This Jacobean tragic-comedy by Philip Massinger explores the
cultural conflict between Christian Europe and Muslim North Africa
experienced when the two began to travel and trade in the early
modern period. The play is peopled with merchants and pirates and
the somewhat convoluted plot involves conversions between both
faiths, disguise, kidnap and clandestine marriage.
The play is one of many of the period exploring the tantalizing
and sometimes threatening "other" world of other religions and
cultures and as such is studied alongside more familiar plays such
as "Othello" and "The Merchant of Venice." Michael Neill explores
the themes as well as the pure theatrical joy of this fast-paced
play, putting it in its historical context as well as discussing
how it resonates with modern audiences and readers today.
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