Irwin Bazelon, one of the most original figures in American music in the second half of the 20th century, devoted his life to the art of composition. He was also well known for his musical compositions for films, television, commercials, and documentaries. His music was inspired by his experiences in the fast-paced environments of Chicago and New York. This major bibliography presents a biographical sketch, which details the influence of city life on the composer's artistic creativity, a catalogue of his compositions and performances, and a discography. A bibliography includes excerpts from the composer's lectures and other unpublished writings.

This thorough research tool will appeal to scholars of 20th-century music and to Bazelon fans. An archive of the composer's collections is included, and the separate book sections are cross-referenced throughout.

An interdisciplinary annotated bibliography, this one volume covers 10 subject areas, eliminating the need to use disparate sources. It provides links among the various areas of rock music scholarship, thus imposing bibliographic control across a wide body of research that treats rock music in a serious manner. The disciplines include communication, education, ethnomusicology, history, literature and the arts, music, politics, psychology, religion, and sociology. Journal articles, books, book chapters, dissertations, and films and videos are reviewed. A quick and efficient way for scholars, students, and rock music fans to examine a broad range of works. Each entry contains full bibliographic information plus annotations that are designed to provide clear descriptive explanations of content. The publications reviewed are primarily interpretive and analytical rather than merely descriptive or just factual. They exclude most news publications, biographies, and histories, and include works that provide serious treatment of subjects that inform, enlighten, and educate. The work definitely provides an insightful, easy-to-use format for studying this particular expression of the human experience.

This selected annotated listing of 580 published personal writings of Englishmen involved in India from 1583 is intended to round out the scattered bibliographical compilations on the history of British India. Included are memoirs and autobiographies, collections of personal letters, diaries and journals, and travel narratives. The term British India is used in a broad historical sense to include Afghanistan, Nepal, Tibet, and Burma during the relevant periods of British influence. With a few exceptions, the volume excludes official minutes, reports, and correspondence. Although each work provides a unique account of the British experience, a number of broad trends emerge. One of the most striking is the initial experience of parting from family and homeland and embarking on what was, before 1830, a five to seven-month sail around the Cape of Good Hope. Travel within India, on the other hand, was a high point of the British experience and thus provides the subject for much of the writings. Other topics include the violence of the British-Indian conflict, and the constant danger of death from disease, accidents, or other mishaps. Light is also cast on the role of the Western missionaries, who were active in education, translating Indian languages, and writing dictionaries. Although they effected little change in such practices as infanticide, the missionaries did reinforce the prevalent British view of the Indians as savages. The bibliography is divided by time period, beginning with the British entry into India in 1583, the rise and consolidation of British India, and the Indian mutiny (1857-1858). The subsequent sections list and annotate writings of Imperial India, the period of reform and reaction that followed (1905-1920), and India's move toward independence. It will serve as an important reference for historians of the period, and will be a useful addition to college and university libraries.

Islam has permeated Chinese civilization as a religion and lifestyle for centuries. This volume offers a summary of key developments concerning scholarship on Islam in China and presents a record of research on this topic. The first part of the book is a narrative introduction to the history of Islam in China, the coexistence of Chinese and Muslim cultures, and contemporary issues. The second part of the work is a listing of more than four hundred sources of information on the topic. Entries are grouped in ten categories, and each entry includes a descriptive annotation. An appendix lists journals devoted to research in this field, and the volume concludes with author, title, and subject indexes.

This comprehensive film guide lists the screen credits and provides synopses of more than 5,400 silent western features, documentaries, shorts and serials released from the 1890s through 1930. Numerous one-, two- and three-reelers are included in this guide. These westerns came from both the major and lesser known American film studios, many long defunct. The term "western" is hard to define; someone once commented that a western had to have a horse in it. The genre generally applies to that post-Civil War period beginning with the great cattle drives and ending around 1890. But the author has included tales about early California, Mexico, various Indian tribes along the Eastern seaboard, the building of the railroad, the gold rush of 1849 and the search for gold in the Yukon. Other films which seem to have less in common with the genre, such as northern westerns, are listed in a separate appendix.

This work provides a comprehensive guide to the holdings of the Vatican Archives. Organized into related agency groups, Vatican Archives includes approximately 500 entries that describe the purpose and workings of each administrative agency of the Vatican, followed by a listing of the official records it produced; it is these administrative records that now constitute the archives. The work will serve as a research tool that provides a systematic and heretofore unavailable overview of the archives, enhancing and expediting access by scholars in a broad range of disciplines. _

This is the first book-length bibliography on Ann Allen Shockley. Despite her consistent and productive output, the writings of Ann Allen Shockley have been neglected by scholars during the last four decades, due to the difficulty in locating her work. This comprehensive list of writings is designed to facilitate future research on Shockley, to allow for a complete view of her writings and their critical reception, and to guide the researcher to the full range of her publications and secondary sources about her and her works.

This bibliography provides publishing data for several hundred journals and serials in the fields of dentistry, dental health, and dental health education. The titles listed are produced at least once a year, have the bulk of their text in English, address some aspect of dentistry, and contain more than announcements. Arranged alphabetically by key words, the entries consist of two main parts. The first part lists bibliographic information about the title, including as much as possible of the following: name, date founded, title change(s), frequency of publication, subscription price, name and address of the publisher and editor, whether or not it contains illustrations and an index, circulation, criteria for manuscript selection, availability in microfrom, whether or not it accepts book reviews and advertisements, publication of special issues, if it is indexed, abstracted, or available on-line, and its target audience. The second half of each entry is a descriptive annotation.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains the tales of Christmas Dickens published in his own magazines, Household Words and All the Year Round, in the 1850 and 1860s, including: "The Seven Poor Travellers," "The Holly-tree Inn," "The Haunted House," "The Schoolboy's Story," "A Message from the Sea," "What Christmas Is as We Grow Older," and others.

Every since Talleyrand assumed a prominent role during the opening stages of the French Revolution, his intentions and motivations have been the subject of heated debate. The debate about his achievements and merits is far from over. This bibliography is the first to be compiled on Napoleon's foreign minister. It opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career. It is then divided into sections covering the available archival sources, Talleyrand's own writings, contemporary pamphlets and books, and works written about him since his death. The volume opens with a chronology of Talleyrand's life and an introduction summarizing the salient points in his career and pointing to discrepancies in the Talleyrand historiography. The initial section describes the most important archival sources available in France and other countries. The second section covers Talleyrand's own publications, his parliamentary interventions, and his correspondence. Contemporary pamphlets and books, many critical of Talleyrand's secularization of Church property, are covered in the third section. The final section includes works written about Talleyrand since his death as well as works on topics related to him, such as his women and children, his portrayal in art and literature, and a list of drawings and lithographs dedicated to him.

Stuart offers the most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinsky's recorded compositions, including concert and broadcast performances, both pre- and post-World War II, as well as all LP issues, this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented, as are the piano performances recorded by Stravinsky's son. A lengthy introductory essay traces Stravinsky's recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. The discography itself lists 191 studio performances, catalogs recorded issues, and details unpublished recordings. The chronological index of Stravinsky's compositions which follows is cross-referenced to the recordings already cited, thereby showing each recording relative to the date of the work's composition. This extensive listing of recordings, combined with the narrative account of Stravinsky's recording history provides the collector with a valuable updated guide to almost all of the composer's works.

With more than 11,000 entries, this volume is the first extensive bibliography of North Carolina to incorporate books, pamphlets, articles from hundreds of journals, and theses and dissertations from scores of universities. Using the incomparable holdings of the North Carolina Collection as well as other libraries and institutions, Jones includes entries dating from the first written description of North Carolina in 1524 through 1992. Entries are arranged by chronological period, then by subject, with author and subject indexes providing further access.

Entries are arranged by chronological period, then by subject, with author and subject indexes providing further access. Among the sources included are some that are seldom found in state bibliographies, such as soil surveys of the counties and articles in small journals, such as "The North Carolina Booklet." A separate chapter features more then 3,000 entries by county. Another chapter identifies libraries, archives and manuscript repositories, museums, and historic sites.

This list assembles a selected group of approximately 1000 books and journals currently available in the field of education, mostly published in the late 1980s. All works are in English and almost all are American. American government documents and monographs published by UNESCO have also been included. Although the majority of entries are individual monographs and journal titles, some multi-volume standard sources have been included, as have been such traditional reference works as directories, encyclopaedias and bibliographies. For certain subject areas, specific types of resources were included; for example, collections of conference papers are peculiar to comparative education because the international scope of the discipline results in the sharing of information in conference settings. In special education, handbook-type materials are included; in educational research and statistics, textbooks are features. In educational reform, commissioned reports and publications from professional organizations are prevalent. A balance of perspectives was attempted whenever suitable materials were available. Educational materials with radical, conservative and moderate viewpoints were annotated if they fell within the criteria for inclusion. In general, materials pertaining to children's literature were excluded since this subject is covered in other resources.

This reference work provides a comprehensive record of the life and career of Betty Grable. The book begins with a biography that presents and discusses the most significant events in Grable's life. The chronology that follows summarizes her career in capsule form. The succeeding chapters provide a detailed account of Grable's performances in various media, including films, television, radio, stage, nightclubs, videos, and records. The entries in these sections succinctly present the facts concerning each of Grable's performances and offer insightful commentary. The volume concludes with a list of Grable memorabilia, a section of miscellaneous information, and an annotated bibliography of books and articles containing extensive or unique material about Grable and her career.

Lorraine Hansberry's "A Raisin in the Sun" (1959) was a major dramatic success and brought to the world's attention the potential talent of African American women playwrights. But in spite of Hansberry's landmark contribution, both the theater and the literary world have often failed to include contemporary African American female playwrights within the circle of production, publication, and criticism. In African American drama anthologies, female playwrights are seldom given the degree of attention that is accorded their male counterparts. And because of space constraints, anthologies of works by women playwrights are forced to exclude numerous female dramatists, including African Americans. Meanwhile, some scholars have argued that the works of African American female playwrights are seldom produced in the mainstream theater because these plays frequently challenge the views of white America. But as "A Raisin in the Sun" demonstrates, plays by African American women dramatists can have a powerful message and are worthy of attention.

A comprehensive research tool, this annotated bibliography sheds light on the often neglected works of contemporary African American female playwrights. Included within its scope are those dramatists who have had at least one work published since 1959, the year of Hansberry's monumental achievement. The first section provides a listing of anthologies that include one or more plays written by an African American female dramatist. The second gives entries for reference works and for scholarly and critical studies of the dramatists and their plays. The third presents a listing of published plays by individual dramatists, along with a summary of each drama; the works of each playwright that are related to drama; and secondary sources that treat the dramatists and their plays. Entries are accompanied by concise but informative annotations, and the volume closes with a list of periodicals that frequently publish criticism of African American female playwrights, a section of brief biographical sketches of the dramatists, and extensive indexes.

The first comprehensive research guide and bibliography to the large literature surrounding the life and work of one of the 20th century's greatest artists, this volume includes information on more than 1,100 books and articles as well as a chronology, biographical sketch, and list of exhibitions. The secondary bibliography is arranged by topic and includes citations on the artist's life and career, his relationships with contemporary artists (notably Picasso), his influence on subsequent artists, his work in diverse artistic media as well as his oeuvre in general, iconography, and more. While concentrating on printed materials, this guide also includes selected manuscripts and audio-visual materials. Following a biographical sketch and chronology, the primary bibliography lists articles, essays, letters, interviews, manuscripts, and sketchbooks of Braque. The main part of the secondary bibliography lists monographs, catalogues, dissertations, theses, periodical articles, films, and selected newspaper articles. Substantial book reviews and exhibition reviews are also cited. Arranged by topic, this bibliography includes citations on Braque's career and development as an artist, his relationships with contemporary artists, a section on Braque/Picasso, his influence on other artists, his work in various media including paintings, drawings, prints, illustrated books, papiers decoupes, sculpture, jewelry, theatre designs, and other commissions. Georges Braque first came to world attention as Picasso's friend during the formative years of Cubism. Long overshadowed by his more famous contemporary, in the quarter-century after his death Braque is beginning to be evaluated accurately. Major retrospective exhibitions over the past decade, accompanied by a considerable body of new criticism and scholarship, have brought Braque into the spotlight.

This is the first ever index of contributions to common law Festschriften and fills a serious bibliographic gap in the literature of the common law. The German word Festschrift is now the universally accepted term in the academy for a published collection of legal essays written by several authors to honour a distinguished jurist or to mark a significant legal event. The number of Festschriften honouring common lawyers has increased enormously in the last thirty years. Until now, the numerous scholarly contributions to these volumes have not been adequately indexed. This Index fills that bibliographic gap. The entries included in this work refer to some 296 common law Festschriften indexed by author, subject keyword, editor, title, honorand and date. It therefore includes over 5,000 chapter entries. In addition, there are more than a thousand entries of English language contributions to predominantly foreign language, non-common law legal Festschriften from Germany, Austria, Switzerland, Denmark, Finland, Iceland, Norway and Sweden.

This new reference book is the most comprehensive annotated bibliography available on seventeenth century works by, for, and about women. Based on the Wing Short-title Catalogue, it offers descriptions and assessments of just over 1,600 items written between 1641 and 1700 (637 by women and 973 for and about women). The preface explains the volume's organization and relates it to other standard reference sources. A lenghty introduction discusses the bibliography's intellectual history, its place within the context of recent scholarship about seventeenth-century English women, and the range of material covered. Part I includes religious and literary works, petitions, journals and diaries, commentaries on women's social position and domestic role, and philosophical treatises by women. Additional material appearing in the Thomason Tracts collection, as well as items written by women during the period but published later, expands the Wing entries. Part II lists publications for and about women. Many discuss obstetrics and female sexuality, satirize women's alleged garrulousness and lasciviousness, offer advice about domestic and religious duties, or relate bizarre tales about women. The tone and focus of writings in the two sections are quite distinct, possibly because women usually wrote for personal gratification or out of dedication to a cause; thus, their work was characterized by urgency, enthusiasm, and honesty. On the other hand, men's writings often reflected a commercial interest, so they rarely seem products of the heart.

Bruce Kellner worked directly from the collection of often-overlooked novelist Donald Windham to produce this reference work. Entries on books, pamphlets, articles and criticism provided a comprehensive record of Windham's literary development, critical reception, failures, and achievements. According to Kellner, the public has yet to fully embrace the quiet eloquence of Windham's work; like authors Herman Melville and Gertrude Stein, he may be vindicated by time. Kellner introduces the bio-bibliography with a discussion of Donald Windham's background, writing style, and reception by publishers and readers. He likens Windham's subtle style to E.M. Forster, and he suggests that America's action-oriented culture lacks patience for Windham's offerings, which are homosexual but not erotic, Southern but not gothic. The book, which includes an addendum to the introduction by Windham himself, is divided into five parts: Books and Pamphlets, Books and Pamphlets with Contributions, Contributions to Periodicals, Ephemera, and Criticism and Biography. This book is valuable to students, scholars, and general audiences of literature.

The richness and color of African cinema have been neglected for too long and its many talented film-makers deserve full recognition. This new and unique book gives detailed information on over 300 major African and Arab film-makers from the main film-producing countries: Algeria, Burkina Faso, Egypt, Ethiopia, Ghana, Guinea-Bissau, Ivory Coast, Madagascar, Mali, Senegal, Somalia, Tanzania, Tunisia, and Zaire. It also includes important film directors from Southern African states--Angola, Mozambique, Zimbabwe and others--as well as from other African republics.

Each entry gives details of the film-maker's career and a complete list of films made. Two extensive indexes arrange film-makers by country and list some 5,000 film titles, in both the original language and English. An important addition is the chronology of African cinema, giving a bold summary of its growth over the last thirty years.

Kapp's annotated list of 617 titles, in 13 sections, focuses on sources that discuss the `identifiable body of law concerned with personal and institutional relationships, implicated by the delivery of health care for the elderly.' This work is meant for health professionals, attorneys, researchers, educators, and advanced students. The succinct yet informative annotations cover references from January 1, 1980, to August 31, 1987. . . . Highly recommended. Choice Legal questions relating to health care for the elderly have grown increasingly numerous and complex. While these issues have been dealt with extensively by researchers and professional specialists, the literature has grown so vast in the past decade that it is difficult to keep abreast of legal developments. This bibliography is designed to assist practicing health, human services, and legal professionals as well as researchers, teachers, and students in identifying and evaluating information sources that will provide essential guidance on the legal implications of health care for the elderly. Organized in thirteen subject sections, the volume contains more than six-hundred annotated references dealing with institutional regulations and standards of care, disability determinations, decisionmaking for critically ill patients, involuntary commitment, advocacy services for the older health care consumer, and many other topics. Citations consist of books, book chapters, journal articles, and reports published from 1980 onwards. Entries are cross-referenced systematically, and author and subject indexes are provided. This important new reference will be an invaluable working tool for professionals and students who need to understand and deal with some of the most difficult issues in the field of modern health care.

The volume is made up of three main chapters. The first provides a biography of Fellner. The second is an annotated bibliography of Fellner's published works and includes sections on books he wrote, his articles and essays, books he edited, and his public remarks. The third chapter is an annotated bibliography of works about Fellner and his ideas. This volume also includes name and subject indexes. In a volume that will be both useful to the professional economist and accessible to the nonspecialist, this bio-bibliography provides a guide to the work of William J. Fellner, a respected economist, policy adviser, and highly regarded member of the public policy research establishment. His work contains the full sweep of contemporary economic thought. The volume includes a biography, an annotated bibliography of Fellner's published works, and an annotated bibliography of works about Fellner and his ideas. It also includes name and subject indexes.

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While the grading of student writing is of central concern to composition studies and to teaching, the process has not been clearly defined. The act of assigning a grade raises such issues as how teachers read student writing, whether form and content are of equal concern, what the purpose of grading is, and whether grading should take place at all. The vagueness of grading points to the complexity of the topic, which encompasses such matters as student peer review, psychometrics, student-teacher conferences, portfolios, collaborative learning, and English-as-a-Second-Language. Because of the centrality of grading and its complexity, the topic has generated a large body of literature. This reference book is a helpful guide to the vast and sometimes bewildering body of research on the grading of student writing.

The volume includes entries for more than 1300 books and articles on grading published between 1970 and 1996. Each entry includes an annotation that summarizes the work and its importance. The entries are grouped in several broad chapters, with most chapters containing numerous subsections. Thus the book covers such topics as holistic grading, portfolio assessment, collaborative approaches to assessment, essay tests, creative writing, whole language, standardized tests, and student progress. The entries are arranged alphabetically within each subsection, and the author and subject indexes allow the user to access information quickly.

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