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Modes of Communication in Stravinsky's Works - Sign and Expression (Hardcover)
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Modes of Communication in Stravinsky's Works - Sign and Expression (Hardcover)
Series: Routledge Research in Music
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Igor Stravinsky left behind a complex heritage of music and ideas.
There are many examples of discrepancies between his literate
statements about music and musicians and his musical compositions
and activity. Per Dahl presents a model of communication that
unveils a clear and logical understanding of Stravinsky's heritage,
based on the extant material available. From this, Dahl argues the
case for Stravinsky's music and his ideas as separate entities,
representing different modes of communication. As well as
describing a triangular model of communication, based on a tilted
and extended version of Ogden's triangle, Dahl presents an
empirical investigation of Stravinsky's vocabulary of signs and
expressions in his published scores - his communicative mode
towards musicians. In addition to simple statistics, Dahl compares
the notation practice in the composer's different stylistic epochs
as well as his writing for different sizes of ensembles. Dahl also
considers Stravinsky's performances and recordings as modes of
communication to investigate whether the multi-layered model can
soften the discrepancies between Stravinsky the literary and
Stravinsky the musician.
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