Chris Sheridan presents a major discographical study of an American jazz giant, Cannonball Adderley, whose career had a significant impact on jazz's development. At the same time, Sheridan stretches the boundaries of discography in two important ways: In scope and in presentation.

In scope, the session listings not only include every known commercially recorded issue--a factor neglected by growing numbers of discographers covering a single artist--but also all known recorded sessions, particularly from film, and broadcasts on radio and television. The latter are providing a quickly growing market for issues on independent record labels, especially by artists no longer alive. The main discographical text also includes a narrative aiming to place the recorded music in context, both in Adderley's own career and in the development of jazz. Sheridan also continues a unique section, pioneered in his earlier "Count Basie: A Bio-Discography"--the day-by-day diary of the musician's musical activities. This is not only significant in its own right, it also serves to authenticate the chronology of the sessions listed in the main discography. In terms of presentation, Sheridan aims to present a more stylish face by using a variety of related fonts to enhance clarity and by a radical rearrangement of the information given in each session listing. A definitive work essential for all researchers of jazz.

General accessibility to motion picture credit information continues with Annual Index to Motion Picture Credits, 1981 the fourth issue to be published by Greenwood Press. The Academy collects information supplied by film producers and distributors to form each film entry in the Annual Index. Each entry includes: title, production companies, releasing companies, approximate completion date, running time, MPAA rating, producer, director, art director, cinematographer, film editor, costume designer, sound, music, writers, and cast. Even when complete credits are not available, the film will be included with the available information. In addition to the complete entry for each film, many elements are indexed: by 10 major crafts (producers, costume designers, actors, etc.) showing individual name and films; by releasing company; by individual name with reference to the craft and film; and by character name. The Annual Index covers feature films released in Los Angeles commercial theaters during the year covered. Television credits are not included.

This guide provides an overview of the foreign missionary manuscripts and archival collections in the Presbyterian Historical Society, including all materials acquired and processed through January 1, 1987. The Society's library contains materials about history and Christianity in general from the fifteenth century to the present. It also has extensive collections of nonprint media pertinent to American Presbyterian and Reformed Church life, including engravings, photographs, lantern and 35 mm slides, microfilm, motion picture film, filmstrips, phonographic disks, audio tapes, and museum items. The Society's formal archival program was established in 1967; its accomplishments are clearly evident in this guide. In addition, the Society serves as the national archives for other ecumenical organizations in which Presbyterians have been involved: these include the National Council of Churches of Christ, the American Sunday School Union, the American Foreign Christian Union, and the National Temperance Society. The Society's archives contain official minutes and files of the General Assemblies, presbyteries, synods, and individual congregations of numerous different American and Reformed denominations.

This twenty-first volume of ABHB (Annual bibliography of the history of the printed book and libraries) contains 4210 records, selected from some 2000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab countries Latin America Australia Luxembourg Austria The Netherlands Belgium Norway Bulgaria Poland Canada Portugal Denmark Rumania Finland South Africa France Spain German Federal Republic Sweden Great Britain USA Hungary USSR Ireland (Republic ot) Yugoslavia Italy Latin America and the Arab countries are being covered through the good offices of American and British colleagues. Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing of international bibliographic collaboration. to co-operate to this scheme The editQr will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, VIII INTRODUCTION crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography.

It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part I of Our Mutual Friend, Dickens's final novel, which was originally serialized in standalone installments in 1864-65. A satire on avarice and the power of money to influence human behavior, it is Dickens's most sophisticated work, and the fullest expression of the writer's authority and persuasiveness.

This research guide consists of an annotated bibliography of selected published items concentrating on military logistics in America from the colonial era to the present. This unique comprehensive reference is designed for libraries and scholars interested in American military history and for the use of academics and professionals at military service schools, staff colleges, and senior service colleges, with an interest in logistical doctrine and the logistical support of military operations. A narrative introduction includes a concise discussion of the major themes, of American military logistics. A subsequent section notes the top 50 works in the field of military logistics history. Chapter 1 notes unpublished and published government documments dealing with military logistics, and manuscript collections of interest, The core bibliographical section consists of seven topical chapters (Science of Logistics, General, Quartermaster, Transportation, Subsistence, Ordnance, and Procurement-Mobilization) comprising 1996 entries representing the most significant books, dissertations, and articles in English on the topic of military logistics. The core chapters are organized chronologically with an introductory section comprising works covering more than one period.

British-born David Niven began his acting career in 1935, appearing in movie classics that have stood the test of time. Immensely popular with moviemakers and fans alike, Niven's urbane wittiness and charm enamored him to them throughout his long career. After grieving the death of his young first wife and left to raise two small children, he developed his career and won the Academy Award for Best Actor in 1958. He later attained success as a writer. This reference is a definitive guide to David Niven's fascinating career. The book begins with a short biography that summarizes his life and provides a context for his work. The following chapters are each devoted to Niven's work in a particular medium, such as film, stage, radio, and television. Each chapter includes entries for Niven's performances, which provide full production information, plot synopses, review excerpts, and commentary. Other portions of the book offer information on material written by Niven, his various awards, and an annotated bibliography of works about him.

Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers. With multiple indices, this annotated bibliography will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. The second edition has been fully revised and updated.

The American Wind Symphony Editions comprises the more than 150 works commissioned by Robert Austin Boudreau for the American Waterways Wind Orchestra and published by the C. F. Peters Corporation. They are here presented for the first time in a complete catalog with detailed descriptive data, biographical information on the composers or arrangers, and score facsimiles. The published music represents about half of the over 300 works commissioned by the orchestra since 1957 in the largest such project in wind instrument history. Presented in this catalog are the published works of 83 composers from 28 countries, including such notables as Alan Hovhaness, Toshiro Mayuzumi, Krzysztof Penderecki, Ned Rorem, and Heitor Villa-Lobos. Genres include original concert and chamber music, incidental and occasional music, and theatrical and pop pieces, as well as arrangements of past masters. The compositional characteristics of each work are described, and data on number of performers, date of composition, duration, score accessibility, composer nationality and dates, and itemized instrumentation is listed. The catalog further provides appendixes classifying the music by composer nationality, duration of works, type of soloist, number of performers, programming category, and other fields. A selective discography is included, as are indexes of works by composer and title. Background history on the wind orchestra and music publisher is also provided.

This work, together with Mickolus's "Literature of Terrorism: A Selectively Annotated Bibliography," published in 1980, provides the most comprehensive bibliography on terrorist violence available in print. "Terrorism, 1980-1987" concentrates on material written during the 1980s, a period which has seen an enormous outpouring of commentary and research on terrorism and terrorist attacks. In addition to surveying journalistic, social scientific, and traditional historical studies in some dozen languages, the book also includes the fictional literature of terrorism, offering a broad cross-section of research and opinion on the subject. The material is organized into sections based on region and functional categories, enabling the researcher to compare quickly developments in specific topics. Coverage ranges from general treatments of terrorism and tactics of terrorists to material that deals with the terrorist infrastructure, terrorism in specific geographic areas, and responses to terrorism. The compilers have made special efforts to include items from publications not often cited in terrorism studies, both to give the reader an indication of the breadth of material available and to offer insights into the pervasive effects of terrorism on all aspects of life.

The years 1760 to 1789 mark the political birth of the United States; simultaneously, an emancipation of American scientific endeavor from the influence of England and Europe was taking place. This is especially evident in the area of natural sciences--the growing frontiers and population of America opened up vast areas to scientific scrutiny. This extensive bibliography commemorates the scholarship that was published in many forms by and about Revolutionary American science from 1760 through the twentieth century. Part one of Katalin Harkanyi's work provides an overview of the natural sciences in the Revolutionary Era. Comprehensive and general sources are listed in the fields of natural history (botany, zoology, agriculture, and geology), natural philosophy (mathematics, chemistry, astronomy, surveying, engineering, and architecture), and medicine (dentistry, pharmacology, and veterinary medicine). Included are journals, documents, biographies, bibliographies, histories, orations, and even travel journals and diaries which create a framework for the study of Revolutionary American science. The second part of this bibliography is devoted to the scientists themselves: the men and women who wrote partial or specific scientific studies. This section of the book shows that these early Americans were capable of remarkable investigations into the natural world, rivaling their European contemporaries. Here are listed the scientists, their extant monographic works, and studies written about them from their age into the twentieth century. Appendices include scientific firsts and special achievements of Revolutionary Americans and a list of scientists arranged by discipline. This book will be a useful guide for historians and scientists, as well as inquiring general readers, who want to know more about the early growth of American science.

Curricula in literature have traditionally focused on the writings of the West. The influx of immigrants from Eastern and Southeastern Asia, and more recently from Pacific countries and islands, has brought to our schools children who deserve to be introduced to their own literary heritage. So too, as American society gains more members from Oceanic cultures, it is important that Americans of European ancestry become better acquainted with the literature of the Pacific. This bibliography includes annotated entries written in English for children's and young adult literature concerning the cultures of Melanesia, Micronesia, Polynesia, Australia, and New Zealand. The volume begins with an introductory overview of Oceania's geographical features, people, and customs. The chapters that follow are devoted to specific regions of Oceania, and each includes an overview of the literature, an annotated list of books for children and young adults, and an annotated bibliography of secondary sources for adults. Within each bibliography, entries are organized alphabetically by author.

The increasing interest in American Indians-their histories, cultures, and contemporary concerns-and the enormous quantity of material published on the subject in recent years have precipitated the need for this research guide. Focusing on Native Americans in the United States, Canada, and Alaska, this work follows a teacher/librarian's approach to locating and using major sources for information and research. It covers directories, handbooks, encyclopedias, bibliographies, biographical sources, periodicals, government publications, periodical indexes, and computer databases for research. Extensive coverage of electronic resources gives researchers many venues for rapid access to the literature in a variety of subject fields that pertain to American Indians. An important research tool for librarians, college students, and other researchers, this guide allows users to efficiently survey the literature and learn of the options available for locating information on specific topics in the field.

Since 1934, the Academy of Motion Picture Arts and Sciences has organized motion picture credit information and published it, primarily for distribution to the motion picture community, in the Screen Achievements Records Bulletin. Since 1978, Greenwood Press has provided general accessibility to this information, and continues to do so with the third volume of the Annual Index to Motion Picture Credits (1980). Data for this volume is composed of that used in determining contenders in the Annual Academy Awards ceremony, and that provided about films unrelated to the Academy event, but produced in the Los Angeles area. Each entry includes: title, production companies, releasing companies, approximate completion date, running time, MPAA rating, producer, director, art director, cinematographer, film editor, costume designer, sound, music, writers, and cast. In addition to the complete entry for each film, many elements are indexed: by 10 major crafts (producers, costume designers, actors, etc.) showing individual name and films; by releasing company; by individual name with reference to the craft and film; and-- a new feature in 1980-- by character names.

From his groundbreaking book Speech Acts to his most recent studies of consciousness, freedom and rationality John Searle has been a dominant and highly influential figure amongst contemporary philosophers. This systematic introduction to the full range of Searle's work begins with the theory of speech acts and proceeds with expositions of Searle's writings on intentionality, consciousness and perception, as well as a careful presentation of the so-called Chinese Room argument. The volume considers Searle's recent work on social ontology and his views on the nature of law and obligation. It concludes with an appraisal of Searle's spirited defense of truth and scientific method in the face of the criticisms of Derrida and other postmodernists. This is the only comprehensive introduction to Searle's work, and as such it will be of particular value to advanced undergraduates, graduates and professionals in philosophy, psychology, linguistics, cognitive and computer science and literary theory.

Journeying through the comic art worlds of Africa, Asia, Australia, and Latin America, one cannot help being deeply impressed with the longevity, magnitude, and versatility of their cartooning traditions. This is the fourth title in Lent's definitive bibliography of comic art worldwide--the series includes over 30,000 citations. The current volume covers 67 countries on the various continents. The 6,506 items here comprise the richest lode of research materials on comic art in these regions. Three famous cartoonists from Asia (Abu Abraham), Africa and the Middle East (Effat), and the Caribbean (Ares) provide interesting perspectives on their regions in separate forewords.

The work is divided by regions, countries, and topics, and, like the others in the series, includes citations in many languages and in published and unpublished formats. The other three volumes are "Animation, Caricature, and Gag and Political Cartoons in the United States and Canada"; "Comic Art of Europe"; and "Comic Books and Comic Strips in the United States," all published by Greenwood in 1994. Early reviews of these volumes include statements such as, incredible...monumental task that gets] the art forM's reference files in order and you've set the study of comics ahead by about ten years.

Designed to meet the needs of scholars and researchers interested in China and Asia as well as librarians and library school students, this new reference is the only available book-length research guide to library and information science in mainland China and Taiwan. Consisting of nearly 1,000 annotated entries, it lists significant English-language materials--together with important titles in Chinese, French, German, and Japanese--published in the last 100 years. Entries are arranged in eleven broad subject categories, including bibliography and reference, types of libraries, books and printing, history, automation and information services, librarianship education, and international exchange. Detailed citations are provided for books, journal articles, chapters or sections of books, conference papers, theses, dissertations, and ERIC documents. Author and subject indexes are supplied.

The second volume contains Feuchtwanger's essays and belletristic contributions to periodicals, newspapers and anthologies, as well as translations and adaptations of his work for film, television, radio, theatre and opera and productions of his works of drama.

This handy volume is a one-stop source for comprehensive information about books on early American history and culture published between 1996 and 2000. Intended to help anyone who uses research materials sort through the vast amount of literature on the topic, Books on Early American History and Culture, 1996-2000: An Annotated Bibliography covers more than 700 titles published during those years. The volume includes monographs, reference works, exhibition catalogs, and essay collections reviewed in at least one of 45 general periodicals and historical journals. Each entry provides the name of the book, its author(s) or editor(s), publisher, date of publication, ISBN and/or OCLC number(s), Library of Congress call number and/or Dewey number, and the number of times the work has been cited in journal literature covered by the Thomson ISI Arts and Humanities and Social Science citation indexes. Following each detailed citation is a brief summary of the book and a list of journals in which the book has been reviewed. 32 thematic chapters covering more than 700 titles An author index Appendices that list frequently cited works

Lists sources of biographical information for individuals of interest to young readers.

A strong addition to the existing military history reference literature and to its series. . . . Dawson's research guide is more useful than a standard bibliography, and much more thorough for the time period covered than [other] sources. . . . Dawson builds his guide around more than 1,100 bibliographic entries, many of which have brief, descriptive annotations. The citations, arranged topically in eight chapters, are drawn from books, periodicals, and dissertations. A ninth chapter covers pertinent government documents and manuscript collections. Author and subject indexes and four useful appendixes are included. There is a fine introductory essay: the preface lists and briefly describes 50 top secondary sources selected from the larger body of literature. These features truly enhance the bibliographic core of the book and make it a guide useful to general readers, upper-level undergraduates, graduate students, and scholars. Choice The period between the Civil War and the end of the nineteenth century was a time of hard choices for the U.S. Army and those who led it. The federal government thrust numerous responsibilities upon the military, including pacifying the Indians, patrolling the defeated Confederacy, suppressing striking laborers, and supervising national parks. This comprehensive bibliography focuses on this period of military history, cataloging, surveying, and appraising the substantial body of contemporary and historical literature that traces the evolution of the U.S. Army from 1865 to 1898. As the largest single-volume reference work of its type, the book covers all major aspects of Army activities, and contains annotations on 80 percent of its entries. Following a series foreword by Roger J. Spiller and a brief introduction, the volume begins with an extensive survey of government documents and manuscript collections. Included here is a wide variety of U.S. government publications pertaining to the Army, many from the late nineteenth and early twentieth centuries. Subsequent chapters group sources under bibliographic topics, such as general secondary works, fiction, and memoirs and contemporary accounts, as well as under subjects that refer to the Army's activities. These include the Army and Reconstruction, the Indian-fighting Army, forts and post life, the late 19th century Army, and coastal defense. A series of appendixes provides a period chronology, list commanding generals and secretaries of war, and chart army strength. A set of author and subject indexes conclude the work. The Late 19th Century U.S. Army will be an important addition to the collections of public and academic libraries, and a useful resource tool for courses in U.S. history and military history.

Libraries, musicologists, and Deadheads alike will want a copy of this comprehensive annotated bibliography that contains most of what has been written over the past 30 years about this legendary American musical institution and its fans, the Deadheads. The approximately 4,000 annotations serve as a chronolgical history, an aid to researchers, and a guide for fans and collectors. The Grateful Dead appeared on the San Francisco music scene in 1965, and over the course of their career inspired a wide array of writing. This work includes the entire spectrum. The work includes every book published about the band, every article that appeared in a major magazine or journal, chapters and entries in books, and articles from The San Francisco Chronicle and The San Francisco Examiner newspapers. Several magazines in their entirety were devoted (and remain devoted) to following the band, and this bibliography chronicles the material that appeared in those fan magazines. In addition to author, subject, and title indexes, an index to artists and photographers is included, since the Grateful Dead inspired a large body of artistic and photographic work.

Despite protestations to the contrary, myth criticism in literature is not dead: witness the well over 1000 illuminating sources published between 1970 and 1990 selected from thousands more and provided with succinct informative annotations. The modern study of the relation between myths and literature began in the late 19th century with publication of James G. Frazer's The Golden Bough and reached a high water mark with Northrop Frye's archetypal criticism beginning in the late 1950s. The "end of modernism" proclaimed in the late 1960s seemed also to toll the death knell for myth criticism, which was denigrated by some "new critics" of the "post-modernist" era. Instead, however, the authors here have found a wealth of recent materials, some proceeding from traditional psychological or anthropological stances and others taking new directions: studying relationships between myth and language and myth and history, viewing myth as part of the complex fabric of fiction rather than its core, and accommodating feminist theory, among other approaches. The variety of narratives accorded the status of myth has also prompted inquiries on mythopoesis, or the literary creation of myth. The opening chapter surveys work done on the mythic or archetypal approach in general and on such mythic figures in literature as Orpheus, Oedipus, Cain, and Faust; the second chapter covers works on myth in classical literature; and the following five chapters correspond to major periods in British and American literature. Included are general studies and studies of particular authors, notably among them such giants of the past as Shakespeare, Milton, Melville, Joyce, and Faulkner, but also including suchcontemporary writers as Toni Morrison and John Updike. A well-constructed subject index provides access throughout to mythical figures and literary figures as well as major theories and theorists, topics, and themes; and an author index accesses the critical studies.

Complementing the author's 1990 bibliography, A Bibliographic Guide to the History of Computing, Computers, and the Information Processing Industry, this bibliography provides 2,500 new citations, covering all significant literature published since the late 1980s. It includes all aspects of the subject--biographies, company histories, industry studies, product descriptions, sociological studies, industry directories, and traditional monographic histories--and covers all periods from the beginnings to the personal computer. New to this volume is a chapter on the management of information processing operations, useful to both historians and managers of information technology. Together with the earlier bibliography, this work provides the most comprehensive bibliographic guide to the history of computers, computing, and the information processing industry. The organization of the book follows that of the earlier work, with the addition of the new chapter on the management of information processing. All entries are new to this volume. Titles are annotated, and each chapter begins with a short introduction. A full table of contents and author and subject indexes enhance accessibility to the material.

Gian Carlo Menotti is a composer known chiefly for his popular operas, including Amahl and the Night Visitors, The Medium, and The Consul. He also wrote a considerable amount of choral, instrumental and chamber music. This addition to the Greenwood Press series Bio-Bibliographies in Music serves as a reference guide to Menotti's career. A brief biographical sketch precedes a chronologically arranged bibliography of general writings by and about Menotti followed by a detailed list of works, alphabetically arranged. A bibliography of writings about specific compositions, complete with selected contemporary critical reviews, includes data on premiers and other significant performances and discographies of recordings.

Opera music scholars, along with Menotti fans, will appreciate this detailed guide to available research materials. Intended as a scholarly resource, this volume also includes two appendices, a chronological list of works and a genre list of works. An author index and a separate performer index are provided.