This bibliography clarifies the circumstances regarding the publication, marketing and distribution (in private, pirated, expurgated, trade and mass-market, hard- and soft-bound editions) of D. H. Lawrence's controversial novel, Lady Chatterley's Lover. Prefixed to the descriptions of each edition are introductory essays designed to both elucidate the novel's long and interesting publication history and indicate the social settings which conditioned its production and reception. The bibliographical listings classify the various printings into editions, impressions, issues and states. The work attempts to describe all appearances of the novel in English in book form whether in pirated, expurgated, continental, or decensored editions, and regardless of format. Introductory essays discuss such matters as distribution of piracies, strategy of expurgations, the 1959 Chatterley Sweepstakes, the Swedish, Paris, and Japanese editions, and the advertising tactics of the paperback publishers. The work therefore attempts a popular history of the novel. It incorporates information obtained through interviews with booksellers, writers, literary agents, and publishers and reproduces title pages, bindings, and illustrations. Special attention is given to the parodies and sequels, which exemplify the shrewdness of publishers from Samuel Roth to Lyle Stuart in exploiting the complex relationships between serious literature, popular pornography and pulp romance. Such details give evidence of the audience for which a particular volume was intended. While a standard bibliography of D. H. Lawrence does exist, no book has as yet offered as much detail on volumes containing the text of Lady Chatterley's Lover, nor has any attempted to capture the lengthy publishing history of Lawrence's pariah novel.

Encompassing both the art song and Lieder traditions, this book includes comprehensive lists of the compositions of 125 major Western composers, the identities of the poets who wrote the lyrics, titles used by respective composers with cross-references from variant titles used by other composers, cross-references from the first lines, the publishers of the individual songs, the location of individual songs within the collected works of individual composers and the date of composition.
With this resource, a reader can find the songs written by a composer, who published a specific song, and which composers might have set a particular poem to music. Bradley's guide offers a user-friendly, contemporary index of information for which scholars previously had to search extensively.

This definitive bibliography on homelessness in America from 1893 to the present is the only one that is currently available on the subject. This useful research tool points to 1703 sources in books, articles, and dissertations and provides descriptive annotations for 717 entries. The materials are organized under 11 subject areas: early research, mental health, alcohol and drug abuse, single homeless, health and health care, families and children, legal issues, social and historical perspectives, special populations, programs and services, and housing. Author and subject indexes makes the guide easily accessible for inter-disciplinary use in the fields of sociology, social work, history, phychology, and political science.

Breaking with the Teutonic tradition of his predecessors, composer Edward Burlingame Hill was among the first Americans to study composition in Paris. His music, in which he incorporated new harmonic, instrumental, and textural devices, helped foster acceptance for many early twentieth-century innovations. Hill also shared his predilection for French music with students at Harvard, where he taught from 1908 until 1940. Through his courses in orchestration and music history, Hill's students were exposed first-hand to modern French compositional techniques and the latest European musical trends. As a writer, Hill served as a Boston music critic, authored many journal articles on contemporary music, and wrote the first systematic English-language study of French musical thought from Chabrier to Les Six. This volume charts Hill's life and career as a composer, educator, and writer in the context of early twentieth-century American culture. The first section consists in a biographical and interpretive essay that details his multifaceted career and identifies his contributions to American music. Subsequent chapters provide the first complete listing of his musical and prose writings, a bibliography of writings about him, and a discography of commercially produced recordings. This bio-bibliography represents the first study of Edward Burlingame Hill to appear in print, and it offers an in-depth look at this important musical figure through annotated citations of his works and their performances, writings by and about him, and his recorded works. It illustrates the significance of his role in the early twentieth-century musical scene as composer, influential mentor, and early music historian. A useful guide to further research as well, this work will serve as an important resource for musicologists, music historians, and students of American music.

Health and Safety at Work: Key Terms provides instant information to readers on a range of key terms used in health and safety at work. The book, produced in A-Z format, incorporates the principal legal, technical and practical terms derived from statutes, regulations, approved codes, case law and other appropriate publications. As such, it will be of particular use to health and safety practitioners, those studying for degrees in occupational health and safety and courses run by NEBOSH, and those engaged in enforcement activities, such as Health and Safety Executive inspectors, environmental health officers and fire protection officers.The key terms referenced and explained include: accident statistics; absolute duties; distance guard; noise-induced hearing loss; oxidising classifications; relevant statutory provisions.

This work includes international secondary literature on anti-Semitism published throughout the world, from the earliest times to the present. It lists books, dissertations, and articles from periodicals and collections from a diverse range of disciplines. Written accounts are included among the recorded titles, as are manifestations of anti-Semitism in the visual arts (e.g. painting, caricatures or film), action taken against Jews and Judaism by discriminating judiciaries, pogroms, massacres and the systematic extermination during the Nazi period. The bibliography also covers works dealing with philo-Semitism or Jewish reactions to anti-Semitism and Jewish self-hate. An informative abstract in English is provided for each entry, and Hebrew titles are provided with English translations.

Few figures in the twentieth century have been as inspirational as Mohandas "Mahatma" Gandhi. Interest in this extraordinary man has produced a massive amount of printed material, making Ananda M. Pandiri's comprehensive bibliography an invaluable reference tool for scholars and students. Pandiri has meticulously searched printed and electronic indexes, publisher's catalogs, and university libraries throughout India, Britain, and the U.S. to compile a complete bibliography of sources in the English language. This volume is organized and cross-referenced for easy use and access to a voluminous amount of information. Features include: -More than 4700 entries comprising books, pamphlets, seminars, government records, and other significant printed material -Complete bibliographic data of sources -Annotations detailing the content and scholarship of sources -Two exhaustive indexes-Title and Subject

Combining assiduous attention to biography and bibliography with original literary criticism oriented toward feminist theory, this volume profiles and analyzes fifty significant women writers of Spain--some celebrated and some overlooked--from the fourteenth century to the present. The work includes poets, fiction writers, dramatists, and essayists. Lives and works are examined with reference to complex issues surrounding gender, creativity, and social mores. Partly informed by findings of the fifty contributing scholars, Levine and Marson have also provided a volume introduction interpreting herstory in terms of Spanish culture, likening the struggle for identity and artistic expression in an engendered world to balancing on a tightrope. Extensive bibliographies for each writer document original works, modern editions and translations, and criticism; and a general bibliography selects valuable sources pertaining to Spanish women writers and gender-related topics.

The inaugural volume in Greenwood's series of Bibliographies and Indexes in Ethnic Studies, this up-to-date bibliography of bibliographies-the most basic reference tool in any field of learning-provides references to and information on: all significant bibliographies compiled on Puerto Rico in general, specific topics or individuals, and Puerto Ricans in the United States. It is a compilation of the ample yet scattered harvest of books, journals, newspapers, government documents, pamphlets, theses, dissertations, and other publications reflecting the island's literary and intellectual history as written by Puerto Ricans or by others writing about Puerto Rico and its people. Compiler Fay Fowlie-Flores has updated previously published references by including many recent works that have for decades remained dispersed among mimeographed lists, government publications, and books published by research institutions and commercial publishers, among others. Both Spanish and English-language bibliographies and bibliographic essays have been included and a few references to important works written in other languages are also cited. The time period of the works covered ranges from 1887 to 1988 with references to a few items published in 1989. With several exceptions for very specialized fields, works cited have at least 10 items. The introduction provides a thorough and fact-filled overview of the history and present status of Puerto Rican bibliographies. Three main sections containing alphabetically arranged entries focus on Puerto Rico in general; special topics; and Puerto Ricans in the U.S. Seventeen special topics arranged alphabetically by subject address diverse areas of the culture including art and music, economics, folklore, medicine, politics, women, and more. The annotation at each entry clarifies the subject matter and organization of the work as well as the authority of the compiler, and often reflects the importance or complexity of the item. All sources cited in the volume were carefully examined for references to additional bibliographies. Three indexes facilitate access to all references by a particular author or title or to a specific topic. This exhaustive reference work will be an invaluable tool for scholars, educators, librarians, government officials, students, and interested laypersons.

With a listing of over 3,600 books about individual artists and groups, this is the most accurate and comprehensive bibliography available on Rock/Pop stars. It is the most authoritative source for English-language titles, which are listed in the main directory under an A-Z presentation of artists. For easy access, information is cross-referenced through the use of author, title, and subject indexes. A down-to-the-wire supplement completes the book in a timely fashion. Collectors will be pleased with entries for privately published and/or limited editions, of which many are very rare.

This unique reference work offers a comprehensive listing of all "Little Golden Book" titles issued from the inception of the series in 1942 through 1985. Included are all titles issued in the familiar "Little Golden Book" format, and various subseries such as "Ding Dong School Books," "Giant Little Golden Books," "Little Golden Activity Books," and "Walt Disney Books." Entries are arranged alphabetically by title, and consist of the complete title, author(s), illustrator(s), place of publication, publisher, and date. Additional information may include the Library of Congress card number, copyright registration number and date, copyright renewal registration number and date, and a series statement.

eBook available with sample pages: HE:0415059291

Published yearly since 1930, the International Bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles. Volume 67 contains 8,701 entries from the period 1998.

Listed in this bibliography are monographs and periodicals published throughout the world, which deal with history from the earliest to the most recent times. Included within the scope of the historical sciences is the field of international relations. The IBOHS is thus currently the only continuous bibliography of its kind covering such a broad subject period and geographical range.

The IBOHS is compiled according to stringent academic standards, it keeps scholars and academic organisations informed of yearly developments in the field of historical studies. The systematic and chronological arrangement was developed by the Bibliographic Commission of the International Committee of Historical Sciences. The new edition of the IBOHS has retained this familiar tried and tested format. The works are arranged systematically according period, region or historical discipline, and alphabetically according to authors names or, in the case of anonymous works, by the characteristic main title word. The newest bibliographies and source material are emphasised and the bibliographies contain a geographical index and an index of persons.

This annotated bibliography, a volume in the Greenwood series, Bibliographies and Indexes in Religious Studies, provides access to the numerous writings, from the 1960s through the 1990s, on feminism and Christian tradition. Major feminist theologians and sociologists are represented. As a guide to further research, this cross-disciplinary approach presents themes and issues in both a historical and a topical framework. An extensive overview of feminism in relation to the women's movement, women's studies, sociology and American religion introduces the literature and provides a historical context for the nearly one thousand entries that follow.

Cross-referenced throughout, the literature is presented in six thematic categories that include introductory and background materials, feminism and the development of feminist theology, topical literatures in feminist theology, feminism and womanist theology, religious leadership of women, and responses and recent developments. Separate author, subject, and title indexes complete the volume.

In the desperate summer of 1942, Hitler seemed to be on the verge of victory in Russia and the Middle East. With Rommel nearing Cairo, a little known lieutenant-general, Bernard Montgomery, took charge of what Churchill called a "baffled and bewildered" British 8th Army. Assuming command, Montgomery issued his famous order, "Here we will stand and fight;...If we can't stay here alive, then let us stay here dead," and led the Army to one of the Allies' greatest victories--El Alamein. "Monty" became an instantly recognizable Allied leader, but as a man with strong views, unbending principles, and outspoken frankness, he was both loved and disliked, praised and criticized. This bibliography presents and evaluates the extensive body of literature that has grown up around the controversial Field Marshal. Any serious study of World War II military campaigns must confront Field Marshal Bernard Montgomery, an individualist with both admirers and detractors. This book provides an extensive historiographical overview of the literature in Part I and a bibliography of significant works in Part II. It is a basic reference and research guide for the student, scholar, and general reader.

Spindle's reference chronicles the professional career of one of the world's most loved performers, Julie Andrews. An all-in-one resource, the volume presents a comprehensive and accurate profile of the people, projects, artistic highs and lows, and general influences that propelled the actress into the public eye beginning in the late 1950s. Spindle examines each of her 16 films and provides a detailed commentary on factors influencing her short reign as a box office superstar in the mid-1960s and the fact that she has retained her fame and celebrity status long after ceasing to be a Hollywood superstar. a very thorough as well as attractive record of her career in films, television, stage, and records. . . . The book will be a `must' for every Andrews fan, and it is an excellent reference source for its subject. Videomania For fans of Julie Andrews as well as students of the performing arts, Spindle's reference chronicles the professional career of one of the world's most loved performers. No other book provides such a wealth of detail on the career achievements of Julie Andrews or delineates all her professional activities so thoroughly. A complete, all-in-one resource, the volume presents a comprehensive and accurate profile of the people, projects, artistic highs and lows, and general influences that propelled the actress into the public eye beginning in the late 1950s. Starting with Andrews' first film, Mary Poppins, Spindle examines each of her 16 films including such classics as Sound of Music, Hawaii, Victor/Victoria, and ending with her latest film, Duet for One. He provides a detailed commentary on factors influencing her short reign as a box office superstar in the mid-1960s, for Andrews is an anomaly in that she has retained her fame and admired celebrity status long after ceasing to be a Hollywood superstar. Besides film work, all other aspects of Andrews' career (theatre, television, personal appearances, concerts, recordings, and even her fiction for children) are considered. An episode-by-episode summary in the Television Appearances chapter is the only published survey of the entire 1972-1973 ABC-TV variety series, The Julie Andrews Hour. In his preface, Spindle offers a lively discussion of the eclectic and highly individual career of a perennial trooper and star whose career he likens to a roller coaster. This is followed by a biography and chronology which summarizes events and landmarks in Andrews' life. The next four chapters scrutinize major professional achievements in-depth, including Filmography, Stage and Television Appearances, and Discography. All entries in the four sections correspond to a particular career achievement, and consecutive numbering facilitates both subject index use and cross referencing within chapters. Over 150 reference sources, including books, and magazine and news articles are listed in the comprehensive bibliography. The three appendices review awards and nominations, identify roles considered but not played, and describe the two children's books written by the actress. A readable and informative reference work for students and scholars of the performing arts and popular culture, as well as for fans of movie musicals, this volume should also find a place on the shelves of most libraries.

Few of the major campaigns of World War II aroused as much controversy as the War in North Africa, 1940-1943. Figures such as Rommel, Montgomery, and Eisenhower would become world famous because of the fighting in North Africa. This book opens with seven historiographical essays that evaluate and critically assess the major contributions to the literature on the War in North Africa. It then includes an alphabetically arranged bibliography of the 504 entries cited in the essays. The material is easily accessible, with cross-references between the text and the bibliography and a full index.

The volume includes chapters on the Desert War, 1940-42; the Axis Powers in North Africa; Montgomery, Alam Halfa and El Alamein; TORCH: the Landings in French North Africa, and the Tunisian Campaign. Full attention is given to questions and issues historians have raised on such controversies as the Auchinleck-Montgomery dispute, the debate over Operation TORCH, and the Darlan affair. Emphasis is on English-language works, but the most significant Italian, German, and French works are cited and assessed. The book has been written for use in public, college, university, and institutional libraries, and to serve general readers and military historians.

With nearly 2,200 citations, this bibliography covers every aspect of the history of alcohol in the British Isles from types of beverages and industries to medicine, politics, and critics. Sources cited range from a 1770 study to 1996 titles and include works written by historians, sociologists, political scientists, anthropologists, and archaeologists. In addition to books and articles, the volume lists unpublished manuscripts, essays in edited works, Ph.D. dissertations, and M.A. theses. Annotations provide information about a work's thesis or theme, use of primary materials, relationship to other studies, and also give a critical evaluation and the location of rare materials. Though scholarly studies form the core of the book, works that use some primary sources such as autobiographies, diaries and memoirs are also included.

The material is arranged topically. Initial chapters are devoted to specific beverages, including beer, wine, whisky, and cider, and the malt and hops industries. Chapters then cover key subjects such as advertising, consumption trends, science and technology, politics, drinking establishments, regulation, crime, medicine, tokens, inn signs, temperance, and guilds. The final chapter identifies works on or by key figures, starting with biographies.

Lexicographica. Series Maior features monographs and edited volumes on the topics of lexicography and meta-lexicography. Works from the broader domain of lexicology are also included, provided they strengthen the theoretical, methodological and empirical basis of lexicography and meta-lexicography. The almost 150 books published in the series since its founding in 1984 clearly reflect the main themes and developments of the field. The publications focus on aspects of lexicography such as micro- and macrostructure, typology, history of the discipline, and application-oriented lexicographical documentation.

Sport, Leisure and Tourism is a practical guide to finding information, encouraging readers to make active use of libraries in their research. This book provides readers with an understanding of the major information search tools which are available. It is a starting point in the search for information which offers advice and indicates some of the major sources which are available. Sport, Leisure and Tourism Information Sources is aimed primarily at final year undergraduate and postgraduate students who are preparing a dissertation in the area of sport and leisure studies who need access to information sources. It is also ideal for academics for teaching purposes and practitioners in the sport and leisure industry needing to undertake research.

A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods.
2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.

This first book-length study to focus on Peggy Glanville-Hicks, the important twentieth-century composer and critic who was born in Australia in 1912 and who established her reputation in the U.S. in the late 1940s and 1950s, documents the composer's music, performances, and critical writings, as well as the work of previous biographers, bibliographers, and interviewers. This volume, the most recent in Greenwood's respected series of research tools in the field of music, contains a comprehensive biography of the composer that draws on the writings and recollections of many of the composer's close friends and colleagues. Deborah Hayes' compilation of the great amount of material about Glanville-Hicks and her music found in journals, books, newspapers, dictionaries, and encyclopedias of music also contains alphabetical, chronological, and by-genre lists of works with details of first performances and other significant performances, a discography, and an annotated bibliography that includes abstracts and quotations from performance reviews. Bibliographic entries are keyed to lists of works, recordings, and performances. The work is indexed as well. The work is divided into six cross-referenced chapters beginning with a biography that gives a chronological account of the composer's life and examines recurring themes in her work. The second chapter lists 70 compositions in chronological order by year of composition, from 1931 to 1989, and includes information on publisher, duration, instrumentation, and commission. Premieres and other selected performances are indicated and references are given to recordings and to bibliographical items. A publishers directory, an alphabetical list of works, and a classified list complete the chapter which is followed by a discography of Glanville-Hicks' commercial recordings, both in and out of print. Chapter four's annotated listing of the composer's writings in chronological order from 1945 to 1989 documents the scope of her interests and provides a record of this period in American musical history in the words of a perceptive, articulate listener and active participant. Alphabetized by author and title, music reviews, performance reviews, feature articles, publicity items, and press announcements are listed with annotations in Chapter five. Items from all previous Glanville-Hicks bibliographies and from library clipping files and indexes are included no matter how brief the reference. A final chapter devoted to archival resources lists materials by library in alphabetical order by country and name. This informative and easy-to-use volume will be a necessary addition to the reference collections of college and university music libraries and would be useful for courses in Twentieth-Century Music, Opera, Art Song, Music of the U.S., American Studies, and Women's Studies.

Over the past forty years, the term Holocaust has come to represent the deliberate campaign of extermination of Jews by the Nazis of Germany's Third Reich preceding and during World War II. Masses of edited documents and analytical material have been generated by Holocaust scholars, and some bibliographical and encyclopedic guides to the field are available. However, a student or researcher may be confounded by the abundance of publications and may lack the necessary background and endurance to sift the wheat from the chaff. The present volume has a two-fold purpose: to offer substantial analysis in intrinsic areas of study and to assess the relevant literature in each case.

Major scholars and brilliant, less established historians from Israel, Canada, and the United States have contributed more than thirty essays complete with extensive reference lists in three broad divisions. The section on conceptual approaches to the Holocaust is composed of such topics as the rise of national socialism, biographies and interpretations of Hitler, concentration camps, post-Holocaust Jewish philosophies, and the righteous gentiles. Area studies deal with aspects of the Holocaust in Poland, Hungary, Czechoslovakia, Ukraine, the Balkans, France, Holland, Italy, and Spain, and with effects and reactions in Switzerland and Britain. Arab-German collaboration and American responses are also addressed. A third section takes up Holocaust subjects in education, belles lettres, and the arts, including diaries and memoirs, fiction, poetry, books for children, art, music, and films. Although the scholars all provide evaluative surveys of their subjects and related literature, each enjoyed considerable latitude in coverage and each presents his or her own views and selections, not all of which are shared by other contributors or the volume editor. The editor also provides an introduction and a final survey of major institutions and resources for Holocaust study. A significant reference tool, this volume will be consulted by researchers at all levels in university, public, secondary, and parochial school libraries and at religious institutions.