Throughout the world Pinocchio is acknowledged as a rich tale about growing up and self-discovery, an exciting adventure for young children, and a chance to reflect, recall, and understand for adults. In addition to providing the most complete list of English language Pinnochio editions thus far compiled, each of the more than 850 entries in this catalogue is fully described, distinguishing first editions from later releases. Compiled by means of actual copies, all citations state the source of the copy described. Each entry consists of full bibliographic credits, identification of the version, physical description of the volume, occasional other notes, and then traces the edition (when a reprint or reissue) back to its original source. A synopsis is added for Pinocchio continuations. Entries being listed by year of release, this carefully constructed reference is designed for ready access by date, publisher index, name index, and synoptic table. In addition to other information they provide, the notes on publishers are particularly useful for interpreting printing marks, identifying changes in cover, title page, etc., and establishing various series dates and prices. This unique and comprehensive catalogue examines many previously unrecorded editions and sorts out whole assemblies of apparently similar volumes in a completely accessible format. Limiting Disney versions to 1939-40, the catalogue also includes plays, films, radio program, TV shows, and other renditions. It will be an immensely useful resource for book dealers, libraries, and collectors of children's literature.

This is a well established major bibliographic reference for students, researchers and librarians, the first edition of which was published in 1952.

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To study this composer is to study the tastes and trends of the American people from 1912 through World War II. This bio-bibliography presents Carpenter's life and works, as well as the contemporary views, reviews, and criticisms that reveal historical attitudes and prejudices of American life in those troubled times. Looking back several decades, it is possible to discover what was enduring, what was transitory, and what elements would become important to our present state of musical composition. This volume includes a biography, a list of works and performances, a discography, and an annotated bibliography and will be of interest to students of music, dancers and choreographers, history buffs, and music lovers alike. Throughout, one will find many gems from reviews.

Although Carpenter was an American with a Harvard education who quoted American popular tunes, he was also an eclectic. He wrote many works in a French impressionistic style, some with Germanic forms, and sometimes borrowing Spanish, Russian, and Oriental melodies, rhythms, and instruments. He was inspired by programmatic ideas and even wrote the program notes for his Adventures in a Perambulator suite. Humor and fantasy can be found in this suite, which depicts a baby's stroll through the park with its nurse, and in Krazy Kat, his jazz pantomime based on George Herriman's cartoon strip. Jazz first appeared at the Metropolitan Opera House in the 1926 production of Skyscrapers, Carpenter's ballet of work and play. Carpenter was born in Park Ridge, Illinois, 28 February 1876 and died 26 April 1951 in Chicago. New recordings of his music have recently been issued in LP and CD formats.

First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.

This unique one-volume discography provides a convenient reference to recordings of solo horn, horn duos and trios, multiple horns, and horns in combination with other solo instruments and with voice. Entries are organized by type of instrumental group or performance, with recordings of each artist listed under the composer of the work. Record label and number and an abbreviated list of reviews are provided, together with indexes of composers, hornists, and ensembles.

The Supernatural Index is the first index to all known anthologies of supernatural, fantasy, and weird fiction. It covers over 2,100 such books, indexing each volume by contents, author, and title. Books range from 1813 to date and therefore provide a complete history of the horror fiction field. Birth and death dates, along with pseudonyms, are provided for more than 7,700 authors; and for all the rougly 21,300 stories, every attempt has been made to provide original publication details. Supernatural fiction continues to be of interest to modern readers, though many of the most frequently anthologized ghost stories were written during the Victorian era. Because so much supernatural fiction has been published as short stories, anthologies have long been a useful means of bringing supernatural literature to the readers. This reference is the first index to all known anthologies of supernatural, fantasy, and weird fiction. Included are entries for more than 2,100 anthologies from 1813 to the present. Many of these anthologies have never been listed previously in bibliographies, and the volume even includes citations for rare Victorian works. Entries provide original publication sources for reprinted stories, including many from obscure magazines not previously indexed. The book also provides birth and death dates and pseudonyms for more than 7,700 authors of supernatural fiction. Citations may be accessed by editor, author, book title, or story title. Also included is a listing of the contents of each anthology.

Government publishing reflects nearly every aspect of life in America, and this wealth of information is easily available if one knows how and where to obtain it. The third edition of this standard reference work contains a profusion of titles covering the period of June 1989 to January 1993. Some previous publications-parts of long-standing series or those of continuing topical interest-are included. Many entries (e.g. AIDS, women, Iran-Contra, and space exploration) reflect the profound changes in our society since the last edition was published. Arrangement is by subject; each entry includes bibliographic description, issuing agency, SuDocs number, GPO stock number and price, and an annotation.

One hundred years after the Boer War, the British continue to debate what went wrong, while the war has significant nationalist overtones in today's South Africa. This book examines changes in interpretations of the war and provides a bibliography of major sources on the Boer War, now sometimes called the South African War. The bibliography focuses on the military history, but also includes some historical accounts of the political debate. The first part of the book provides an extended historiographical essay, while part two provides an annotated bibliography of the titles discussed in part one. Historiographical questions concerning the Boer War are numerous. Discussions of military operations focus on the early use of modern weaponry and the effect of guerrilla tactics on a traditional force, while other historians debate the question of British military leadership and organization. Questions also revolve around British imperialism and the "scramble for Africa." Frequently called the second war for freedom by South African authors, the war was the reason that South Africa, unlike other British colonies, gained independence without majority rule. This makes the war of continuing relevance to the turmoil in South Africa, the collapse of the minority government, and the continuing problems of the current government. This book will provide a useful tool for those wishing to research the war.

Arranged in three parts, this bibliography and guide to British directories in its second edition explains their evolution, describes the different types of directories and their content, and offers a new chapter on the use of directory material in historical studies. Over 2200 directory titles are listed, with indexes by publisher, place and subject. This updated edition also provides a guide to the 120 library collections of directories.

With the growth in interest in ethnographic materials, this is an essential publication for large public libraries serving patrons with interests in anthropology and art. Choice This indispensable directory of data on serials that contain information relevant to the study of ethnoart fills a gap long perceived by scholars of the indigenous arts of Africa, Oceania, and the Americas, an area of academic focus in which reference materials have been generally lacking. Culled from a database developed by compiler Eugene C. Burt to track potentially useful periodicals in connection with his publication, Ethnoarts Index, the volume is designed to aid those with an interest in ethnoart in determining which serial publications best suit their research needs. In the main directory users can find information on former titles, publisher, editorial focus, content features, and a relevancy rating on each of almost 700 individual serial titles that have an editorial focus related to ethnoart. Nine separate appendices list recommended titles in various categories as well as serials that include indexing, bibliographic or abstracting services, ceased titles, and more. Titles include publications from the fields of art history, anthropology, history, area studies, librarianship, museum studies, and general interest magazines. Prefatory material explains the book's organization and the rationale for its recommendations and is followed by the major portion of the volume, the database of serials arranged alphabetically by title. In each entry more than 20 categories of information are provided including an assigned relevancy rating that rates the level of relevancy of a publication to ethnoart based on the frequency that ethnoart-oriented articles, reviews, etc. appear. Several indices make collection development recommendations based on the relevancy ratings, with approximate cost information. Additional appendices list titles by country of publication, relevant ceased titles, and more. Finally, a unique, rotated-keyword-in-title index that includes subtitles and former titles provides easy access to the main database. All of this information will be welcomed by librarians, scholars, collectors, dealers, curators, and students of ethnoart. Highly recommended for librarians building ethnoart collections; for university libraries where courses on any aspect of ethnoart are taught; and for libraries of museums and research institutions with an interest in ethnoart.

The keyguide is divided into three parts: Part One is an overview of the literature, covering the mass media in general, telecommunications, broadcasting in all its forms, cinema and video, the press, advertising, publishing and ethical issues, such as government policy and influence, legislation, codes of practice, censorship and reportage issues; Part Two is an annotated bibliography; and Part Three is an international directory of organizations. A detailed index completes the work.

First published in 1988, this reissue is an important work in the field of national literary exchange. Declared by American Library Association in its Choice publication one of the ten best reference works of 1988, the volume has survived global change - politically, socially, economically, religiously, aesthetically - to promote cultural dialogue between China and the West. Besides the scores of annotated sources, the introductory essays remain as authentic and moving as the day of their appearance.

Equally to be observed is accelerating demand, especially in academic institutions, for global cultural exchange through national literatures. How can we of the English-speaking world, for example, adequately understand and converse with our Chinese counterparts without some appreciation of their culture, notably of Confucian and Taoist roles in their history as reflected in their literature?

Overall, a pioneering work whose reissue will be welcomed by both scholars and general readers alike.

The Blue Note label is one of the most widely known and respected producers of jazz music in the world. This reference book, by noted discographer Michel Ruppli and Blue Note producer Michael Cuscuna, expands upon the previous edition and includes comprehensive documentation of personnel, recording locations and dates, and master and issue numbers for every recording made or issued by the label from its inception through the present day.

An introduction provides a synopsis of the label's genesis, history, and output. Nine sections detail each stage in the label's history, from the sessions produced by the label's founders, through Blue Note's adoption by the Liberty Label and then by the EMI conglomerate, to its 1985 revival as its own entity, the jazz label of record in the United States.

Although historiography is a frequently used term, its content is far from unequivocal. For the purposes of this bibliography, Attila Pok defines modern historiography as the history of historical science as it was established at the beginning of the nineteenth century. Thus, this bibliography includes works that discuss the development of historical science since that time to 1990. Its aim is to provide access to the most important works on nineteenth- and twentieth-century historiography. The titles are arranged geographically. Following a section of general titles, sections are devoted to Europe, America, Africa and the Middle East, Asia, and Australia. Within each section, chapters cover individual countries. The volume also includes author and subject indexes.

VOLUME TWO OF TWO. France. Germany. Italy. Russia. Poland. Czech Republic. Romania. Mexico. Japan. Iran. All over the world -- everywhere except in the U.S. -- the legendary Jean Gabin continues to be considered one of the greatest movie stars of all time. In the U.S., he's definitely considered to be a cult figure (in 2002, twin Gabin festivals were presented at the Los Angeles County Museum of Art, and at the Walter Reade Theatres in New York), but for the vast moviegoing public, and just like a lot of the greats, he's fallen off of the radar.

That's about to change, however, because in 2008, Allenwood Press presents the very first English-language (and two-volume ) book about Jean Gabin, ever. (There's not even an old, out-of-print book about Gabin in English, if you can believe that )

WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND)OF JEAN GABIN by CHARLES ZIGMAN VOLUME TWO, which has been subtitled "Comeback/Patriarch," covers Films 47 through 95, which Gabin made between 1954 and 1976. During this period of his career, instead of playing his famous tragic drifter character, he played a series of mega-cool gentleman-criminals, and world-weary (yet life-loving) patriarchs, and he even turned out some hilarious comedies during this period, which are criminally unknown in the U.S. The tone of the book is "fun," as opposed to "academic" and "pretentious," and its goal, is to introduce as many people as possible to the films of Gabin; to that end, this book is loaded with rare photographs, many of which have never appeared even in previously published French-language books about Gabin.

This is a book for Jean Gabin 'newbies' and 'completists' both: For the uninitiated, there are some biography and 'intro' chapters which place Gabin, and his famous big-screen persona into perspective. For the completists, I (the author) have 'unpacked' every single one of Jean Gabin's ninety-five theatrical feature films, even the more than fifty pictures which have never been subtitled into English before, so that readers can feel, by poring through the chapters, that they are actually seeing the films, first-hand. Excerpts from newspapers written 'back in the day, ' both in the U.S. and in Europe, show how prominent movie critics received Gabin's pictures the day they were first released, in the 1930s through the 1970s.

In short this two-volume book is for everybody. Besides being the first books about Jean Gabin in the English language, WORLD'S COOLEST MOVIE STAR is also a first, because it happens to be the very first filmography book related to Gabin in any language: Even in France, where there have been many published biographies of Jean Gabin, there has never been a book concentrating on each of the actor's ninety-five films.

Brigitte Bardot contributed an original foreword to Volume Two. (VOLUME ONE IS AVAILABLE SEPARATELY - ISBN #978-0-9799722-0-1.)

This book catalogs the 215 most-cited empirical, theoretical, and practical articles on family business published in 33 journals since 1996. Researchers, students, and practicing managers will find it indispensable as a quick reference and guide to what we have learned about family firms. Annotations for the articles consist of: summary of key findings, research questions, contributions, and research implications. They also include a detailed description of the methodologies, empirical data, definitions, and conceptual models used. In addition, the book features chapters that review the literature, discuss how family businesses have been defined, present recent trends in family business empirical research, and provide an agenda for future research. Scholars, researchers and PhD students in the fields of family business, entrepreneurship, organization theory, management, economics, finance, anthropology, sociology and business history will find this compendium insightful. The topics covered in the book will also prove to be essential to practitioners - both advisors and operators of family enterprises - as it will provide evidence-based knowledge on the issues and dilemmas faced by them in everyday life.

With its companion volume, this book effectively provides descriptions and evaluations of award-winning American fiction for children over the last 125 years. The compilers provide clear, insightful, and critical evaluations. Despite its title, the bibliography lists fiction for both children and young adults. . . . These two volumes, likely to become reference mainstays, are recommended for academic libraries that support children's and young adult literature or teacher education, and for public libraries and media centers. "Choice"

This volume is a fine addition to the reference works of children's literature and should be considered as a first purchase by those studying children's literature in-depth and in particular by those preparing booktalks. "ARBA "

These two volumes will be useful to anyone concerned with children's literature--librarians, teachers, and students. "Reference Books Bulletin"

In this companion volume to their "Dictionary of American Children's Fiction, 1859-1959," Alethea K. Helbig and Agnes Regan Perkins present detailed information on a comprehensive selection of contemporary books for children and young adults. This dictionary consists of 1,550 alphabetical entries for each title, author, main characters, and other important aspects of each work such as significant settings or elements in need of further clarification. The 489 novels examined in this work include the winners and finalists from major award lists, as well as other books recognized for merit by a variety of experts in children's literature. An extensive index includes all the items for which there are entries. Other index entries cover themes, subjects, unusual narrative structures, author's pseudonyms, and genres.

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It is impossible to overstate the importance of British novelist CHARLES DICKENS (1812-1870) not only to literature in the English language, but to Western civilization on the whole. He is arguably the first fiction writer to have become an international celebrity. He popularized episodic fiction and the cliffhanger, which had a profound influence on the development of film and television. He is entirely responsible for the popular image of Victorian London that still lingers today, and his characters-from Oliver Twist to Ebenezer Scrooge, from Miss Havisham to Uriah Heep-have become not merely iconic, but mythic. But it was his stirring portraits of ordinary people-not the upper classes or the aristocracy-and his fervent cries for social, moral, and legal justice for the working poor, and in particular for poor children, in the grim early decades of the Industrial Revolution that powerfully impacted social concerns well into the 20th century. Without Charles Dickens, we may never have seen the likes of Sherlock Holmes, Upton Sinclair, or even Bob Dylan. Here, in 30 beautiful volumes-complete with all the original illustrations-is every published word written by one of the most important writers ever. The essential collector's set will delight anyone who cherishes English literature...and who takes pleasure in constantly rediscovering its joys. This volume contains Part II of Bleak House, Dickens's ninth novel, which was originally serialized in standalone installments between 1852 and 1853. The story of Esther Summerson, an illegitimate child of the aristocracy, and her search for her parentage and her place in the world, it is one of Dickens's finest works, featuring biting commentary on Victorian attitudes toward women as well as toward the English legal system.

"The IBOHS" lists the latest and most important historical science monographs and newspaper articles to be published each year, covering prehistory through early history to recent history. It is currently the only ongoing bibliography of its type to cover such a wide spectrum in terms of subject, period and geographical area. The publications are initially divided up according to age, region and historic discipline, and subsequently according to author name or characteristic main title word.