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Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain (Paperback)
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Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain (Paperback)
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The term 'Popular Music' has traditionally denoted different things
in France and Britain. In France, the very concept of 'popular'
music has been fiercely debated and contested, whereas in Britain
and more largely throughout what the French describe as the
'Anglo-saxon' world 'popular music' has been more readily accepted
as a description of what people do as leisure or consume as part of
the music industry, and as something that academics are
legitimately entitled to study. French researchers have for some
decades been keenly interested in reading British and American
studies of popular culture and popular music and have often
imported key concepts and methodologies into their own work on
French music, but apart from the widespread use of elements of
'French theory' in British and American research, the 'Anglo-saxon'
world has remained largely ignorant of particular traditions of the
study of popular music in France and specific theoretical debates
or organizational principles of the making and consuming of French
musics. French, British and American research into popular music
has thus coexisted - with considerable cross-fertilization - for
many years, but the barriers of language and different academic
traditions have made it hard for French and anglophone researchers
to fully appreciate the ways in which popular music has developed
in their respective countries and the perspectives on its study
adopted by their colleagues. This volume provides a comparative and
contrastive perspective on popular music and its study in France
and the UK.
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