The relationship between art and design has always been the subject
of controversial discussion, not just since the Arts and Crafts
movement began. The relationship between the two genres can look
back on a long history of different positions, approaches, and new
distinctions. A change in perspective is therefore urgently
required. Zitzelsperger's argumentation is a historical one that
traces the points where art and design meet or repel each other
from the Renaissance onward. Zitzelsperger locates the decisive
turning point toward the end of the nineteenth century, when design
became closely connected to the newly emerging philosophy of
American pragmatism. Beyond ontology and the aesthetics of
production, the author brings to light a new horizon that is open
to the intentions underlying design and its practical realization.
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