Traditionally, the carnival mode in Europe offers a suspension
of time and ordinary social conventions; however, through the
presentation and representation of that which is deemed exotic and
unconventional, American carnival proposes an alternative
landscape. While other authors have generally focused on European
manifestations of the carnival, McGowan identifies and analyzes a
particularly American form of the carnival, which systematically
operates to codify race and space within the United States. Through
an analysis of overt carnival forms, such as minstrel shows,
World's Fairs, and Coney Island, McGowan demonstrates how America
reads society and culture through a dualistic vision contoured by
race, class, ethnic, and gender concerns. American exhibitions of
Otherness are constructed within, and interpreted through, an
economy of spectacular display and punishment, in which the
normative position of whiteness is opposed by manipulated
representations of Other identities, such as freaks and monsters,
blacks, Native Americans, and other minority groups.
The volume explores how such carnivalizations of America's
racial faces and social spaces extend beyond overt spectacles and
constitute a continuous process of encoded readings of social
position. The book examines a range of texts and cultural events
from the 19th and 20th centuries to identify the operations and
mutations of American carnival forms, including literary works by
such authors as Fitzgerald, Hawthorne, Hemingway, Faulkner, and
Bellow.
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