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Piet Mondrian New Design: Bauhausbucher 5, 1925 (Hardcover)
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Piet Mondrian New Design: Bauhausbucher 5, 1925 (Hardcover)
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Although Piet Mondrian (1872-1944) was not an active member of the
Bauhaus, his name is often mentioned in connection with the art
school. Mondrian, cofounder of the De Stijl movement in the
Netherlands, called for a strict reduction of visual language to
orthogonal composition and primary colors, which met with great
approval in Bauhaus circles. His rigorous geometric compositions of
verticals and horizontals and strident palette of essential colors
were important to numerous Bauhaus masters; Mondrian's influence
appeared in Bauhaus architecture, product design, typography,
graphic design, painting and beyond. It is therefore not surprising
that Mondrian's essays on art theory, most of them written for the
De Stijl journal, were translated into German and published as
number five in the Bauhausb cher series. New Design starts with a
philosophical foray into art, which Mondrian describes as a
figurative expression of human existence--an expression which will
find its natural conclusion in his own concept of a "New Design."
Mondrian then considers the relationship between painting and
architecture and dares to take a far-reaching look at the future of
Neoplasticism, which he imagines revolutionizing design and
architecture around the world. Harry Holtzman's renowned
translations of Mondrian's selected essays appear in New Design as
a complete compilation for the first time. The publication is true
to the content and design of the German first edition of 1925 and
includes a brief scholarly commentary.
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