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Abstractionist Aesthetics - Artistic Form and Social Critique in African American Culture (Paperback)
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Abstractionist Aesthetics - Artistic Form and Social Critique in African American Culture (Paperback)
Series: NYU Series in Social and Cultural Analysis
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An artistic discussion on the critical potential of African
American expressive culture In a major reassessment of African
American culture, Phillip Brian Harper intervenes in the ongoing
debate about the "proper" depiction of black people. He advocates
for African American aesthetic abstractionism-a representational
mode whereby an artwork, rather than striving for realist
verisimilitude, vigorously asserts its essentially artificial
character. Maintaining that realist representation reaffirms the
very social facts that it might have been understood to challenge,
Harper contends that abstractionism shows up the actual
constructedness of those facts, thereby subjecting them to critical
scrutiny and making them amenable to transformation. Arguing
against the need for "positive" representations, Abstractionist
Aesthetics displaces realism as the primary mode of African
American representational aesthetics, re-centers literature as a
principal site of African American cultural politics, and elevates
experimental prose within the domain of African American
literature. Drawing on examples across a variety of artistic
production, including the visual work of Fred Wilson and Kara
Walker, the music of Billie Holiday and Cecil Taylor, and the prose
and verse writings of Ntozake Shange, Alice Walker, and John Keene,
this book poses urgent questions about how racial blackness is made
to assume certain social meanings. In the process, African American
aesthetics are upended, rendering abstractionism as the most
powerful modality for Black representation.
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