Black Heart is a provocative and polemical critique of African
American literary studies at the beginning of the twenty-first
century. Through a series of sharp and insightful essays on a wide
range of critical thinkers, Phillip M. Richards traces what he sees
as an erosion of moral reflection in African American literary
culture - a process that has left contemporary black academic
criticism socially, politically, and culturally hollow. Exploring
the work of Henry Louis Gates, Jr., Michael Dyson, Karla Holloway
and others, Black Heart sets forth the rhetorical strategies of
present day African American critical writing, and probes the
ethical dimensions of its institutional life in the academy, the
media, and the public sphere. Richards under takes to recover the
procedures by which cultural and moral value may be recovered for
black literary culture and to establish the possibilities for a new
humanism in African American writing and literary culture.
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