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Such Freedom, If Only Musical - Unofficial Soviet Music During the Thaw (Hardcover)
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Such Freedom, If Only Musical - Unofficial Soviet Music During the Thaw (Hardcover)
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Following Stalin's death in 1953, during the period now known as
the Thaw, Nikita Khrushchev opened up greater freedoms in cultural
and intellectual life. A broad group of intellectuals and artists
in Soviet Russia were able to take advantage of this, and in no
realm of the arts was this perhaps more true than in music.
Students at Soviet conservatories were at last able to use various
channels--many of questionable legality--to acquire and hear music
that had previously been forbidden, and visiting performers and
composers brought young Soviets new sounds and new compositions. In
the 1960s, composers such as Andrey Volkonsky, Edison Denisov,
Alfred Schnittke, Arvo Part, Sofia Gubaidulina, and Valentin
Silvestrov experimented with a wide variety of then new and
unfamiliar techniques ranging from serialism to aleatory devices,
and audiences eager to escape the music of predictable sameness
typical to socialist realism were attracted to performances of
their new and unfamiliar creations.
This "unofficial" music by young Soviet composers inhabited the
gray space between legal and illegal. Such Freedom, If Only Musical
traces the changing compositional styles and politically charged
reception of this music, and brings to life the paradoxical
freedoms and sense of resistance or opposition that it suggested to
Soviet listeners. Author Peter J. Schmelz draws upon interviews
conducted with many of the most important composers and performers
of the musical Thaw, and supplements this first-hand testimony with
careful archival research and detailed musical analyses. The first
book to explore this period in detail, Such Freedom, If Only
Musical will appeal to musicologists and theorists interested in
post-war arts movements, the Cold War, and Soviet music, as well as
historians of Russian culture and society."
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