In this inventive book, Peter Fritzsche explores how Europeans
and Americans saw themselves in the drama of history, how they took
possession of a past thought to be slipping away, and how they
generated countless stories about the sorrowful, eventful paths
they chose to follow.
In the aftermath of the French Revolution, contemporaries saw
themselves as occupants of an utterly new period. Increasingly
disconnected from an irretrievable past, worried about an unknown
and dangerous future, they described themselves as indisputably
modern. To be cast in the new time of the nineteenth century was to
recognize the weird shapes of historical change, to see landscapes
scattered with ruins, and to mourn the remains of a bygone era.
Tracing the scars of history, writers and painters,
revolutionaries and exiles, soldiers and widows, and ordinary home
dwellers took a passionate, even flamboyant, interest in the past.
They argued politics, wrote diaries, devoured memoirs, and
collected antiques, all the time charting their private paths
against the tremors of public life. These nostalgic histories take
place on battlefields trampled by Napoleon, along bucolic English
hedges, against the fairytale silhouettes of the Grimms' beloved
Germany, and in the newly constructed parlors of America's western
territories.
This eloquent book takes a surprising, completely original look
at the modern age: our possessions, our heritage, and our newly
considered selves.
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