It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part II of Bleak House, Dickens's ninth novel, which was originally serialized in standalone installments between 1852 and 1853. The story of Esther Summerson, an illegitimate child of the aristocracy, and her search for her parentage and her place in the world, it is one of Dickens's finest works, featuring biting commentary on Victorian attitudes toward women as well as toward the English legal system.

Shakespearean productions continue to flourish today, with considerable activity at Stratford-upon-Avon in England. This book supplies basic information on Shakespearean and non-Shakespearean plays produced at Stratford-upon-Avon from 1979 to 1993, and makes accessible information on all productions during these years by the Royal Shakespeare Company. The volume is based on the archives of the Shakespeare Memorial/Royal Shakespeare Theatre, the preeminent theatre for Shakespeare in the world. The volume lists each production by play title. Each entry provides detailed cast and production information, along with a list of reviews. Indexes at the end of the volume allow the user to locate entries for all plays by a particular playwright, director, actor, or reviewer. Thus, it is easy to compare the different plays of a director, or to trace the work of an actor, or to note the plays commented on by a particular reviewer. Introductory material overviews the history of theatre at Stratford-upon-Avon, and a calendar of productions lists the various plays chronologically.

Originating in northern China but found today in southwestern China, Vietnam, Laos and Thailand, the various Yao subgroups speak various Miao-Yao languages but continue to write their texts in the Chinese language with Chinese characters. To a large intent, they have maintained traditional Chinese social values and the Daoist religion. The catalogue describes 37 Yao texts, all written in Chinese and mainly dealing with traditional Chinese religion and social life. Dating from the 18th to early 20th centuries, the manuscripts include Chinese characters special to the Yao. Designed especially as an essential source of reference for scholars working in all aspects of manuscript and rare book studies, the catalogue includes 48 illustrations (half in colour) that help identify this material.

This work represents the most detailed bibliography yet published on the effects of alcohol consumption on a developing fetus. In addition to listing original scientific articles describing these effects, the bibliography also includes scientific and popular press reviews of the growing body of literature on fetal alcohol syndrome (FAS). Citations refer to material addressing the legal ramifications of fetal alcohol exposure as well as public policy issues.

The Philadelphia Orchestra is the most-recorded orchestra in the United States, and its recordings have contributed much to its reputation as "The World's Greatest Orchestra." In The Philadelphia Orchestra: An Annotated Discography, Richard A. Kaplan documents more than 2,000 commercial recordings made by the Philadelphia Orchestra over almost a century. The discography contains a chronological list of recordings, detailing works performed, conductors, soloists, dates, venues, producers, and matrix information for 78-rpm recordings. Each entry lists all issues of the recordings, including 78- and 45-rpm discs, long-playing records, and compact discs. The discography documents for the first time the recordings made by Columbia on sixteen-inch lacquer discs during the 1940s and '50s. Opening with an overview of the Orchestra's relationships with recording companies and the search for suitable recording venues, chapters cover anonymously and pseudonymously-published recordings, including those of the Robin Hood Dell Orchestra of Philadelphia, the experimental 1931-32 Bell Labs recordings, videos and movies in which the Philadelphia Orchestra performed, live recordings, and recordings of ensembles of the Philadelphia Orchestra. A separate chapter lists live-concert downloads made available directly through the Philadelphia Orchestra Association. Appendixes cross-reference the recordings by composer, conductor, and soloists; a final appendix lists the many Philadelphia Orchestra LP collections published by Columbia and RCA. This book is a valuable resource for collectors, scholars, and anyone interested in recording history and the history of the Philadelphia Orchestra.

VOLUME ONE OF TWO. (VOLUME TWO AVAILABLE SEPARATELY.) France. Germany. Italy. Russia. Poland. Czech Republic. Romania. Mexico. Japan. Iran. All over the world -- everywhere except in the U.S. -- the legendary Jean Gabin continues to be considered one of the greatest movie stars of all time.

In the U.S., Gabin is definitely considered to be a cult figure (in 2002, twin Gabin festivals were presented at the Los Angeles County Museum of Art, and at the Walter Reade Theatres in New York), but for the vast moviegoing public, and just like a lot of the greats, he's fallen off of the radar.

That's about to change, however, because in 2008, Allenwood Press presents the very first English-language (and two-volume) book about Jean Gabin, ever. (There's not even an old, out-of-print book about Gabin in English, if you can believe that ) It's WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN by CHARLES ZIGMAN.

VOLUME ONE, which has been subtitled "Tragic Drifter," takes us through Gabin's first forty-six films, including the internationally renowned "Grand Illusion" and "Pepe Le Moko," a period spanning the years 1930 to 1953, during which time he played movie history's most famous tragic drifter. During the 1930s and 1940s, Gabin's popularity in the U.S. nearly eclipsed that of Bogart, James Cagney, and Bette Davis. (Ever heard anybody say, "Come with me to the Casbah. We will make ze beautiful muzeek togezaire?" It was famously attributed to the character Jean Gabin portrayed in the 1937 gangster classic "Pepe Le Moko," even though he never actually uttered those words. In fact Gabin's 'Pepe' character even inspired Warner Bros. to create its legendary cartoon skunk, Pepe Le Pew, whose looks and voice were modeled on the actor.)

The tone of the book is "fun," as opposed to "academic" and "pretentious," and its goal is to introduce as many people as possible to the films of Gabin; to that end, it's loaded with rare photographs, many of which have never appeared even in previously published French-language books about Gabin. This is a book for Jean Gabin 'newbies' and 'completists' both: For the uninitiated, there are some biography and 'intro' chapters, which place Gabin, and his famous big-screen persona into perspective. For the completists, author Charles Zigman has unpacked every single one of Jean Gabin's ninety-five theatrical feature films -- even the more than fifty pictures which have never been subtitled into English before -- so that one can feel, by poring through the chapters, that one is actually 'seeing' the films, firsthand. Excerpts from newspapers written 'back in the day, ' both in the U.S. and in Europe, demonstrate how prominent movie critics received Gabin's pictures the day they were first released, in the 1930s through the 1970s.

In short this two-volume book is for everybody. Besides being the first books about Jean Gabin in the English language ever, WORLD'S COOLEST MOVIE STAR is also a first because it is the very first 'filmography book' related to Gabin, in any language: Even in France, where there have been many published biographies of Jean Gabin, there has never been a book concentrating, in great detail on each of the actor's ninety-five films. The legendary actress Michele Morgan, who appeared with Gabin in five feature films, has written the foreword to Volume One. ALSO AVAILABLE: VOLUME TWO (ISBN # 978-0-9799722-1-8).

This twenty-third volume of ABBB (Annual bibliography of the history of the printed book and libraries) contains 3956 records, selected from some 1600 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab Countries Italy Australia Latin America Austria Latvia Belgium Luxembourg Byelorussia The Netherlands Canada Poland Croatia Portugal Denmark Rumania Estonia Russia Finland South Africa Spain France Germany Sweden Great Britain Switzerland Hungary Ukrain Ireland (Republic of) USA Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain.

What does a Thai or a Latin American mean when he or she says, The report will be done in a few days? What does an American or a Japanese mean when he or she says, Meeting this schedule will be difficult? The cultural and social dimensions of international business became a topic of concern in the 1970s, and there has been a virtual explosion of literature on the subject since 1980. This bibliography provides over 1300 annotated entries on material covering all aspects of the culture of international business. Although the volume includes a few classic works published before 1980, it focuses on the literature published from 1980 to 1991, and is the most up-to-date and comprehensive bibliography on the subject. The volume opens with chapters covering the literature on Cross-Cultural Communication, Cross-Cultural Training, The Expatriate Experience, and Negotiations. The fifth chapter is devoted to Multicultural Studies. The next chapters are devoted to specific geographical areas, including Europe, the Middle East and Africa, Japan, China and Related Areas, and the Pacific Rim and Southeast Asia. The work also includes subject and author indexes. The volume will be a major aid to researchers, teachers, and human resource managers.

Virtual texts have emerged within the realm of the Internet as the predominant means of global communication. As both technological and cultural artifacts, they embody and challenge cultural assumptions and invite new ways of conceptualizing knowledge, community, identity, and meaning. But despite the pervasiveness of the Internet in nearly all aspects of contemporary life, no single resource has cataloged the ways in which numerous disciplines have investigated and critiqued virtual texts. This bibliography includes more than 1500 annotated entries for books, articles, dissertations, and electronic resources on virtual texts published between 1988 and 1999.

Because of the multiple contexts in which virtual texts are studied, the bibliography addresses virtual communication across a broad range of disciplines and philosophies. It encompasses studies of the historical development of virtual texts; investigations of the many interdisciplinary applications of virtual texts and discussions of such legal issues as privacy and intellectual property. Entries are arranged alphabetically within topical chapters, and extensive indexes facilitate easy access.

This work, based on the annual published lists of book titles, contains in addition all relevant material which has appeared in article form in some 120 British and Commonwealth journals, together with references to book reviews in the same periodicals.

A period of tumultuous political and religious strife, the English Civil War has inspired writers for the past four centuries. Their works vary widely in quality from the hurriedly written political verse of the 17th century and the superficial or sentimental novels of the 19th and 20th centuries to the brilliantly conceived novels of Daniel Defoe, Nigel Tranter, and Iain Pears. All provide a perspective on a turbulent era. A useful tool for historians and researchers, this bibliography provides access to verse, novels, short stories, and plays about the Civil War era written between 1625 and 1999.

The book opens with an introductory survey of the political and religious conflicts that led to the war and the execution of Charles I and that continued through the Interregnum, Cromwell's Protectorate, and the Restoration of Charles II. It then provides a discussion of some of the fiction written about the events and personalities of the period. With over 900 annotated entries, the bibliography itself includes virtually all of the fiction written about the period.

What makes a research project feminist? Connie Miller has complied an annotated bibliography of English-language works that help to answer that question. Each of the titles brought together in this volume addresses some aspect of feminist research. The bibliography includes both general works and those devoted to specific disciplines, and the entries include journal articles, books, book chapters, conference papers, and reports. The book begins with a general section followed by chapters on specific disciplines. Each chapter begins with an introduction discussing general trends. Anthropology, sociology, psychology, economics, political science, and history each merit a separate chapter. A chapter on geography includes architecture and urban planning as well, and a chapter on science covers the hard sciences. A Communications chapter includes mass media and communications, linguistics and speech, film studies, and art criticism. Omitted is the vast body of literature on feminist literary criticism, philosophy, education, nursing, and medicine. The book concludes with both subject and author indexes. The volume will be of interest to feminist scholars from all disciplines as well as to those involved in Women's Studies programs.

Graphic design is broadly interpreted in this annotated topical bibliography, covering both scholarly and applied literature focusing on graphics printed commercially for mass consumption in the United States from colonial times to the present. Materials extend from historical studies of design to textbooks and manuals of professional practice to theoretical works relating to design drawn from disciplines such as psychology and communication theory. The 1100 entries include reference sources, books, periodical articles, catalogs, films, and electronic data. Among the topics covered are general reference, design theory and history, education and career guides, professional practice, production and layout, typography, calligraphy, color reproduction, caricature, and photo illustrations as well as applications in advertising, publication design, corporate identity programs, information graphics, package design, posters and signs. Literature on computer technology as used in desktop publishing and computer graphics is also included. Appendixes provide annotated listings of almost 200 relevant annuals and serials as well as a directory of associations and organizations in the field. Access to titles, authors, and a finer breakdown of subjects is facilitated by thorough indexing. This work should be a valuable resource for professional designers, scholars and students of design, and librarians interested in collection development.

Modern American demographic history emerged as a clearly defined discipline in the 1960s when historians began to realize the full value of demographic information to their studies of both population and more indirectly related subjects. In recent years a large body of literature has been produced, but there is a significant amount of material, which originated before demographic history became popular, that is still useful to scholars today. In addition, the range of related topics has broadened considerably, making the information more difficult to locate. This bibliography is the first comprehensive guide to the entire field of Amerian demographic history. It contains over 3,800 citations of published materials on all aspects of the subject, including marriage and fertility, family and societal values, and the interactions of population with economics, politics, and society. Each section is introduced with a substantial bibliographic essay highlighting the chief works, the contours of the field, and the directions it appears to be taking. The first of two volumes, this scholarly work offers reader access through an elaborate table of contents that points up subject arrangement; an author index, a place name index, and an index of groups of people according to ethnic and national division, ages, religions, occupations, and gender. The extensive preface provides a discerning overview of the history of demographic research, and the literature covered spans the period from the colonial times to 1983. The companion volume will present the available sources from 1984 to the present. This exhaustive survey will be an important addition to academic and research libraries and a valuable resource for scholars, students, and genealogists.

The One Night Stand Series broadcasts from 1943 to 1965 made the United States Armed Forces Radio Service the biggest music producer the world has ever known. Played over both military and civilian radio stations in many countries, most Armed Forces Radio Service rebroadcasts were sheer entertainment but they kept memories of home alive for American Service men and women around the globe. The 30-minute One Night Stand transcriptions included live broadcasts or remotes from all the popular ballrooms and hotels in the United States. Every type of band such as Hawaiian, Latin, novelty, sweet, dance, swing, jazz, large, small, black, and white was represented. Found here is the Regular Series up to 1001--to round off a mastering week. The Fill Series and the Popular Music Replacement Series, also found here, ran concurrently with the main series. A small number of transcriptions missing from the official libraries have not been included but otherwise compilers Harry Mackenzie and Lothar Polomski have gathered together every available shred of information for this exhaustive volume. Besides a history of the Armed Forces Radio Service and the Regular, Fill, and Popular series, the book contains a list of unidentified programs, five separate appendixes, and two indexes. The book begins with an extensively researched history of the Special Service Division of the Armed Forces that oversaw the production of the transcribed broadcasts and facilitated their distribution globally. Included here is a detailed discussion of the methods and materials of transcription and reproduction as well as a history of the American Forces Network: its spread and current status. Then follow the discographies for the Regular Series, Fill Series, Popular Music Replacement Series, and Unidentified Programmes. Five appendixes contain information such as location addresses, a directory of bandleaders, themes, and commercial issues by country of origin. There are also two separate band indexes. This is a singular reference for anyone seeking information about the music of the World War II and post-war eras.

The history of the second wave of feminism in the United States demonstrates the potential for both serious social change and seemingly intractable divisions among women. Race, ethnicity, social class, sexual orientation, and religion have all been dividing influences among women, shaping their various perspectives on and relations to the women's movement. Yet collectively, women's efforts--identified as second wave feminism--are seen as having made a difference. This book highlights the lives and work of fifty second wave feminists, women who have served as catalysts in the developing feminist movement. A diverse group--playwrights and politicians, grassroots organizers and scientists, poets and theologians--they provide the reader with compelling stories of individual women's lives, collective feminist struggles, and the possibilities of feminist social change. Each woman's story provides inspiration to those interested in the power of one, and collectively, the stories show the range of motivations, activities, and accomplishments of feminist thinkers and activists today. Each entry contains three parts: a biographical portrait of the individual, including information about education, family life, and early activism; an analytical discussion, highlighting the person's accomplishments and her relationship to U.S. feminism; and a bibliographical section containing a selective list of the subject's publications and writings about her and her work.

Arkansas has frequently been omitted from surveys of the South and from national history. One reason has been the limited archival resources; another, the absence of a university press. Recently, however, archives have proliferated, and a solid mass of scholarship has come from the University of Arkansas Press and the Arkansas Historical Society. This bibliography shows that there is no shortage of research materials on Arkansas. The only full bibliography on Arkansas, it provides an essential guide for historians and librarians wishing to bring Arkansas into the mainstream of America history.

The volume provides a guide to the growing literature on Arkansas rich prehistory and to the pre-American colonial period, which lasted some 250 years. Two chapters focus on the statehood period. The volume then includes a series of topical chapters covering such subjects as minorities, business and economics, education, social history, and cultural and intellectual areas. There are also separate chapters on local and county history, general histories, archives and museums, and historic sites. The volume opens with a short chronology and provides subject and author indexes.

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

With nearly 15,000 entries, this bibliography serves to bring control to the literature of American-style professional football and, in a selective fashion, to Canadian and Australian professional football. Organized by major categories, each section and many of the subsections begin with brief introductions and conclude with notes designed to guide the user to related references in other parts of the volume. A combined author/subject index keyed to page numbers provides additional access to the thousands of individuals covered, the teams themselves, as well as other related topics. No other bibliography brings this detail to the subject of professional football, and, as such, is indispensible to all libraries and individuals with a serious interest in the sport.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part I of Bleak House, Dickens's ninth novel, which was originally serialized in standalone installments between 1852 and 1853. The story of Esther Summerson, an illegitimate child of the aristocracy, and her search for her parentage and her place in the world, it is one of Dickens's finest works, featuring biting commentary on Victorian attitudes toward women as well as toward the English legal system.

Spontaneous abortion, a pattern of defects labeled fetal alcohol syndrome, and more subtle behavioral disturbances that occur in the absence of observable physical anomalies are some of the damaging effects of alcohol, now recognized as one of the leading known causes of birth defects in the western world. So grave are the apparent consequences of drinking alcohol during pregnancy that a new U.S. law requires warning labels to appear on all alcoholic beverages. This label represents the culmination of numerous clinical and experimental studies conducted over the last 15 years. Prompted by an abundance of new information in the area of fetal alcohol exposure, this second bibliography on the subject to be published by Greenwood Press supplements Abel's first volume that contained 3,000 citations and included literature on the subject published between 1973 (the year in which fetal alcohol syndrome was first reported) and 1984. The present volume, covering the years 1983 to 1988 inclusive contains 1,818 entries and adds some important new references for the years 1983 and 1984. In number, breadth, and completeness, the citations contained here go beyond current data bases. Entries are arranged alphabetically by author and in the case of multiple citations by author, the citations are listed chronologically for that author. Where an author has had 2 or more publications in a year, the citations for that year are listed alphabetically by title. Citations are also listed according to the number of authors in a manner that provides easy access to the information. Each item has been numbered consecutively and is referred to by number in the Subject Index which has been compiled not only on the basis of title, but also based on the information contained in the reference. Abel's introduction serves as a concise, fact-filled overview of this important and timely subject. Students and scholars in the medical field, as well as alcohol counselors and others dealing with pregnancy or the affected children will find this resource invaluable.

One of the best known consensus or synthesis historians, Daniel J. Boorstin crosses disciplinary boundaries by writing about universities and students, lawyers and historians, history of science and everyday phenomena, material and popular culture, libraries and literacy, film and theater, statistics and words, airwaves and highways, and generally speaking, the past, present, and world to come. This bibliography brings together works by and about Boorstin, showing the volume, range, and importance of his contribution to the study of American history.

With more than 1,300 entries, the bibliography records a history of Daniel Boorstin in print and non-print from 1930 to 1999. It covers a multitude of types of entries, including monographs, book reviews by and about Boorstin, newspaper and scholarly articles, manuscript and archival material, videocassettes, sound reels, Websites, and CD-ROMs. Entries are selectively annotated, in many instances using direct quotes from Boorstin, to give the reader a snapshot understanding of the works cited. This book will be the definitive Boorstin bibliography.