In the popular imagination, opposition to the Vietnam War was
driven largely by college students and elite intellectuals, while
supposedly reactionary blue-collar workers largely supported the
war effort. In Hardhats, Hippies, and Hawks, Penny Lewis challenges
this collective memory of class polarization. Through close
readings of archival documents, popular culture, and media accounts
at the time, she offers a more accurate "counter-memory" of a
diverse, cross-class opposition to the war in Southeast Asia that
included the labor movement, working-class students, soldiers and
veterans, and Black Power, civil rights, and Chicano activists.
Lewis investigates why the image of antiwar class division
gained such traction at the time and has maintained such a hold on
popular memory since. Identifying the primarily middle-class
culture of the early antiwar movement, she traces how the class
interests of its first organizers were reflected in its subsequent
forms. The founding narratives of class-based political behavior,
Lewis shows, were amplified in the late 1960s and early 1970s
because the working class, in particular, lacked a voice in the
public sphere, a problem that only increased in the subsequent
period, even as working-class opposition to the war grew. By
exposing as false the popular image of conservative workers and
liberal elites separated by an unbridgeable gulf, Lewis suggests
that shared political attitudes and actions are, in fact, possible
between these two groups.
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