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Criticism After Theory from Shakespeare to Virginia Woolf (Hardcover)
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Criticism After Theory from Shakespeare to Virginia Woolf (Hardcover)
Series: Routledge New Textual Studies in Literature
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The argument of this book is a simple one: that criticism after
theory is a single movement of thought defined by synthesis and
continuity rather than by conflict and change. The most influential
figures in criticism since Saussure-Bakhtin, Derrida, and
Foucault-are wholly consistent with Saussure's foundational Course
in General Linguistics (1916) no matter the traditions of complaint
that have followed in Saussure's wake from Bakhtin forward. These
complaints vitiate-despite themselves and often hilariously so-the
misconceptions that have made cottage industries out of quarrels
with Saussurean semiology that are based on notions of Saussure
that are incorrect. The materialist criticism dominant today is
actually dependent upon on the legacy of a presumably formalist
structuralism rather than a step beyond it. New Historicism,
postcolonialism, gender studies, environmental criticism, archive
studies, even shared and surface reading are, like deconstruction,
the by-products of Saussure's structuralism, not its foils.
Saussure's sign is sensory and concrete. Language and materiality
are not distinct but one and the same-history, society, the
psychological subject, even the environment are systems of signs,
material archives read and reread by futures that produce the past
after the fact. Without Saussure, contemporary criticism would have
no identifiable or effective source. The book begins with chapters
on Saussure and Derrida, Bakhtin and Shakespeare, and Freud and
Foucault followed by chapters on Victorian and American fiction,
D.H. Lawrence and modern poetry, Virginia Woolf and Melanie Klein,
and the historicist tropology of psychoanalysis. It concludes with
a coda in life writing on the author's epileptic disability.
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