Ann Sothern was often quoted as saying she had played every venue in show business except fairs. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Schultz has done a magnificent job of documenting Ann Sothern's career. Classic Images Ann Sothern was often quoted as saying she had played every venue in show business except fairs. Ann Sothern: A Bio-Bibliography is proof that her statement was not far from wrong. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Ann Sothern: A Bio-Bibliography is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her career, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. It is the first source to include a complete episode guide for Miss Sothern's television series, Private Secretary, The Ann Sothern Show, The Lucy Show, and My Mother the Car. An appendix lists products which were endorsed by Miss Sothern or which used her likeness in promotion. The book utilizes sixteen photographs, including four from Miss Sothern's personal collection, which she donated to the Ketchum Community Library in Ketchum, Idaho. A great library reference source, this book will be of interest to film scholars and fans of Miss Sothern.

This bibliography brings together the salient works on the process of economic development and economic revitalization in nonmetropolitan areas. The literature cited reviews (1) the forces affecting different economic sectors, such as manufacturing, tourism, and services, and the potential of these sectors to contribute to rural economic development, (2) the forces affecting various types of firms, such as new firms, small firms, and high-tech businesses, and the potential of these types of firms to contribute to rural economic development, (3) contextual factors, such as markets, business climate, and technological change, and (4) economic and development policies and strategies that various levels of government could employ. The book's focus is economic development and revitalization in the world's industrialized countries. Including North American and European literature published in English, the book covers 1975 to 1993 with particular emphasis on the period from 1988 to 1993. This book attempts to meet the needs of (1) students of economic and community development, regional and agricultural economics, community and regional planning, rural sociology, and related disciplines; (2) teachers and researchers; and (3) policy makers and economic development practitioners. It includes professional journals, books, university research reports, extension reports, conference proceedings, and government documents.

The first volume documenting and collecting Orson Scott Card's work for the last 30 years. Every novel, story, poem, every word that has been published--and then some is in this collection. This is a must for any reader, who wants to learn everything about this author's extensive work and career.

Ibn Khallikan's Biographical Dictionary, or Deaths of Eminent Men and History of the Sons of the Epoch, was the noted Arabic scholar Ibn Khallikan's most well-known and respected work. The author worked on the tome from 1256 to 1274, compiling names, genealogies, and histories of prominent or conspicuous men in the Islamic world. The final work was translated into English by William MacGuckin de Slane and is longer than 2,700 pages. It has been quoted by many Arabic rhetoricians and grammarians in other works, as it is considered one of the most important records of Arabic history ever written. Here, separated into four volumes, the Biographical Dictionary is an essential work for any student of Muslim culture and literature. Volume II includes: An Introduction by Mac Guckin de Slane; a detailed index of all biographies; notes from the translator for each biography; and detailed genealogies of hundreds of Muslim figures, including Ibn Babak the Poet, As-Sulaihi, Malik Ibn Dinar, and Ar-Rabai the Grammarian. IBN KHALLIKAN (1211-1282) was a thirteenth century Arabic scholar who studied in Damascus, Mosul and Aleppo, specializing in the fields of language, theology, and law, including jurisprudence. He became a well-respected judge in Cairo, eventually becoming a chief judge in Damascus in 1261. Khallikan wrote several books, but his most well known was Deaths of Eminent Men and History of the Sons of the Epoch, often referred to as the "Biographical Dictionary," which took him almost 20 years to complete. Khallikan retired from his position as judge just before his death in 1282. He was one of the most well-known historians and theologians in Egypt.

This guide summarizes and evaluates the available literature concerning the Dutch artistic movement De Stijl, which was headed by art critic and painter Theo van Doesburg and was comprised of such architects and artists as J.J.P. Oud, Piet Mondrian, Rovbert van 't Hoff and Georges Vantongerloo. The loose-knit group took its name from the avant garde journal they first published in October 1917: "De Stijl" (The Style). Although it was limited to Holland, De Stijl promoted ideas about a universal art, combining tenets of theosophy, an holistic view of the oneness of all things, including arts and culture, and socialism. This bibliography examines publications that deal with the movement and with affiliated groups and individual members.

Art historians and scholars of modern and of Dutch art and architecture will appreciate this comprehensive tool for further research. Within individual sections for the movement and for its members, entries are chronologically arranged with separate categories for books, monographs and catalogs, and periodicals. A final section analyzes and presents the contents of the journal "De Stijl."

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains The Uncommercial Traveller, a collection of short stories first published by Dickens in his own journal, All the Year Round, in the early 1860s. Excellent examples of the author's good humor and propensity for satire, they are also beloved by readers for their autobiographical elements, offering readers a peek at the man behind the stories.

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"Francis Poulenc: A Bio-Bibliography" is a thorough presentation of the works of this often performed and critically appreciated 20th-century composer. George R. Keck traces events in Poulenc's life and offers a list of works and performances with the primary focus on those facts and influences which contributed to the development of the composer's distinctive musical style. Included in the text is a substantial discography as well as annotated entries by and about the composer which cover every phase of his career and affirm Poulenc's place in 20th-century music.

The highly selective annotated bibliography comprises the major portion of the text. Since Keck's documentation of the development of Poulenc's style covers only representative works, he includes a list of all of Poulenc's compositions, arranged both alphabetically and chronologically, in the two appendixes. A complete index of names, places, and titles concludes the book.

This volume is designed as a general reference tool for the study of the history of Massachusetts. The only book of its type, the volume focuses largely on local history, emphasizing the new social history, and containing biographies of leading figures. Since Massachusetts history and U.S. history largely intertwined during the colonial and early national period, the book provides information on trends in early American history, and provides scholars and other interested readers with an up-to-date summary of major works and important interpretations of each period and of relevant themes, such as urban history, women in history, and oral history.

One of the nation's most effective congressional leaders, Sam Rayburn served as Speaker of the House longer than anyone in U.S. history. Although he has been the subject of several biographies and numerous articles, until now no comprehensive analysis of Rayburn has integrated these disparate materials in a single resource. Sam Rayburn: A Bio-Bibliography accomplishes that objective. Designed for scholars interested in the life and historical period of Sam Rayburn, the volume includes a detailed biographical sketch and an extensive annotated bibliography describing the Rayburn resource materials. The bibliographic entries are divided into three parts: works about Rayburn, Rayburn as author, and archival sources. Because Rayburn wrote little, the inclusion of some 80 oral histories by friends and associates of Rayburn is an especially valuable feature for the researcher. Those papers by Rayburn that do exist are included and fully annotated here. The section covering works about Rayburn includes media coverage of the Congressman, interviews with Rayburn's colleagues, and memoirs as well as books and articles about Rayburn. A chronology is included for quick reference to major events in Rayburn's life and a complete index facilitates easy access to the main entries.

This reference provides a detailed overview of the work of Betty Comden and Adolph Green, who for over fifty years have collaborated on skits, musicals, revues, and films. The book begins with a biography and a chronology, which serve as a summary of the major events in their lives and careers. Then there are six sections detailing their work on Broadway. Other sections then document their radio and film work. The sections contain entries for all of the productions with which Comden and Green were involved, and the entries provide full information about the performances, including cast lists, plot summaries, reviews, and commentaries. These sections are followed by an extensive bibliography and an appendix that lists the awards and nominations that Comden and Green and their works have received. A thorough index adds to the usefulness of the book.

Within the past decade paperback books have gained respectability among bibliophiles and scholars of popular culture. One of the most collectible runs of paperbacks by a single publisher is the 2,168 Dell Paperbacks produced between 1942 and May, 1962. During that period Dell books were grouped into distinct series and retained an identifiable look. In this catalog-index each of the paperbacks is entered separately in the catalog of series listings. Main entries include the full title and subtitle of the book, the author's byline, head or title notes, pagination, printing date and size of the print run, publication date (if known), identification of the cover artist, full annotation of the back cover map when appropriate, and other annotations such as contents of collections and anthologies, and identification of ghost writers. The bibliography also indexes anonymous titles, subjects, maps, geographical areas, motion picture, television, and play tie-ins, actors and actresses pictured on Dell covers, special series, and advance blurbs.

This volume fills a conspicuous gap in the literature by providing the first resource guide devoted solely to Irish research collections located on both sides of the Atlantic Ocean. Organized geographically, the book covers the United States, Canada, Great Britain, and Ireland and provides comprehensive information about significant Irish collections in such areas as literature, history, current events, biography, Celtic studies, and the arts. Fully indexed and cross referenced, the guide will enable researchers to discover what is available and where it is located, systematically plan itineraries for visiting collections, and better determine duplication among collections.

Malcolm Arnold's music encompassed a variety of forms from opera and ballet through orchestral and chamber music to film scores. His most famous film score, for which he won an Oscar award in 1957, is The Bridge on the River Kwai. In 1953 he was commissioned to compose Homage to the Queen, a ballet to celebrate the coronation of Queen Elizabeth II. Arnold was knighted by the Queen in 1993 in honor of his contributions to English music. As with the other volumes in the Greenwood Bio-Bibliographies in Music series, this work includes a brief biography, discography, complete list of works and performances, and an annotated bibliography. Music scholars, musicians, and those with an interest in the music of Malcolm Arnold will appreciate the extensive information gathered in this one volume. Since Malcolm Arnold has retired from composing, this book features the most complete list of his compositions, including some of his newly discovered early works. The works are listed alphabetically within genre. The author also provides a chronological listing of the works through which trends and developments in Arnold's compositions may be traced. Sir Malcolm Arnold's input with the project assures the accuracy and completeness of this bio-bibliography.

The Removal of the Five Tribes from what is now the Southeastern part of the United States to the area that would become the state of Oklahoma is a topic widely researched and studied. In this annotated bibliography, Herman A. Peterson has gathered together studies in history, ethnohistory, ethnography, anthropology, sociology, rhetoric, and archaeology that pertain to the Removal. The focus of this bibliography is on published, peer-reviewed, scholarly secondary source material and published primary source documents that are easily available. The period under closest scrutiny extends from the passage of the Indian Removal Act in 1830 to the end of the Third Seminole War in 1842. However, works directly relevant to the events leading up to the Removal, as well as those concerned with the direct aftermath of Removal in Indian Territory, are also included. This bibliography is divided into six sections, one for each of the tribes, as well as a general section for works that encompass more than one tribe or address Indian Removal as a policy. Each section is further divided by topic, and within each section the works are listed chronologically, showing the development of the literature on that topic over time. The Trail of Tears: An Annotated Bibliography of Southeastern Indian Removal is a valuable resource for anyone researching this subject.

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The English/British have always been known as the sailor race with hearts of oak: the Royal Navy as the Senior Service and First Line of Defense. It facilitated the motto: The sun never set on the British Empire. The Royal Navy has exerted a powerful influence on Great Britain, its Empire, Europe, and, ultimately, the world. This superior annotated bibliography supplies entries that explore the influence of the English/British Navy through its history. This survey will provide a major reference guide for students and scholars at all levels. It incorporates evaluative, qualitative, and critical analysis processes, the essence of historical scholarship. Each one of the 4,124 annotated entries is evaluated, assessed, analyzed, integrated, and incorporated into the historiographical scholarship.

Carl Ruggles (1876-1971) was the epitome of the New England iconoclast. A composer of the American avant-garde movement, he wrote, in a very concise and dissonant style, a small body of truly unique musical works. He lived to be 95, composing to the very end of his life, but left behind a mere eight sanctioned works which he had rewritten and refined over decades. In the 1920s, he was at the focal point of ultra-modern music-making. Since there is currently a renewed interest in his work, this bio-bibliography is timely and needed, and of interest to scholars, students, and performers.

During the 1920s, had Edgard Varese or Charles Ives been asked to name America's greatest living composer, the response would have been Carl Ruggles. Forty years later, such eminent experts on American music as Nicolas Slonimsky, Virgil Thomson, and Aaron Copland would each describe Ruggles as our most technically refined composer. Ruggles, with Varese and Ives, was the standard-bearer of the atonal movement in this century's third decade. With the rise of American realism, he slipped out of the public eye. Recent years have seen a resurgence of performances of his works and research on his music; consequently, there is a need for this timely bio-bibliography.

The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. The authors of this Guide have compiled for the first time in one volume an entire history of the crime genre during the silent era, preserving the memories of these films for their own generation and introducing these works to a new generation thirsty for entertainment and knowledge. This Guide includes more than 2,000 film entries, complete with names of directors, screenwriters, and major players and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. This is the only work that includes one- and two-reelers and serials along with full-length crime features.

Each entry covers title, date of release, distributor or studio, director, screenwriter, major cast members, plot description, and thematic commentary, reviving this almost forgotten genre for generations of students and movie fans both old and new. The Guide pays tribute to the glory of cinema pioneers as diverse as D. W. Griffith and Lon Chaney who have given the world a wide variety of stories and experiences both thought-provoking and startling. Although men tended to dominate the silent years in Hollywood, women managed to contribute dramatically. Among them were director Lois Weber and film personalities Mabel Normand, Pearl White, Mary Pickford, and Ruth Roland. These creative men and women and their often neglected works deserve a second look. The likes of Pacino, Eastwood, and Brando can look to the past where the ground for their work was carefully prepared in such earlier silent films as Griffith's "The Musketeers of Pig Alley" (1912) and von Sternberg's "Underworld (1927).

The enormous body of short story anthologies from the nineteen countries of Spanish America and Brazil testifies to their importance for writers, editors, readers, and, especially, for schools and universities, teachers and students. The study of anthologies and their contents can be particularly revealing for many of the questions looming large in critical discourse, particularly those on canon formation and the relations between literature and cultural institutions; but researching this corpus is difficult because it varies greatly in quality, distribution, and format. The present volume for the first time gathers this mass of material and organizes it for systematic study. The main section comprises annotated listings of 1302 short story anthologies: those with stories from all or most of the countries grouped together, including a section of English-language anthologies; those from countries of a region; and those from individual nations. For most entries a full listing of contents is provided along with brief commentary. A second section comprises annotated bibliographies of criticism of the short story, similarly arranged with materials for Latin America as a whole as well as regionally and nationally. The volume ends with four indexes: of authors of the stories; of authors of essays, introductions, and other critical materials; of titles of the critical works; and of themes. An essential tool for scholars working on Latin American narrative, this bibliography will also serve as a practical finding aid for individual writers and stories.

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A guide for students, teachers, and researchers, this work includes all items listed in the 1942 edition, new entries from 1933 to 1967, and items from new regional journals.

Is there a recording of the songs from "Smile"? How many scores by Sondheim have been recorded in the past ten years? Answers to these and other such questions can be found in this unique volume. All shows are listed alphabetically, and essential information is included for each song, as well as other recordings of the same score and who recorded them. There are performer, composer, lyricist, and musical director indexes, making this a user-friendly reference. This volume, along with the author's previous discographies (Greenwood 1987, 1989, 1990), provides a definitive reference source for recorded musicals--from Broadway, Hollywood, television, or merely hoping-to-be-produced--up to 1995. The work is useful not only to scholars and students but also to the collector of musical show recordings.

Show recordings are listed by title in alphabetical order. Each song is listed in the order it was recorded on the album or CD, and the performer of the song is given. The recording is identified by composer, lyricist, and musical director, as well as the date of original production and date of this particular recording. There is a chronology of all shows included in this volume, and there are two indexes: one by performer and one by composer, lyricist, and musical director.

"Books on Early American History and Culture, 1981-1985: An Annotated Bibliography" continues a series of bibliographies listing book-length works on North America and the Caribbean prior to 1815. Meant for scholars, librarians, and students of early America, the book surveys over 900 monographs, essay collections, exhibition catalogues, and reference works published between 1981 and 1985. Entries include brief annotations, which describe the scope and approach to each item and, where applicable, the book's main thesis.

In addition to the standard bibliographic components, this book also includes a list of journals where the work has been reviewed and the number of times the book has been cited in the professional journal literature. In thirty-one thematic chapters the book covers such topics as government, religion, society, gender, race, and ethnicity. The work includes detailed subject and author indexes and evaluative material.