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Murder, Manners and Mystery - Reflections on Faith in Contemporary Detective Fiction (Paperback)
Loot Price: R492
Discovery Miles 4 920
You Save: R108
(18%)
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Murder, Manners and Mystery - Reflections on Faith in Contemporary Detective Fiction (Paperback)
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List price R600
Loot Price R492
Discovery Miles 4 920
You Save R108 (18%)
Expected to ship within 10 - 15 working days
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Highlighting popular works by P.D. James, Colin Dexter, Ian Pears
and Umberto Eco, among others, this subtle and intelligently
written monograph examines the treatment of religion in the genre
of contemporary murder mystery novels, and the implications of this
phenomenon for understanding Christian thought in a post-Christian
society. The book begins by considering the critical question of
authorial intent and the question of genre criticism and what makes
a genre, a "serious" literary specialism. Is crime fiction ever
destined to be written by "serious authors"? Erb argues that P D
James proves this possible, writing for a multi-faceted, secular,
popular audience and setting her books in a Christian context. The
question, what is mystery is fully explored in the opening chapter,
where Erb examines James' "A Taste for Death and Devices and
Desires," and contrasts their treatment of mystery with Colin
Dexter's treatment in "Death is now my Neighbour." The second
chapter considers the popularity of detective fiction at large
focussing on James' "Original Sin and Umberto" and Eco's "The Name
of the Rose." The third chapter focuses on the problem of justice.
Who is the murderer? This is the key to all detective novels: the
murder itself is secondary. The narrative depends on the murderer's
ability to replace a crime with a convincingly constructed illusion
of innocence, and to escape punishment by means of good manners.
Erb explores this problem, first evident in Exodus, in P D James' A
Certain Justice and Ian Pears' An Instance of the Fingerpost.
Finally Erb looks at retribution. Can justice ever be anything more
than retribution, death without hope? What satisfaction can be made
for the loss of a human life? How can a murderer ever fully confess
a crime and experience thanksgiving in final release from the
consequences? These questions are considered in light of James'
"Death in Holy Orders," and Colin Dexter's "A Remorseful Day."
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