Lists sources of biographical information for individuals of interest to young readers.

From his groundbreaking book Speech Acts to his most recent studies of consciousness, freedom and rationality John Searle has been a dominant and highly influential figure amongst contemporary philosophers. This systematic introduction to the full range of Searle's work begins with the theory of speech acts and proceeds with expositions of Searle's writings on intentionality, consciousness and perception, as well as a careful presentation of the so-called Chinese Room argument. The volume considers Searle's recent work on social ontology and his views on the nature of law and obligation. It concludes with an appraisal of Searle's spirited defense of truth and scientific method in the face of the criticisms of Derrida and other postmodernists. This is the only comprehensive introduction to Searle's work, and as such it will be of particular value to advanced undergraduates, graduates and professionals in philosophy, psychology, linguistics, cognitive and computer science and literary theory.

A strong addition to the existing military history reference literature and to its series. . . . Dawson's research guide is more useful than a standard bibliography, and much more thorough for the time period covered than [other] sources. . . . Dawson builds his guide around more than 1,100 bibliographic entries, many of which have brief, descriptive annotations. The citations, arranged topically in eight chapters, are drawn from books, periodicals, and dissertations. A ninth chapter covers pertinent government documents and manuscript collections. Author and subject indexes and four useful appendixes are included. There is a fine introductory essay: the preface lists and briefly describes 50 top secondary sources selected from the larger body of literature. These features truly enhance the bibliographic core of the book and make it a guide useful to general readers, upper-level undergraduates, graduate students, and scholars. Choice The period between the Civil War and the end of the nineteenth century was a time of hard choices for the U.S. Army and those who led it. The federal government thrust numerous responsibilities upon the military, including pacifying the Indians, patrolling the defeated Confederacy, suppressing striking laborers, and supervising national parks. This comprehensive bibliography focuses on this period of military history, cataloging, surveying, and appraising the substantial body of contemporary and historical literature that traces the evolution of the U.S. Army from 1865 to 1898. As the largest single-volume reference work of its type, the book covers all major aspects of Army activities, and contains annotations on 80 percent of its entries. Following a series foreword by Roger J. Spiller and a brief introduction, the volume begins with an extensive survey of government documents and manuscript collections. Included here is a wide variety of U.S. government publications pertaining to the Army, many from the late nineteenth and early twentieth centuries. Subsequent chapters group sources under bibliographic topics, such as general secondary works, fiction, and memoirs and contemporary accounts, as well as under subjects that refer to the Army's activities. These include the Army and Reconstruction, the Indian-fighting Army, forts and post life, the late 19th century Army, and coastal defense. A series of appendixes provides a period chronology, list commanding generals and secretaries of war, and chart army strength. A set of author and subject indexes conclude the work. The Late 19th Century U.S. Army will be an important addition to the collections of public and academic libraries, and a useful resource tool for courses in U.S. history and military history.

Despite protestations to the contrary, myth criticism in literature is not dead: witness the well over 1000 illuminating sources published between 1970 and 1990 selected from thousands more and provided with succinct informative annotations. The modern study of the relation between myths and literature began in the late 19th century with publication of James G. Frazer's The Golden Bough and reached a high water mark with Northrop Frye's archetypal criticism beginning in the late 1950s. The "end of modernism" proclaimed in the late 1960s seemed also to toll the death knell for myth criticism, which was denigrated by some "new critics" of the "post-modernist" era. Instead, however, the authors here have found a wealth of recent materials, some proceeding from traditional psychological or anthropological stances and others taking new directions: studying relationships between myth and language and myth and history, viewing myth as part of the complex fabric of fiction rather than its core, and accommodating feminist theory, among other approaches. The variety of narratives accorded the status of myth has also prompted inquiries on mythopoesis, or the literary creation of myth. The opening chapter surveys work done on the mythic or archetypal approach in general and on such mythic figures in literature as Orpheus, Oedipus, Cain, and Faust; the second chapter covers works on myth in classical literature; and the following five chapters correspond to major periods in British and American literature. Included are general studies and studies of particular authors, notably among them such giants of the past as Shakespeare, Milton, Melville, Joyce, and Faulkner, but also including suchcontemporary writers as Toni Morrison and John Updike. A well-constructed subject index provides access throughout to mythical figures and literary figures as well as major theories and theorists, topics, and themes; and an author index accesses the critical studies.

Libraries, musicologists, and Deadheads alike will want a copy of this comprehensive annotated bibliography that contains most of what has been written over the past 30 years about this legendary American musical institution and its fans, the Deadheads. The approximately 4,000 annotations serve as a chronolgical history, an aid to researchers, and a guide for fans and collectors. The Grateful Dead appeared on the San Francisco music scene in 1965, and over the course of their career inspired a wide array of writing. This work includes the entire spectrum. The work includes every book published about the band, every article that appeared in a major magazine or journal, chapters and entries in books, and articles from The San Francisco Chronicle and The San Francisco Examiner newspapers. Several magazines in their entirety were devoted (and remain devoted) to following the band, and this bibliography chronicles the material that appeared in those fan magazines. In addition to author, subject, and title indexes, an index to artists and photographers is included, since the Grateful Dead inspired a large body of artistic and photographic work.

Complementing the author's 1990 bibliography, A Bibliographic Guide to the History of Computing, Computers, and the Information Processing Industry, this bibliography provides 2,500 new citations, covering all significant literature published since the late 1980s. It includes all aspects of the subject--biographies, company histories, industry studies, product descriptions, sociological studies, industry directories, and traditional monographic histories--and covers all periods from the beginnings to the personal computer. New to this volume is a chapter on the management of information processing operations, useful to both historians and managers of information technology. Together with the earlier bibliography, this work provides the most comprehensive bibliographic guide to the history of computers, computing, and the information processing industry. The organization of the book follows that of the earlier work, with the addition of the new chapter on the management of information processing. All entries are new to this volume. Titles are annotated, and each chapter begins with a short introduction. A full table of contents and author and subject indexes enhance accessibility to the material.

Howard Hanson details the career and works of a composer called by several critics "the most important figure in American music in the second quarter of the 20th century." Hanson's compositions elicited the broadest possible range of critical reaction. While early works from the 1920s were viewed as dissonant, avant-garde experimentations, within a decade his compositions in a similar style were viewed as solid, conservative works. Within this range, it was generally agreed that Hanson represented the best in solid compositional and orchestrational technique, and audiences greeted his new compositions with unquestioned approval throughout his 60-plus year career. As an important proponent of American music during his forty year tenure as Director of the Eastman School of Music, he conducted premieres of literally thousands of works by American composers and always encouraged young American composers.

The literature about academic advising has proliferated at a rapid rate during the past decade. This volume cites and annotates some 350 items on that topic. While most of the works were published in the 1980s and 1990s, a few classic books and articles from the past have also been included. Entries are grouped in topical chapters, and each overviews the contents of the work cited. Academic advising is one of the most important services on campuses today. No longer viewed as simple course scheduling, this subject is seen as a vital process that assists students in setting goals and negotiating the college experience in a positive way. Advising has evolved as a critical function because of the increasing complexity of curricula, the competitiveness of the job market, and the changing nature of the student population. The literature on academic advising has consequently proliferated during the past decade, and this book provides valuable guidance in that area. It contains some 350 entries for books and articles on academic advising and closely related topics. Entries are grouped in topical chapters, and each includes a short annotation. While most of the works cited were published in the 1980s and 1990s, a few classic articles and books from the past have also been included to give the collection an historical perspective.

Gian Carlo Menotti is a composer known chiefly for his popular operas, including Amahl and the Night Visitors, The Medium, and The Consul. He also wrote a considerable amount of choral, instrumental and chamber music. This addition to the Greenwood Press series Bio-Bibliographies in Music serves as a reference guide to Menotti's career. A brief biographical sketch precedes a chronologically arranged bibliography of general writings by and about Menotti followed by a detailed list of works, alphabetically arranged. A bibliography of writings about specific compositions, complete with selected contemporary critical reviews, includes data on premiers and other significant performances and discographies of recordings.

Opera music scholars, along with Menotti fans, will appreciate this detailed guide to available research materials. Intended as a scholarly resource, this volume also includes two appendices, a chronological list of works and a genre list of works. An author index and a separate performer index are provided.

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American history has been produced by the union of disparate states, each with its own ethnic, geographical and economic history. Long appreciated by the nation's local citizens, the richness and significance of local history has only recently been reevaluated by academic authorities. The number of articles and monographs on Kentucky history has increased dramatically since the last Kentucky bibliography was published in 1949. This book provides an indispensable guide to the literature on Kentucky history.

John McCabe is a thoroughly documented bio-bibliography of one of Britain's leading composers. John McCabe has an international reputation, both as a composer and a pianist, whose compositions cover most of the established forms. The complete list of his works and performances have never before been presented in such detail. Articles and features by and about the composer contain annotations, often in the form of quotations from the material. National, academic, and public libraries, as well as specialized music libraries and archives, will find this work a valuable research tool. The work begins with a brief biography of John McCabe prepared with the composer's assistance and is followed by a complete list of works and performances classified by genre and arranged alphabetically by title of composition. Performance and publication information is provided for each work, including its first and other selected performances. A list of McCabe's publishers is followed by a discography of commercially produced sound recordings divided into sections on McCabe as a composer and as a performer. A bibliography of writings by and about McCabe includes gramaphone record reviews written by McCabe for the British journal Records and Recordings between 1967 and 1974. An alphabetical and a chronological list of compositions appear in appendices.

This bio-bibliography was designed to present a combined biographical, critical, and bibliographical portrait of the Marx Brothers. It examines their significance in film comedy in particular, and as popular culture figures in general. The book is divided into five sections, beginning with a biography which explores the public and private sides of the Marx Brothers. The second section is concerned with the influences of the Marx Brothers as icons of anti-establishment comedy, as contributors to developments in American comedy, as early examples of "saturation comedy," and as a crucial link between silent films and the "talkies." Three original articles, two by Groucho and one by Gummo, comprise part three. A bibliographical essay, which assesses key reference materials and research collections, is followed by two bibliographical checklists. Appendices containing a chronological biography with a timeline, a filmography, and a selected discography complete the work.

This handy volume is a one-stop source for comprehensive information about books on early American history and culture published between 1996 and 2000. Intended to help anyone who uses research materials sort through the vast amount of literature on the topic, Books on Early American History and Culture, 1996-2000: An Annotated Bibliography covers more than 700 titles published during those years. The volume includes monographs, reference works, exhibition catalogs, and essay collections reviewed in at least one of 45 general periodicals and historical journals. Each entry provides the name of the book, its author(s) or editor(s), publisher, date of publication, ISBN and/or OCLC number(s), Library of Congress call number and/or Dewey number, and the number of times the work has been cited in journal literature covered by the Thomson ISI Arts and Humanities and Social Science citation indexes. Following each detailed citation is a brief summary of the book and a list of journals in which the book has been reviewed. 32 thematic chapters covering more than 700 titles An author index Appendices that list frequently cited works

Interest in the study of family business has increased significantly over the last decade. The research on this subject - and the related subject of entrepreneurship - has developed in parallel within a number of different disciplines, making it the perfect candidate for an annotated bibliography. This book aims to catalog the major empirical, theoretical, and practical articles on family business. Included for each article listed are a summary of key findings, and a list of the methodologies and key conceptual models used. It also features a review of the literature, a discussion of how family businesses have been defined, and agenda for future research into both family business and entrepreneurship studies.

Memoirs, autobiographies, and diaries represent the most personal and most intimate of genres, as well as one of the most abundant and popular. Gain new understanding and better serve your readers with this detailed genre guide to nearly 700 titles that also includes notes on more than 2,800 read-alike and other related titles. The popularity of this body of literature has grown in recent years, and it has also diversified in terms of the types of stories being told-and persons telling them. In the past, readers' advisors have depended on access by names or Dewey classifications and subjects to help readers find autobiographies they will enjoy. This guide offers an alternative, organizing the literature according to popular genres, subgenres, and themes that reflect common reading interests. Describing titles that range from travel and adventure classics and celebrity autobiographies to foodie memoirs and environmental reads, Life Stories: A Guide to Reading Interests in Memoirs, Autobiographies, and Diaries presents a unique overview of the genre that specifically addresses the needs of readers' advisors and others who work with readers in finding books. A list of subjects and suggested "read-alikes" accompany each title Appendixes cover awards, websites, and resources Detailed indexes provide further points of access

A diverse and dynamic branch of American journalism, the specialized business press has helped to shape our trades, our industries, our businesses, our professions--our economic way of life. This volume provides a glimpse into the specialized business press. It includes profiles, arranged alphabetically, of some 70 periodicals, reflecting the diversity of the specialized business press. The selection of journals was based on the publication's historical importance, dominance in the field, and editorial excellence. Each entry provides a historical profile of the journal, a discussion of its editorial policies, personnel, and changes throughout its development, and concludes with appended bibliographic and source information and historical data. The work provides a valuable source of information on these journals.

This comprehensive bibliography lists over 2,500 business histories written in the UK this century. It includes books of more than 50 pages in length which have been written before December 1992 and which have been either formally published or privately printed. For ease of reference, the histories have been catalogued in subject headings with individual companies, firms and organizations listed in the index.

Economists have come a long way in understanding the economic growth process since Adam Smith. Economic growth research has not only had a great impact on policy making, it has also generated a large and diverse literature. Designed to facilitate teaching and research on economic growth, this book will help the scholar and student to navigate the literature on determinants of economic growth. The book's opening essay highlights the important theories and empirical findings, while the bibliography includes over 1,200 annotated entries. International in scope, the volume covers individual-country studies, cross-country comparative studies, and cross-continent and worldwide research.

With chapters arranged by continent and country, the book enables the reader to quickly find titles of particular interest. Although the focus is on English-language titles, the book includes works in other languages as well. Coverage includes both books and articles. With this book, the reader can navigate through the literature accumulated over 45 years in just a few hours.

Provides an annoted listing of fiction and nonfiction titles.

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Teachers and librarians will find this one-volume reference guide an indispensable tool for identifying anthologies and poem collections that have particular appeal to young adult readers. Comprised of two main components, this resource features an annotated bibliography of 198 poetry volumes, and a thematic guide to over 6,000 individual poems. The carefully chosen anthologies and collections span reading levels from sixth to twelfth grade, and a tremendous breath of interest areas. Poets whose works are cited range from the classic to the contemporary, cover a broad ethnic and geographic spectrum, and range in style from humorous to tragic, rap to blues, free verse to rhymes, and limericks to haiku.

This survey of young adult poetry represents a careful selection and evaluation process undertaken by the authors in consultation with classroom teachers. The annotations help users identify themes in the works, grade level appropriateness, as well as format and content in the poetry collections and anthologies. The authors offer helpful suggestions for ways that these poetry works may be used in the English classroom and beyond; for igniting creative sparks with young writers, for science and social studies discussion, counseling sessions, and for sheer enjoyment. Librarians will value this well-organized resource as both a collection development tool, and--with its index of writers and titles and extensive theme guide--as a way of connecting young readers to wonderful poetry.

Billy May was a self-taught musician and arranger. In 1938, he received his first big break arranging and playing trumpet; first, for the Charlie Barnet band, and in 1940, the band of Glenn Miller. Settling in Hollywood in 1943, his first of many big breaks in radio was playing in Ozzie Nelson's band for the "Red Skelton ShoW." Shortly thereafter, May was asked by Nelson to be musical director to his new show, The Adventures of Ozzie and Harriet. He was also fortunate to play in the orchestra and write arrangements for John Scott Trotter on Bing Crosby's "Kraft Music Hall." Billy May's earliest collaboration with Frank Sinatra produced "Don't Fence Me In" for broadcast on December 23, 1944. Capitol Records paired Billy May and Alan Livingston to initiate a series of children's recordings with arrangements and compositions such as "Bozo the Clown" and the exceedingly popular "I Taut I Taw a Putty Tat." As a band leader and arranger, his signature included the prominent saxophone section glissando (sliding, or slurping) effect, and highly imaginative arrangements. His last great project was the documentation on record of swing era music, commissioned by Time-Life, and completed in 1973.

The discography covers Billy May as arranger and composer from 1944-1998, as sideman and arranger for others, his work on radio, television, movies, and international appearances, his road band, recordings, both domestic and foreign, and his transcriptions. Data is cross-indexed by song title and artist.