This book considers the shifts in aesthetic representation over the
period 1885-1930 that coincide with both the rise of literary
Modernism and imperialism's high point. If it is no coincidence
that the rise of the novel accompanied the expansion of empire in
the eighteenth-century, then the historical conditions of fiction
as the empire waned are equally pertinent. Peter Childs argues that
modernist literary writing should be read in terms of its response
and relationship to events overseas and that it should be seen as
moving towards an emergent post-colonialism instead of struggling
with a residual colonial past. Beginning by offering an analysis of
the generational and gender conflict that spans art and empire in
the period, Childs moves on to examine modernism's expression of a
crisis of belief in relation to subjectivity, space, and time.
Finally, he investigates the war as a turning point in both
colonial relations and aesthetic experimentation. Each of the core
chapters focuses on one key writer and discuss a range of others,
including: Conrad, Lawrence, Kipling, Eliot, Woolf, Joyce, Conan
Doyle and Haggard.
General
Imprint: |
Continuum International Publishing Group Ltd.
|
Country of origin: |
United Kingdom |
Series: |
Continuum Literary Studies |
Release date: |
June 2007 |
First published: |
August 2007 |
Authors: |
Peter Childs
|
Dimensions: |
234 x 156 x 15mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
162 |
ISBN-13: |
978-0-8264-8558-8 |
Languages: |
English
|
Subtitles: |
English
|
Categories: |
Books >
Language & Literature >
Literature: history & criticism >
Literary studies >
From 1900
|
LSN: |
0-8264-8558-8 |
Barcode: |
9780826485588 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!