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Framing the Margins - The Social Logic of Postmodern Culture (Paperback)
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Framing the Margins - The Social Logic of Postmodern Culture (Paperback)
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This dramatic rereading of postmodernism seeks to broaden current
theoretical conceptions of the movement as both a
social-philosophical condition and a literary and cultural
phenomenon. Phil Harper contends that the fragmentation considered
to be characteristic of the postmodern age can in fact be traced to
the status of marginalized groups in the United States since long
before the contemporary era. This status is reflected in the work
of American writers from the thirties through the fifties whom
Harper addresses in this study, including Nathanael West, Anais
Nin, Djuna Barnes, Ralph Ellison, and Gwendolyn Brooks. Treating
groups that are disadvantaged or disempowered whether by
circumstance of gender, race, or sexual orientation, the writers
profiled here occupy the cusp between the modern and the
postmodern; between the recognizably modernist aesthetic of
alienation and the fragmented, disordered sensibility of
postmodernism. Proceeding through close readings of these literary
texts in relation to various mass-cultural productions, Harper
examines the social placement of the texts in the scope of literary
history while analysing more minutely the interior effects of
marginalization implied by the fictional characters enacting these
narratives. In particular, he demonstrates how these works
represent the experience of social marginality as highly fractured
and fracturing, and indicates how such experience is implicated in
the phenomenon of postmodernist fragmentation. Harper thus
accomplishes the vital task of recentering cultural focus on issues
and groups that are decentered by very definition, and thereby
specifies the sociopolitical significance of postmodernism in a way
that has not yet been done.
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