Richart's bio-bibliography is a most welcome addition to the literature. For the first time, Richart has made available a comprehensive bibliography, discography, and up-to-date worklist. Ligeti's writings, writings about Ligeti, and reviews and analyses of his works, mainly after his 1956 flight from Hungary to the West, are listed and annotated. . . . Richart's short, concise biography is informative and well written. . . . Highly recommended for public, college, and university libraries with music collections. Choice Gyorgy Ligeti is one of the most significant of contemporary composers. Most often described as innovative, he has been able to combine beauty and emotional meaning with that innovation. This bio-bibliography describes rather than evaluates the considerable body of writings by and about Ligeti. The book is divided into four sections: biography, worklist, discography, and bibliography. The biography is a brief survey designed to acquaint the reader, if necessary, with the basic and widely available facts of Ligeti's life. The bibliography is divided into two parts: writings by Ligeti and writings about him. The largest section in the latter part consists of concert and record reviews. Cross references link all items dealing with each individual music work. An appendix lists, in chronological order, all of the concerts devoted entirely to works by Ligeti. Writings listed in the bibliography are dated from the 1940s onward. The bulk of the material was written after Ligeti's flight to the west in 1956. This first book-length work on Gyorgy Ligeti will be welcomed by music scholars.

The first real reviewing of African-American literature in France began in 1844, when audiences welcomed the romantic dramas of Victor Sejour. With the passing of time, African-American works have become increasingly known in France, where they are now translated almost as soon as they come out in the United States. This bibliography charts the French critical response to African-American literature from the 19th century to 1970. The bulk of the items selected were published between 1900 and 1970, and all were printed in French. The selection has been limited to responses to the works of creative writers, along with some important and influential autobiographical writings. Entries are arranged in chronological sections, and then alphabetically within each section. Annotations summarize the critical views expressed in the work cited. As a whole, the bibliography is a valuable guide to changing French critical attitudes toward African-American literature and is an index to the growing popularity of African-American literature in France.

The purpose of this work is to provide scholars and students of popular culture with an evaluative survey of research materials about radio. . . . An interesting introduction provides an overview of radio's history in the U.S. The bibliographic essays throughout the work will hold the attention of readers and cover topics such as networks and station histories, radio drama, news, music, comedy and variety, and sports. All users will discover important sources of information and will appreciate the well-written bibliographic essays. Booklist Following a brief historical overview on radio and its role in American life, chapters offer informative and, within the confines of the format, lively and enjoyable bibliographic essays on individual facets of radio as an entertainment and information medium. . . . Highly recommended. Choice Intended to be an evaluative survey of bibliographical material on the history and development of radio and radio programming in America, this guide identifies and discusses more than 500 written sources relating to radio music, drama, comedy and variety, news, sports and more. An introductory chapter thoroughly analyzes the historical development of the medium--from its inception during the pioneer era, to the network era (radio's Golden Age), to the decline of radio in the 1950s, and finally to the radio renaissance--based largely, on narrowcasting--that began in the 1960s and continues to the present. Greenfield also examines the formation of the FCC, focuses on radio's losing battle with television--the main reason for its decline beginning in 1949--and provides a cogent analysis of the creative thinking underlying not only the concept of today's narrowcasting, but of the current ascendency of the local station as well. Also addresses are the Press/Radio war of the 1930s, the rise of radio drama, and the enormous influence of rock and roll music on the evolution of radio programming after World War II. A chapter is devoted to networks and station histories and another to issues such as women in radio, advertising, religious broadcasting, and armed forces radio. A list of selected archival collections, radio organizations and associations, and an index complete the volume. Primarily designed for students, scholars, and researchers in the fields of broadcasting and popular culture, this reference deserves a place in university libraries but also has a wealth of information of interest to radio and television professionals. And, because its resources include popular and fan materials as well as standard academic and professional publications, Radio: A Reference Guide provides an insightful overview for any informed generalist with an interest in this important facet of American popular culture.

Librarians and educators have long recognized the power of literature to touch the hearts and minds of readers of all ages. Lesbian and Gay Voices celebrates an exciting body of work that is emerging in the field of literature for young readers. Though more than three million lesbian and gay teenagers live in the United States, and millions more young people live with gay or lesbian family members, their diverse voices are often neglected. One way to provide help for these youngsters who often experience isolation and despair is to share compassionate books that deal honestly with the very issues with which young people themselves are grappling. Here at last is a unique and comprehensive reference tool to fill that need. Written to support librarians and educators in their efforts to provide young people with positive literary images, this groundbreaking guide provides detailed annotations and recommendations for over 275 books. With a foreword by Nancy Garden, the highly acclaimed author of Young Adult Fiction, this thoughtfully written annotated bibliography reviews picture books, young adult fiction, short stories nonfiction works and biographies for young readers. Entries specify the age level appropriateness of each work as well as literary awards received for the work. Each annotation is followed by a list of topics in the work which the user will find cross-referenced in the topic index. With additional recommendations on books for librarians, educators and parents, and a set of suggested guidelines for evaluating books, this user-friendly guide is valuable as both a reader resource and as collection development tool. The guide also provides author profiles of selected writerswho have made outstanding contributions to this field of literature. This information is complemented by inspiring author quotes, photographs, and lists of their books categorized by age level appropriateness. The up-to-date information on helpful resources for teens and their families found here along with a select bibliography and additional indices make this comprehensive guide a powerful and important reference tool for helping young gay and lesbian readers.

As in the first volume, entries are divided into individual language sections for ease of reference. Each section begins with general information about the cooperating language specialists, the area where the language was spoken in 1910, and explanation of library and depository symbols, and a section bibliography. Introductory essays survey the development of the labor and radical press as it relates to the particular ethnic group in question. The annotated bibliography contains all periodicals that appeared more than once a year, along with brief descriptions where available. Finally, each section contains complete title, geographical, and chronological indexes to the periodicals included.

This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance.

With this volume Cowden has completed his project of three bibliographies about performers. . . . The current work on instrumentalists is divided into several parts. The main section is an alphabetized list of individual artists with their birth and death dates and related bibliographic citations. There is also an index and four appendixes that provide handy cross-references to all sections, and there are two lists of books about performers. Cowden's selected virtuosi include players of the basic woodwinds and brasses, strings, organ, percussion, piano, and less common instruments such as harmonica and JeW's harp. . . . A useful addition to almost any library. Choice With Instrumental Virtuosi, Robert Cowden has completed his comprehensive three volume bibliography of musical performers. A compilation of resources drawn from dictionaries, encyclopedias, periodicals, and published materials by and about individual musicians, it is unequalled by any other work in scope and coverage. In addition to classical instrumentalists, artists in the pop and commercial tradition--such as Louis Armstrong, Duke Ellington, and Stephane Grappelli--are included. The first two sections of the book list some 300 works on various types of virtuosi, including brass players, keyboard artists, and string and woodwind players. These publications have been personally examined and annotated by Cowden. The final section contains alphabetical entries for more than 1,200 artists. In addition to biographical data, the entries list references to sources cited earlier in the volume, autobiographies and biographies, publications by the performers, related works, and compilations of memorabilia, scores, and reviews. Cross-referencing, an author index, and indexing to other musical references are supplied. With its two companion volumes--Concert and Opera Singers and Concert and Opera Conductors--Instrumental Virtuosi is likely to become the standard reference in its field. An appropriate acquisition for any music library or music reference shelf.

Appearing in about 60 films and dozens of stage and radio productions, John Barrymore (1882-1942) was arguably the most idolized performing arts figure of his generation. Renowned for his ability to make even the flimsiest roles come to life with power and passion, the Great Profile reached his apex with title role performances in stagings of Richard III (1920) and Hamlet (1922-25). This book charts his legendary and sometimes scandalous life and career. A biography discusses his love of roles requiring physical or psychological distortion, his four failed marriages, and his memorable achievements on the stage and screen. Chapters that follow contain entries for his performances in stage, film, and radio productions, with each entry providing cast and credit listings, plot synopses, critical commentary, and excerpts from reviews. Also included are a discography, a chapter on plays and films with characters modeled after Barrymore, an annotated bibliography, and discussions of archives and special collections. The volume closes with a personal essay by Barrymore's Shakespearean vocal coach, Margaret Carrington. This essay, written by a pivotal figure in Barrymore's development as a serious actor, has never before been published.

Miletich provides a survey of information published between 1983 and 1993. Part One is a chronological listing of information which illustrates how information about AIDS has evolved annually and in which form this information appears. There are, for each year, up to 12 categories, ranging from books to videocassettes, government documents to atlases, conference proceedings to review papers. Selected annotations elaborate on this information. Part Two is an annotated bibliography about occupations at increased risk of contracting AIDS. Part Three consists of appendices. In addition the book contains a list of acronyms, and separate author and subject indexes.

With some 1200 items and with its international scope, AIDS provides information accessible to students and researchers from grade school onward. Information about publications devoted exclusively to AIDS, AIDS organizations in various countries, and an AIDS time-line illustrate that this book is intended for virtually any person concerned about AIDS.

Lillian Russell was the Victorian era's symbol of talent, charm, and beauty. She was introduced by impresario Tony Pastor in 1880, and was considered an emblem of feminine beauty until the turn of the century. Although her voice still set a standard of excellence, by that time America's vision of loveliness had changed, and her middle-aged body could not meet the new challenge on the musical stage. Russell responded with extraordinary resilience. She adapted with the times and became the Igrande dameR of the American theatre in non-musical plays, burlesque, variety, and the lecture circuit. She wrote widely-read newspaper columns in which she pioneered an optimistic philosophy of self-help, and she used her numerous connections to champion the causes that she held dear.

Carefully researched, this reference book is a comprehensive and thoroughly documented guide to Lillian Russell's life and career. A biography places her in the social and cultural context of her time and adds previously ignored information about her parents, birth, coming-of-age in the Midwest, early career, daughter, and death. A chronology then gives a detailed listing of events in her life and career. The chapters that follow are devoted to her many performances. Entries in each section provide cast and credit information, plot synopses, review excerpts, and critical commentary. Several appendices offer additional information about her work, and an extensive annotated bibliography lists sources of additional information.

This work updates and expands upon the initial volume and the first supplement of Sinclair's now-standard reference, "French Devotional Texts of the Middle AgeS" (Greenwood Press, 1979, 1982). The present work makes available for the first time information about 1500 unrecorded medieval French vernacular devotional texts. Each entry includes details of the text's subject matter, typological structure, location in manuscript, and edition, along with critical commentary. This second supplement also contains new information that has been discovered since the publication of the initial volume in 1979 concerning incipits 2379-5372.

Born in 1916 in La Jolla, California, Gregory Peck took up acting in college on a lark that would lead to a career. In his early years, he appeared in a series of summer stock engagements and Broadway shows. He became a star within a year after arriving in Hollywood during World War II, and he won an Academy Award nomination for his second film. From the 1940s to the present, he has played some of film's most memorable and admired characters. This volume provides complete information about Gregory Peck's work in film, television, radio, and the stage. Entries are included for all of his performances, with each entry providing cast and credit information, a plot summary, excerpts from reviews, and critical commentary. A biography and chronology highlight significant events in his life, while a listing of his honors and awards summarizes the recognition he has received over the years. For researchers seeking additional information, the book includes descriptions of special collections holding material related to Peck's work, along with an extensive bibliography of books and articles.

Widely acclaimed as one of America's most distinguished female playwrights, Lillian Hellman made an entrance into a largely male-dominated field in 1934 with" The Children's Hour," a drama that rocked the literary establishment with its frank treatment of lesbianism while calling attention to her writing talents. Written between 1934 and 1963, Hellman's dramatic canon includes eight original plays and four adaptations. Two of these, "Watch on the Rhine" (1941) and "Toys in the Attic" (1960), received Drama Critics' Circle Awards. In addition to her dramatic activities, she wrote three memoirs and a novella, contributed articles to national magazines, edited ChekoV's letters and Dashiell Hammett's mysteries, and penned several screenplays. She is probably best known for "The Little Foxes" (1939), her drama about a family of predatory entrepreneurs who seek to build an industrial fortune on the ruins of the old South.

Both a quick reference guide and an exhaustive resource, this volume provides broad and thorough coverage of Hellman's dramatic career. It begins with a critical overview of her life, along with a chronology of her accomplishments. The bulk of the book, which treats her eight original plays and four adaptations, all written for the Broadway stage, provides detailed plot summaries, stage histories, and critical overviews. The next section offers an annotated bibliography of primary sources. This is followed by an annotated secondary bibliography, which is divided into sections on reviews, books, and articles. Entries in the bibliographies are first arranged chronologically and then alphabetically, so that the reader can gain a fuller sense of the development of Hellman's career and the response to her works over time. Detailed indexes conclude the volume and offer full alphabetical access to its contents.

Since 1828, every four years has seen the re-emergence of newspapers published on behalf of particular presidential candidates and aspirants. Despite the importance and longevity of the medium, however, it has largely been overlooked as an object of serious study. This volume is the only systematic treatment of the subject yet published. It presents both an historical overview and the first compilation of bibliographic data on the publications that comprise this genre. Following an introductory survey of the history of the campaign newspaper and a discussion of significant examples, the bibliography provides listings for newspapers supporting major-party and third-party candidates and other presidential hopefuls.

This is the first comprehensive bibliography that deals with comparative criminology and other signficant works in the field dating from the 1960s. The guide covers 500 studies on crime, law, and social control in two or more cultures. The volume is organized into three main sections: meaning and measurement in criminology, cross-national crime rates, and social control and penal policies. The work is intended for students, for scholars and professionals, and for all researchers concerned with criminal justice studies around the world. The bibliography includes a preface, eleven chapters on topics of major importance, appendices, and author and subject indexes. The chapters deal with general issues in comparative criminology, cross-national data, perceptions of crime, violent crime, crimes against property, economic and political crime, transnational corporate crime, correlates of crime, underdevelopment and modernization, social control and dispute resolution, and criminal justice and penal policies. The appendices point to useful sources for further research. In addition, a full author and subject index is provided.

This unique volume provides a bibliography and analysis of American women's literary interpretations of war and peace during the twentieth century. Chapters cover World War I, World War II, the Vietnam War, nuclear war, and fictional interpretations of war and peace that span more than one war or are nonspecific to a certain war. Annotated entries on novels and short fiction provide an analysis of the work's representation of the effect of war on women. Annotations include excerpts from the works themselves and from reviews. The bibliography includes works by such well-known writers as Edith Wharton, Joyce Carol Oates, Cynthia Oick, and Bobbie Ann Mason, as well as many lesser known writers. The work begins with an introductory discussion of women's fiction on war. Each chapter begins with an introductory overview of the war literature in that chapter. In addition to the annotated entries, each chapter concludes with a list of sources of literary criticism and bibliographic resources. The work concludes with author, title, and subject indexes.

As Mickolus once more demonstrates, terrorism is alive and well at the beginning of the 1990s. This volume combines a chronology of terrorism, (the fourth Mickolus has produced), with a selective bibliography on the topic, (his third). Covering the period from 1988-1991, this volume follows the same definition of terrorism and the same format and method devised for its predecessor volumes. The result is the most comprehensive look at terrorism available for the period. The earlier volumes are the standard reference chronologies and bibliographies for students and scholars as well as military observers and public policy makers.

"an excellent resource on locating audiovisual materials covering a wide variety of topics in American Studies. Both librarians and teachers should find it quite helpful. Recommended for all libraries." Reference Book Review

This much revised and expanded edition guides researchers to sources that provide information about the general and specific subjects which form the jurisdiction of the U.S. Government. A tool that correlates legal authorities, principal offices, and financial resources and clarifies their patterns of interaction, the book points out the most appropriate methods and authors for accessing all fields of federal data. Students, teachers, public administrators, policy analysts and citizen activists will find that this easy-to-use guide reliably maps out the jurisdictions of government business and policymaking. This much revised and expanded edition guides researchers to sources that provide information about the general and specific subjects which form the jurisdiction of the U.S. Government. A tool that correlates legal authorities, principal offices, and financial resources and clarifies their patterns of interaction, the book points out the most appropriate methods and authors for accessing all fields of federal data. This research aid translates the universe of public responsibilities into topical categories that chart the structure and functions of the policymaking branches and their various subunits. By helping students, teachers, public administrators, policy analysts, and citizen activists to understand the role of jurisdiction in the business of government, it enables them to develop their own best research strategies.

The 1980's information explosion on new-product development demands a broad-scope, up-to-date review of literature. Calantone and di Benedetto take on the task in this comprehensive annotated bibliography, citing more than 450 articles and books on product innovation and new product development. They have produced a thoroughly integrative review of marketing, business, and engineering literatures, identifying general managerial conclusions. Outlining key issues and problems faced by product managers, Calantone and di Benedetto determine to what extent these issues have been addressed in academic literature. How much of reported research is relevant? What is the quality of available scientific knowledge? Can business managers and marketing staffs learn from other functional areas, i.e. engineering or technical journals? This bibliography is a valuable entry into innovation literature for both product managers and academic researchers. Calantone and di Benedetto's review is structured according to topic area: factors influencing product and process innovation; stages in new-product development; product diffusion forecasting; the R & D-marketing interface; organizational structure; and technology transfer. Each chapter includes a literature review and an extensive annotated bibliography. A representative set of articles from major marketing, business management, operations research, and engineering publications are selected. As a rule of thumb, articles from 1978 to the present are included. Several major works from earlier years are also cited. The authors complete this volume with their own observations and conclusions, an author index, and a subject index.

The rise of the fundamental religious broadcasters in the United States has triggered an intense popular interest in mediated Christianity and prompted the traditional churches to reexamine their own policies toward mass communication. The ensuing dramatic increase in the number of studies on the subject has prompted a corresponding need for a comprehensive index of valuable materials. Christian Communication is the first wide-ranging annotated bibliography of available books, articles, theses, and dissertations in English, French, German, Spanish, and Italian that deals with all forms and aspects of Christian communication, even comic books and the computer. The bibliographies for this collection were drawn from several sources including the Library of Congress; several important computerized databases; manual searches of such institutions as the Billy Graham Center and the Graduate Theological Union, among others; and references in dissertations. Most importantly, only accessible items which could be checked and reviewed by Soukup and his research staff have been included here. The volume is arranged to maximize ease of access and use and is based on the general academic division of communication studies. The first chapter contains an introduction, cross-referenced to the bibliographies, that reviews the history of church communication, the major issues that characterize it, and suggests possibilities for future study. Next, a resource chapter lists periodicals which address specific areas of religious communication or frequently published articles of interest; cites bibliographic guides to the material and surveys directories of both personnel working in the field of Christiancommunication and of catalogs of relevant materials. The following seven chapters contain the major bibliographical sections that review communication theory, history, rhetoric, interpersonal communication, mass communication, intercultural communication, and other media. The volume closes with helpful name, title, and subject indexes that make this guide thoroughly user-friendly and an important research tool for church communicators, theological students, and communications scholars working in philosophical or qualitative areas.

Joel Chandler Harris was internationally famous in his own time and has a surprisingly broad scholarly and popular following in ours. His portraits of slaves and former slaves, particularly Uncle Remus and Free Joe, poor whites, and Brer Rabbit, the archetypal trickster hero, have influenced many other writers, including Mark Twain, Charles Chesnutt, William Faulkner, Ralph Ellison, Toni Morrison, and a wide array of children's authors from Beatrix Potter to A. A. Milne. Harris also left a lasting mark on popular culture, most clearly manifested through Disney's ^ISong of the South^R and at Disney World attractions featuring versions of Harris's characters. He singlehandedly preserved and made internationally famous the Brer Rabbit folktales, the largest body of African American oral folklore that the world has ever known. Additionally, Harris was a major New South journalist who accelerated the process of reconciliation between North and South and promoted racial tolerance after the Civil War. This reference book is a complete bibliographic guide to the scholarly response to Harris during the last two decades. The introduction explores such issues as Harris's renderings of black dialect, Southern character, and folklore, and his influence on popular culture. The first part is a supplement to Bickley's earlier bibliography of Harris, which covered the period 1862-1976. The second part provides more than 300 entries for books, articles, and dissertations about Harris published after 1976. Entries are grouped in sections according to year of publication, and then alphabetically within each section. Each entry is fully annotated, and a detailed index concludes the volume.

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This book presents a combined biographical, critical, and bibliographical estimate of Laurel & Hardy's significance in film comedy, the arts in general, and as popular culture icons. Of the two, Laurel decidedly evolves as the central player in this duo biography. The reasons for this are several, but mainly stem from Laurel's role as team spokesman; his late life accessibility; media coverage given to his private life; and the fact that he outlived Hardy by eight years--from 1957 to 1965--a period in which the ever burgeoning public fascination with the team reached new proportions. Hardy's artistic input, however, is currently being given a revisionist upgrading, which Gehring addresses.

The book is divided into five chapters. Chapter 1 is a biography of Laurel & Hardy, exploring the public and private sides of their lives. Chapter 2 is a critique of four broad influences of Laurel & Hardy--as special icons of comic frustrations; as developers of a change in film comedy pacing (which also eased their transition from silent to sound film); as movie pioneers in the innovative early use of comic sound; and, most importantly, as key participants in the evolution of the comic antihero into American mainstream humor. Chapter 3 is composed of two very early reprinted Laurel & Hardy articles and a special Encore collection. Chapter 4 is a very ambitious Laurel & Hardy bibliographical essay, assessing key reference materials and locating research collections open to the student and/or scholar. This involves many obscure, often early and/or untranslated articles drawn from research in Ulverston England--Laurel's birthplace--London and Paris. Chapter 5 is a bibliographical checklist of all sources recommended in Chapter 4. This volume should be of special interest to all Laurel & Hardy aficionados, and students/scholars of comedy.