The Supernatural Index is the first index to all known anthologies of supernatural, fantasy, and weird fiction. It covers over 2,100 such books, indexing each volume by contents, author, and title. Books range from 1813 to date and therefore provide a complete history of the horror fiction field. Birth and death dates, along with pseudonyms, are provided for more than 7,700 authors; and for all the rougly 21,300 stories, every attempt has been made to provide original publication details. Supernatural fiction continues to be of interest to modern readers, though many of the most frequently anthologized ghost stories were written during the Victorian era. Because so much supernatural fiction has been published as short stories, anthologies have long been a useful means of bringing supernatural literature to the readers. This reference is the first index to all known anthologies of supernatural, fantasy, and weird fiction. Included are entries for more than 2,100 anthologies from 1813 to the present. Many of these anthologies have never been listed previously in bibliographies, and the volume even includes citations for rare Victorian works. Entries provide original publication sources for reprinted stories, including many from obscure magazines not previously indexed. The book also provides birth and death dates and pseudonyms for more than 7,700 authors of supernatural fiction. Citations may be accessed by editor, author, book title, or story title. Also included is a listing of the contents of each anthology.

First published in 1952, the International Bibliography of the Social Sciences (anthropology, economics, political science, and sociology) is well established as a major bibliographic reference for students, researchers & librarians.

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

This is a well established major bibliographic reference for students, researchers and librarians, the first edition of which was published in 1952.

With the growth in interest in ethnographic materials, this is an essential publication for large public libraries serving patrons with interests in anthropology and art. Choice This indispensable directory of data on serials that contain information relevant to the study of ethnoart fills a gap long perceived by scholars of the indigenous arts of Africa, Oceania, and the Americas, an area of academic focus in which reference materials have been generally lacking. Culled from a database developed by compiler Eugene C. Burt to track potentially useful periodicals in connection with his publication, Ethnoarts Index, the volume is designed to aid those with an interest in ethnoart in determining which serial publications best suit their research needs. In the main directory users can find information on former titles, publisher, editorial focus, content features, and a relevancy rating on each of almost 700 individual serial titles that have an editorial focus related to ethnoart. Nine separate appendices list recommended titles in various categories as well as serials that include indexing, bibliographic or abstracting services, ceased titles, and more. Titles include publications from the fields of art history, anthropology, history, area studies, librarianship, museum studies, and general interest magazines. Prefatory material explains the book's organization and the rationale for its recommendations and is followed by the major portion of the volume, the database of serials arranged alphabetically by title. In each entry more than 20 categories of information are provided including an assigned relevancy rating that rates the level of relevancy of a publication to ethnoart based on the frequency that ethnoart-oriented articles, reviews, etc. appear. Several indices make collection development recommendations based on the relevancy ratings, with approximate cost information. Additional appendices list titles by country of publication, relevant ceased titles, and more. Finally, a unique, rotated-keyword-in-title index that includes subtitles and former titles provides easy access to the main database. All of this information will be welcomed by librarians, scholars, collectors, dealers, curators, and students of ethnoart. Highly recommended for librarians building ethnoart collections; for university libraries where courses on any aspect of ethnoart are taught; and for libraries of museums and research institutions with an interest in ethnoart.

Arranged in three parts, this bibliography and guide to British directories in its second edition explains their evolution, describes the different types of directories and their content, and offers a new chapter on the use of directory material in historical studies. Over 2200 directory titles are listed, with indexes by publisher, place and subject. This updated edition also provides a guide to the 120 library collections of directories.

One hundred years after the Boer War, the British continue to debate what went wrong, while the war has significant nationalist overtones in today's South Africa. This book examines changes in interpretations of the war and provides a bibliography of major sources on the Boer War, now sometimes called the South African War. The bibliography focuses on the military history, but also includes some historical accounts of the political debate. The first part of the book provides an extended historiographical essay, while part two provides an annotated bibliography of the titles discussed in part one. Historiographical questions concerning the Boer War are numerous. Discussions of military operations focus on the early use of modern weaponry and the effect of guerrilla tactics on a traditional force, while other historians debate the question of British military leadership and organization. Questions also revolve around British imperialism and the "scramble for Africa." Frequently called the second war for freedom by South African authors, the war was the reason that South Africa, unlike other British colonies, gained independence without majority rule. This makes the war of continuing relevance to the turmoil in South Africa, the collapse of the minority government, and the continuing problems of the current government. This book will provide a useful tool for those wishing to research the war.

The keyguide is divided into three parts: Part One is an overview of the literature, covering the mass media in general, telecommunications, broadcasting in all its forms, cinema and video, the press, advertising, publishing and ethical issues, such as government policy and influence, legislation, codes of practice, censorship and reportage issues; Part Two is an annotated bibliography; and Part Three is an international directory of organizations. A detailed index completes the work.

Although historiography is a frequently used term, its content is far from unequivocal. For the purposes of this bibliography, Attila Pok defines modern historiography as the history of historical science as it was established at the beginning of the nineteenth century. Thus, this bibliography includes works that discuss the development of historical science since that time to 1990. Its aim is to provide access to the most important works on nineteenth- and twentieth-century historiography. The titles are arranged geographically. Following a section of general titles, sections are devoted to Europe, America, Africa and the Middle East, Asia, and Australia. Within each section, chapters cover individual countries. The volume also includes author and subject indexes.

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With its companion volume, this book effectively provides descriptions and evaluations of award-winning American fiction for children over the last 125 years. The compilers provide clear, insightful, and critical evaluations. Despite its title, the bibliography lists fiction for both children and young adults. . . . These two volumes, likely to become reference mainstays, are recommended for academic libraries that support children's and young adult literature or teacher education, and for public libraries and media centers. "Choice"

This volume is a fine addition to the reference works of children's literature and should be considered as a first purchase by those studying children's literature in-depth and in particular by those preparing booktalks. "ARBA "

These two volumes will be useful to anyone concerned with children's literature--librarians, teachers, and students. "Reference Books Bulletin"

In this companion volume to their "Dictionary of American Children's Fiction, 1859-1959," Alethea K. Helbig and Agnes Regan Perkins present detailed information on a comprehensive selection of contemporary books for children and young adults. This dictionary consists of 1,550 alphabetical entries for each title, author, main characters, and other important aspects of each work such as significant settings or elements in need of further clarification. The 489 novels examined in this work include the winners and finalists from major award lists, as well as other books recognized for merit by a variety of experts in children's literature. An extensive index includes all the items for which there are entries. Other index entries cover themes, subjects, unusual narrative structures, author's pseudonyms, and genres.

First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.

VOLUME TWO OF TWO. France. Germany. Italy. Russia. Poland. Czech Republic. Romania. Mexico. Japan. Iran. All over the world -- everywhere except in the U.S. -- the legendary Jean Gabin continues to be considered one of the greatest movie stars of all time. In the U.S., he's definitely considered to be a cult figure (in 2002, twin Gabin festivals were presented at the Los Angeles County Museum of Art, and at the Walter Reade Theatres in New York), but for the vast moviegoing public, and just like a lot of the greats, he's fallen off of the radar.

That's about to change, however, because in 2008, Allenwood Press presents the very first English-language (and two-volume ) book about Jean Gabin, ever. (There's not even an old, out-of-print book about Gabin in English, if you can believe that )

WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND)OF JEAN GABIN by CHARLES ZIGMAN VOLUME TWO, which has been subtitled "Comeback/Patriarch," covers Films 47 through 95, which Gabin made between 1954 and 1976. During this period of his career, instead of playing his famous tragic drifter character, he played a series of mega-cool gentleman-criminals, and world-weary (yet life-loving) patriarchs, and he even turned out some hilarious comedies during this period, which are criminally unknown in the U.S. The tone of the book is "fun," as opposed to "academic" and "pretentious," and its goal, is to introduce as many people as possible to the films of Gabin; to that end, this book is loaded with rare photographs, many of which have never appeared even in previously published French-language books about Gabin.

This is a book for Jean Gabin 'newbies' and 'completists' both: For the uninitiated, there are some biography and 'intro' chapters which place Gabin, and his famous big-screen persona into perspective. For the completists, I (the author) have 'unpacked' every single one of Jean Gabin's ninety-five theatrical feature films, even the more than fifty pictures which have never been subtitled into English before, so that readers can feel, by poring through the chapters, that they are actually seeing the films, first-hand. Excerpts from newspapers written 'back in the day, ' both in the U.S. and in Europe, show how prominent movie critics received Gabin's pictures the day they were first released, in the 1930s through the 1970s.

In short this two-volume book is for everybody. Besides being the first books about Jean Gabin in the English language, WORLD'S COOLEST MOVIE STAR is also a first, because it happens to be the very first filmography book related to Gabin in any language: Even in France, where there have been many published biographies of Jean Gabin, there has never been a book concentrating on each of the actor's ninety-five films.

Brigitte Bardot contributed an original foreword to Volume Two. (VOLUME ONE IS AVAILABLE SEPARATELY - ISBN #978-0-9799722-0-1.)

This bibliography provides a comprehensive record of verse drama in modern literature. The volume begins with an introduction, which discusses the significance of verse drama in modern theater, and which overviews the history and intent of modern verse drama. The bibliography that follows provides entries for more than 500 plays written in verse or in verse and prose between 1935 and 1992. Included are works by renowned playwrights such as T.S. Eliot, Christopher Fry, and John Arden, as well as plays by lesser-known dramatists. The plays are organized alphabetically by the name of the author. Included are anthologies of plays as well. Each entry is accompanied by an annotation that succinctly overviews the major themes and significance of the work. Title and subject index conclude the reference.

First published in 1988, this reissue is an important work in the field of national literary exchange. Declared by American Library Association in its Choice publication one of the ten best reference works of 1988, the volume has survived global change - politically, socially, economically, religiously, aesthetically - to promote cultural dialogue between China and the West. Besides the scores of annotated sources, the introductory essays remain as authentic and moving as the day of their appearance.

Equally to be observed is accelerating demand, especially in academic institutions, for global cultural exchange through national literatures. How can we of the English-speaking world, for example, adequately understand and converse with our Chinese counterparts without some appreciation of their culture, notably of Confucian and Taoist roles in their history as reflected in their literature?

Overall, a pioneering work whose reissue will be welcomed by both scholars and general readers alike.

Many social scientists have ignored the diversity of the women's prison population and the differential treatment to which women of various backgrounds have been subjected. These omissions have affected the type of information available on women in the criminal justice system as it relates exclusively to gender. The goal of this work is to document women's unique and gender-biased experience as participants and victims of the criminal justice system.

Topics include women on death row, race and gender issues, probation and parole, female juvenile delinquents, prostitution, health and mental health issues of women in prison, social justice concerns, and educational programs. The references included highlight the interdisciplinary nature of the issues as they cross such fields as law, criminal justice, social work, and psychology, and reveal the intensity of racism and sexism often ignored by the system, but confronted by the female population in the criminal justice system.

Daniel Defoe was one of the most important and best-known writers of the eighteenth century but there is a feeling among scholars that the Defoe 'canon' is a remarkably strange and not very satisfactory construction. Between 1790, when the first bibliography of Defoe appeared, and 1971, when J.R. Moore published the second edition of his Checklist, the canon had swollen from just over a hundred items to 570. A large proportion of these attributions had been made in the nineteenth and twentieth centuries, on the basis of features of style, 'favourite phrases' and resemblance to Defoe's known views. This book is a list of all the items in Moore's Checklist (the current authority on the Defoe canon) that at present the authors consider questionable with in each case a note as to who was the first attributer, a brief synopsis and an explanation of the reasons for doubting the ascription.

Focusing on English-language publications of the last decade, this guide identifies and describes key reference and information sources in the field of education today. In addition to general reference sources O'Brien covers major social science reference sources that have a direct or overlapping relationship to education. Nearly 500 entries are arranged by subject and type of work. Most are new to this work. For example, there are now a number of Internet sources with URL addresses and an increased number of journals, which reflects the increasing reliance on periodicals as information sources. The book has also been completely reorganized, with new chapters covering "Educational Technology and Media"; "Multilingual and Multicultural Education"; "Adult Alternative, Continuing and Distance Education"; "Curriculum, Instruction, and Content areas"; "Educational Research, Measurement, and Testing"; and so forth. Excluded are lists of education associations and organizations, general social science refe

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part II of Bleak House, Dickens's ninth novel, which was originally serialized in standalone installments between 1852 and 1853. The story of Esther Summerson, an illegitimate child of the aristocracy, and her search for her parentage and her place in the world, it is one of Dickens's finest works, featuring biting commentary on Victorian attitudes toward women as well as toward the English legal system.

Since the publication of the first edition of The Black Aged in the United States in 1980, a large number of studies, articles, pamphlets, and books on the subject have been produced, necessitating the present volume. In addition to a substantial increase in the number of citations, the bibliography deals with new issues of immediate relevance, such as the effects of prison life, AIDS, the gay lifestyle, adoption, sickle cell anemia, and abuse of the aged. Attention also has been given to autobiographical sources, which provide keen insights into how the aged Blacks felt about their pains, dreams, disappointments, hopes, sufferings, and their experience with racism in this country. This expansive reference work has been carefully compiled to accommodate a variety of research methods, and it offers extensive coverage of related topics. The compiler's introduction provides an historical overview of the role of the Black aged in transmitting Black culture to younger generations and points out the significance of that contribution in the Black heritage. Most entries have precise and informative annotations; of special interest is an appendix on Black Retirement Homes, 1860-1988. The only complete sourcebook available on a timely and provocative subject, this exhaustive study will be useful in Black studies, sociology, women's studies, gerontology, and geriatrics.

This ambitious work provides single-point, unified access to some of the most significant books, articles, and news reports in the science fiction, fantasy, and horror genres. Entries are arranged in two sections-author (subarranged by title) and subject-and may have up to 50 subject terms assigned. No other reference tool addresses the secondary literature of this fast-growing and dynamic field with such in-depth subject coverage as this work, nor approaches its breadth of coverage. Aimed at academic libraries, large public libraries, some school and medium-sized public libraries, and individual scholars, this index supplements Science Fiction and Fantasy Reference Index: 1985-1991 (Libraries Unlimited, 1993) and Science Fiction and Fantasy Reference Index: 1878-1984 (Gale Research, 1987).

This work represents the most detailed bibliography yet published on the effects of alcohol consumption on a developing fetus. In addition to listing original scientific articles describing these effects, the bibliography also includes scientific and popular press reviews of the growing body of literature on fetal alcohol syndrome (FAS). Citations refer to material addressing the legal ramifications of fetal alcohol exposure as well as public policy issues.

Shakespearean productions continue to flourish today, with considerable activity at Stratford-upon-Avon in England. This book supplies basic information on Shakespearean and non-Shakespearean plays produced at Stratford-upon-Avon from 1979 to 1993, and makes accessible information on all productions during these years by the Royal Shakespeare Company. The volume is based on the archives of the Shakespeare Memorial/Royal Shakespeare Theatre, the preeminent theatre for Shakespeare in the world. The volume lists each production by play title. Each entry provides detailed cast and production information, along with a list of reviews. Indexes at the end of the volume allow the user to locate entries for all plays by a particular playwright, director, actor, or reviewer. Thus, it is easy to compare the different plays of a director, or to trace the work of an actor, or to note the plays commented on by a particular reviewer. Introductory material overviews the history of theatre at Stratford-upon-Avon, and a calendar of productions lists the various plays chronologically.