Frank Sinatra, an enduring mass-media personality, was not only an accomplished musician, film actor, and concert performer but also a spokesman for civil rights, a humanitarian, and a cultural trendsetter. This bibliography culls material from a variety of disparate sources and catalogues the numerous writings that encompass Sinatra's accomplishments, public persona, and cultural impact. In addition to the unique listing of liner notes, the books, book chapters, articles, and Internet websites span the 60 years that trace the beginning of Sinatra's career in 1939 through his death in 1998. This comprehensive bibliography will attract scholars and Sinatra fans alike as a useful tool for further research. The different types of literature catalogued are divided among separate chapters. An index provides for easy cross-referencing of material and an appendix lists more than 200 of the more notable essays that appeared following Sinatra's death on May 14, 1998.

Throughout the world Pinocchio is acknowledged as a rich tale about growing up and self-discovery, an exciting adventure for young children, and a chance to reflect, recall, and understand for adults. In addition to providing the most complete list of English language Pinnochio editions thus far compiled, each of the more than 850 entries in this catalogue is fully described, distinguishing first editions from later releases. Compiled by means of actual copies, all citations state the source of the copy described. Each entry consists of full bibliographic credits, identification of the version, physical description of the volume, occasional other notes, and then traces the edition (when a reprint or reissue) back to its original source. A synopsis is added for Pinocchio continuations. Entries being listed by year of release, this carefully constructed reference is designed for ready access by date, publisher index, name index, and synoptic table. In addition to other information they provide, the notes on publishers are particularly useful for interpreting printing marks, identifying changes in cover, title page, etc., and establishing various series dates and prices. This unique and comprehensive catalogue examines many previously unrecorded editions and sorts out whole assemblies of apparently similar volumes in a completely accessible format. Limiting Disney versions to 1939-40, the catalogue also includes plays, films, radio program, TV shows, and other renditions. It will be an immensely useful resource for book dealers, libraries, and collectors of children's literature.

Very little has been published about the profession of theatrical lighting design, and less has been written about the individuals who practice this art. Until recently, the field was not recognized as a craft separate from stage design, and lighting designers were not credited in playbills or programs. Over four hundred individuals who designed lighting are profiled here in biographical sketches, each accompanied by a chronological listing of Broadway credits for lighting, and for scenic and costume design when relevant. An introduction briefly surveys the lighting design profession and its development on Broadway. Appendixes list winners of the three major awards in the field, and a selective bibliography on lighting design is included. The index provides access from the play title to the designer's name, and, in doing so, indicates every play for which a lighting designer was credited. The frontispiece reproduces a light plot by Jean Rosenthal for Night of the Iguana (1962). This comprehensive volume will be valuable to researchers and professionals in lighting design, stage design, and theatre history generally.

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Despite the restrictions on their work and actions, the economists of the Soviet period produced a great deal of bold and important work. With the erosion of the old Stalinist controls, economists in the Soviet Union themselves became very interested in the history of their profession, not least in order to find authentic voices that might offer reinforcement or counterpoint to the policy analyses and recommendations with which policy makers in the transition countries are today being bombarded. This major new reference work pulls together many years of research in order to present a bio-bibliographic dictionary of Russian and Soviet economists, many of whom have previously had no coherent record compiled of their careers, achievements and wider significance. Through exploring this rich tradition of economic thought, we can go some way in understanding the role of economists in the functioning of the Soviet system, as well as bringing previously forgotten work to light, raising new questions, and providing a memorial to those who suffered as a result of the system. This hugely detailed and important new volume takes into account all the nuances of the story of Russian and Soviet economic thought, such as regional issues, the reform and transition to a market economy, and the economic output of non-economists. Featuring nearly 500 entries, and including a detailed contextual introduction, this landmark volume will be a vitally important reference work for all those with an interest in the history of economic thought, the history of economics and Russian and Soviet history more generally.

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This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.

This unique one-volume discography provides a convenient reference to recordings of solo horn, horn duos and trios, multiple horns, and horns in combination with other solo instruments and with voice. Entries are organized by type of instrumental group or performance, with recordings of each artist listed under the composer of the work. Record label and number and an abbreviated list of reviews are provided, together with indexes of composers, hornists, and ensembles.

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Alphabetically arranged entries summarize the professional careers of over 500 percussionists from various musical venues. Due to the shrinking global village, ethnic percussion was rediscovered and incorporated into the concert hall. Since percussion transcends all musical styles, it often is featured center stage as a solo or ensemble in heterogeneous musical settings. These excerpts represent percussionists who spent the majority of their lives performing as collaborative or solo artists or working as inventors or manufacturers of percussion instruments. Where applicable, select discographies, bibliographies, and videographies accompany the entries.

This detailed reference will appeal to professional percussionists, instructors, and percussion historians. Data has been compiled from numerous disparate sources and entries are cross referenced. Individual bibliographies include articles by or about the person and a general bibliography lists broader reference works. Discographies and videographies reflect samples of an artist's work. Select photographs complement the text.

The period from 1789 to 1849 is one of the most eventful in U.S. history. It includes the growth of the United States from the first Congress, through the War of 1812, the Mexican War, and the territorial expansion of the United States. Through nearly 4000 annotated entries, this bibliography provides references to New England and New Englanders in U.S. government publications issued during that period. It traces the origin of many of the social, fiscal, and foreign policies that were instrumental in the development of the country and whose consequences still affect us today. It encompasses the development of the postal system and the Treasury Department, the distribution of the public lands, the exploration of the West, systems of defense and fortification, boundary disputes, the annexation of Texas, and the origin of the divisive differences between the South and North over tariffs and slavery. During these first 30 congresses, the United States government published and distributed a wealth of primary and secondary source material documenting these historical events and issues. Historians researching the history of New England and its peoples can find a variety of information in these publications on New England topics and concerns. Speeches from New England Representatives and Senators also offer their views and the views of their constituents on the regional and national issues of the day. Included in this bibliography are references in published government documents by and to the New England states, covering Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont. Speeches by congressmen from these states, memorials and petitions voicing the opinion of the people of these states, and congressional and executive reports, documents, and references specifically about the states and their concerns are cited. Each citation is accompanied by a brief annotation. The volume has chapters on each state, and within each chapter, the entries are arranged chronologically by Congress and Session. Thus the reader can browse through a chapter to get a sense of the issues facing a state during the period, or can consult the extensive indexes to locate specific information more precisely.

This book is a milestone achievement in the documentation of the newspapers of the British Caribbean islands, a field that, until now, has been neglected by many scholars. The existing and bygone papers, and several commonly unknown publications, listed in this work provide a wealth of information about these obscure times. No other work, before this one, has been as extensive in its documentation and coverage of the individual papers. Of special assistance is the index, which completes the work. This bibliography seeks to determine the extent of newspaper publications in the British Caribbean colonies and to organize it into a useful form. In the past, researchers have either ignored or given brief and scattered coverage to this information, but with Colonial British Caribbean Newspapers, Pactor hopes to make this information available to scholars. His book lists information about the known newspapers of the British Colonial Caribbean, arranged alphabetically by colony and chronologically within each colony. Dates of publications and names of editors, publishers, and owners are given, if known. The newspapers are also listed in an index. It is hoped that a work of this sort may make access to these newspapers easier for scholarly research and call attention to the need to find and preserve these fragile resources. Historians, sociologists, and mass communication scholars will be especially appreciative of Pactor's efforts.

To study this composer is to study the tastes and trends of the American people from 1912 through World War II. This bio-bibliography presents Carpenter's life and works, as well as the contemporary views, reviews, and criticisms that reveal historical attitudes and prejudices of American life in those troubled times. Looking back several decades, it is possible to discover what was enduring, what was transitory, and what elements would become important to our present state of musical composition. This volume includes a biography, a list of works and performances, a discography, and an annotated bibliography and will be of interest to students of music, dancers and choreographers, history buffs, and music lovers alike. Throughout, one will find many gems from reviews.

Although Carpenter was an American with a Harvard education who quoted American popular tunes, he was also an eclectic. He wrote many works in a French impressionistic style, some with Germanic forms, and sometimes borrowing Spanish, Russian, and Oriental melodies, rhythms, and instruments. He was inspired by programmatic ideas and even wrote the program notes for his Adventures in a Perambulator suite. Humor and fantasy can be found in this suite, which depicts a baby's stroll through the park with its nurse, and in Krazy Kat, his jazz pantomime based on George Herriman's cartoon strip. Jazz first appeared at the Metropolitan Opera House in the 1926 production of Skyscrapers, Carpenter's ballet of work and play. Carpenter was born in Park Ridge, Illinois, 28 February 1876 and died 26 April 1951 in Chicago. New recordings of his music have recently been issued in LP and CD formats.

This volume is a critical study of one of today 's most controversial topics in educational theory, setting the many arguments in perspective and clarifying the issues that arise when attention is focused on the learner. The author examines the problems of individual education, the distinctive demands childhood makes on the school and the claims of social education. The related questions of freedom, authority and discipline are then discussed, together with the ways in which curriculum development must take account of the learner 's interests, needs and dispositions in preparing him/her for life. The concept of educating the whole person is critically examined, together with the claim that education for life and the development of personal integrity require an integrated curriculum. Since child-centred educational theory is often dismissed as irrelevant to practice, the book concludes with an assessment of the various limitations which concern with practical activity imposes on educational theorists.

Government publishing reflects nearly every aspect of life in America, and this wealth of information is easily available if one knows how and where to obtain it. The third edition of this standard reference work contains a profusion of titles covering the period of June 1989 to January 1993. Some previous publications-parts of long-standing series or those of continuing topical interest-are included. Many entries (e.g. AIDS, women, Iran-Contra, and space exploration) reflect the profound changes in our society since the last edition was published. Arrangement is by subject; each entry includes bibliographic description, issuing agency, SuDocs number, GPO stock number and price, and an annotation.

The Supernatural Index is the first index to all known anthologies of supernatural, fantasy, and weird fiction. It covers over 2,100 such books, indexing each volume by contents, author, and title. Books range from 1813 to date and therefore provide a complete history of the horror fiction field. Birth and death dates, along with pseudonyms, are provided for more than 7,700 authors; and for all the rougly 21,300 stories, every attempt has been made to provide original publication details. Supernatural fiction continues to be of interest to modern readers, though many of the most frequently anthologized ghost stories were written during the Victorian era. Because so much supernatural fiction has been published as short stories, anthologies have long been a useful means of bringing supernatural literature to the readers. This reference is the first index to all known anthologies of supernatural, fantasy, and weird fiction. Included are entries for more than 2,100 anthologies from 1813 to the present. Many of these anthologies have never been listed previously in bibliographies, and the volume even includes citations for rare Victorian works. Entries provide original publication sources for reprinted stories, including many from obscure magazines not previously indexed. The book also provides birth and death dates and pseudonyms for more than 7,700 authors of supernatural fiction. Citations may be accessed by editor, author, book title, or story title. Also included is a listing of the contents of each anthology.

First published in 1952, the International Bibliography of the Social Sciences (anthropology, economics, political science, and sociology) is well established as a major bibliographic reference for students, researchers & librarians.

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

This is a well established major bibliographic reference for students, researchers and librarians, the first edition of which was published in 1952.

With the growth in interest in ethnographic materials, this is an essential publication for large public libraries serving patrons with interests in anthropology and art. Choice This indispensable directory of data on serials that contain information relevant to the study of ethnoart fills a gap long perceived by scholars of the indigenous arts of Africa, Oceania, and the Americas, an area of academic focus in which reference materials have been generally lacking. Culled from a database developed by compiler Eugene C. Burt to track potentially useful periodicals in connection with his publication, Ethnoarts Index, the volume is designed to aid those with an interest in ethnoart in determining which serial publications best suit their research needs. In the main directory users can find information on former titles, publisher, editorial focus, content features, and a relevancy rating on each of almost 700 individual serial titles that have an editorial focus related to ethnoart. Nine separate appendices list recommended titles in various categories as well as serials that include indexing, bibliographic or abstracting services, ceased titles, and more. Titles include publications from the fields of art history, anthropology, history, area studies, librarianship, museum studies, and general interest magazines. Prefatory material explains the book's organization and the rationale for its recommendations and is followed by the major portion of the volume, the database of serials arranged alphabetically by title. In each entry more than 20 categories of information are provided including an assigned relevancy rating that rates the level of relevancy of a publication to ethnoart based on the frequency that ethnoart-oriented articles, reviews, etc. appear. Several indices make collection development recommendations based on the relevancy ratings, with approximate cost information. Additional appendices list titles by country of publication, relevant ceased titles, and more. Finally, a unique, rotated-keyword-in-title index that includes subtitles and former titles provides easy access to the main database. All of this information will be welcomed by librarians, scholars, collectors, dealers, curators, and students of ethnoart. Highly recommended for librarians building ethnoart collections; for university libraries where courses on any aspect of ethnoart are taught; and for libraries of museums and research institutions with an interest in ethnoart.