Few experts in American literature have written as insightfully
and brilliantly as did Philip Young, renowned Hemingway critic and
scholar at large. His unique work bursts with a joy in the
humanities, with a sensibility, a humor, and a style that
communicate to academics and general readers alike. Although Young
died in 1991, he survives in his remarkable prose.
American Fiction, American Myth features nineteen groundbreaking
essays in which Young masterfully reveals the "so what?" that he
insisted all literary studies ought to have. In the first section,
he demonstrates his fascination with such American myths as
Pocahontas and Rip Van Winkle, reaching powerful conclusions about
America and its people. In the second section, he becomes "Our
Hemingway Man," explaining his germinal and still provocative
theory that Hemingway's severe wounding in World War I so
traumatized the novelist that his fiction was to a great degree
unwitting self-psychoanalysis.
Young's book on Hemingway was the first of its kind, but Young
was more than a one-author critic, as his essays demonstrate in the
third section, exploring such diverse topics as Hawthorne's secret
love, the Lost Generation that was never lost, F. Scott
Fitzgerald's debt to T. S. Eliot, and the relationship between
American fiction and American life. What Hemingway once said about
himself can be equally applied to Young: "I am a very serious but
not a solemn writer." The reader comes away from these essays
dazzled by the power of Young's observations and the grace with
which he expresses them.
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