In a recent poll (Harris 1996), the Statler Brothers, country and gospel music legends, were rated second only to Frank Sinatra as America's favorite singers. They are known as the most awarded act in the history of country music and are still going strong after 30 years. Their performances and the songs they write reflect where they were born--in the birthplace of gospel music, the Shenandoah Valley of Virginia. Presented here in a clear format are the expected discography details plus additional information that Statler fans will find fun to read.

This work contains the usual session and release information, single and album chart histories, television programs, awards, and indices for song titles, composers, and musicians plus extras such as album notes and Statler proverbs. This is a well-researched, documented, and concise work suitable for scholars and fans alike.

This bibliography brings together a broad base of literature directly related to the Three Mile Island-2 accident and its aftermath, covering the humanities, social sciences, hard sciences such as medicine, nuclear biology, and the environment, and government publications. Comprised of articles, editorials, letters, and news items from professional journals; monographs; federal and Pennsylvania government documents; and Congressional hearings, all materials cited are written in English or are English translations of foreign language items. The introductory essay by Lieutenant Governor William W. Scranton III (Pennsylvania) provides an interesting and informative account of the accident at Three Mile Island, and examines its impact on the public as well as its environmental, economic, medical, legal, and social effects. The book is arranged by subject for the journal articles, with separate chapters for popular literature and proceedings. Government documents are arranged by issuing agency, and include the President's Commission, the Nuclear Regulatory Commission, and the Department of Energy. Author, subject, and government document number indexes are provided.

Taking piano lessons at three years of age and composing by five, William Mathias became one of Britain's leading 20th-century composers. (He was invited to compose the wedding anthem for the marriage of the Prince of Wales to Lady Diana Spencer.) This work provides, for the first time in one volume, up-to-date and comprehensive details of the composer's life's work. It includes a biography, a complete list of works and performances, a discography of sound recordings, and an annotated bibliography, along with useful appendixes and an index. This book will be of interest to musicologists, students, and 20th century music buffs alike. Mathias was a prolific and versatile composer whose works included opera and music for orchestra, chamber groups, solo instruments, organ, brass ensembles, choral, church, and children's groups. His wedding anthem for Prince Charles and Lady Diana was heard by over 750 million people around the world on television—probably the largest audience for any first performance of a new work.

This comprehensive reference provides citations for more than 700 resources essential for planning, funding, initiating, implementing, facilitating, and evaluating a broad range of formal and informal older adult education programs. The work includes books, articles, reports, conference proceedings, government publications, dissertations, leadership guides, audiovisuals, computer programs, and curriculum materials. Each citation is accompanied by a succinct annotation, and the entries are arranged in topical chapters for ease of use. The book also lists aging network and resource organizations, databases, journals, and current laws. Author and subject indexes add to the utility of the volume. Everyone interested in older adult education will find this reference a useful guide to theoretical, managerial, and pedagogical materials.

Ibn Khallikan's Biographical Dictionary, or Deaths of Eminent Men and History of the Sons of the Epoch, was the noted Arabic scholar Ibn Khallikan's most well-known and respected work. The author worked on the tome from 1256 to 1274, compiling names, genealogies, and histories of prominent or conspicuous men in the Islamic world. The final work was translated into English by William MacGuckin de Slane and is longer than 2,700 pages. It has been quoted by many Arabic rhetoricians and grammarians in other works, as it is considered one of the most important records of Arabic history ever written. Here, separated into four volumes, the Biographical Dictionary is an essential work for any student of Muslim culture and literature. Volume IV includes: An Introduction by the Mac Guckin de Slane, a detailed index of all biographies; notes from the translator for each biography; and genealogies of hundreds of Muslim figures, including Yusuf Ibn Abd Al-Mumin, Yakub Ibn Al-laith As-Saffar, and The Kadi Baha Ad-Din Ibn Shaddad. IBN KHALLIKAN (1211-1282) was a thirteenth century Arabic scholar who studied in Damascus, Mosul and Aleppo, specializing in the fields of language, theology, and law, including jurisprudence. He became a well-respected judge in Cairo, eventually becoming a chief judge in Damascus in 1261. Khallikan wrote several books, but his most well known was Deaths of Eminent Men and History of the Sons of the Epoch, often referred to as the "Biographical Dictionary," which took him almost 20 years to complete. Khallikan retired from his position as judge just before his death in 1282. He was one of the most well-known historians and theologians in Egypt.

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Government publishing provides a wealth of information that is often difficult to find in other sources. This annotated bibliography identifies and describes those federal documents (monographs, journals, maps, posters, pamphlets, and media kits) that are likely to be in highest demand by students, teachers, and lay citizens of all ages and demographic backgrounds. Taking up where the third edition left off, it covers newer and more popular titles (1992 through 1995), along with a few classics from previous years. The book is arranged by subject (e.g., ecology, recreation, business and finance, military affairs, consumer issues, civil rights). Many of the chapters have been completely reorganized, and some chapter headings from the previous edition have been eliminated. Each entry provides complete bibliographic data-a bibliographic description, issuing agency, SuDocs number, GPO ordering information, and an annotation. It will help users locate federal government documents in the library or purchas

A descriptive bibliography of the science fiction works of L. Sprague de Camp, including both foreign and English language publications.

More than forty years after his death, Humphrey Bogart remains a symbol of the Golden Age of Hollywood and a popular culture icon. His legacy has impacted American popular culture beyond the scope of American film history. His image graces buttons, greeting cards, and postal cards and he has been the subject of plays, films, novels, and poems. This work presents a precise biography of Bogart and examines his place in American popular culture. Scholarly and substantive articles written about Bogart's life, films, and career are analyzed and summarized. Essays and new and previously published interviews present insightful ideas by and about Bogart. Film and popular culture scholars and Humphrey Bogart enthusiasts alike will appreciate the extensive and thorough listing of articles and books about Bogart and his career. As a guide to further research, the author has provided a filmography, discography, and videography and has documented theater listings, radio and television appearances, and a directory of Bogart websites. This extensive review of Bogart and his career helps to define his success within an American cultural context.

Sculthorpe is one of Australia's most prominent composers and is among the most important composers on the international scene. Although he is a distinguished academic and popular lecturer, Sculthorpe does not fit any ready-made category of composer or teacher. In a body of work that so far includes orchestral and chamber music in many genres and mediums, opera and other theater music, songs and choral music, and music for documentary and commercial films, radio, and television, he has established a personal musical style and public presence that have shaped the history of 20th-century music in Australia and the world. Owing to circumstances of place and time--Australia in the 20th century--he has been defining, or redefining, the role of composer for himself and his audiences. This book is a record of Sculthorpe's work and of its reception by composer colleagues, performers, critics, and audiences.

Tony Swain has prepared a comprehensive bibliographical survey of all substantial publications on Aboriginal religions appearing between 1798 and early 1990. The volume opens with a three-chapter narrative section which provides the historic and analytic contexts for the cataloguing that follows. The 1,076 entries are critically annotated and classified by geography and theme. More specific investigation of selected topics can be pursued through the four indexes which, besides offering an alphabetical listing of all titles and authors, provide access by "tribes and places" and general subjects. The three narrative chapters explore the history of the study of Aboriginal religions, the emergence of key themes in investigating these traditions, and the unique features of the regions which provide the primary classification for the bibliography that follows. Chapter one shows how a succession of theories, conceptions, and blatant prejudices have molded the way writers approached the traditions of the Aborigines. Chapter two examines those themes scholars have felt useful in analyzing Aboriginal religions, placing their emergence in historical perspective and discussing their usefulness as conceptual tools. Finally, the third chapter highlights the unique features of the ten regions used as the primary categories of classification, describing possible historical forces which have shaped their particular forms. This first bibliography of Australian Aboriginal religions is an essential acquisition for all serious academic libraries.

From the mid-19th century through World War I, Turner societies were among the most important secular organizations in German immigrant communities in America. Brought to the United States by refugees from the failed Revolution of 1848 in Germany, the Turner movement became a home for German abolitionists, workers' rights advocates, and other reformers. This book is the result of a project to locate the surviving documentation on the Turner movement. With an annotated bibliography, descriptions of archival collections, historical sketches of more than 150 Turner societies, and an annotated list of all societies in the United States, this research guide opens up new opportunities for examining the influence of the Turners.

This book is the result of a project to locate the surviving documentation on the Turner movement, little of which was found in libraries or archives at the time the project began. The book shows that the extent of the movement, the range of its interests and activities, and the richness of its publishing record were much greater than has been appreciated. With an annotated bibliography, descriptions of archival collections, historical sketches of more than 150 societies, and an annotated list of all societies found in the United States, the research guide opens up new opportunities for examining the influence of Turners and German-Americans on the development of American society.

Between 1936 and 1955, Hollywood significantly changed its portrayal of Hispanics in motion pictures. This change resulted from the demands of the Production Code Administration, which required film makers to eliminate the more offensive stereotypical Hispanic images. This filmography chronicles all of the Hispanic-related films released during this period. The volume includes entries for nearly four thousand films. The entries are arranged in chapters, with each chapter devoted to a single year. Within the chapters, the entries are listed alphabetically by film title. Each entry includes production information, an annotation detailing the film's Hispanic significance, and references to additional materials. The volume concludes with an alphabetical index of film titles, an index of actors and actresses, an index of place names, a general subject index, and an index of songs. Film historians and scholars of Hispanic culture will find this work to be an indispensable reference tool.

This unique reference provides the first book-length bibliography on NAFTA. The scope of the book encompasses NAFTA from the Bush administration through the Clinton administration, up to and including 1995. It provides sources from a wide range of disciplines-business, economics, law, science, and political science-and from such diverse perspectives as labor and environmentalism. The book covers (1) serials, including journals, magazines, and newspapers; (2) books, pamphlets, government documents, and dissertations; and (3) non-book sources, including online databases, audiovisual materials, and the Internet. This unique reference provides the first book-length annotated bibliography on NAFTA. The scope of the book encompasses NAFTA from the Bush administration through the Clinton administration, up to and including 1995. It includes events leading up to the NAFTA vote in Congress on November 17, 1993, the vote itself and analyses of it, the political aspects of NAFTA's passage, and the status of the agreement once in effect. The book covers (1) serials, including journals, magazines, and newspapers; (2) books, pamphlets, government documents, and dissertations; and (3) non-book sources, including online databases, audiovisual materials, and the Internet. As a distinct reference, the book will be useful to researchers and scholars and will assist both academic and public libraries in answering reference questions.

An important new reference source for students of western musical culture, this volume directs the user to all pertinent, substantive, and accessible information concerning the life and works of Sir Michael Tippett, widely recognized as one of this century's most significant composers. The book is divided into four main sections: a biography, an annotated list of works and performances, a discography, and an extensive bibliography. Five appendices provide additional information for the researcher including a chronological list of compositions, a classified list of published compositions, honors and awards won by the composer, ballet and television productions, and resources available. The brief biography which begins the volume provides a convenient source for basic factual information about Tippett's life. The works and performances section presents in one alphabetical sequence all known musical works by Tippett, including early unpublished compositions. Each citation includes information about year of composition, duration, genre, instrumentation, additional statements of responsibility, commissions and dedications, location of existing manuscripts, published editions, and a selected list of performances. The discography contains all known commercial recordings of Tippett's music along with information about performers, date and place of recording, and a chronological listing of all issues of the performance. Divided into three sections, the bibliography covers writings by Tippett, books and articles about Tippett, and reviews of his works culled from the Times (London), the New York Times, and a variety of major and local newspapers around the world. Taken as a whole, this is amasterful contribution to the reference works available on the great composers of the twentieth century.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains A Child's History of England, which was serialized from 1851 to 1853 in the weekly magazine Dickens edited, Household Words. Dedicated to his own children, it tells the story of England from ancient times through the ascension of Queen Victoria, and was considered so authoritative that it was part of the school curriculum in England through World War II.

This comprehensive, annotated bibliography of works by and about Caribbean women novelists from 1950 to the present covers novelists from all Caribbean islands and Surinam writing in English, Spanish, French, Dutch, and their dialects. Entries on some 150 individual writers are organized alphabetically and comprise a biographical sketch, data on novels with plot synopses, a listing of other known publications in all genres, as well as annotated criticism and reviews. Included are translations, interviews, recorded materials, and broadcast literature. Sources range from publications of major presses and journals in various countries and languages to dissertations and items from local newspapers and small presses. Preceding the author entries is a Bibliography of General Works covering criticism; bibliographies, both regional and for individual countries; and bio-bibliographical reference books. Alternative means of access are provided by a List of Authors by Country and indexes of novels, critics, and themes and key words. A guide to resources on literature of the Netherlands Antilles is included as an appendix. Caribbean literature--and Caribbean women writers in particular--is one of the fastest growing fields of literary study. Additionally, the Caribbean presents an ideal laboratory for other areas of intense research: comparative literatures and post-colonial studies. This bibliography serves these interests, placing special emphasis on common themes and techniques that transcend national boundaries and linguistic differences.

Compiled in cooperation with the Antonin Dvorak Society of Prague, Czechoslovakia, to commemorate the 150th anniversary of the composer's birth, this is the first book-length discography on Dvorak. It updates the discography appended to Jarmil Burghauser's Antonin Dvorak Thematic Catalogue (1960). Burghauser, President of the Dvorak Society, explains in a foreword to the present work that, due to the immense proliferation of Dvorak recordings, it was decided not to include a discography in the revised edition of the Thematic Catalogue. Organized similarly to the Catalogue by genres and works, Antonin Dvorak on Records may be used in conjunction with it and, further, will be valuable to musicians, students, collectors, and others primarily interested in the recordings. The discography selects from the many thousands of Dvorak recordings those of excellence and historic significance on LP and CD formats, representing the diversity of the oeuvre. The volume introduction surveys the recording history before the LP revolution. Indexes provide access to the recordings by works and by performers and performing groups.

From Marilyn to Mussolini, people captivate people. A&E's "Biography, " best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians.

Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.

Griffel has prepared a valuable guide to German opera that can be used profitably by both scholars and amateur devotees of opera. The main body of the dictionary provides a discussion of about 380 operas composed to a German text. The alphabetically organized entries include information on German premieres, as well as first performances in Britain and the US, brief plot summaries, listings of major roles, and occasional historical and analytical remarks. . . . "Operas in German" will, no doubt, serve as one of the major reference sources for any type of research on German opera. Highly recommended. "Choice"

Although a sizable number of opera dictionaries and encyclopedias are available, those devoted to operas in a single language are extremely rare. The present dictionary addresses itself wholly to operas written to a German text. The main body of this dictionary comprises entries on the operas themselves, permitting thorough treatment of some 350 operas. This section is augmented by an appendix of some 800 additional opera titles and annotated listings of composers and librettists. Almost all of the composers represented here were born in German-speaking countries. Among the notable exceptions is the Italian-born Ferruccio Busoni, whose operas were all written to German texts and received premieres in German-speaking cities. Composers such as Kurt Weill who wrote operas in more than one language are represented by their German works only.

The operas are listed alphabetically, excluding the article, which is placed at the end of the title. Each entry includes the title, with the English translation and alternate titles in parentheses; descriptive terms as needed; the number of acts; the composer's name; the librettist's name, the original language, and the original source of the text; the date, place, and cast of the first performance; similar information for the first United States and United Kingdom performances, if applicable; a brief plot summary; the main characters with vocal ranges; citations of especially important or noteworthy numbers; additional information such as comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-German ones and/or operas involving the same story or characters. The entry also has a bibliography, a discography, and, in the few instances where they are available, information on video recordings. In addition to the aforementioned appendix, this dictionary contains an alphabetical listing of composers with their places and years of birth and death and an index of their operas included in this volume. The third appendix lists librettists and provides information similar to that in the composer appendix. The fourth and fifth appendices provide characters and performers, respectively, included in the main entries. The volume is completed by a bibliography. This first dictionary devoted exclusively to operas in German belongs in the reference section of music libraries and will also be of interest to scholars and aficionados of opera.

Worldwide in scope and covering the second half of the 20th century, this work provides biographies and discographies of some 500 conductors and composers in many aspects of light and popular orchestral music, including film, show, theatre, and mood music. This is the first time the lives and recordings of such artists as Kostelanetz, Faith, Gould, as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin, and Coward, have been adequately documented and consolidated in an encyclopedic fashion. Almost 5,000 records and CDs are listed. Of interest to scholars, students, disc jockeys, record and CD collectors, film music buffs, and mood and production music enthusiasts. Popular orchestral music has been a neglected and often erroneously perceived and misunderstood genre in the 20th century. It has certainly not received the attention that it deserves and seems to be viewed as a "Cinderella" in relation to classical music and jazz. The genre, especially in the last 50 years, has been graced by exceptionally fine and highly esteemed conductors and arrangers, and also by a large number of highly regarded composers.