great producers of Off-Broadway theater. The volume begins with a biography of Lortel and a chronology follows, in which the chief events in her life are presented in a convenient format. A listing of her productions follows. This chapter of the book is divided into four sections: Off-Broadway shows, Broadway productions, the ANTA Matinee Series, and the White Barn Theatre. All of the entries for these productions include dates, authors, casts, and technical personnel. Entries for her Off-Broadway and Broadway productions include plot summaries, production histories, reviews, and commentaries. A bibliography follows. Appendixes list Lortel's awards and honors, an appraisal of the ANTA Matinee Series, and her productions at the Library of Congress.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

Until now, individuals wishing to identify British insects have found it difficult to track down the specialist keys published in obscure literature, whereas the popular guides are often misleadingly simplistic, covering only a fraction of the species. This book bridges the gap, providing expert guidance through the taxonomic maze. It contains an introduction to each group of organisms, and over 2000 references selected as being the most useful and up-to-date for accurate identification, together with notes on their relevance and coverage. A further chapter covers the understanding and retrieval of scientific references, with advice on using libraries and other information services. This will be an essential reference book for anyone involved in insect and arachnid identification, from interested amateurs to professionals dealing with unfamiliar groups.

The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier?

This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.

In the music of Stuart Saunders Smith (b. 1948), jazz, the avant-garde, and sound-text poetry coalesce. Through the years he has concentrated on certain kinds of composition--open form, radio music, trans-media systems, and sound-text poetry. Although Smith considers himself a jazz composer and drummer, his work has been absorbed into a wider range of contemporary musical efforts, both in the United States and Europe.

This study of Smith contains six critical analyses, an interview, and bibliographic information containing a list of compositions, a discography, Smith's publications, and research currently available on his music. As Milton Babbitt notes, All of his music is to be reckoned with... and, as such, this volume will be of interest to all students and scholars of contemporary composition.

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Eco-Literate Music Pedagogy examines the capacity of musiciking to cultivate ecological literacy, approaching eco-literate music pedagogy through philosophical and autoethnographical lenses. Building on the principle that music contributes uniquely to human ecological thinking, this volume tracks the course of eco-literate music pedagogy while guiding the discussion forward: What does it mean to embrace the impulse to teach music for ecological literacy? What is it like to theorize eco-literate music pedagogy? What is learned through enacting this pedagogy? How do the impulsion, the theorizing, and the enacting relate to one another? Music education for ecological consciousness is experienced in local places, and this study explores the theory underlying eco-literate music pedagogy in juxtaposition with the author's personal experiences. The work arrives at a new philosophy for music education: a spiritual praxis rooted in soil communities, one informed by ecology's intrinsic value for non-human being and musicking. Eco-Literate Music Pedagogy adds to the emerging body of music education literature considering ecological and environmental issues.

In this volume, Martin Jamison provides a descriptive bibliography of published material on Idi Amin and Uganda during the Amin years. Arranging the entries topically within chronological sections, Jamison covers the span of Amin's reign from 1971 to 1979. The work also includes entries providing background information on Amin and covering Amin in exile. The volume covers scholarly, research-level, English-language works, all of which are generally accessible in libraries in North America. The literature covered includes journal articles, books, chapters within edited volumes, conference papers, government publications, audiovisual materials, and theses. Works included are those that are substantial and to the point, that provide more than a passing glance of Amin, and that speak directly to the topic of Amin or Uganda under Amin. With some exceptions, the bibliography excludes newspaper articles, popular or news magazine articles, fiction, encyclopedias, yearbooks, and other standard handbooks. After personally examining all but fifteen of the entries cited, Jamison has provided descriptive, nonevaluative annotations. Annotations also note such features as length, type of illustrative material, indexes, and notes. The volume also includes author, title, and subject indexes. It will be a valuable aid for students and other researchers who want to find and select literature on Idi Amin and his times.

A valuable reference and collection development tool designed to assist readers' advisors in helping readers find modern "detective" mysteries they will enjoy. In this follow-up and companion to the author's previous title, Make Mine a Mystery: A Reader's Guide to Mystery and Detective Fiction, renowned expert on the mystery and detective genre Gary Warren Niebuhr brings readers' advisors and librarians a new resource guide that categorizes and describes recently published mystery novels. Make Mine a Mystery II examines works by prominent established authors and includes books from new writers not in the previous edition. Organizing some 700 titles in popular mystery series, the books within are divided into the broader types-amateur, public, and private detective. Each of the selections within these groups is further categorized by the type of protagonist: classic, eccentric, lone wolf, police, lawyer, and so on. The author even notes whether each detective is of the "hardboiled," "softboiled" (cozy), or traditional type, enabling users to easily identify read-alikes for mystery fans. This book will be especially helpful for collection development specialists seeking to create a balanced collection of titles. Covers authors that represent best contributors to the mystery series fiction genre Provides a broad bibliography of mystery series fiction Includes an index that references authors, titles, characters, settings, and locations

Originally published in 1990, this is a comprehensive and annotated bibliography of the writings on Joseph Conrad and his works. Covering the years from 1895 to 1975 it also includes indexes of authors, secondary works, periodicals and newspapers, foreign languages and primary titles. Part of a series of annotated bibliographies on English Literature in Transition, 1880-1920 this will be a valuable resource for students of literature.

A true labor of love and appreciation for Sarah Vaughan's vast contributions to American popular music, this comprehensive discography documents some 750 songs recorded by Vaughan in 221 recording sessions between 1944 and 1989, some of them multiple times. The artist, when presented with an early draft of this volume a few years before her death, called it a "piece of gold" and commented that there were songs she'd forgotten and would record again. Information on orchestra leaders, arrangers, musicians, matrix numbers, and record company catalog numbers is given, and separate sections organize the material by record company issues and index song titles (with composers), musicians, and orchestras. This work will be of interest to scholars and researchers of popular music, to record collectors, and to everyone who loves the music of Sarah Vaughan.

Reading the World's Stories is volume 5 in the Bridges to Understanding series of annotated international youth literature bibliographies sponsored by the United States Board on Books for Young People. USBBY is the United States chapter of the International Board on Books for Young People (IBBY), a Switzerland-based nonprofit whose mission is bring books and children together. The series promotes sharing international children's books as a way to facilitate intercultural understanding and meet new literary voices. This volume follows Children's Books from Other Countries (1998), The World though Children's Books (2002), Crossing Boundaries with Children's Books (2006), and Bridges to Understanding: Envisioning the World through Children's Books (2011) and acts as a companion book to the earlier titles. Centered around the theme of the importance of stories, the guide is a resource for discovering more recent global books that fit many reading tastes and educational needs for readers aged 0-18 years. Essays by storyteller Anne Pellowski, author Beverley Naidoo, and academic Marianne Martens offer a variety of perspectives on international youth literature. This latest installment in the series covers books published from 2010-2014 and includes English-language imports as well as translations of children's and young adult literature first published outside of the United States. These books are supplemented by a smaller number of culturally appropriate books from the US to help fill in gaps from underrepresented countries. The organization of the guide is geographic by region and country. All of the more than 800 entries are recommended, and many of the books have won awards or achieved other recognition in their home countries. Forty children's book experts wrote the annotations. The entries are indexed by author, translator, illustrator, title, and subject. Back matter also includes international book awards, important organizations and research collections, and a selected directory of publishers known for publishing books from other countries.

Traditionally, the "history" of Micronesia has been dominated by outside European interpretations and standards. More recently, both European and indigenous historians have begun to examine historical interpretations from the perspectives, values, and actions of Micronesians themselves, thereby rendering contextually richer and more realistic interpretations of the past. A core title for individuals interested in Pacific history and historiography, this bibliography provides a critical summary and analysis of the scholarship on Micronesian history, as it has been constructed through both standardized European approaches and the more recent integration of indigenous viewpoints. Beginning with introductions which review the issues of Micronesian historiography and Pacific historiography in general, this book challenges current thinking and perceptions of bibliography as it relates to the Pacific. As suggested by the plural "histories" in the title, the approaches to Pacific history are multifaceted. Focusing on scholarly works that are intentionally historical in nature, the authors provide readers with an opportunity to explore the specifics of Micronesian histories as they have evolved through four separate European periods of governance.

A contemporary of Richard Wright, James Baldwin, and Ralph Ellison, Chester Himes wrote with perhaps more angry fire than his celebrated colleagues about black protagonists doomed by white racisim and self-hate. Among his writings is a series of hard-boiled detective novels featuring black detectives and a host of Harlem hustlers. The acclaimed Harlem series and much of his later work were written in France where Himes lived as an American expatriate from 1953 until his death in 1984. Exhaustively researched and well constructed, this comprehensive bibliography clears up mysteries and dispels misconceptions about the extent of Himes's work and its critical reception. The primary bibliography identifies all United States, French, and British first and second editions of Himes's novels, the first appearances in periodicals of his short stories, his collected fiction, and his magazine and book-length nonfiction pieces. It includes manuscript materials and a filmography of adaptations of his novels. The annotated secondary bibliography provides a key to the biographical and critical work produced about Himes in the United States, Britain, and France since the late 1940s. Chronologically organized, it is indexed by author and by titles of the relevant Himes's works. The volume's introduction outlines Himes's life and career, discusses gaps in his writing history, and attempts to provide a more realistic picture of his critical reception in the United States based on an analysis of the secondary bibliography rather than on previous views influenced by Himes's own negative perceptions. A chronology of Himes's career is also included, and the volume's preface explains the organization of the bibliography and how to use it. This work will be of special value to university libraries offering programs in popular culture, American literature, and African American studies as well as to individual scholars and researchers in these fields and scholars and collectors interested particularly in Himes and his works.

Summarizing literature from the twenty-year-old field of women's career development, this book brings scholars and professionals up-to-date in their understanding of the factors influencing women's career choices and career adjustment across the life span. It serves as a vital base for theoretical and empirical work in the study of women's career development.
Key Features
* Success and satisfaction
The interface of home and work
* Dual-career couples
* Sexual harassment
* The influence of education
* Self-concept and sex role-related characteristics

Originally published in 1984, Virginia Woolf: Guide to Research is a bibliographic guide to the writings and critical reception of the works of Virginia Woolf. The guide is a simply organized guide that makes easily accessible, a diversified body of critical works on Virginia Woolf. The scholarship is organised into key collections, based around Woolf's major works of fiction, and contains studies from a variety of content, including periodicals, articles, book chapters as well as foreign-language books.

First published in 1997, this second edition of this bibliography contains more than half as many entries again as the original selection of 1966. New sections include an annotated list of surviving apparatus and personal effects, an index of letters and printed extracts of letters, and a current plan of Manchester, as well as one of 1793, showing places with Dalton associations. Annotations are relatively more generous and the number of illustrations almost doubled. Manchester Literary and Philosophical Society was central to Daltons life and researches. It inherited almost all his manuscripts and apparatus; much of the collection was destroyed in 1940.

In 1974 Frederick W. WinterbothaM's book "The Ultra Secret" disclosed the Allied success in breaking the German high command ciphers in World War II, and a new form of history began--the study of intelligence and its impact on military operations and international politics. This guide documents and annotates over 800 sources that have appeared in the past 20 years. It examines and evaluates primary and secondary sources dealing with the role of ULTRA and MAGIC in the Pearl Harbor attack, the battles of the Atlantic, Coral Sea, and Midway, and the campaigns in the Mediterranean, Northwest Europe, the Middle East, and the Pacific, as well as in the realm of espionage and special operations. It also covers sources on the Sigint and cryptanalytic programs of the Axis and neutral powers.

The book examines and annotates primary and secondary sources on the role of ULTRA and MAGIC in the Pearl Harbor attack, the battles of the Atlantic, Coral Sea, and Midway, and the campaigns in the Mediterranean, Northwest Europe, the Middle East, and the Pacific, as well as in the realm of espionage and special operations. It also provides details on sources concerned with Sigint and cryptanalytic programs of the Axis and neutral powers.

Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone-performer, teacher, student, or scholar-wanting to learn about Berg's life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg's musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.

First published in 1981 as the Offshore Information Guide this guide to information sources has been hailed internationally as an indispensable handbook for the oil, gas and marine industries.